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Marcel Duchamp (1887-1968)Rotoreliefs (Optical Discs) (Schwarz 441) The complete set of twelve offset lithographs in colours printed on both sides of six cardboard disks, 1935, all contained in the original black vinyl circular holder, from the first edition of 500 (Schwarz records that 300 sets were lost during World War II), in overall good condition, accompanied by a letter written by Marcel Duchamp to Ronald Hunt at the time of gifting him this set in 1962, within the original mail cardboard boxEach disk diameter 200mm. (7 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Queen Elizabeth II, from Reigning Queens (see Feldman & Schellmann IIB.334-337) Unique screenprint in colours, 1985, on Lenox Museum Board, signed and numbered TP 26/30 in pencil, one of 30 colour variant trial proofs aside from the edition of 40 (there were also 10 artist's proofs), printed by Rupert Jasen Smith, New York, with their blindstamp, published by George C.P. Mulder, Amsterdam, the full sheet, in overall very good condition, the colours strong and vibrant, framedSheet 1001 x 799mm. (39 3/8 x 31 1/2in.)Footnotes:ProvenanceBelgravia Gallery, London (with their label).Sotheby's, Old Master, Modern & Contemporary Prints, London, 19 March 2013, Lot 177.Acquired from the above sale by the current owner.In 1985 Warhol produced his largest portfolio Reigning Queens, containing screenprint portraits of the four ruling female monarchs of the day: Queen Elizabeth II, Queen Beatrix of the Netherlands, Queen Margrethe II of Denmark and Queen Ntombi Twala of Swaziland. The image of Queen Elizabeth II was based on a photograph taken by Peter Grugeon at Windsor Castle on 2 April 1975 and released to celebrate Her Majesty's Silver Jubilee in 1977. Warhol was fascinated by fame and celebrity. He was the first artist to really comprehend the appeal of celebrity culture and how to harness this appeal to his advantage by producing iconic images of the famous and the glamorous which had an immediate impact and charisma. Warhol's decision to produce an image of the monarch took this up a level. A royal likeness stood apart from other portraits as the ultimate image of fame, celebrity and glamour and was treated with a certain reverence. On the other hand, Warhol was also well aware that this image would be instantly recognizable and attractive to collectors, thereby increasing his own fame by association, notably quoting 'I want to be as famous as The Queen of England'.Having worked as a commercial illustrator, Warhol understood how to present an image to attract attention. He favoured the screenprint process, which produced a precise defined image with hard edges and flat areas of colour, to achieve maximum impact for his radical and glamorous Pop art portraits. The use of this method is pertinent for the Queen as the most depicted woman in the world and indeed the bust length format and vibrant colours call to mind another iconic item of mass production, the postage stamp.Warhol has pared down the original image, removing some of the finer detail which gives character to the face, to leave an inscrutable façade. He has highlighted outlines on areas such as the crown and sash with the Royal Family orders, thus focussing the viewer's attention on the image of Her Majesty as a symbol of royal power; the public face and figurehead of the Royal House of Windsor. In this year of the Platinum Jubilee, we are delighted to be offering a unique version of this screenprint outside the standard edition, which can be regarded as truly iconic, both in subject and within the Warhol repertoire.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Giorgio Morandi (1890-1964)Natura morta con il panneggio a sinistra (Vitali 31; Cordaro p.35) Etching, 1927, on wove paper, the second, final state, signed, dated and numbered 32/40 in pencil, with wide margins, in good condition, framedPlate 246 x 350mm. (9 3/4 x 13 3/4in.); Sheet 330 x 435mm. (13 x 17 1/8in.)Footnotes:ProvenancePrivate Collection, Italy (acquired circa 1960-1970)Thence by descent from the above to the present ownerOne of Morandi's finest etched works, Natura morta con il panneggio a sinistra, was produced in 1927 and reproduces the subject painted by the artist twice that same year (Vitali 1977, cat. 115-116). Morandi generally worked directly from his subjects and etched everything on a plate at one time. So there are a few states of his prints. Only two states were made of this subject, with a limited edition of forty impressions and some artist's proofs. The present impression is part of the second state, in which Morandi added oblique signs on the bottom left of the neck of the central bottle.His methodical use of the etched line to create shapes, volume and density of his marks, by hatching and cross-hatching alone without a descriptive outline, is clearly inspired by the great old master etchers Rembrandt and Goya, whom he profoundly admired.Natura morta con il panneggio a sinistra is one of his most accomplished large compositions of his celebrated still-lifes etchings. The gradual intensity of the etched line shaded surfaces is contrasted with areas completely untouched by the needle, creating a highly atmospheric chiaroscuro effect which Morandi named bianco assoluto (absolute white).Giorgio Morandi is considered the most outstanding Italian printmaker of the twentieth century. Unlike many other artists, his practice as a printmaker was not just a supplement to painting or an additional means of income. Etching had played a significant part of his artistic practice since the beginning of his career. He made his first etching in 1912, having taught himself the technique by reading a treatise of 1660 by another Bolognese artist Odoardo Fialetti. Morandi made very few prints until the 1920s, and only a total of 138 in all. Eighty of his prints were made in the short period between 1927-1933 and only a small number after the Second World War.Morandi held the Chair in Printmaking at the Academy of Fine Arts in Bologna from 1930 until 1956.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Four: Police Superintendent A. E. Murkin, Chelmsford Fire Brigade, who was awarded the R.S.P.C.A. Life Saving Medal for rescuing two horses from a fire in Chelmsford in 1922 Defence Medal; National Fire Brigades Association Long Service Medal, bronze, 1 clasp, Five Years, with ‘Ten Years’ top brooch bar (7439 Albert E. Murkin); National Fire Brigades Association Long Service Medal, silver, 2 clasps, Twenty Years, Five Years (3625 Albert E. Murkin); R.S.P.C.A. Life Saving Medal, silver (Supt. A. E. Murkin) with integral top ‘For Humanity’ riband bar, generally extremely fine (4) £300-£400 --- Albert Edward Murkin was born in Shoeburyness, Essex in 1872 and having joined the Chelmsford Fire Brigade applied to join the National Fire Brigade Association in April 1907. He was awarded the Association’s bronze medal in 1923 and the silver in 1928. He was awarded the R.S.P.C.A. Life Saving Medal in Silver for the rescue of two horses in 1922. An account of the rescue is recorded in the May 1923 edition of The Animal World: ‘The Mayor of Chelmsford, Alderman Fred Spalding, J.P., recently presented the Society’s Silver Medal to Superintendent Murkin, of the Chelmsford Fire Brigade and the bronze medal to Mr Frederick Thomas Hills, for their brave action in rescuing horses from a fire. Superintendent Murkin went into a stable where he had been told there were two horses. The smoke and heat drove him back at first, but he went to the fire hose, saturated a handkerchief and put it round his mouth and went in again, “And,” said the Mayor, “I am very pleased to say he brought out both those horses.” In handing Superintendent Murkin the medal the Mayor said:- “It will be the means of reminding you of a noble deed and that you have the respect of your fellow townsmen, especially those who love animals.” In presenting the bronze medal to Mr Hills, the Mayor said that on the night of the fire he rushed to the stables and managed to get out three horses. One animal was down and they could not get it up. After having a drink of water Hills went back in again and succeeded in bringing out the horse’. Murkin retired from the Chelmsford Fire Brigade with the rank of Superintendent, and died in Chelmsford on 13 December 1950. Sold with photocopied Chelmsford Fire Brigade photographs and other copied research.

