Ca. 2200 - 1500 BC. A collection of five bronze stamp seals. One is round with a compartmented face and tall stalk handle, and bears a design of two crescents placed on opposite sides of the rim. A second seal also has a round, flat face and slightly convex back, with a pierced suspension loop; the raised-line design depicts either a five-pointed star or a rosette with five petals. Another example has a design of three compartments, one with a central spike, rendered in an abstract style. A further seal bears a stylised horned quadruped surrounded by three crescent shapes, its flat face decorated with raised lines and a central dot. The final item is engraved with a crescent-shaped line and another opposing line directed towards its centre; the flat face is compartmented, and a tall stalk handle rises to a pierced globe at the top.Size: 14-20mm x 13-20mm; Weight: 45gProvenance: Private London collection; previously in a 1980s Mayfair Family private collection.
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Ca. AD 2-3rd Century. A panel depicting the Preaching Buddha, atop a lotus pedestal supported by a lion throne. He is flanked by two standing bodhisattvas, richly adorned with jewelry, earrings, and long draped robes, each holding a flask or attribute. On the top register, six enthroned Buddhas or bodhisattvas sit within arched niches, referencing the past Buddhas or the Buddhas of the Ten Directions. For similar see: "Indian Buddhist Art" exhibition in India Museum Size: 620mm x 690mm; Weight: 25kg+ Provenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; Ex. Swiss collection, 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 600. A gold ring with a rounded bezel engraved with an eight-pointed star formed by intersecting linear motifs, each terminating in double notches. A small, raised boss projects from the centre. The bezel is attached to a plain hoop of a circular section.For similar see: British Museum, Museum numberAF.212Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 3gProvenance: Private London collection; previously French art market 1970s/1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.Reviewed by Sami Fortune, an ancient jewellery specialist.
Ca. AD 618 - 907.A terracotta figure of a seated female harpist. The woman is shown kneeling with her legs tucked beneath a wide, flaring skirt painted in orange-red pigment. Her arms are raised, holding a curved harp vertically against her left shoulder. Her facial features are rendered with delicate lines outlining the eyes and lips. The hair is arranged in a high, looped topknot at the crown of the head. The surface retains traces of the original pigment.Size: L:235mm / W:130mm ; 1.16kgProvenance: UK private collection; formerly acquired in the early 1990s in Hong Kong. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.
Ca. 2300 BC. A square plaque with a suspension loop of one piece on the back. The design on the face shows a standing "bison" with its head up, and under the head are cultic utensils or symbols. A row of script symbols is put along the top.For similar see: MET Museum Object Number: 49.40.1.Size: 24mm x 24mm; Weight: 9gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 2700 - 2400 BC. A stylised marble idol with a large circular head set on a slender neck, broad semi-circular shoulders, and pointed hands. The body narrows into a lozenge-shaped lower half, with a defined pubic triangle incised on the front. The back is plain and smoothly finished. The figure is mounted on a modern display stand.For similar see: Sotheby's, Egyptian, Classical. and Western Asiatic Antiquities, 08 Dec. 2010, Lot. 41, The Cleveland Museum of Art, 1993.165.Size: 135mm x 48mm; Weight: 180gProvenance: Private UK collection; previously acquired on the German art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 2300 BC. A square plaque with pierced handle on the back, of one piece. The design on the face shows a standing "bison" with its head up, and under the head are cultic utensils or symbols. Three script symbols fill the upper space.For similar see: MET Museum Object Number: 49.40.1.Size: 22mm x 22mm; Weight: 6gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 400 - 600. A gold pendant of circular form with a raised glass inlay at the centre enclosing a dark-toned cross. The inlay is framed by a beaded border, with a further outer border along the perimeter composed of clusters of three granules alternated with single beads. A ribbed suspension loop is attached at the top, and a rounded finial is positioned at the base.Size: 0mm x 14mm; Weight: 2gProvenance: Private London collection; previously French art market 1970s/1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.Reviewed by Sami Fortune, an ancient jewellery specialist.
