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Lot 635

Ca. 100-200 AD. A matched pair of gold earrings, each with a shield embellished with a small floral design and framed by gold wire with a hook and eye closure. Below each hoop is a cluster made of gold spheres. For a similar pair, see The Metropolitan Museum of Art, Accession Number: 74.51.3741. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: L:35.4mm / W:14.7mm ; 8.48gProvenance: Private London collection; British art market 1990s.

Lot 639

CA. 100-200 AD. Nicely carved Centurion with helmet, facing left in a carnelian intaglio of 20K gold, nicely detailed. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 14.65mm / US: 3 3/4 / UK: H; 3.61gProvenance: Private London collection; Previously with I.G.; acquired from an East Coast, USA collector prior to 1979.

Lot 641

Ca. 200-300 AD. A rare and beautiful bronze open-work plate brooch, also known as a "Wheel of Fortune" due to its unique wheel shape. The brooch is composed of a bronze wheel featuring radiating, pointed arms that intersect in the center of the wheel. In the center, the wheel is embossed with a detailed depiction of the Sun symbol, which can be seen in multiple cultures and religions as a representation of life and rebirth. Cf. Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 357, item 1626.Size: L:36.1mm / W:35.4mm ; 9.78gProvenance: Private London collection; British art market 1990s.

Lot 648

Ca. 200-300 AD. A finely rendered gold disc-shaped pendant, hammered from thin gold with a suspension loop. This piece is fully wearable and it comes with a modern necklace cord. The sun stands for Sol Invictus (Latin for "Unconquered Sun"), a major divinity in Late Roman religion. Sol Invictus was a patron of soldiers and became part of the official state religion in AD 274 under Emperor Aurelian. The cult continued into the 5th century as St Augustine felt it necessary to preach against Sol to his Christian congregation. The connection between Sol and soldiers means that this item may well have belonged to a Roman legionary, who wore it in hope of protection during military campaigns.Size: L:18.6mm / W:16.1mm ; 2.94gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Lot 650

Ca. 100 AD. A bronze openwork brooch plaque featuring “war trumpet” terminals with a still-preserved catch plate on the reverse (the pin is missing). Brooches were an important element of Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested, and they seem to have played an important role in Roman people’s self-expression. Cf. Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 357, item 1621.Size: L:21.6mm / W:35.5mm ; 11.64gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 658

Ca. 100-300 AD. A beautifully formed one-piece gold ring with broad shoulders tapering into the band and a large bezel finely engraved with a portrait of a noble lady, possibly a member of the imperial family. She is depicted facing to the right and wearing a stephane, a type of wreath made from either metal or waxed cords and originally used to signify high status. Her hair is exquisitely braided, adding a further touch of elegance to the piece. Fashion styles for Roman women during the imperial era were often highly ornate, with clothing often featuring intricate embroidery, precious stones, and other luxurious adornments. Hairstyles were often elaborate, with styling methods such as braiding, plaiting, curling, and crimping all popular. Hair would be decorated with ribbons and wreaths, such as the stephane. Jewelry was also highly fashionable during the imperial era, with gold jewelry, including rings and earrings, being particularly popular. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 16.00mm / US: 5 3/8 / UK: K 1/2; 12.4gProvenance: Private London collection; British art market 1990s.

Lot 660

Ca. 100-300 AD. A gold ring formed of a round hoop with a carinated profile, which adds depth and dimension to the design. The shoulders of the ring gently expand to support an oval-shaped bezel cell, which is set with a stone intaglio with engraving that depicts a standing figure of God Mercury (Greek Hermes). In the image, Mercury is holding a money bag in his left hand, which is a symbol of his role as the god of commerce and financial gain, and in his right hand, he holds kerykeion, a staff with two serpents entwined around it, topped with a pair of wings and sometimes a globe. It is said to have the power to bring peace and healing, but also to cause destruction and death. Mercury was also the messenger of the gods, and he was known for his speed and agility. He was also associated with travel and communication, and he was often portrayed wearing a winged hat and sandals. He was believed to be able to move freely between the world of the gods and the world of mortals, which made him an important figure in both mythology and religious practice. For a similar depiction of Mercury, see Amgueddfa Cymru – Museum Wales, Item Number 81.79H/4.10.Size: D: 15.40mm / US: 4 5/8 / UK: J; 9gProvenance: Private London collection; British art market 1990s.