Victoria Cross, an official Hancocks & Co, London, replica, the reverse engraved ‘Hancocks 402’, in fitted leather case of issue, extremely fine £400-£500 --- The Victoria Cross was instituted on 29 January 1856, with the first awards backdated to 1854, and in the first 150 years of its existence was awarded on 1,355 occasions (1,352 Crosses and 3 Second Award Bars). To mark the 150th Anniversary, the London jewellers Hancocks, who have manufactured every Victoria Cross ever awarded, issued a limited edition replica, the replicas all individually numbered on the reverse, with the edition limited to 1,352 replica crosses.

Head-Dress Badges of the British Army. Two Volumes, by Arthur L. Kipling and Hugh L. King, published by Frederick Muller, London, Volume 1, 1973, 468pp, with index and various plates, hardback, with torn dust jacket; Volume II, 1979, 242pp, with index and various plates, hardback, with dust jacket, generally good condition and the definitive reference on the subject Regimental Badges. By Major T. J. Edwards, published by Gale and Polden, Aldershot, 1951, Fifth Edition, 358pp, with illustrations, hardback, with dust jacket, reasonable condition Shoulder Belt Plates and Buttons. By Major H. G. Parkyn, published by Gale and Polden, Aldershot, 1956, 341pp, with illustrations, hardback, lacking dust jacket, reasonable condition Scottish Regimental Badges. By W. H. and K. D. Bloomer, published by Arms and Armour Press 1973, 76pp, with index and illustrations, hardback, with dust jacket, reasonable condition Badges of the Highland and Lowland Regiments. By W. H. and K. D. Bloomer, privately published, 1982, 123pp, with illustrations, hardback, with dust jacket, reasonable condition First World War Canadian Infantry Badges. By W. K. Cross, published by the Charlton Press, Toronto, 1991, 374pp, with illustrations and prices, softback, good condition Officers’ Waist Belt Clasps 1855-1902. By Lelia B. Ryan, published by the Military Historical Society, 1994, 55pp, with illustrations, softback, good condition Twenty-Five Great Badges. By John Tanner, published by the Royal Air Force Museum, 1981, 32pp, with illustrations, softback, good condition (9) £80-£100