Ca. AD 1100 - 1300. An octagonal carnelian intaglio engraved with the Cross of Jerusalem, consisting of a large central cross potent flanked by four smaller crosses. A laurel wreath encircles the composition, and a Hebrew inscription is engraved along the top edge.Size: 11.8mm x 13.7mm; Weight: 0.68gProvenance: Property of a London Ancient art collector, formerly in a London private collection, formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 2500 - 2000 BC. A finely carved from a black stone with a high polish, this sculptural head represents a male figure, possibly a ruler or priest-king. The stylised hair, arranged in a radiating pattern culminating in a central medallion, is incised with precision, suggesting a headdress or ceremonial hairstyle. The deeply recessed almond-shaped eyes and arched brows, with incised lashes, impart a solemn, introspective expression. The face bears a short, combed beard and moustache, each carefully delineated with engraved lines. The ears are prominent and meticulously modelled, while the back of the head is carved with long, flowing strands of hair that continue in rhythmic loops around the cheeks and neck. A perforation at the top suggests that the piece may once have been mounted or adorned with additional fittings.For similar see: A. Parrot, BUR Arte, I Sumeri, 1963, f. 219, p. 182Size: 55mm x 32mm; Weight: 135gProvenance: Private UK collection; Ex. M. H. collection, Kensington, acquired on the UK art market in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 618-907. A stone figure of Guanyin. Dressed with a finely detailed necklace, flowing robes, and a high chignon secured by an ornate headdress. The left hand is raised in a abhaya mudra, while the right hand rests gracefully by the side. The facial features are soft yet dignified, bearing a meditative expression with downcast eyes and a subtle smile. Size: 630mm x 270mm; Weight: 20+kg Provenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; Ex. Swiss collection, 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 300 - 600.A terracotta oil lamp with a rounded body and a central filling hole surrounded by a raised rim. Five short, evenly spaced wick spouts extend radially from the body. A single loop handle rises from the back. The upper surface is decorated with low relief curvilinear patterns, including scrolls and concentric circles framing the central opening. The underside is plain with a ring base.Size: 45mm x 120mm; Weight: 137gProvenance: Private UK collection, acquired on the US art market; Ex. Collection of James Wolfensohn, NYC., acquired from Perspective Ltd., Jean-Michel Gozlan, King David Street, Jerusalem, Israel, 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 2300 BC. A square plaque with a suspension loop of one piece on the back. The design on the face shows a standing "bison" with its head up, and under the head are cultic utensils or symbols. A row of script symbols is put along the top.For similar see: MET Museum Object Number: 49.40.1.Size: 27mm x 27mm; Weight: 13gProvenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 600. A gold ring with a circular bezel inlaid with niello, depicting the Virgin Mary in bust form, shown frontally with hands raised. Her head is framed by a halo, and flanked by the Greek inscription ΜΡ ΘΥ (abbreviation for Μήτηρ Θεοῦ, “Mother of God”). The bezel is joined to a plain, rounded hoop, and is flanked by two pairs of small gold spheres positioned at the shoulders.For similar see: Bagot J., El legado de Hefesto: A Memorial to a Private Collection of Ancient Rings and Glyptics, n. 595; J. Spier, Byzantium and the West, Jewelry in the first Millennium, cat. 14D2; The British Museum, Museum number AF.489.Size: D:19.76mm / US: 10 / UK: T 1/2; Weight: 6gProvenance: Private London collection; previously in a 1990s UK collection of Ancient Art. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.Reviewed by Sami Fortune, an ancient jewellery specialist.
Ca. 1200 - 800 BC.A cast bronze sword with a sharply tapering blade and a raised central ridge running the full length to a pointed tip. Broad shoulders drop into a short guard above a cylindrical grip with moulded collars. The hilt terminates in a pommel made from a thin bronze sheet shaped into a rounded cap, surmounted by a spherical finial.For similar see: Christie's, Live Auction 5524, Axel Guttmann collection of ancient arms and armours, Part II, Lot. 36.Size: 445mm x 55mm; Weight: 575gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 2-3rd Century. A carved stone panel depicting the story of the Great Departure, when Prince Siddhartha left the palace to begin his journey towards Enlightenment. For similar see: Prince Siddhartha leaving the Palace, San Diego Museum of Art, accession number 1960.7. Size: 370mm x 690mm; Weight: 25+kg Provenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; Ex. Swiss collection, 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 2300 - 1800 BC. A collection of six bronze stamp seals. One is roughly oval with a flat face engraved with a linear pattern of curving strokes. Another is shaped as a quadruped with its head slightly lowered, and traces of an additional element formerly present on its back. A third presents a flat compartmented face engraved with a two-headed eagle, its wings spread and talons and tail feathers visible. One example takes the form of a formée cross enclosing a central circle, with compartmented face and metal-strip loop handle on the reverse. Another has a triangular layout with a deeply incised design of one or two curling snakes, their bodies extending to each tip of the triangle. The last item is of a circular form and is engraved with a cross combining features of a Greek and formée cross within an outer rim.Size: 25-34mm x 18-27mm; Weight: 80gProvenance: Private London collection; previously in a 1980s Mayfair Family private collection.
