Reservoir Dogs, 1992 one sheet film poster, bearing the signatures of Harvey Keitel (Mr White), Steve Buscemi (Mr Pink), Tim Roth (Mr Orange), Michael Madsen (Mr Blonde) and Chris Penn (Nice Guy Eddie), framed for display, 93 x 66cm.PLEASE NOTE the signatures on this item may well be autopen examples, we have NOT authenticated these signatures and any perspective buyer must satisfy themselves as to the veracity of this and or any other items offered for sale by auction SEE TERMS AND CONDITIONS.
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The Untouchables, 1987, one sheet film poster, bearing the signatures of Robert De Niro, Sean Connery, Kevin Coster, Andy Garcia and Brian De Palma, framed for display, 102 x 73cm.PLEASE NOTE the signatures on this item may well be autopen examples, we have NOT authenticated these signatures and any perspective buyer must satisfy themselves as to the veracity of this and or any other items offered for sale by auction SEE TERMS AND CONDITIONS.
Meet The Fockers, 2004, one sheet poster, bearing eight signatures of the cast and crew, framed for display, 108 x 75cm.PLEASE NOTE the signatures on this item may well be autopen examples, we have NOT authenticated these signatures and any perspective buyer must satisfy themselves as to the veracity of this and or any other items offered for sale by auction SEE TERMS AND CONDITIONS.
George Harrison, All Things Must Pass, 3 LP box-set, Apple 1C 172-04 707/8/9 Y, with poster, together with Dark Horse x2 (PAS 10008 & MFP 50510 re-issue), Thirty Three & 1/3, S/T, The Best Of Dark Horse 1976-1989 (promo), Cloud Nine, Living In The Material World (with lyric insert), Somewhere In England x2 and Gone Troppo. (12)Somewhere in England: with previous owner's name to sleeveNot every item has been checked but overall condition G/VG
A collection of Robertson's "Golly" items, includes a glove puppet, wall thermometer etc / These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A collection of Robertson's "Golly" related items, includes a band / These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A collection of Robertson's "Golly" ceramic wares, includes a band / These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A collection of 75 Robertson's "Golly" collectors badges, in green file / These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A collection of 31 Robertson's "Golly" badges on two fabric "Golly Brooch Collection" red felt rolls / These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A leather cased stock pin, bearing a nail inscribed "April 5th" silk case lining printed "Catchpole and Williams, 14 Grafton Street, Bond Street, W" together with a copy of the "Vost's" 1995 auction catalogue, detailing this item as Lot 172, property of Mr Tom Walls, please note Lot 171 a portrait of Mr Tom Walls, wearing the pin in his stock. He was famous for owning and training the Derby Winner "April the Fifth" in 1932, The horse, who owed his name to his foaling date, had to be ridden to the course after the horsebox became stuck in traffic, and won by three-quarters of a length in the hands of Fred Lane at 100/6.
A "Royal Doulton" Golly AC1 ceramic advertising figure 14cm high / These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Webley & Scott, Birmingham, .22 Cal 'MKII Service' barrel-cocking air-rifle, circa 1930's, the barrel fitted with a ramp and blade fore-sight, push-button barrel release, elevating dovetailed rear-sight to the barrel cradle, rotating bolt-handled barrel-lock, peep-sight to rear, with model details and patents, trigger unit with makers name and address, walnut semi pistol-grip butt-stock, ribbed horn heel-plate.Overall length 96cm.This item is not for sale to anybody under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please be aware that we are unable to send weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
A vintage cast iron Little Joe money box, 13.5cm. These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
BSA England .22 Gas-Ram air rifle, aperture for a seven-shot magazine (not included) fitted with a 3-9x50E telescopic sight, chequered walnut three-quarter stock, serial number DP13465, overall length 100cm.This product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please be aware that we are unable to send weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
An Introduction to the Study of Mineralogy or The Student's PocketCompanion, J.R. Bakewell F.G.S C.E. Pub. Sherwood, Gilbert &Piper 1829. Octavo. First edition. 120pp including index. errata slip.8pp publisher's catalogue dated 'November 1829'. 2 hand-colouredplates as called for, the first serving as a frontispiece and showing aview at Cap D'Or, Nova Scotia (source of the purest copper) and thetransverse section of a copper mine. A second, hand-coloured plate tothe rear shows a longitudinal section of a copper mine. Original paper-covered boards, spine perished but boards still attached, though slack.Manuscript notes to front and endpapers and a couple of fragments ofrecipes tipped in. Internally showing occasional spots of foxing andgrubbiness. The book is usually attributed to the geologist, RobertBakewell, [1768-1843], who also, confusingly wrote 'An Introductionto Mineralogy' in 1819, a more substantial work. However, RobertBakewell was never a member of the Geological Society and so wouldnot have been styled 'F.G.S.' on the title page. His son, J R Bakewell[1790-1875]was a member. 6 UK libraries hold copies. Rare.WithA Geological Section shewing the Order of Superposition andApproximate Maximum Thickness of Sedimentary Strata in the BritishIslands, by James B. Jordan, pub Edward Stanford 1879. Quarto.Paper wrappers with cloth spine. Large, coloured fold-out in sixsections measuring approximately 100 cm unfolded. The sections areeach strengthened verso with linen tape. Previous ownership name'G[eorge] West' to front cover and inside. Occasional, smallannotations, presumably in West's hand. Paper wrappers with mildgrubbiness. Overall good condition for such an ephemeral item. Rare.WithGeology of Weymouth, Robert Damon, New edition 1884. Foldingmap frontispiece. The rear hinge is cracked, and the board is loose.(3)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.