QUILLER-COUCH, A, T, The Sleeping Beauty and Other Fairy Tales From the Old French,first edition, signed to inner cover c.1910, 4to. Illustrated with 30 colour plates, some plates with folds, book F-G, the binding firm, the cloth quite worn to the board corners and spine tips. The contents, with a neat 1910 gift inscription to the front free endpaper and heavy spotting to the endpapers, are generally clean throughout,

Books: The Pictorial Edition of the Works of Shakspere, ed. Charles Knight 1842(The Pictorial Edition of the Works of Shakespeare) published by Charles Knight, this edition was published in parts from 1838-41, bound c.1842 in six volumes, original full red Morocco leather, spines with raised bands and title, vol number and contents in gilt with extensive gilt decoration, marbled edges, many illus, full page and in text, edited by Knight and closely derived from the text of the First Folio, 25cm x 17cm

Iwami Furusawa (JAPAN, 1912-2000) Nude beauty Circa 1970s-1980s Ōban tata-e woodblock print Dimensions (the leaf): 41 x 29 cm Provenance: A large collection of 100+ Japanese woodblock prints, properties from a French collector. Notes: A rare nude print originally published in five (5) prints as part of a limited edition of two-hundred (200) copies portfolio. Iwami Furusawa is a well-known Japanese printmaker whose works have been widely exhibited. Amongst his exhibitions are: - the first Bienal of São Paulo (1951); - ‘1945±5: War and Reconstruction – How Artists Faced the Turbulent Period’, Hiroshima CIty Museum of Contemporary Art (2016); - National Museum of Modern Art Tokyo (MOMAT). NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

Imai Takehisa 今井武久 (Japan, B. 1940) ‘Hino Shrine’ Oban yoko-e woodblock print Artist seal in the print on the lower right Handsigned in the margin on the lower right First edition, limited edition, numbered in the margin on the lower left: 39/150 Dimensions (the leaf): 35 x 47 cm NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

Imai Takehisa 今井武久 (Japan, B. 1940) ‘Rokkaku-do temple in Kyoto’ (‘六角堂’) Oban tata-e woodblock print Artist seal in the print on the lower left Handsigned in the margin on the lower right Titled in the margin on the lower central part First edition, limited edition, numbered in the margin on the lower left: 43/150 Dimensions (the leaf): 47 x 35 cm NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

Richard Atwater "Secret History Of Procopius" Signed First Edition No 633 with a blue hard back with gilt tooling, Annie Laurie Trousdale "Winging Far" Signed published by G P Putnams Sons New York 1938, Rev J R Hutchingson D D "Reminiscences Sketches and Addresses Selected From My Papers During A Ministry Of Forty-Five Years" 1st Edition published by E H Cushing 1874 the brown hard back with gilt writing to the spine, Ralph A Selle "El Jardin Birds Sing In Texas" signed 1st Edition published by Outdoor Nature Series 1934 the red hard back with writing top the front and spine, Captain John W Thompson Jr U.S. Marine Corps "Marines And Others" 1st Edition published by Charles Scribners Sons 1929, Madison Cawein "The Cup Of Comus Fact And Fancy" 1st Edition Limited to 500 Copy's numbered 111 published by The Cameo Press New York 1915, J. Frank Dobie "Coronado's Children" Signed 1st Edition published by The Southwest Press 1930 the black hard back with gilt tooling and writing to the front and spine, John W. Thomason Jr "The Adventures Of General Marbot" 1st Edition Signed by Thomason, published by Charles Scribners Sons New York 1935, Richard Atwater "Secret History Of Procopius" Signed First Edition No 633 with a blue hard back with gilt tooling (8) 

A PRINT ALBUM OF THE 53 STATIONS OF THE TOKAIDO, DATED 1934Japan, dated 9th year of Showa (1934), first edition. Containing 55 prints depicting a series of ukiyo-e woodcut prints originally created by Utagawa Hiroshige after his first travel along the TOkaidO in 1832 starting in Tokyo and ending in Kyoto. With a small booklet describing each print and a fabric coated cover.Provenance: Croatian private collection.Condition: Good condition, some wear to the cover, tears, browning and minor soiling.Dimensions: Size 32 x 23 x 2.8 cm