Ca. AD 1300 - 1600. A gold ring with a slender circular hoop and a sharply angled square bezel set with a faceted red garnet. The shoulders are slightly thickened where they meet the setting.Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 4.25gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Late XX Century 'Trick Dog' Novelty Money Box, a Jolly example (2).These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Enamelled Faberge style egg form trinket pot on stand, ebony and silver topped pin pot and mother of pearl and silver penknife. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Pair: Corporal J. Wadhams, 1st Royal DragoonsMilitary General Service 1793-1814, 3 clasps, Fuentues D'Onor, Vittoria, Toulouse (J. Wadhams, Corporal, 1st Royal Dragoons.); Waterloo 1815, replacement silver straight-bar suspension (Joseph Wadhams, 1st or Royal Dragoons.), very fine (2)Purchased Spink Numismatic Circular September 1980, Item 7809.Joseph Wadhams was born circa 1788 at Birmingham and joined the 1st Royal Dragoons at Stafford in September 1805 for unlimited service.They joined the Peninsular War in 1809, disembarking at Lisbon to join General Slade, and first saw action at the Battle of Fuentes de Onoro on 5 May 1811, where they participated in a charge of the French cavalry to cover the Light Division's retreat.After the battle, the unit moved south to join General Hill and were heavily involved in the Battle of Maguilla in June 1812, where Slade led them in an eight-mile pursuit of General Lallemand's cavalry. However, French reserve troops were waiting for them at the end of the chase and the resulting French counter attack was disastrous enough to be called 'the unluckiest combat that was ever fought by the British cavalry during the Peninsular War'. Slade was ordered home afterwards, his ill-fated charge prompting the then Viscount of Wellington to comment 'it is occasioned entirely by the trick our officers of cavalry have acquired, of galloping at everything - and then galloping back as fast as they galloped on the enemy'.The Regiment was present at both the Battle of Vittoria in June 1813 and the Battle of Toulouse in April 1814 but did not extensively participate in either engagement. They returned to England at an unknown point before coming back to the continent in May 1815, disembarking at Ostend and joining Major-General William Ponsonby's Union Brigade. At the Battle of Waterloo, they were positioned just east of the Brussels-Genappe road and charged and routed the 1st Cuirassiers after an attack on the British left flank. The Brigade later rode to Napoleon's Grand Battery where they were met with heavy fire and suffered a 50% casualty rate, Wadhams being confirmed with Captain Methuen's No. 7 or 'D' Troop.Discharged in Ireland in November 1818 on reduction of the unit, Wadhams was recommended for a Bounty of the Royal Hospital of Kilmainham and joined the 3rd Veteran Regiment in June 1821. Settling in Hockley, Birmingham, Wadhams worked as a cabinet maker and died in May 1874.…
The campaign group of five awarded to Private D. Bradley, 1st Suffolk Regiment, who was killed in action on 28 June 1944 during the ferocious battle for Chateau de La Londe, a location immortalised by war correspondents as 'the bloodiest square mile in the whole of Normandy'The Battalion was involved in taking the vital Hillman Fortress, one of the toughest German fortifications Allied troops faced on D-DayIndia General Service 1936-39, clasp, North West Frontier 1937-39 (5826063 Pte. D. Bradley. Suff.R.); 1939-45 Star; France and Germany Star; Defence and War Medals 1939-1945, the first three digits of the number officially corrected, some erasure at 3 o'clock, not affecting naming, contact marks, good very fine (5)Donald Bradley was born at Manchester and enlisted in the 1st Battalion, Suffolk Regiment as a regular soldier before the Second World War.The outbreak of the Second World War saw the 1st Battalion, Suffolk Regiment stationed at Devonport as part of the 8th Infantry Brigade, 3rd Infantry Division and served with the British Expeditionary Force in France from late 1939 to May 1940. With the rest of the B.E.F., the Battalion was evacuated from Dunkirk in 1940. The next four years were spent training in the