Lot 661

Ca. 100-300 AD. An eye-catching bronze brooch shaped like a bird with an elongated body and sloped sides, decorated with a concentric circles design. It has two long, rectangular-shaped plaques, which serve as its legs. It also has fanning tail, a head with a beak, and large, attentive eyes. The overall design is a stunning combination of delicate curves and subtle details, which is an excellent reflection of the artistry of the remarkable craftsmanship of the Roman period. Cf. Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 361, item 1159.Size: L:23mm / W:36.8mm ; 6.93gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 667

Ca. 100 AD. A bronze openwork brooch composed of two trumpets that have been conjoined in a swirl design. The brooch was probably used as a decorative item or to signify social or military rank. These types of brooches were first seen during the Iron Age in what is now the British Isles. By the 1st century AD, these types of bronzes were popular throughout much of the Celtic world. Cf. Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 357, item 1621.Size: L:41.5mm / W:28.6mm ; 9.84gProvenance: Private London collection; British art market 1990s.

Lot 677

Ca. 100-300 AD. A finely engraved agate gemstone intaglio with a left-facing portrait of Minerva (Greek Athena), the goddess of wisdom and warfare. Shown in profile, she displays a naturalistic eye, a prominent nose, and closed lips, all framed by a wavy coiffure worn under a Corinthian-type helmet. This fine intaglio is set in a possibly later gold ring of a flat-section hoop, widening at the shoulders, which are embellished with an intricate foliate design. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 17.35mm / US: 7 / UK: O; 9.39gProvenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.

Lot 684

Ca. 100-300 AD. A bronze brooch in the shape of a four-armed swastika, with the arms pointing in the four cardinal directions. The swastika is an ancient symbol of faith, luck, and good fortune that has been used across many cultures and societies, including the Ancient Greeks, Romans, Celts, and Germanic tribes. The symbol has been found in many archaeological artifacts and artwork. For a comparable brooch, see Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 357, item 1145.Size: L:24.4mm / W:25.1mm ; 8.66gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 693

Ca. 100-200 AD. A stunning gold ring of Hening type III with a flat interior and rounded outside and the band gradually expanding to support the bezel, which is set with a garnet intaglio engraved with the portrait of a noble woman. She is depicted facing to the left, wearing a veil over her neatly arranged coiffure. The veil was an important symbol of the Roman era, worn primarily by married women and aristocrats to signify their wealth and status. Veils could be worn for modesty, to honor the gods, or simply to look fashionable. Veils were often made of fine fabrics, such as silk, linen, and wool, and could be decorated with precious stones and jewelry. They were usually cut to fit the head closely and were held in place with a headband or pins. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 15.80mm / US: 5 1/8 / UK: K; 5.12gProvenance: Private London collection; British art market 1990s.

Lot 702

Ca. 100-300 AD. A red oval-shaped intaglio depicting a satyr in a profile. Satyrs were mythical creatures with the upper body of a man and the horns, ears, and lower body of a goat. They were companions of the ancient Greek god Dionysus (the Romans 'Bacchus'), the god of wine, fertility, ritual madness, theater, and religious ecstasy. The intaglio is set in a gold ring comprising a thin, round section hoop and an attached bezel cell flanked by pairs of gold spheres to each shoulder. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 19.10mm / US: 9 1/8 / UK: S; 4.55gProvenance: Private London collection; British art market 1990s.