BESCHNITZTES TANTO, leicht gekrümmte Rückenklinge mit Kupfer-Habaki, mehrteilige, fein beschnitzte Tsuka und Saya aus Elfenbein mit schwarz eingefärbten Darstellungen im vertieften Relief, L 53, kleine Haarrisse, JAPAN, Meiji-Periode, E.19.Jh. Expertengutachten sowie die Befreiung vom Verkaufsverbot durch die Untere Naturschutzbehörde liegen vor. This item is not legal to sell in the UK
Castellesi, Adriano (Pseud.: Hadrianus): De Sermone Latino, & modis latine loque(n)di. Eiusde(m) Venatio ad Ascaniu(m) Card. Item Iter Julij II. Pont. Ro. Basel: Johann Froben 1518. 20,4 x 15,5 cm. Titel mit Hz.-Bordüre von Hans Holbein und Wappenhz. von Ambrosius Holbein, 1 Bl. Vorwort, 6 Bll. Index; das letzte Blatt verso mit Wiederholung des Wappenhz., Bll. 1-12 von alter Hand ergänzt, S. 13-422 (S. 24 mit Hz.-Initiale von Hans Holbein; die Seiten 400 und 416 mit Hz.-Initialen von Ambrosius Holbein), 1 Bl. Kolophon mit Frobens Hz.-Druckermarke von Urs Graf. Ldr. mit goldgepr. Rs.(Einband berieben und stellenweise feuchtfleckig; Bezugsfehlstellen am Rücken, Kapital und hinterer Deckel (Wurmfraß); Gelenke angebrochen; Vorsätze leimschattig. Titelholzschnitt auf die Einfassungslinie beschnitten, Wappenholzschnitt ankoloriert, hs. Vermerke, leicht fleckig und mit größerem Riss in der rechten unteren Ecke, auf Bütten montiert; Vorwort angerändert und mit repariertem Riss. Die fehlenden ersten 11 Bll. von alter Hand in dunkler Tinte sorgfältig ergänzt. Mit den fehlenden Textseiten fehlen auch eine weitere Hz.-Bordüre von Ambrosius Holbein und eine wiederholte Hz.-Intitiale von Hans Holbein. Die Seiten 13 bis 16 angerändert. Auf S. 24 der untere Teil des Textes überklebt und hs. ergänzt, die Hz.-Initiale mit Tintenfleck. Die letzten 4 Bll. mit Fraßgang. Letztes Blatt angerändert, fleckig und in der Bindung etwas gelöst. Vereinzelt Randmarginalien und Tintenflecken. Leicht gebräunt und teils feucht- bzw. gebrauchsfleckig.)VD16 C 1454. Adams C 898. Hollstein XIV Ambrosius Holbein 15 (Wappenhz.) und 27 (Initialen A4 und E2), Hans Holbein 12 (Titelbordüre) u. 115 (Initiale M). Hollstein XI, S. 171, 345 (Druckermarke). - Die Bordüre von Hans Holbein mit spielenden Kindern im oberen Rand; Kandelaber-Ornamenten mit Monogramm HH an den Seiten; Mucius Scaevola und der etruskische König Porsenna im unteren Rand. - Vorderer Spiegel mit hs. Besitzvermerk „Ludovicus de Lodron“.