United Kingdom for the invasion of Normandy in 1944. The 1st Battalion landed on Sword Beach just before 09.00 on 6 June 1944 and was involved in attacking and taking the vital Hillman Fortress, one of the toughest German fortifications the allied troops faced.Codenamed 'Hillman' by the British it was headquarters to the German 736th Regiment, who had 150 men and officers stationed there. It was a fortified site with 18 underground concrete bunkers linked by a series of tunnels and trenches surrounded by Tobruk machine gun pits, barbed wire and minefields. The site is located 2.3 miles inland from Sword Beach next to the village of Colleville-Montgomery and was constructed by the Germans from 1942.With a commanding. panoramic view over Sword Beach, it was the control centre for the German defences in the area. The main bunker is four meters underground, had an armoured observation cupola and housed the command headquarters, signal centre, mess rooms and sleeping quarters.Not only was Hillman larger than expected, it was also unscathed. It was supposed to have been bombed and targeted by naval gunfire before the Suffolks got there, but that hadn't happened. Assaulting it was a daunting prospect. The first attack was made by A Company of the 1st Suffolks after engineers had cleared a path through the mines and barbed wire perimeter. However, the attack was beaten off.A second attack, this time with a softening up barrage from the Royal Artillery and tank support from the 13/18 Hussars, finally overran the site by 20:15, except for two command bunkers which proved impenetrable. Even their cupolas and armour bounced anti-tank rounds from the Hussars' Sherman Firefly 17-pounder guns. Holed up inside the bunkers were 70 German troops, who spent an anxious night surrounded by enemy forces before Colonel Krug led them out to surrender in the morning.On 28 June 1944 the Regiment attacked the Chateau de la Londe and whilst they achieved their objective it came at a heavy loss of 161 men killed, wounded or missing, including Bradley. At the fall of the Chateau and its surrounding defences war correspondents described it as 'the bloodiest square mile in the whole of Normandy.'Donald is buried at the La Delivrande War Cemetery, Normandy, France.A documentary film 'The Bloodiest Square Mile' was produced as a tribute to all the Veterans of the 1st Battalion the Suffolk Regiment who fought in Normandy in 1944: thebloodiestsquaremile.comThe Imperial War Museum also has a short film dedicated to the men of the 1st Suffolk Regiment: www.iwm.org.uk/collections/item/object/1060019494… 25001 SALEROOM NOTICE:The first three digits of the service number on the I.G.S.M. officially corrected’
The 'Trench Raid' 1916 M.M. group of five awarded to Private C. Murray, 19th Battalion, Australian Imperial Force, a Gallipoli veteranWounded in the neck during the second attempt on the Maze trench in November 1916, he survived and went on to become a famous artist in AustraliaMilitary Medal, G.V.R. (1073 Pte. C. Murray. 19/Aust:Inf:Bn:); 1914-15 Star (1073 Pte C. Murray. 19/Bn. A.I.F.); British War and Victory Medals (1073 Pte C. Murray. 19 Bn. A.I.F.); Gallipoli Star 1914-15, marked to the reverse 'Collector's Item' and thus an unofficial award, light pitting and contact wear overall, very fine (5)M.M. London Gazette 21 September 1916, the original recommendation states:'For conspicuous bravery during period 25/28 July, 1916. During 48 hours intense bombardment of Pozieres, Pte Murray displayed great gallantry and ability in attending to wounded and carrying them in by night and day. For him to do this it was necessary from him to move outside the front line on the parados and also to bring his wounded men across open ground. He carried out his work with the utmost coolness under shell fire'Originally recommended for the D.C.M.Christopher William Murray was born at Geelong, Victoria on 8 September 1885, the son of John and Jane Murray, both native of Ireland. The young Murray's parents both died before he was ten leaving himself and his older brother as orphans. Made a ward of a state as a result he was placed at St. Augustine's Orphanage in Geelong where he learned the trade of boot making. He was also a member of the famous St. Augustine's band, discovering