Lot 706

Ca. 1-200 AD. A carnelian intaglio engraved with a standing figure of Athena Parthenos. She is depicted with a spear in her right hand, a shield at her side, and a plumed helmet of Corinthian type on her head. To her side, is a flying Nike, wearing a belted chiton and holding a wreath. This fine intaglio is set in a gold finger ring of a hoop flat on the inside and rounded on the outside with pairs of incised grooves to each shoulder. For a similar intaglio, see The Michael C. Carlos Museum, Object Number 2008.031.051; Gisela M. A. Richter, Catalogue of Engraved Gems Greek, Etruscan, Roman; Metropolitan Museum of Art, New York, Plate XXXIX, 269. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 17.45mm / US: 7 1/4 / UK: O 1/2; 6.93gProvenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 710

Ca. end of 1st century AD. A carnelian intaglio skilfully engraved with a male portrait, possibly an emperor. The figure is portrayed facing left and has a broad forehead, aquiline nose, and strong jaw muscles. The intaglio is set in a gold finger ring of a flat-section hoop. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 18.35mm / US: 8 1/4 / UK: Q 1/2; 8.18gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 711

Ca. 200-500 AD. A bronze ring with a circular loop with ribbed decoration on the shoulders, and a slightly raised, oval-shaped bezel bearing incised spiral pattern. This item probably served as a signet ring used to seal letters or other documents and may have belonged to a Roman merchant.Size: D: 19.10mm / US: 9 1/8 / UK: S; 9.72gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 714

Ca. 100-300 AD. A lovely carnelian stone intaglio engraved with a goat rearing up a palm tree, set in a gold ring of a thin hoop, slightly expanding to support the bezel. Goats have been symbols of fertility and abundance since ancient times. The Romans saw them also as symbols of luck and good fortune. They were often depicted in religious art, mosaics, jewelry, and in literature. Goats were attributed to the gods of fertility, Bacchus and Faunus. They were also a common motif in the architecture of the Roman Empire, often depicted in friezes and other decorative features. For a similar scene intaglio, see Amgueddfa Cymru - National Museum Wales, Item Number 63.228B/3.1. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 19.31mm / US: 9 3/8 / UK: S 1/2; 8.21gProvenance: Private London collection; British art market 1990s.

Lot 720

Ca. 200-500 AD. A bronze finger ring with a circular loop, and a slightly raised round bezel bearing an incised decoration comprising a sun motif comprised of two concentric circles facing 22 radiating lines. The sun stands for Sol Invictus (Latin for: "Unconquered Sun"), a major divinity in Late Roman Religion. Sol Invictus was a patron of soldiers and became part of the official state religion in AD 274 under Emperor Aurelian. The cult continued into the 5th century as St Augustine felt it necessary to preach against Sol to his Christian congregation. The connection between Sol and soldiers means that this item may well have belonged to a Roman legionary, who wore it in hope of protection during military campaigns.Size: D: 18.80mm / US: 8 7/8 / UK: R 1/2; 5.36gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 1603

Early whale tooth (height 16cm approx). NOTE: Export of this item is not permitted.

Lot 1629

Oriental erotic lidded circular dish lid with engraved bird and blossom decoration, opening to 2 carved erotic figures to interior, (diameter 10cm approx). NOTE: Export of this item is not permitted.

Lot 1647

Collection of various bone &horn sewing implements NB.This item may not be exported

Lot 1817

Chinese hardwood stand made from a portion of tree trunk, with finished and polished top, 29cm x 23cm, 41cm high approx. NB This item is very heavy, it cannot be shipped.