Lipsius, Justus: De Amphitheatro liber. In quo forma ipsa loci expressa & ratio spectandi. Cum aeneis figuris. 2 Tle. in 1 Bd. Antwerpen: Plantin 1589. 19 x 14,5 cm.Angebunden: 2) Servilius, Johannes: De mirandis antiquorum operibus, opibus et veteris aevi rebus, pace, belloque magnifice gestis libri tres. Quibus accessit Hippolyttia collibus incrementa urbium ... Lübeck: Alberti 1600. 4 Bll., 155 SS., 1 Bl., 40 SS. - 3) Meurs, Johannes van: De luxu Romanorum. Liber singularis. Sive commentarius uberior in locum Senecae Epist. CXIV. Item Mantisa. Den Haag: Hillebrand 1605. 4 Bll., 88 SS., 4 Bll. - 4) Rigault, Nicolas: Funus parasiticum, sive L. Biberii curculionis parasiti mortualia. Item ... J. Caesaris epistola nunc primum in lucem edita, cum latina interpretatione & notis. Paris: C. Morel 1601. 32 SS., 1 Bl., 14 SS. Pgt. mit Rt. (Innengelenk vorne l. angebrochen. Titel angefalzt und gebräunt; mit repariertem Eckausriss und zwei Stempeln. Insges. t. etwas gebräunt und mit l. Feuchtigkeits- bzw. Altersspuren.)1) Adams L 768. Vgl. Fowler 183. - Werk des Historiographen des Königs von Spanien über die Amphitheater. 2) Adams S 1011. VD16 K 1367 u. VD16 C 4579 (unter Jan Knaap und Hippolyt von Colli).
Pretorius, Zacharias (pseud.; d. i. Zacharias Breiter): Sacer thesaurus, Das ist, Von den vornemsten Artickeln der Christlichen Religio(n), Gewisser und gründtlicher Unterricht ... Jetzt auffs neuwe mit fleiß ersehen, und in eine bessere und richtigere Ordnung gebracht. Frankfurt a. M.: P. Schmid(t) für S. Fey(e)rabend 1577. Titel in Schwarz und Rot mit Hz.-Verlegermarke. Mit zahlr. Textholzschnitten. 3 nn. Bll. (von 4; letztes w. Bl. fehlt), 460 Bll. Blindgepr. Schweinsleder auf 4 Bünden über Holzdeckeln mit 2 Messingschließen an Lederbändern.(Stark berieben. Vorderdeckel mit Bezugsfehlstelle oben rechts. Vorsätze erneuert. Titel mit ergänztem Eckausriss, gebräunt, alters- und fingerfleckig. Die ersten 2 Lagen mit einigen restaurierten Eckausrissen und Randschäden sowie gering wurmstichig. Die Lagen A-M stärker wasserrandig. Großer Eckausriss auf Blatt 20 und Blatt 460 mit Textverlust ergänzt. Durchgehend gebräunt und feuchtfleckig, teils stärker. Einige Blätter mit Randschäden und kleineren Papierläsuren.)VD16 P 4705. BM STC German Books 715. Jöcher III, 1751. - Theologische Schrift des Eislebener Predigers Zacharias Breiter (1535-1575), den „Melanchthon für den allergeschicktesten Poet Deutschlands hielt“ (zitiert nach Jöcher). In der Vorrede nennt der Verleger einen früheren Magdeburger Druck, der bibliographisch nicht nachweisbar ist. - Das Werk dient „zu nutz und gut allen Pfarrherren, auch Haußvätern, und andern gutherzigen Christen, welchen man Gottes wort zu hören öffentlich nicht zulesset, Item zu Trost und Erquickung krancker schwacher Leut, und Ermanung der gesundten, Den(n) darin, alß in einer wolgezierten Auwen allerley heilsame, kräfftige Kreuter und Blumen, in mancherley Not, Jamer, Elend, Trübsal und Verfolgung, in dieser letzten geschwinden gefehrlichen Zeit, hoch von nöten, gefunden werden“ (Titel).
This lot features the exceptionally rare playmat from the 2000 Tropical Mega Battle, The tropical Mega battle was the prototype for what would be the world championship and its estimated that only 42 playmats exist from this event. This playmat belongs to a former Wizards of the Coast staff member that was involved in organizing the tournament. This is truly a piece of Pokémon TCG history and an item that's on many players ‘most wanted’ list, these rarely come up for auction!
This lot features the exceptionally rare playmat from the 2000 Tropical Mega Battle, The tropical Mega battle was the prototype for what would be the world championship and its estimated that only 42 playmats exist from this event. This playmat belongs to a former Wizards of the Coast staff member that was involved in organizing the tournament. This is truly a piece of Pokémon TCG history and an item that's on many players ‘most wanted’ list, these rarely come up for auction!