a love for music and art which would remain with him for the rest of his life. He studied art firstly at Geelong before joining the Melbourne Art Gallery and finally the Slade School of Art in London.Enlisting on 28 May 1915 in New South Wales, Murray stated his trade as 'Artist' and was initially posted to 7/1st Battalion, A.I.F. However Murray's musical flare came to the fore and he applied to join the Band of 'C' Company, 19th Battalion. Joining them on 15 June 1915 he embarked upon the Ceramic and travelled to Egypt before entering the war at Gallipoli on 21 August 1915.On the first day in the field the Battalion entered the Battle of Hill 60, they were later also engaged at Pope's Hill. 19th Battalion finally withdrew during the evacuation in January 1916 and returned to Egypt for a turn on the Suez Canal Defences. Once they had re-organised, they proceeded to France on 18 March 1916.Not long after they arrived in France Murray was one of a small group who volunteered to undertake a trench raid near Pozieres where they would shortly go into action in the Battle of the Somme. Just 6 officers and 65 other ranks took part, the raid was considered extremely dangerous and in recognition of their gallantry in undertaking it each man who took part had a note of recognition made in their service papers.It was during the Battle of Pozieres the following month that Murray was to earn his laurels. However, his luck ran out and he was seriously wounded by a gunshot in the neck near Guedecourt, North Flers on 5 November 1916. At the time the Battalion was engaged in a major attack against the Maze feature, and he was successfully recovered from the battlefield and taken to hospital.The severity of the wound required some years of recuperation after which Murray was detached to No. 3 Australian Auxiliary Hospital on 17 February 1918. He remained serving there until the end of the war, not long after his detachment he was granted leave to study figure painting at the Slade School of Art in London. Murray returned to Australia on 22 August 1919 and was discharged on 7 December 1919, becoming a well-known artist in Australia as stated in his obituary, written on 2 January 1959:"He was a painter known to the Melbourne Art Club, and praised by some critics, as 'artist's artist'. He was a musician who built himself a "cello" of Australian wood and he was a bootmaker. Born at Geelong 73 years ago, he became an orphan early in life. At the orphanage he learned the trade of boatmaking, and was a member of the famous St. Augustine's band which, under the direction of the well-known band leader, travelled all over Australia. He studied painting at Geelong, the Melbourne Art Gallery and the Slade School of Art in London.He served in the 1st world war as a stretcher bearer, and won the Military Medal for gallantry in the trenches of France. After the war he made his living as a musician. He loved to work with his hands and occupied the last years of his life making the thousands of bricks of his home and studio at Emerald."Murray died at Emerald, Queensland in January 1959; sold together with copied research.…
Benjamin Bothamley of Boston (Lincs)-Early 19th century oak and mahogany 8-day longcase clock c 1820, with a swan neck pediment, brass ball and spire finial and paterie, with detached pilasters to the hood door and curved back spats, trunk door with inlay, crossbanding and shaped curved top, rectangular plinth raised on bracket feet, painted dial with images of fruit to the spandrels and a cameo depiction of a maiden and dog to the arch, with upright Arabic numerals for the hours and quarter minutes, minute markers, seconds dial and stamped brass hands, dial pinned directly to a rack striking movement striking the hours on a bell. With weights and pendulum. This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 210cm Length/Width: 45cm Depth/Diameter: 23cmCondition Report:Ivory Act submission reference: 475KCKKG
the ring turned mahogany truncheon with chamfered head and fitted with a sprung bayonet with 33.5cm incurved triangular blade released by a catch, plain shaped grip with ring fitting, 53.5cm long (closed). An old label attached suggests that this sort of item may have been used by press gangs or excise officers.