LARGE COLLECTION OF MEMORABILIA RELATING TO THE SCOUTS INCLUDING FIRST DAY EDITION JAMBOREE ENVELOPE (1957), BADGES, EMBLEMS, SCARVES, BUNTING AND NEWSPAPERS DATAED 1920'S - 1930'S

Wells (H.G.), THE WAR OF THE WORLDS, first edition, grey cloth boards, embossed title to cover and spine, W.H.Smith library bookplate to front endpaper, William Heinemann, London 1898

Arlott (John) (Ed), JOHN SPEED'S ENGLAND - A COLOURFUL FACSIMILE OF THE FIRST EDITION, 4 vols, 3/4 cloth bound patterned card boards, each in matching slip case, Phoenix House Limited 1953 (4) (at fault)

Potter (Beatrix), THE TAILOR OF GLOUCESTER, first edition, green card boards, applied shaped illustration to front cover, four matching illustrated endpapers, inscription to half title page, colour frontispiece depicting a promenading lady and gentleman, publication date to title page, Frederick Warne And Co, London 1903, with THE TALE OF MRS TITTLEMOUSE, first edition, buff card boards, applied hexagonal illustration to front cover, twelve character paired endpapers, inscription to front free endpaper, half title page, publication date to title page, Frederick Warne And Co, London 1910 (2) (at fault)

A FRENCH SWIRL GLASS SNUFF BOTTLE, 19TH CENTURYFrance, 19th century. Of compressed spherical shape, featuring white, blue, yellow, red and green swirls, with a crown shaped metal stopper, the crown finial can be unscrewed from the stopper.Provenance: From the private collection of Tuyet Nguyet and Stephen Markbreiter. Tuyet Nguyet was the founder and chief editor of Arts of Asia. She married Stephen Markbreiter, an English architect, in 1959 and moved to Hong Kong to work as a journalist. Arts of Asia's first regular edition appeared in 1971. In the magazine, Nguyet sought to combine authoritative content from major experts with detailed coverage of the Asian art market. Tuyet Nguyet was an early member of The International Chinese Snuff Bottle Society, attending her first convention in 1973, and was later elected as an honorary member.Published: Tina Yee-wan Pang ed. 'Heavenly Creations, Chinese Snuff Bottles from the Collections of Anthony Cheung, Humphrey Hui, Po-ming Kwong, Tuyet Nguyet and Christopher Sin', University Museum and Art Gallery, The University of Hong Kong, Hong Kong, 2005, cat. no. 97.Condition: Very good condition with minor wear.Stopper: Metal stopperWeight: 11.8 gDimensions: Height 5.7 cm incl. stopper

CHARLES EAMES (U.S.A., 1907 - 1978) & RAY EAMES (U.S.A., 1912 - 1988)."Coffee table "Elliptical ETR", original design from 1950.Plywood table top, high-pressure laminate surface. Chrome-plated steel cable base.With Vitra label. Edition 2006.Slight marks of use in the centre of the table top and small corner scratches.Measurements: 26 x 225 x 75 cm.The ETR coffee table, designed by Charles and Ray Eames was named by popular culture as Surfboard table, due to the curved shapes of the table top. In this case the piece, which has a chromed steel base, is topped with a black plywood tabletop.Charles and Ray Ames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become twentieth-century classics. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988)."Lounge Chair & Ottoman", design 1956.Edition 2000s.Ash wood frame with black leather upholstery.Signs of wear and tear.Measurements: 85 x 85 x 80 cm (armchair); 40 x 53 x 65 cm (Ottoman).The "Lounge" armchair and footstool set, made of moulded wood, with leather upholstery, was designed by Charles and Ray Eames. An icon of 20th century design, this furniture is part of important collections such as that of the MoMA in New York. Vitra has manufactured the Charles and Ray Eames Lounge Chair using the same manufacturing methods since the 1950s.Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

CHARLES EAMES (U.S., 1907 - 1978) & RAY EAMES (U.S., 1912 - 1988)."Plywood Group DCW Chair, design 1945/1946.Plywood moulded with natural ash veneer. With two Vitra labels. Edition 2002.It has slight so marks on the lower part of the legs and the upper part of the back.Measurements: 73 x 49 x 52 cm.Original chair Plywood Group DCW (Dining Chair Wood), the piece presents a design of rounded forms that follow an organic pattern that adapts to the human body. This design was the result of several years of research in which Charles and Ray Eames experimented with various prototypes.Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

STAMPS - Summer Collection limited edition first day lithographs, 1979/80 and a 1980 Olympics mint sheet stamp collection, both in presentation binders, presented as eighteen first day lithographs, all numbered 891/9500 in pencil and nine unbroken sheets of stamps with descriptive card inserts