Circle of Thomas Murray, (Scotland 1663 - London 1756) - Oil on canvas - Portrait of a young child with spaniel, circa 1730, the full-length figure wearing stylish blue jacket, mantle and tied sandals, feeding a grape from a bowl of fruit to a perching bird (a grey parrot or similar), in a garden setting, 110cm x 101.5cm, relined in gilt frame with repository labels referencing Lady Campbell Local private collection, formerly the property of Sir Harold and Lady Campbell.Captain Sir Harold George Campbell GCVO DSO (6th April 1888 – 9th June 1969) was a British Royal Navy sailor, civil servant and courtier who served as Equerry to King George VI and Queen Elizabeth II.Campbell served as Private Secretary to then Duke of York from 1933-1936 and Deputy Comptroller in 1936. Upon the Duke of York becoming King, Campbell was appointed to Royal Household as an equerry and Groom of the Robes to HM Queen Elizabeth.He was made a CVO (Commander of the Royal Victorian Order) in 1935, promoted to KCVO (Knight Commander) on the 2nd June 1943 and later GCVO (Knight/ Grand Cross) on the 16th November 1953. Another item from the same Estate (with the above biography) sold in these rooms, 1st June 2023 lot 341. For a comparable portraits by, attributed to or after Murray and depicting children with spaniels, see: Christies, British Pictures 1500-1850, 25th November 2003, lot 14. Sothebys. Royal & Noble, 21st January 2020, lot 58. Portrait of Miss Darnel, later Mrs Muilman of Dagenham, Essex (now at Kelmarsh Hall, Northants) https://artuk.org/discover/artworks/miss-darnel-49148
Bank of Ireland, contemporary forgery of a £1, 13 July 1808, serial number 7512, large manuscript signatures, single line frame, denomination in oval black panel, tape repairs at top left, tears, a thoroughly presentable very good, ink annotations, pinholes, a rare high quality forger for a very early issue, a very interesting item PMI BA 3 £200-£300 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Bank of England, Horace G. Bowen, £100, Birmingham, 19 May 1894, serial number W/24 84925, an ink stain at top left, small ink annotation on obverse and reverse, two pinholes, about very fine, superb paper quality for date, this is one of only two notes recorded for this type and is the only Bowen branch note recorded above £5, an extremely rare denomination for a seldom seem cashier, a remarkable and highly desirable item EPM B207 for type £24,000-£30,000 --- This is the English Paper Money plate note
* Theatre Costume. An embroidered brocade frock coat, worn at the ballet 'Louis XV', Monte Carlo, 1922, handmade coat in cream and gold brocade, hand-embroidered to front, back, cuffs, and pocket flaps, with pattern of large meandering rose stems, worked in chain stitch, bullion stitch, and couching, in shades of pink, green, and yellow, incorporating gold metallised thread, and tiny spangles, ornamental buttons to front, cuffs, and pocket flaps, of metallised thread and spangles, sleeves with double frill of hand-made needle lace, one with initials 'SB' in red cross-stitch concealed within sleeve, lined with cream and white cotton, some wear, especially to underarms and cuffs, some loss of threadwork (in places revealing ink design beneath), occasional discolouration and light marks, with 2 inked fabric labels detached 'Cremonin' and 'Marini', chest 98 cm (38.5 ins), sleeves 56 cm (22 ins), length 92.5 cm (36.5 ins), together with 2 other brocade frock coats similar: the first of maroon velvet, lined with pale blue satin (with some staining), embellished with gold metallised lace (worn in places), and gold coloured buttons embossed with flowers and leaves, nape with inked fabric labels 'Penderie No. 9', 'M. Pigerre', and 'Vezzani'; the second of blue and gold brocade, with silk inserts in split sleeves, organza frill at cuffs, and embellished with gold metallised braid and edgings, somewhat worn, nape with indistinct circular ink stamp and inked fabric labels 'Otello', 'M. Modeste', and 'Trovatore 1er Acte 2me Acte, 2me Tableau'QTY: (3)NOTE:Provenance: The first and second items were sold at 'Costumes from the Monte Carlo Opera House sold by order of The Societé des Bains de Mer', Sotheby's, The Duke of York's Theatre, St. Martin's Lane, 16th November 1980, lots 81 and 54 respectively (the first item was worn for the perfomance of extracts from various ballets, titled Louis XV, first performed in Monte Carlo on 25th November 1922, and the second at the operetta Chérubin, first performed in Monte Carlo on 16th February 1905.
* Sampler. A needlework picture by Ellen Male, 1839, worked in silk threads on cream linen, using cross-stitch in shades of green, yellow, cream, and blue, with a house in the centre flanked by stylised flower baskets and trees, dogs, hearts, and other motifs, with alphabets above, and a 4-line religious verse below, with the maker's name and date at foot 'Ellen male Her work Aged 9 years 1839', the lettering flanked by further motifs, including birds, pears, floral baskets, dogs, flower stems, etc., floral border to edge, small holes and loss to edges in places (with very little loss of stitching), stain to lower right corner, 34 x 34 cm (13.25 x 13.25 ins), framed and glazed (39 x 39 cm), together with:A needlework picture by Ann Chennell, 1774, worked in silk threads on cream linen, with alphabets, a line of initials, and a 4-line verse above a religious maxim, with the maker's name and date 'October the 22 1774' at foot, with floral borders and patterns between, the whole within a floral border, the lettering worked in cross-stitch and Algerian eye stitch, and the floral motifs worked in satin stitch, mainly in shades of red, green, yellow, and blue, scattered holes and marginal losses, 35.5 x 31 cm (14 x 12 ins), framed and glazed (40 x 36 cm), and 2 other alphabet samplers, by Anna Maria Chennell, aged 11, and Ann Mary Chennel respectively, worked with alphabets in cross-stitch on linen, toned, plus a pair of small framed oval needlework pictures of flowers QTY: (6)NOTE:Provenance for the Chennell samplers: Mrs Knight née Chennell; the owner's mother, Enid Hallon; the present owner.Mrs Knight had only one child, a daughter named Ida. Ida Knight and Enid Hallon became close friends when they were both students at the Royal Academy of Music in the 1920s. Ida died young, in 1935, shortly after getting married, and she had no children. Enid kept in touch with Mrs Knight, sometimes visiting her at St. Leonards on Sea where she lived. When Mrs Knight died in the late 1950s Enid negotiated to buy from her estate an item of furniture which she had always admired. The executor said that as the item of furniture had come from the Chennell family she might like to take the samplers as well; she did so, and they were subsequently given to her daughter, the present owner.