Royal Doulton Bunnykins - A boxed limited edition tableau piece 2010 "Family Picnic" DB481 (No 197 of 400) with certificate. Item appears to be in vg/excellent condition and comes in protective polystyrene within a box that shows some signs of storage related wear. (This does not constitute a guarantee) [L]
**ON SALE** 18ct White Gold 4.00ct Round Brilliant Cut Diamond Solitaire Ring – IGI Certified Item Details: Metal: 18ct White Gold Diamond Shape: Round Brilliant Cut Diamond Carat Weight: 4.00ct Diamond Colour: E Diamond Clarity: VS1 Diamond Type: Lab-Grown Certification: IGI (International Gemological Institute) Ring Size: M VAT Status: VAT will be added to the final hammer price About IGI Certification The International Gemological Institute (IGI) is a globally recognised independent diamond certification authority. Each IGI-certified diamond undergoes a thorough evaluation by expert gemmologists using advanced technology and strict grading standards. The certification details the diamond’s cut quality, clarity, colour grade, and precise carat weight, providing an objective assessment of its characteristics and value. Why IGI Certification Matters An IGI-certified diamond ensures transparency in grading and verification of quality. The certification enhances market confidence, aids in securing insurance coverage, and supports resale value by providing a trusted assessment of the diamond’s attributes. Collection & Payment Details Collection is available from our designated sales address. Delivery can be arranged upon request; please contact our Accounts team for a quote. A date and time for collection must be booked in advance—no walk-ins can be accommodated without an appointment. Payment is due within 24 hours of the invoice date (excluding weekends) and must be made strictly by BACS transfer. Auctioneer Notes All bids submitted are considered valid and are treated as provisional if the reserve has not been met. The Auctioneer may lower the reserve at any time. For information regarding Buyer’s Premium and VAT charges, please refer to the “Additional Fees” tab or our Terms & Conditions. Late payments will incur a daily interest charge of 1.5% plus VAT on the total invoice amount (including Buyer’s Premium), a one-off administration fee of £75 plus VAT, and a £50 plus VAT per-day storage fee. These penalty charges cannot be removed once applied. Lot Location Status: At holding facility
A unique ring, with an oval emerald surrounded by a double halo of diamonds with a gap in between the haloes. One pear shaped emerald in a pear shaped halo of diamonds sit on each shoulder. Ring size N1/2.Item Specifications:Carat: 0.35 CaratsColour: E - FClarity: SICut Grade: ExcellentMetal: 14ct GoldRing Size: N (NB. Ring size is approx and can vary by +/- 3 sizes, contact vendor for exact size. This ring can be re-sized by the vendor prior to shipping if necessary.)Condition: Boxed - Unworn - from ManufacturerCertificate By: AGICertificate Number: 999146Certificate Link: https://www.agigems.com/reportcheck/viewpdfreport.php?id=999146SC: 6173002E
One natural princess cut diamond is surrounded by a halo of sixteen round brilliant cut diamonds on each of these classic stud diamond earrings. Approx. width 6mm and height 6mm.Item Specifications:Carat: 0.50 CaratsColour: F - GClarity: SI1-SI2Cut Grade: ExcellentMetal: 9ct White GoldCondition: Boxed - Unworn - from ManufacturerCertificate By: IDICertificate Number: 120195654Certificate Link: https://www.idi-lab.com/reportcheck/viewpdfreport.php?id=120195654SC: 8224002
A part of the Home Sweet Home Royal Doulton collection, this whimsical white and purple porcelain birdhouse features painted lavender and vines. This item has its original box measuring 5"L x 5"W x 5"H. Royal Doulton backstamp.Issued: 2001Dimensions: 3"L x 3"W x 4.75"HCountry of Origin: EnglandCondition: Age related wear.
This exquisite Royal Doulton February Amethyst figurine HN5627 is part of the Birthstones Collection, celebrating the birthstone of February—amethyst. Crafted from fine hand-decorated bone china, this elegant figurine features a young woman in a flowing amethyst-colored gown with delicate details, including a matching amethyst gemstone necklace. Released in 2013, this piece was designed with graceful poise, making it a perfect addition for collectors or a thoughtful gift for someone born in February. It bears the Royal Doulton backstamp for authenticity. This item has its original box.Issued: 2013Dimensions: 6.5"HCountry of Origin: EnglandCondition: Age related wear.