Lot 1093

John Broadwood & Sons, London - rosewood grand piano, c1870, straight strung with a bolted iron bar frame, 85 ebony and ivory keys A-A, with original over dampers and key action, traditionally shaped lyre with typically long wooden sustaining and Una corda pedals, turned supports with brass castors.This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Length/Width: 225cm  Depth/Diameter: 142cmCondition Report:Ivory Act - Submission reference: XTKMNLL9

Lot 14

Late Shang/Early Western Zhou Dynasty, ca. 12th-11th century BC. Cast in relief with taotie masks and leiwen, on three bird-shaped flattened profile legs, bas-relief cast zoomorphic pattern with a triage of conical-shaped motifs with circle nodule centre, linked with floral motifs with central nodule. some restoration. For futher reading see: Liu Yang, Ancient Ritual Bronzes from the Shanghai Museum, p.80-81. Shang Rituals Bronzes in the Arthur M Sackler collections.The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: L:255mm / W:195mm ; 1.6kgProvenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.

Lot 206

Western Asiatic/Aegean, Ca. 1200-700 BC. A bronze spearhead with an elongated leaf-shaped blade and barbs, wide raised midrib, and a short socket that transitions into a small tang for insertion into a haft. Good condition, beautiful patina. Cf. Muscarella, Oscar White, Bronze and Iron: Ancient Near Eastern Artifacts in The Metropolitan Museum of Art, New York, 1988, item 398, p. 290.Size: L:130mm / W:20mm ; 25gProvenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1970s.

Lot 225

Ca. 1430-1470 AD. An excellent, forged-iron long sword with narrow and thin blade with a shallow fuller running from the cross guard to about three quarters of the blade length. The pommel in a shape of a square with the top edge scalloped. The cross guard of a flat, horizontal bar which has been coiled and flared at both ends such that when viewed from above it resembles a letter 'S'.Such sword were called 'Schiavona' a type used by Venetian Stradiots recruited from Dalmatia.The item comes with an academic report written by Russel Scott; famous lecturer, reenactor and expert of Viking and medieval artefacts. His report also includes an X-ray fluorescence analysis suggesting the ancient origin of the object.Size: L:1005mm / W:200mm; 1.13kgProvenance: Property of a European collector. Formerly in the collection of Earl Mitchell, London 1990s.

Lot 229

Ca. 600 AD. A gold finger ring comprising a round-section hoop and an applied circular bezel bearing an intricately engraved image of enthroned Mary Theotokos and infant Jesus on her laps. Each element of the scene is carefully rendered in beautiful detail. The Mary Theotokos is depicted wearing a luxurious mantle, and her gaze is directed forward as she holds the infant Jesus, who is sat cross-legged on her lap. From the delicate curls of her hair to the intricate details on Mary’s throne, this exquisite gold ring is a testament to the Byzantine craftmanship. Mary Theotokos is a term found in Eastern Christianity referring to the "God-bearer" or "Mother of God," a title referring to the Virgin Mary, the mother of Jesus Christ. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 17.13mm / US: 6 3/4 / UK: N 1/2; 6gProvenance: Private London collection.

Lot 230

Ca. 600-800 AD. A gold cruciform pendant with a rounded suspension loop, arms of approximately equal length, slightly flaring toward the ends. In the centre of the cross is a pink stone cabochon set in a plain cell. Each arm is elegantly ornamented with incised design. The Cross, the principal symbol of Christianity, recalls the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign of Christ himself and Christians' faith. This item is in wearable condition and it comes with a modern necklace cord. Cf. Christie's Live Auction 1164, Ancient Jewelry, 13 December 2002, Lot 662. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: L:24.8mm / W:20.5mm ; 25.98gProvenance: Private London collection.

Lot 232

Ca. 400-600 AD. A matched pair of gold earrings in a crescent shape, with a hook and eye closure. The open-work plaques are decorated with a scene of two birds, possibly peacocks facing each other and flanking a vase. The edges are ornamented with five spherical baubles, which hang from the bottom of the outer edge. Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy or in bronze for people further down the social ladder. For a similar pair, see The Victoria and Albert Museum, Accession Number M.6&A-1970. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: L:38.7mm / W:36.8mm ; 12.87gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Lot 242

Ca. 500-600 AD. A stunning gold finger ring of a smooth, round hoop with expanding shoulders to support a rectangular bezel with a banded base and tiered design embellished with an emerald cabochon. Above, the conical-shaped box projection is flanked by scrolls and decorated with a pearl bead secured with gold wiring. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase.Size: D: 17.35mm / US: 7 / UK: O; 8.04gProvenance: Private L. Collection ex. Ds. David Ieselsohn 2007, formely, 1980s Swiss Collection.