* Theatre Costume. A brocade frock coat and matching breeches, late 19th/early 20th century, handmade coat in blue and gold brocade, front and back edges, pocket flaps, and gold satin cuffs, with ornamental brass buttons and embellished with gold metallised lace and spangles, occasional loose threads and minor wear, frayed to underarms, nape with inked fabric labels ' Penderie No 9', 'Bretet', and 'M. Huckel', chest 98 cm (38.5 ins), sleeves 56 cm (22 ins), length 92 cm (36.25 ins), together with a matching pair of breeches, similarly labelled, waist 80 cm (31.5 ins), length 79 cm (31 ins), plus 2 other sets similar: a black velvet and puce pink silk page costume consisting of doublet and matching pantaloons embellished with gold metallised braid, and a matching belted purse, designed and made by Adelchi Zamperoni, Milan, with maker's printed label to lining stamped 'Il Profeta' and with 'Page' written in ink, doublet with inked fabric labels at nape 'Mallre', 'Wood', 'Casall', 'Dolotine', and pantaloons with inked labels 'Stibler', Gérard', Tovaroff', silk heavily worn and frayed in places; and a beige jacket with green velvet sleeves, accompanied by matching green velvet breeches, both with silver braid frogging, lining to each ink-stamped 'Apollo' and with inked fabric labels 'Hans' and '2e Acte Figuration', breeches with additional label 'Godino', some moth holes in jacket, breeches partially faded QTY: (7)NOTE:Provenance: 'Costumes from the Monte Carlo Opera House sold by order of The Societé des Bains de Mer', Sotheby's, The Duke of York's Theatre, St. Martin's Lane, 16th November 1980, lots 197, 21 and 8 respectively (the second item was made for the Opera Le Prophète, first performed at Monte Carlo on 13th January 1894, and the third item for the operetta Hans).
* Clothing. A silk pierrot bodice, circa 1720s, hand-stitched brocade jacket (Spitalfields silk?), patterned with flowers in terracotta, yellow, and white, on a citrus green ground, with fitted bodice lined with linen, elbow length sleeves with self scallop-edged double flounces and bows, self scallop-edged trim down front edges, and peplum skirt to rear, some wear and later reworkings, bust 74 cm (29 ins), waist 64 cm (25 ins), sleeves including flounces 50 cm (19.75 ins), length 61 cm (24 ins), together with 2 other bodices of 18th century silk brocade, plus:A late 18th century Spitalfields silk waistcoat front, hand-stitched silk brocade waistcoat front with standing collar (complete without a back), woven with birds and vegetal motifs in shades of blue, pink, green, yellow, and orange, and silver metallised threads (some lost or loose), on a cream figured ground, silk a little perished to upper and lower edges, front with 7 (of 8) spherical filigree metal buttons, lined with linen, length 45.5 cm (18 ins) QTY: (4)NOTE:The waistcoat is an interesting item, presumably fashioned in such a way as to use the minimum of valuable fabric, without compromising the impression of affluence given by the wearer, so long as a coat is worn to conceal its backless design.
A pink silk/taffeta 1840s/50s Victorian bodice which was probably a ballgown bodice, this item is worn in places (one underarm is faded and torn and both underarms are discoloured) the neckline has a pie crust pleating, hook and eye fastening, the sleeves are attached from the elbow and the cuffs have two covered buttons, inside is very marked and discoloured and the pointed waist has wear on the edge. Also included is a wide remanent which shows how the bodice would have looked when new. A late Victorian bow in three shades of green striped silk/taffeta (could be off a hat or dress). A very decorative Asian wrap around, silk embroidered in flowers and foliage, silk (damaged in places) edged in a black border (a repair in tape has been carried out) the wide linen waistband is discoloured in places with iron mould spotting, large tear down the seam and damaged further in places, 1890-1905.