DANBURY MINT STERLING SILVER COMMEMORATIVES x 2, to include a 26cm diameter plate in display case, and a 6 x 4.5cms stamp with Post Office First Day cover in presentation case and outer sleeve, the plate hallmarked Sheffield 1978, 18.8ozt, with certificate numbered 0481 from a limited edition of 2,500, the postage stamp Birmingham hallmarked 1978, 2.4ozt, with certificate numbered 1280

J. K. Rowling - Harry Potter and the Philosopher's Stone, rare and desirable first edition, first printing, published London: Bloomsbury, 1997, paperback, number line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover, ex-Libris to first title page, very slight fading to outer, otherwise in fine crisp condition Slight bruise at bottom of spline, very slight wear to extremities, colours are good. Multiple additional images attached to lot online

A paperback book 'A Hard Day's Night' (1st Pan edition, 1964) signed to first page by Barry and Louise Harrison. With a photograph of the Beatles with same name inscribed to verso also in the hand of Barry Harrison.

60's / 70's - CLASSIC ROCK & PROG - CD COLLECTION. Great collection of around 120 x CDs to include box sets. Titles / Artists include Kimi Hendrix - Experience Hendrix (Special Limited Edition), Cream inc. Israeli Gears, Goodbye and Wheels of Fire, Georgie Fame inc. The Two Faces of Fame, The Third Face of Fame, Heard Them Here First and Yeh Yeh (The Collection), Nilsson, The Who - My Generation, Donovan inc. Retrospective, Hurdy Gurdy Man, Sunshine Superman and Mellow Yellow, Pink Floyd, 10cc, The Moody Blues, Mike Oldfield inc. Tubular Bells, Five Miles Out, QE2 and Platinum, The Rolling Stones, The Yardbirds, Strawberry Alarm Clock and Kinks. Condition apears to be Ex+ / As New.

LENNON JOHN (1940-1980), 15x sign. l.r. and dated 1970, 'Bag one' a set of 15 erotic scenes, complete, printed by : Laurens A. Daane N.V. Amsterdam holland, the first edition original givin to Yoko Ono as wedding present. 50 x 36 cm. (minor water damage and rip in cover)LENNON JOHN (1940-1980), 15 x ges. r.o. en gedat. 1970, 'Bag one', serie van 15 erotische afbeeldingen, compleet, uitgegeven Laurens A. Daane N.V. Amsterdam Holland. Deze eerste versie was gegeven als liefdes cadeau voor huwelijk aan zijn aanstaande Yoko Ono, 50 x 36 cm. (lichte waterschade en scheur in omslag)

Hot Wheels - 50 x unopened models from the 1998 First Edition and 2000 First Editions including Chevy Pro Stock truck # 24370, '40 Ford truck # 18674, Ferrari 365GTB/4 # 23928 and similar others. The models all appear Mint in Very Good packaging with some light storage wear. (This does not constitute a guarantee)

Three first edition Harry Potter books. Including hardback Order of the Phoenix and Goblet of Fire, etc.

After Sidney Robert Nolan (1917-1992) framed limit edition lithograph print. 'First Class Marksman' Signed in pencil. 27/60.

First Edition 1900 Hardback, How we kept the flag flying, the story of the siege of Ladysmith formerly owned by a Boer War Veteran William Netley along with a letter dated 1971 providing provenance.

SIX BOXES OF 20TH CENTURY BOOKS ETC, to include two first edition copies of 'The English People' by George Orwell, one lacking dust jacket, T.E Lawrence 'The Mint' first edition 1955, 'Annotations on some minor writings of T.E. Lawrence', a signed copy of the History of Tutbury by Oswald Mosley 1832, Cricket books including copies signed by Denis Compton, Henry Blofeld, Mike Procter, David Shepherd, Wes Hall and Ritchie Benaud, biographies / autobiographies about or by comedians including Spike Milligan, Tommy Cooper, Barry Took, Bill Hicks, Peter Cook, Peter Sellers, Eric Sykes etc, topographical books regarding Staffordshire, Warwickshire and Derbyshire, Mitchells & Butlers 'Fifty years of Brewing' and a Tuborg beer pamphlet

A PAIR OF MODERN JAPANESE POTTERY FIGURES OF SAMURAI WARRIORS, posed holding bladed staff which is removable from the figure, printed marks to the underside with four character marks and 'CHRISTOPHER W LIMITED EDITION 10 FIRST RUN OF 1500', height 45cm, both with a square plinth, overall height 49cm (4) (Condition report: one figure has a glued repair to a section of bunched hair by his left ear. firing crack around the wrist of the outstretched hand and glued repairs to the fingers of the other hand, the other figure is in good condition, both of the plinths have splits to the feet)