Lot 262

Ca. 1100 AD. A bronze cruciform pendant with four arms with segmented decoration and flaring outwards finials. A rounded suspension loop projects from the top. The Cross is the principal symbol of Christianity, recalling the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. This item reflects the enduring value of the cross as an enduring symbol of faith through the ages. Good condition; a beautiful patina.Size: L:31.8mm / W:24mm ; 5.54gProvenance: Private London collector, acquired on the UK Art market, pre-2000.

Lot 33

Warring States Period, ca. 500-400 BC . The hook finely formed by a small dragon head with the arched shaft with intricate and sinuous zoomorphic patterns in gold and silver inlay set flush with the bronze, the reverse cast with a knob inlaid in gold with three cylindrical characters. For further information see Jean-Pierre Dubosc, Arte Cinese; Catalogo della mostra Venezia, Venice, 1954, no. 114. Bernard Karlgren, “Bronzes in the Wessén Collection,“ Bulletin of the Museum of Far Eastern Antiquities, no. 30, Stockholm, 1958, pl. 33. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: L:114mm / W:20mm; 60g Provenance: Private collection of a London doctor; formerly in a Somerset Estate collection; acquired from Hong Kong galleries in the early 1990s.

Lot 343

Ca. 1600 AD. A gold thin band with ridged shoulders, a large conical shaped bezel with sapphire, held by four gold planks holding the sapphire in place. The band rounded and modelled with incised moulded decoration. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements.Size: D: 16.1mm / US: 5 1/2 / UK: L; 5.6g.Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.

Lot 345

Ca. 1400 AD. A gold ring with a slender round-section hoop, plano-convex bezel with an inset cabochon stone. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 562. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This analysis will accompany the purchase. Size: D: 19.10mm / US: 9 1/8 / UK: S; 3.3g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between the early 1960s to 1990s.

Lot 363

Kashan, Persia, ca. 1200-1300 AD. A pottery albarello jar, originating from the historic city of Kashan. The jar's striking aesthetic is defined by its intense layers of turqoise and navy glazes, which create a captivating visual contrast and enhance the vessel's unique form. The jar's elegantly flared body rises from a pedestal foot, which imbues the piece with a sense of balance and stability. The sloped shoulder of the vessel further accentuates its graceful form, creating an overall sense of harmony and symmetry. The jar's neck is tubular in shape, culminating in a delicately rolled rim. Albarelli jars were a common household item in the Middle East and were used to store a variety of substances, including ointments, medicines, and herbs. The elegant form and exquisite decoration of this jar suggest that it was likely used to hold valuable or important substances.Size: L: 185mm / W: 105mm ; 465gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Lot 74

Ca. 1800-600 BC. A nicely patinated bronze harness fittings comprising a pair of snaffle bits. The horse bridle bit features terminal rings in different sizes. The item is joined at the smaller rings; an unadorned bar extends from each side and splays out into a large terminal ring, through which the cheek pieces would have originally passed. This piece would have sat in the horse's mouth attached to the reins giving the rider more control over the animal.Size: L:210-215mm / W:35-48mm ; 135-220gProvenance: Private UK collection; From an old British collection formed in the 1990s.

Lot 77

Ca. 500-300 BC. Six flat-section bronze mounts in the form of stylised zoomorphic beasts with loops to the back. Zoomorphic mounts were affixed to garments as decoration in patterns, with multiple mounts on a single item of clothing. Scythians were nomadic people who lived in the Eurasian Steppe region of Central Asia from the 9th century BC to the 4th century AD. They were a major power in the ancient world, and their culture was renowned for its horsemanship, archery, and metalworking.Size: L:15-35mm / W:45224mm ; 30gProvenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1990s.