Bill Robinson - A contemporary segmented woodturned footed bowl of ovoid form, decorated in a diamond pattern, formed of two hundred and sixty eight pieces of walnut, pink ivory, ash, oak, possibly Mexican rosewood (Dalbergia Palo-Escrito), signed, width 36cm. NB - Subject to CITES regulations, this item may be listed annex B and subject to an export permit if shipped outside mainland UK.
A beautiful navy-blue glazed round shaped pot depicting exposed white craquelure dragons. Chinese inscription the top side. Inside a white craquelure ground with several blue dragons. This item has a base included: 8"W x 2.75"H. Dimensions: 12"W x 10"HCountry of Origin: ChinaCondition: Age related wear. As is.
A beautiful apple-green stone of a bearded man smoked filled double-gourd flask in one hand, and a cane in the other hand. A gourd is a symbol for healing and medicine. This item has a base included: 2.25"L x 1.5"W x 1"H. Issued: 19th centuryDimensions: 2"L x 1.5"W x 4.75"HCountry of Origin: ChinaCondition: Age related wear. As is.
A Merrythought Millennium limited edition Golly, 893/2000 with Certificate of Authenticity, in original box, a Merrythought Millennium limited edition magnet bear, 456/2000, and three other Gollies and a Golly mug These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
‘With the ensign at half-mast, and the Union Jack as a pall, the funeral procession, attended by all but four very bad cases, started at nine o’clock, and the burial service being read, the remains were consigned to their last icy resting place in this world. Improvising a crude cross, formed with a boat’s oar and a spare sledge-batten, it was placed at the head of the grave, with the following inscription: “Beneath this cross lie buried the remains of Geo. Porter, R.M.A., who died on June 8th 1876. Thy will be done.” Of all the melancholy and mournful duties I have ever had to perform, this has been the saddest. A death in a small party like ours, and under the present circumstances, is a most distressing event, and is keenly felt by all. During the service all were more or less affected, and many to tears.’ Commander A. H. Markham’s Northern Sledge Party Journal refers. A rare and emotive Arctic 1875-76 Medal awarded to Gunner G. Porter, Royal Marine Artillery, a member of Markham’s Northern Sledge Party whose sacrifice was commemorated by the naming of “Porter Bay” on the northern coast of Ellesmere Island Arctic Medal 1875-76 (G. Porter, Gnr., R.M.A., H.M.S. Alert) edge bruising, very fine £8,000-£10,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: J. B. Hayward (Gazette No. 7, June 1976, Item 198); of four casualties from the 1875-76 Expedition, the Arctic Medals of two of them reside in public institutions; Dix Noonan Webb, June 2008. George Porter enlisted in the Royal Marine Artillery in Birmingham in September 1866, aged 18 years, giving his trade as varnisher. Having then collected one Good Conduct Badge, he committed a spate of misdemeanours in the period 1869-74, ranging from absence without leave to the loss of a ‘rammer overboard through carelessness at gun drill’, the cost of which latter implement was deducted from his wages. Then in April 1875, he joined the Alert, under Captain George Nares, in which ship, in the following month, he sailed for the unknown “High Arctic”, where, in company with the Discovery, Nares was to explore North-West Greenland and the northern regions of Ellesmere Island. For his own part, Porter was one of just seven R.M.A. men employed on the expedition, and indeed one of only 13 such servicemen who qualified for either of the Arctic Medals issued in the 19th century. And in common with his R.M.A. predecessors from the Franklin Search Expeditions, Porter was tasked with handling cannisters of gunpowder to blast frozen obstructions, and in creating ‘ice docks’ for the ships' winter quarters, the latter work again entailing the use of gunpowder, and of giant ice saws. Another duty he shared with his predecessors was that of officers’ servant, in Porter’s case to Lieutenant Pelham Aldrich, who, in his journal entry of 8 August 1875, observed: ‘My servant Porter is a character. He has just been telling me of a dinner he has had of the heart of a Walrus, which he captured this morning. I expressed a hope he would not be ill after it - "That is if it is good to eat" says he, alluding to a remark he had made about it being better than some sheep's liver we had the other morning! - and then he finished up with "I eat a tidy lot of it Sir" - "this 'Eart was ate too Sir" - I am to have some this morning though somewhat doubtful in the subject it is nevertheless a good thing to find out what we can actually devour with infinity in case of future requirements.’ By late August, the ships had reached Discovery Harbour, on the northern side of Lady Franklin Bay, Ellesmere Island, the site chosen for Discovery’s winter quarters. The Alert, meanwhile, continued up Robeson Channel to Floeberg Beach, to 82º 82'N - the highest latitude reached by any ship up to that time - and established her winter quarters on 1 September. Shortly afterwards, Autumn sledge parties established depots northward at Cape Joseph Henry for extended journeys the following spring, but at this stage, at least, Porter would appear to have been spared such challenging work - and the accompanying threat of snowblindness, frostbite, blistering of the skin and extreme thirst caused by inhaling cold, dry air and exhaling moisture. Instead, happily, he added a second Good Conduct Badge to his accolades on New Year’s Day 1876. Markham’s Northern Sledging Party In the Spring, three major sledging parties - two from Alert and one from Discovery - set out to explore toward the North Pole and along the north coasts of Ellesmere Island and Greenland, the journey ahead being likened by one Arctic officer to far worse than going into action - in fact he had never ‘seen such labour, and such misery after. No amount of money is an equivalent ... Men require much more heart and stamina to undertake an extended travelling party than to go into action. The travellers have their enemy chilling them to the very heart, and paralyzing their very limbs; the others the very contrary.’ And so it was, on 3 April, that Lieutenant Aldrich's Western Sledge Party and Commander Albert H. Markham's Northern Sledge Party left the ship, along with supporting sledges. Markham's party comprised H.M. Sledges Support, Marco Polo (with a boat) and Victoria (with another boat and Porter), the object of the journey being to attain the highest northern latitude possible, and to determine to possibility of a more fully equipped party reaching the North Pole. The departure was poignantly described by Markham: ‘At eleven o'clock, everything being in readiness for a start, all hands assembled on the floe, and prayers were read by [Reverend] Pullen. The hymn, "[Praise] God, From Whom All Blessings Flow," was then sung, after which the order was given to "fall in," and amidst the hearty cheers of those few who were left behind, the sledging parties moved off. The captain and officers accompanied us for a short distance, when, wishing us God-speed, they turned to go back. This was a signal for three cheers from the travellers, after which they settled down to their work, and the march was steadily commenced.’ Shortly after leaving the Alert, Markham noted a temperature of 33º below zero and described the travelling as ‘by no means good, snow deep, and the sledges dragging very heavily’, the former factor ‘rendering the task of writing up our journals when we halted extremely unpleasant and painful’: on the second day the temperature plummeted to 45º below zero. And by 10 April, after marching nine to ten hours every day, Markham wrote, ‘We experienced heavy work in cutting a road [with pick axe and shovel] through the line of shore hummocks that gird the coast, and did not succeed in reaching the depot [at Cape Joseph Henry] until eleven o'clock.’ Here the Northern Sledge Party collected provisions for 63 days. The next morning was thick and foggy, to which was added a heavy snow fall. The supporting sledges returned to the ship, and the two extended parties pressed onward: the Northern Sledge Party leaving terra firma and pushing straight out onto the rugged polar pack, while the Western Sledge Party continued exploration of Ellesmere's coast to the westward. Markham's sledges Marco Polo, Victoria and Support weighed a total of 6,079 lbs. - 15 men were dragging a staggering 405 lbs. per man - which offers some appreciation of the effort it took to get through the snow and over hummocks of ice as high as 20-30 feet. No surprises then that Markh...
14th (Bucks.) Foot 2nd Battalion Officers mess china Tureen. A rare late 19th Century three piece tureen. The white china with turquoise and gilt line edging. All three pieces the lid, body and plate are decorated with a transfer of the Regimental device a Crowned Motto strap, with a running horse and XIV to the centre and 2nd Batt.. The body retains original handles. The factory mark is Falcon Glass Works. The tureen now with some damage, the finial to the lid is absent with chip to the underside of the lid. The body with hairline crack. Remains a good and impressive display item. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
Victorian Hertfordshire Regiment of Militia Officers Mess China. A fine and rare individual three piece soup tureen. Each item is decorated with the regimental device high lighted with gilt line. The lid is with a flower head finial. Maker's transfer of Copeland, not incorporating the word England. VGC. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
A Dean's Golly* doll 32cm, Dean's rag doll puppets, knickerbocker Mickey mouse 15cm, Anne Wilkinson Designs Golly 20cm and three Force Wheat Flakes Sunny Jim dolls (9)*These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
* Hardy (Thomas Bush, 1842-1897). Off Pevensey, Sussex, 1871, watercolour on paper, heightened with white bodycolour, depicting fishing smacks and other shipping on a stormy day, signed, titled and dated lower left, closed 3cm tear to lower edge, sheet size 23.6 x 50.5 cm (9 1/4 x 19 7/8 ins), float mounted, framed and glazed (49 x 73.5 cm), verso with adhered extract from Christie's London catalogue for 21/7/1987, giving details of this item (lot 135)QTY: (1)NOTE:The Christie's catalogue entry accompanying the item gives the date of the work as 1891, however we believe the date inscribed by the artist is actually 1871.