Royal Doulton HN4340 parian bust of Her Majesty Queen Elizabeth, The Queen Mother, expertly modeled by renowned sculptor D. Phillips. This elegant and finely detailed parian porcelain figurine commemorates the centenary of The Queen Mother, celebrating her significant legacy in British history. Crafted in 2000, this piece reflects Royal Doulton's celebrated artistry and commitment to excellence. Part of a strictly limited edition, numbered 737 out of only 2,000 pieces produced, it bears the Royal Doulton hallmark, edition number, and artist signature. This item has its original box. Certificate of Authenticity included.Artist: D PhillipsIssued: 2000Dimensions: 6"HCountry of Origin: EnglandCondition: Age related wear.
Part of the Royal Doulton International Collectors Club, this fine bone china figurine features a woman in a gown. She is posed in mid-motion, with one arm extended and the other holding the flowing fabric of her dress. The bodice is detailed with floral patterns, and the gown transitions from blue to white with pink accents. Royal Doulton backstamp. Signed by Michael Doulton. This item includes its original box and Certificate of Authenticity.Artist: Valerie AnnandIssued: 2003Dimensions: 8.25"HCountry of Origin: EnglandCondition: Age related wear.
A Royal Doulton figurine titled Anne Arrives at Green Gables from the Anne of Green Gables series. This hand-made and hand-decorated bone china figurine depicts Anne Shirley in her iconic arrival pose, holding a straw hat and a satchel, wearing a green dress with a white apron. The figurine captures the charm and spirit of the beloved literary character. This is a limited edition piece, numbered 162 out of 800. The base features the Royal Doulton mark along with the limited edition numbering and artist signature. This item has its original box. Certificate of Authenticity included.Artist: Nada PedleyIssued: 2008Dimensions: 6.75"H Country of Origin: EnglandCondition: Age related wear.
This exquisite Royal Doulton figurine, Mrs. Hugh Bonfoy (HN 3319), is part of the renowned Reynolds Ladies Collection and was modeled by Peter Gee. This hand-painted bone china piece captures a refined 18th-century elegance, featuring a lady in a soft blue and pink gown with delicate detailing. Issued in a limited edition of 5,000, this particular figurine is number 399. Accompanied by its original Royal Doulton box and Certificate of Authenticity, this piece is a sought-after collector's item. Royal Doulton, a historic British ceramics brand, is celebrated for its fine craftsmanship and intricate figurine designs, making this piece a timeless addition to any collection. This item has its original box. Certificate of Authenticity included.Artist: Peter GeeIssued: 20th centuryDimensions: 9"HCountry of Origin: EnglandCondition: Age related wear.
Royal Doulton fine bone china figurine titled Antique Dealer HN 4424, part of the Classics series. This hand-painted figurine portrays an antique dealer sitting in a chair, inspecting a small red and black vase with a keen eye, capturing the charm of a seasoned collector. Features intricate detailing and a glossy finish. Marked with the Royal Doulton backstamp on the underside. This item has its original box.Issued: 2002Dimensions: 7"HCountry of Origin: EnglandCondition: Age related wear.
Exclusively produced for the Royal Doulton Company International Collectors Club in 2004, this fine bone china figurine depicts a woman in a lemon-yellow gown with an off-the-shoulder design and a flowing skirt. She is posed adjusting her wide-brimmed hat adorned with floral accents while holding a matching purse in her other hand. The gradient of yellow tones enhances the depth of the sculpted fabric folds. Royal Doulton backstamp. This item includes its original box and Certificate of Authenticity.Artist: Nada PedleyIssued: 2003Dimensions: 6"HCountry of Origin: EnglandCondition: Age related wear.
This exquisite Royal Doulton figurine, Alison HN5564, is part of the beloved Pretty Ladies collection, known for its elegant hand-decorated bone china craftsmanship. Introduced in 2012. This figurine features a graceful lady in a flowing white gown adorned with red floral patterns and a striking red sash. this figurine bears the Royal Doulton backstamp on the base. This item has its original box.Issued: 2012Dimensions: 6.75"HCountry of Origin: EnglandCondition: Age related wear.
This exquisite Royal Doulton figurine, Happy Birthday 2013 (HN5587), is a beautifully hand-decorated bone china piece. Designed to celebrate a special birthday, this figurine features a graceful young woman in a flowing strapless gown with delicate floral details, holding a dainty purse. Her elegant pose and soft pastel tones make this a charming collectible. The underside is marked with the Royal Doulton backstamp and signed by designer Neil Welch. This item has its original box.Artist: Neil WelchIssued: 2012Dimensions: 8.75"HCountry of Origin: EnglandCondition: Age related wear.