Lot 425

1972 Triumph 750cc T150V TridentRegistration no. XEU 183KFrame no. T150V GG2491Engine no. T150V GG2491•Fully rebuilt 2013-2014•Extensively upgraded•Used for UK touring and CRMC paradingThis Trident has formed part of the Brailsford Racing Team collection for 10 years. The machine was totally stripped over the winter of 2013/2014 and rebuilt with no expense spared: all plated fittings have been either re-chromed or replaced; several parts have been made by hand and polished; and there are new stainless steel fixings throughout. The wheels have been stripped, new bearings fitted and the rear hub polished before being rebuilt with alloy rims and shod with new Avon tyres.As part of the complete rebuild all engine casings were vapour blasted and then refaced; the crankshaft reground; new valves, valve guides and springs fitted; and every oil seal and locking tab replaced, etc. In addition, a new Norman Hyde clutch plate and Norman Hyde special oil pump have been fitted, while the Rob North belt primary drive helps smooth the transmission and reduces maintenance. Apart from the crankshaft regrind, all engine work has been done by Neil Brailsford. The frame, fuel tank and side covers were repainted in the standard colour scheme, and the petrol tank hand-lined in gold. The front brake torque arms were made by Martin Brailsford and then polished, while several other cycle parts such as the original plastic seat catch pull knob have been replaced with handmade stainless steel items. Other notable features include an in-period Robinson 230mm double-sided four-leading-shoe front brake (vastly superior to the original conical item); polished rear conical hub; and Boyer electronic ignition. The rebuild was started on 23rd December 2013 and was completed on 28th February 2014. Used as a touring bike in the UK, the Trident has also seen action at CRMC events in 2014, 2015 and 2016, being paraded at various venues including Donington Park, Cadwell Park, Brands Hatch, Snetterton, and Mallory Park. It also won a 1st prize concours award at the Portsmouth MAG rally in July 2014. The machine comes complete with two sets of keys; an 'as new' standard dual-seat; and USA-specification handlebars with clamps, ready for a quick change if required. Accompanying paperwork includes old/current V5/V5C documents; some expired MoTs; sundry L P Williams invoices; a CRMC Registration Certificate (parades only); and an owner's handbook.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

Lot 411

1984 Ducati 864cc Mike Hailwood ReplicaRegistration no. A175 WHKFrame no. DM900R*906006Engine no. 908815 DM860A landmark model that kept Ducati afloat during the 1980s, the Hailwood Replica owes its existence to Mike's legendary Isle of Man TT comeback victory in the 1978 Production Race riding an ex-works NCR bike entered and prepared by Manchester-based Ducati dealer, Sports Motor Cycles. Out of top-flight bike racing for seven years and away from the Island for eleven, Mike took on and beat the might of the Honda works team to win the Formula 1 TT at record speed. Ducati lost little time in capitalising on this outstanding success, launching the road-going Mike Hailwood Replica the following year. Previously resident in Switzerland and UK registered in April 2015, this Mike Hailwood Replica was purchased that same year from respected UK dealers Made in Italy Motorcycles (its restorers) and since then has formed part of a small private collection of important Italian motorcycles. Fitted with a top-half fairing only, rather than the standard race-style item, the machine has covered only some 400 miles since purchase and currently displays a total of 33,919 kilometres (approximately 21,000 miles) on the odometer. Last MoT'd until March 2016, the Ducati last ran approximately two years ago and will require recommissioning before further use. The machine is offered with the 2015 purchase receipt; a V5C document; the expired MoT; and a copy of its old Swiss Carte Grise. Offered with keyFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