* Williams (J.). Coastal landscape with cattle watering by a thatched building, circa 1820, watercolour on pale cream wove paper, signed in dark brown ink lower right, contemporary inscription in pencil to verso 'Clullow' (?), sheet size 192 x 279 mm (7 1/2 x 11 ins), tipped on to backing paper, inscribed by Iolo Williams 'Given me by the Appleby's August 1940. I. A.W.', together withStewart (Sir John James Stewart of Allanbank, 5th Baronet, 1779-1849). Scottish landscape with bridge over a river, circa 1810, waterolour on blue paper, heightened with white chalk, inscribed by Iolo Williams to verso 'By Sir James Stewart, Given me by Miss Frances Egerton, 2/1/59 I.A.W.', 139 x 186 mm (5 1/2 x 7 1/4 ins), plusWilliams (A., later 19th century). Waterfall in Wales, possibly Pistyll Rhaeadr, 1870, watercolour on paper, signed A. Williams and dated lower left, 254 x 178 mm (10 x 7 ins), laid down on backing paper, gilt frame, glazedQTY: (3)NOTE:Provenance: (first item): Appleby Brothers, London (by 1940); Iolo Aneurin Williams (1890-1962), collector and author of Early English Watercolours and Some Cognate Drawings by Artists born not later than 1785 (London: Connoisseur, 1952).Provenance: (second item): Miss Frances Egerton (by 1959); Iolo Aneurin Williams (1890-1962), collector and author of Early English Watercolours and Some Cognate Drawings by Artists born not later than 1785 (London: Connoisseur, 1952).
Joel Garner signed limited edition print with signing photo The first ever World Cup was won by the hugely successful West Indies team. The team had everything: reliable and free scoring batsmen and accurate wicket taking bowlers, including the legendary Joel Garner.Joel took 259 test wickets from just 58 matches at an average of 20.97 runs. This superb print shows 'Big Bird' Joel at Lords during the World Cup Final against England, where he took 5 for 38, playing a significant role as West Indies won by 92 runs.He has personally signed each print and you will receive a photo of the signing (as shown in inset image).Actual Size 560mm x 410mm - limited edition of 500 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Desmond Haynes signed limited edition print with signing photo The West Indies team of the 1980's were undefeated in every test series they played. Regarded as one of the best opening pairs of all time, with Gordon Greenidge, Desmond's test average was 42.29 from 116 test matches and 41.38 from 238 one-day international matches.This stunning print shows Desmond despatching Ian Botham of England to the boundary in typical West Indian fashion during the fifth Test Match at Headingley, Leeds in July 1980. He has personally signed each print and you will receive a photo of the signing (as shown in inset image).Actual Size 560mm x 410mm - limited edition of 500 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Viv Richards with Sachin Tendulkar signed limited edition print with signing photo Viv Richards, one of cricket's all-time greats, one of Wisden's Cricketers of the Century, plus rated as Wisden's top one-day batsman, together with Sachin Tendulkar, one of the leading batsman in the world today.This superb print shows these two cricketing giants in a rare, relaxed moment trying to outwit each other at chess. This is an extremely personal image, and as such, is, and will continue to be, completely unique.Viv Richards has personally signed each print and you will receive a photo of the signing (as shown in inset image).Actual Size 560mm x 410mm - limited edition of 500 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Gary Player signed limited edition print with signing photo In 1959, Gary won his first Open and the time was the youngest ever winner of an open. By 1961, Gary topped the money list on the US Tour. In 1965, he beat Arnold Palmer to win the US Masters and therefore finally winning each of the Majors.He would go to record 10 Major victories in total. He won the Open 3 times, the US Open once, the US PGS twice and the Masters 3 times.This stunning print shows Gary's delight at winning the British Open in 1968. He has personally signed each print and you will receive a photo of the signing (as shown in inset image).Actual Size 560mm x 410mm - limited edition of 250 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board.The accompanying photo of the personality signing this item will include a copyright over the image and the edition number may vary.A stunning item of signed Golf memorabilia. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lord Sebastian Coe signed limited edition print with signing photo Sebastian Coe is one of the great names of British sport with eight world records and two Olympic gold medals during his career. Coe sensationally broke three world records in 1979 in just 41 days: the 800m and mile in Oslo and the 1500m in Zurich. This meant Coe was the first man in more than 50 years to set world records at both 800m and 1500m.The following July Coe added the 1000m record to his list in Oslo, making him the holder, for a short time, of four world records simultaneously.In 1981 Coe broke records again at 800m (Florence) 1000m (Oslo) and the mile (Zurich and Brussels) bringing his total to eight. His 800m world record of 1:41:73, set in Florence in June1981, remained unbroken until 1997. At the 1984 Olympics in Los Angeles Coe set an Olympic record at 1500m.He has now successfully led the bid to bring the Olympics to London in 2012.This stunning print shows Coe jubilant in crossing the line to win the Olympic gold medal in 1984. He has personally signed each print and you will receive a separate photo of the signing (as shown in the inset image).Actual Size 560mm x 410mm - limited edition of 250 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image and the edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

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