JENNY SAVILLE 'MIGRANTS' FIRST EDITION HARDBACK BOOK, produced to accompany the exhibition of the same name in 2003, with an essay by Linda Nochlin to the inside pages, published by Gagosian Gallery, condition: some indentations and bumps to the covers

Fluxus - - Joseph Beuys. Josef Beuys. Zeichnungen, Aquarelle, Oelbilder, Plastische Bilder aus der Sammlung van der Grinten. Ausstellungskatalog mit zahlreichen Abbildungen. Kleve, Städtisches Museum Haus Koekkoek, 8. Oktober - 5. November 1961. 24 Bll. 8°. Ill. OBroschur. (Rücken leicht gebräunt, HDeckel minimal angeschmutzt). Erste Ausgabe. - Eines von 500 nummerierten Exemplaren. - Gutes Exemplar. Exhibition catalogue with numerous ill. Ill. orig. wrappers (spine slightly browned). - First edition. - One of 500 numbered copies.

Rupprecht Geiger. Rupprecht Geiger in Heiliggeist. Morgen Rot - Abend Rot. Mit 4 ganzseitigen Serigraphien sowie je einem auffaltbaren Quer- und Längsschnitt der Heiliggeistkirche mit jeweils 2 kleinformatigen Serigraphien. Mit Beiträgen von Rupprecht Geiger, Franz Niehoff, Peter B. Steiner. 44 ungez. S. 4° OPpbd. (minimal berieben). Erste Ausgabe.- Die Serigraphien gefertigt von Ekkeland Götze mit den von Rupprecht Geiger verwendeten Originalpigmenten auf BFK Rives.- Gutes Exemplar. With 4 full-page serigraphs and one fold-out horizontal and one fold-out longitudinal section of the Heiliggeistkirche, each with 2 small-format serigraphs. First edition.- The serigraphs made by Ekkeland Götze with the original pigments used by Rupprecht Geiger on BFK Rives.- Good copy.

Artist: Andy Warhol (American, 1928 - 1987). Title: "The Beatles #2". Medium: Original color offset lithograph. Date: Composed 1980. Dimensions: Overall size: 12 1/4 x 36 in. (311 x 914 mm). Image size: 12 1/4 x 36 in. (311 x 914 mm).Lot Note(s): Signed in black marker, upper left; signed in the plate. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; folds as issued. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIB.5. Comment(s): The auction record for an unsigned impression of this print is $5,437 at Artcurial-Briest, Poulain, F. Tajan (Paris), 6/25/2013, lot #206. Issued as the dustjacket, with title/text/banner, for the first edition of the book 'The Beatles' by Geoffrey Stokes (Rolling Stone Press/Times Books) in 1980. Warhol created the image based on photographs by Dezo Hofmann, London. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28517-6-600]

Artist: Eadweard Muybridge [d'après] (English/American, 1830-1904). Title: "Woman Spanking a Child [from Animal Locomotion: Plate 527]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 6 3/4 x 11 3/16 in. (171 x 284 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25356-3-150]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Woman: Descending a Stairway [from The Human Figure in Motion: Plate 45]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 1/2 in. (241 x 292 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29373-2-225]

Artist: Paul Strand (American, 1890 - 1976). Title: "Women of Santa Anna, Michoacan [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 5 x 6 3/16 in. (127 x 157 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [29324-3-600]

Artist: Paul Strand (American, 1890 - 1976). Title: "A Boy, Hidalgo [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 5/16 x 4 7/8 in. (160 x 124 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29310-3-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Andy Warhol and His Plastic Inevitable [1st printing] [announcement/oversize postcard]". Medium: Color lithograph. Date: Composed 1967. Dimensions: Overall size: 8 x 5 in. (203 x 127 mm).Lot Note(s): Signed by Warhol in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): Scarce, and rare signed by Warhol. Designed by Wes Wilson. The postcard for the famous event, unlike the poster with the same image, was authorized by Bill Graham and first printed early in 1967 along with the second printing of the poster. The colors of the card match the colors of the first and second printings of the poster. The card was printed by the West Coast Lithograph Co., San Francisco (their imprint verso), who also printed the second printing of the poster. The postcard was subsequently reprinted by Wes Wilson in 1993. Since the poster had a total of three printings, and concert postcards are generally issued before the event, the 1967 printing of the postcard is often erroneously referred to as a second printing, when in fact it was the first. The first printing can be differentiated from the second by the colors ("Andy Warhol and His Plastic Inevitable" is white in the first, pink in the second; orange lettering in the first vs. red/orange in the second); no small letters under the image lower left in the first vs. the addition of "© 1966 Wes Wilson BG 8-3/PS 33" in the second, the change in the small letters lower right from "Wes Wilson 661-5362" in the first to "Wes Wilson '66" in the second, the deletion on the verso of the printer's information on the second printing, the smaller size (8 x 5 on the first, 7 x 5 on the second), and the paper color (pale cream on the first, white on the second). Image copyright © Wes Wilson. [28361-1-300]