A beautiful Royal Doulton Pretty Ladies "Lauren" figurine, model HN5514, crafted from fine bone china. Designed in England, this elegant figurine features a gracefully posed woman dressed in a flowing yellow gown with delicate floral accents and a white shawl. She holds a mirror in hand, exuding refinement and charm. Part of the esteemed Pretty Ladies collection, known for its intricate detailing and timeless elegance. Marked on the base with the Royal Doulton backstamp. This item has its original box.Issued: 2011Dimensions: 7"HCountry of Origin: EnglandCondition: Age related wear.
A beautiful Royal Doulton Flower of the Month figurine, March Jonquil Devotion, model HN5502. This hand-made and hand-decorated bone china figurine features a gracefully posed woman in a flowing yellow gown, holding a bouquet of jonquil flowers. Part of Royal Doulton's Flower of the Month series, this collectible piece showcases intricate detailing and vibrant coloring. Marked on the base with the Royal Doulton backstamp. This item has its original box.Issued: 2011Dimensions: 6.75"HCountry of Origin: EnglandCondition: Age related wear.
A lovely Royal Doulton figurine, Fleur (HN 5163), designed by Nada Pedley. Issued in 2004, this elegant porcelain figure features a lady in a vibrant pink gown with delicate gold accents. Marked with the Royal Doulton backstamp. This item has its original box.Artist: Nada PedleyIssued: 2004Dimensions: 8"HCountry of Origin: EnglandCondition: Age related wear.
Royal Doulton presents June Rose from the Flower of the Month series, celebrating the beauty of birth flowers. This elegant figurine, designed in striking red and white, features a graceful woman in a flowing gown holding a bouquet of roses, the symbolic flower for June. Handcrafted from fine bone china, the figurine is exquisitely detailed with delicate hand-painted accents. This item has its original box.Issued: 2011Dimensions: 7"HCountry of Origin: EnglandCondition: Age related wear.
This exquisite Royal Doulton Birthstones June Pearl figurine (HN5631) is crafted from hand-decorated bone china. Released as part of the Birthstones Collection, this elegant figurine represents the month of June, featuring a beautiful flowing gown in soft pearl tones and a delicate pearl-inspired necklace. Designed with meticulous detail, this collectible is a must-have for Royal Doulton enthusiasts and collectors of birthstone-themed figurines. Royal Doulton backstamp. This item has its original box.Issued: 2013Dimensions: 7.25"HCountry of Origin: EnglandCondition: Age related wear.
A limited edition Royal Doulton figurine from the Michael Doulton Collector Events series. This hand-painted bone china figurine depicts a woman in a flowing tiered gown in warm orange and yellow tones. She wears a wide-brimmed straw hat adorned with floral decorations and holds a small pink flower in one hand. Her other hand is raised to the brim of her hat. The underside bears the Royal Doulton backstamp, along with a handwritten signature by Michael Doulton. This item includes its original box and a Certificate of Authenticity.Artist: John BromleyIssued: 1999Dimensions: 8.75"HCountry of Origin: EnglandCondition: Age related wear.
This exquisite Royal Doulton figurine, April Daisy Innocence (HN5503), is part of the Flower of the Month collection. Crafted from fine bone china, it showcases a graceful young woman in a flowing lilac gown, delicately holding a bouquet of daisies. Handcrafted and hand-decorated, this piece embodies the timeless elegance and exceptional craftsmanship that Royal Doulton is renowned for. The figurine bears the Royal Doulton backstamp. This item has its original box.Issued: 2011Dimensions: 7.5"HCountry of Origin: EnglandCondition: Age related wear.
Charming Lenox porcelain figurine titled The Freedom Puppy, crafted with fine attention to detail. This endearing sculpture features a golden retriever puppy adorned with an American flag-patterned bandana, symbolizing patriotism and loyalty. Hand-painted with lifelike detail, the figurine captures the expressive face and textured fur of the puppy, creating a heartwarming display piece. The underside bears the Lenox backstamp. This item has its original box. Certificate of Authenticity included.Issued: 2003Dimensions: 4"L x 4.5"HCountry of Origin: United StatesCondition: Age related wear.
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