Lot 420

1961 Ducati 250cc Mach 1 Racing MotorcycleFrame no. DM250*81617Engine no. B74 X S 57.8•Neil Brailsford's first racing motorcycle•Engine extensively modified•Paraded at CRMC eventsNeil Brailsford first built this Ducati in 1967 using a 1961 Mach 1 engine and frame, and raced it in Bemsee, KRC, Newmarket and 'Lord of Lydden' events from 1967 to 1976. Sold in '76, the bike went into the private collection of Bill Rose of Bemsee. The Ducati stayed there unused for many years and was eventually sold in 2008 and started racing again in Classic events. In 2018 Neil was able to buy back what was his original race bike. Jerry Fiford (former many-time Bemsee Champion) had owned and ridden the Ducati for many years and its thanks to him that Neil was able to buy it back again. The machine has not been rebuilt, but rather it is just how Neil raced it in 1967 with the exception of the high-level exhaust to meet modern noise regulations. The Ducati Mach 1 engine was modified from the old hairpin-type valve springs to coil springs. The inlet tract has been bored to accept the new 32mm Amal Concentric Mark 1 carburettor, now rubber mounted. Twin-plug ignition has been fitted also. The vendor advises us that the engine was fully rebuilt.The lubrication system has been modified to give external positive feed to the camshaft to prevent cam failure which can occur with the original system when racing. The alloy fuel tank is an original Vic Camp item from the 1960s. The front brake is a single-sided Ducati component, while at the rear there is a single-sided brake using the original Ducati hub. The exhaust system was ceramic coated in 2022.The Ducati has been paraded at various classic events including Donington Park, Cadwell Park, Snetterton, Mallory Park and Castle Combe. It was last used in 2021. offered with a CRMC Registration Certificate.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

Lot 350

1968 BSA 650cc Spitfire Mark IVRegistration no. PKE 461FFrame no. A65 SB 7272Engine no. A65 SB 7272Offered from the enthusiast owner's large private collection, this stunning motorcycle is one of six BSA Spitfires restored by their owner, who currently retains three MkII and two MkIII models. According to the vendor, this example was restored in 2013 to perfection in every aspect with an 'as new' motor; the big-ends, timing-side bush and cylinder bores being new and standard. Indeed, every item on or in this machine has been carefully checked, refurbished or replaced. The frame, forks and fittings have been powder-coated professionally and numerous parts are brand new (e.g. all the chrome-plated parts). The oil tank has been sprayed black (no abrasive materials near it!) and the new Spitfire glassfibre tank has been custom made using special ethanol-proof material sourced from the USA. The Spitfire is also fitted with new Amal Concentric carburettors; new shock absorbers; and replacement Akront alloy wheels rims, and has a Popham-refurbished original Smiths Chronometric speedometer and rev counter: the former with only 3 miles on the odometer. Kept in the owner's dehumidified private museum, the machine is offered with a BSA OC dating certificate; V5C Registration Certificate; and a current MoT. The owner claims with justification that there is no finer Spitfire available for sale in the UK or elsewhere. Last run in March 2023, this outstanding machine is ready to go. Keys present.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

Lot 112

A group of Newcastle upon Tyne Maling Lustre Ware items , to include 5 Sundae dishes in different colours as well as vases jugs lidded ginger jars, Various patterns and colour ways, Thumb print decoration in patterns like Dahlia, Peony Rose and Clematis. Varying Maling back stamps, from C1940's through to early 1960's all appear in good condition, apart from the Tallest item the jug with has a crack as shown in pictures and stands 27cm high (13) Please view all pictures

Lot 194

Dapple grey Rocking horse in working order, early to mid 20th century quality item with real mane and tail, leather tack and brass stirrups.  plus a childs chair, rustic in style ash with a carved seat 'for a good girl'.

Lot 572

A Cartier silver cased pocket cigarette lighter, having all-over engraved decoration, signed Cartier Paris to the underside and numbered 75272E, Swiss made, 7cm, boxedThis item is in working order. Grubby and few minor marks where used. Lighter burn mark to wind shield as pictured.