Artist: Eadweard Muybridge (English/American, 1830-1904). Title: "Athlete: Running [from The Human Figure in Motion: Plate 11]". Medium: Original photomezzotint & letterpress. Date: Composed 1872-1885. Printed 1901. Dimensions: Overall size: 9 1/2 x 11 1/4 in. (241 x 286 mm).Lot Note(s): Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29376-2-150]

Artist: Eadweard Muybridge [d'après] (English/American, 1830-1904). Title: "Baboon Walking [from Animal Locomotion: Plate 747]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 7 9/16 x 9 13/16 in. (192 x 249 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [27138-3-150]

Artist: Banksy [d'après] (English, b. c1973-75 | Active 1990 - Present). Title: "British £10 Note, Di-faced Tenner". Medium: Color print. Date: Composed 2004. Printed later. Dimensions: Overall size: 3 x 5 11/16 in. (76 x 144 mm).Lot Note(s): Edition not specified. White wove paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): The first Di-faced Tenner was executed by Banksy in 2004 and retailed at the 'Santa's Ghetto' exhibition in London the same year. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30339-1-225]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Fruit Basket". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 6 7/16 x 5 1/16 in. (164 x 129 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12d; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28737-1-600]

Artist: Banksy [imputée] (English, b. c1973-75 | Active 1990 - Present). Title: "Di-faced Tenner". Medium: Color offset lithograph. Date: Composed 2004. Printed 2006?. Dimensions: Overall size: 3 x 5 11/16 in. (76 x 144 mm).Lot Note(s): Bears "Banksy" stamp, verso lower right. Edition not specified. White wove "banknote" paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): The Tenner is accompanied by an envelope stamped "Banksy." The first Di-faced Tenner was executed by Banksy in 2004 and retailed at the 'Santa's Ghetto' exhibition in London the same year. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30337-1-600]

Artist: Banksy [d'après] (English, b. c1973-75 | Active 1990 - Present). Title: "Di-faced Tenner [Dismaland]". Medium: Color print. Date: Composed 2004. Printed later. Dimensions: Overall size: 3 x 5 11/16 in. (76 x 144 mm).Lot Note(s): Stamped "Dismaland Bemusement Park" lower center, both recto and verso. Edition not specified. White wove paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): The first Di-faced Tenner was executed by Banksy in 2004 and retailed at the 'Santa's Ghetto' exhibition in London the same year. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30338-1-225]

Artist: Eadweard Muybridge [d'après] (English/American, 1830-1904). Title: "Dogs Fighting [from Animal Locomotion: Plate 715]". Medium: Original photogravure. Date: Composed 1872-1885. Printed later from the original negative. Dimensions: Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 5 5/16 x 13 3/4 in. (135 x 349 mm).Lot Note(s): Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25355-3-100]

Artist: Paul Strand (American, 1890 - 1976). Title: "Man with a Hoe, Los Remedios [Mexico]". Medium: Original photogravure. Date: Composed 1933. Printed 1967. Dimensions: Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 5/16 x 4 7/8 in. (160 x 124 mm).Lot Note(s): Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Comment(s): From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [6533-3-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #06 (second edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(d); cf. Feldman/Schellmann II.142. Comment(s): This from the second edition of the Mick Jagger announcement set, unlike the first signed in the plate both by Warhol and Jagger, numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28073-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #08 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/16 x 4 in. (154 x 102 mm).Lot Note(s): Signed by Warhol in black marker, center left. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(f); cf. Feldman/Schellmann II.143. Comment(s): This from the first edition of the Mick Jagger announcement set, scarcer than the second edition and unlike the second not signed in the plate both by Warhol and Jagger, numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28547-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #09 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(e); cf. Feldman/Schellmann II.141. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger, nor numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28655-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #10 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker, lower left. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(a); cf. Feldman/Schellmann II.144. Comment(s): This from the first edition of the Mick Jagger announcement set, scarcer than the second edition and unlike the second not signed in the plate both by Warhol and Jagger, numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29014-1-400]