Lot 524

Tractomas Prime Mover 1:50 scale model, one item detached (in box), E (Est. plus 21% premium inc. VAT)

Lot 130

BronzeChina , 18th century in the style of the ming Dynasty Dimensions: Height 8 cm Wide 11 cm Depth 11 cmWeight: 650 grams A twin-handled bronze censer. The base carries the six character reign mark of the Xuande emperor (1426-1435) but this item was made later, possibly during the reign of the Kangxi emperor (1662-1722)

Lot 3325

Orientteppich. PERSIEN, um 1900 oder früher, ca. 208x140 cm. Der wollweisse Mittelfeldteppich ist aufsteigend floral durchgemustert. Die hellrote Hauptbordüre zeigt ebenfalls ein reiches Blütenmuster. Aussergewöhnliches Sammlerstück. Alters- und Gebrauchsspuren, in den braunen Bereichen tlw. korrodiert, Kantenschäden, tlw. etwas dünn KEIN VERSAND IN DIE USA| Oriental carpet. PERSIA, around 1900 or earlier, ca. 208x140 cm. The wool-white field is florally patterned in ascending order. The light red main border also shows a rich floral pattern. Exceptional collector's item. Signs of age and wear, partly corroded in the brown areas. Edge damage, partly thin and worn. NO SHIPPING TO THE USA

Lot 322

A vintage .22 Cal. break barrel air rifle marked "Foreign 53453" NB. As a post 1939 air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item. Face to face collection only

Lot 322A

A .22Cal. under lever air rifle S/No. 11993NB. As a post 1939 air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item. Face to face collection only.

Lot 373

A B.S.A. Scorpion .22Cal. air pistol (with cocking aid) S/No. RB60101NB. As a post war air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item . Face to face collection only

Lot 374

A B.S.A. Scorpion .22 Cal. air pistol S/No. PA26004 (with cocking aid and original 1.5 x 15 telescopic sightNB. As a post war air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item . Face to face collection only

Lot 375

An original Mod 6M .177 Cal. recoiless air pistol S/No. 30102 in excellent condition complete with original box and manualNB. As a post war air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item . Face to face collection only

Lot 376

A B.S.A. 240 Magnum .22 Cal. air pistol S/No. AN03926 (AF - incomplete)NB. As a post war air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item . Face to face collection only

Lot 377

A Feinwerkbau 300 .177 Recoiless air rifle, S/No. 119400. A classic match rifle complete with correct diopter sightsNB. As a post war air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item . Face to face collection only

Lot 389

An A.S.I. "Sniper" .22 Cal. air rifle S/No. 1542560 complete with scope, in overall excellent condition.NB. As a post 1939 air weapon the restrictions of the Crime Restriction Act apply to the sale and delivery of this item. Face to face collection only.

Lot 390

A Crosman model 2250B .22 air rifle (Ratcatcher) with Crosman 4 x 15 scope S/No. 906B11697NB. As a post 1939 air weapon the restrictions of the Crime Restriction Act apply to the sale and delivery of this item. Face to face collection only.

Lot 490

A collection of "small bore" shotgun cartridges including .410, 32 bore, .22 R/F and 9mm examples (approx. 300 in total)NB. This item can only be purchased by someone with a current valid shotgun certificate or an R.F.D. Face to face collection only.

Lot 491

A collection of boxed shotgun cartridges including Eley Maximum, Gallyon's Sandringham and an Eley 2" exampleNB. This item can only be purchased by someone with a current valid shotgun certificate or an R.F.D. Face to face collection only.

Lot 492

A quantity of boxed (mainly Eley) cartridges including 10 bore examples - not all boxes fullNB. This item can only be purchased by someone with a current valid shotgun certificate or an R.F.D. Face to face collection only.

Lot 493

A collection of approx. 235 collectors cartridgesNB. This item can only be purchased by someone with a current valid shotgun certificate or an R.F.D. Face to face collection only.

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