Artist: Fanny Rabel (Polish/Mexican, 1922-2008). Title: "Niña de Tlaxcala". Medium: Original lithograph. Date: Composed 1950. Dimensions: Overall size: 14 x 10 1/16 in. (356 x 256 mm). Image size: 14 x 10 1/16 in. (356 x 256 mm).Lot Note(s): Signed in pencil with the initials, upper left; signed with the initials in the plate, lower right. Proof aside from an unknown edition. Cream wove paper. Printed to the edge of the sheet. Fine impression. Very good condition. Provenance: Through Feliciano Peña; Private collection, Patzcuaro, Mexico. Comment(s): Rabel's prints are scarce. Born Fanny Rabinovich, she was a Mexican painter and printmaker, also known as "La Fanny de los Fridos". Her family moved to Mexico City in 1938 to escape the Second World War. Rabel's first exhibition was held at the Liga Popular Israelita in 1941 where Frida Kahlo, her teacher at the time, wrote of her: "Fanny Rabinovich paints as she lives, with great courage, intelligence and sensibility... But what I find most interesting in her painting is the profound roots that link the tradition and strength of her people (Jews). It's not a personal style, but rather socialist. She's worried about class problems and has observed with incredible maturity the character and style of her models, giving them always particularly lively emotions. All of this without pretentiousness and full of femininity and class that make her work so complete." Rabel worked as a muralist with Diego Rivera and David Alfaro Siqueiros; other famous teachers were Santos Balmori and Francisco Zúñiga. She was a founding member of the Taller de Gráfica Popular (TGP) and is considered one of the four "Fridos," along with Arturo Estrada, Arturo Garcia Bustos, and Guillermo Monroy. Image copyright © The Estate of Fanny Rabel. [27829-2-150]

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Canape #2, Villa d' Este, Lake Como, Italy". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in black marker, lower left; signed and dated in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): A close-up of this image, one of Newton’s most popular, is the dust jacket photo for Newton’s legendary first book “White Women.” The print is very scarce and quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Helmut Newton Foundation. [24691-3-800]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Campbell's Soup - Pepper Pot [Ferus Gallery invitation/announcement]". Medium: Original color offset lithograph. Date: Composed 1962. Dimensions: Overall size: 12 1/4 x 10 in. (311 x 254 mm). Image size: 8 7/8 x 5 1/16 in. (225 x 129 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed very small. Slightly textured white wove paper with serrated lower margin (as issued). Full margins. Fine, strong impression with bright colors. Good to very good condition: folds as issued for mailing; a few handling creases and spots, not in the image. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018 (unknown to Marechal, undoubtedly to be included in the forthcoming revised edition); cf. Feldman/Schellmann II.51. For an extensive coverage of the history and importance of this announcement and its exhibition, please see Kirk Varnedoe's essay 'Campbell's Soup Cans, 1962' in Gagosian Gallery's 'Ferus,' 2002, pp. 44-52. The announcement is illustrated, full page, full color, on pg. 42. The exhibition painting upon which the announcement is based is pictured on pg.129. Comment(s): A very rare object. “Gordon’s Print Prices” records only three sales from 1985 to 2019, all works unsigned, the most recent sale realizing $2,750 at Bonhams New York, 12/6/2106, lot #136. The importance of the Warhol exhibition at the Ferus Gallery and this related announcement cannot be overemphasized. Although the Archives of American Art at the Smithsonian has a total of 32 different Irving Blum and Ferus Gallery announcements, it does not possess this announcement. As Wikipedia states in its article on the Campbell's Soup Cans, "Warhol…showed the work on July 9th, 1962 in his first one-man gallery exhibition as a fine artist in the Ferus Gallery of Los Angeles, California. The exhibition marked the West Coast debut of pop art." Note the differences in our poster and the related painting to the later, true to life, screenprints of the soup cans. As Varnedoe states,"…Warhol added one central, repeated note of expediently pure abstraction in the solid gold disk that utterly ignores the fine black printing actually found on this area of the real label." Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. TM Licensed by Campbell's Soup Co. All rights reserved. [26480-2-3000]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #04 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker, center right. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(j); cf. Feldman/Schellmann II.147. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger, nor numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28980-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #05 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(b); cf. Feldman/Schellmann II.140. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger, nor numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28654-1-400]

Artist: Banksy (English, b. c1973-75 | Active 1990 - Present). Title: "Monkey Queen [poster]". Medium: Color offset lithograph. Date: Printed 2007. Dimensions: Overall size: 31 x 24 in. (787 x 610 mm).Lot Note(s): Edition extremely small, probably 100 or less. Thin white smooth wove paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; would be fine save a few handling dimples, visible only in the raking light. Comment(s): This extremely rare poster was distributed in a limited quantity prior to an exhibition held from December 2nd to the 29th at the Vanina Holasek Gallery, 502 W. 27th St. in NYC. The exclusive preview (December 1st) for this, the first (unofficial) Banksy show in NYC, has since become infamous. The full title is “Bankrobber Presents…Banksy N.Y.C….December 2nd to 29th, 2017.” The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers.”. [30335-5-1600]