Ca. 1368-1644 AD or later .A beautifully crafted green-glazed terracotta pig. The pig is depicted standing, with its tail curled over its hip. The facial details including the eyes, nostrils, and mouths are carefully modelled. The pig is the twelfth of the twelve animals in a zodiac cycle and represents diligence, compassion, and realism. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs that involved trials, travels, or an afterlife similar to that which was lived on Earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck, and companionship would be helpful in overcoming the difficult environs of the afterlife. Size: L:100mm / W:125mm ; 375g Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.
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Ca. 200 BC - 100 AD.An alabaster face stele depicting a stylized human face. The facial features are defined but abstracted, with a high degree of symmetry and a focus on the details of the eyes and nose. The face typically has an idealized appearance, with the subject often appearing to be both serious and composed. The Qatabanian culture is renowned for its alabaster face steles, which have become symbols of the region’s rich and varied history. This item comes with a custom-made stand. Size: L:140mm / W:100mm ; 1.75kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 1368-1644 AD or later .A beautifully crafted ochre-coloured glazed terracotta ceramic figure of a ram. The rams wool is detailed by a series of elliptical impressions meant to imitate the curls in natural wool, whilst the horns are gently spiralled and painted green. The facial features including the eyes, nostrils and mouth are carefully molded. The cloven hooves are similarly detailed and coloured with black pigment. The sheep or ram is the eighth of the twelve animals in a zodiac cycle and is regarded as an auspicious animal which is peace-loving, kind, helpful, and trusting, but of a nature resistant to change. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs which involved trials, travels, or an afterlife similar to that which was lived on earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck and companionship would be helpful in overcoming the difficult environs of the afterlife. Size: L:115mm / W:135mm ; 370g Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.
Ca. 200-300 AD.A schist head of the bodhisattva. Carved from schist, the head exhibits meticulous craftsmanship and attention to detail, resulting in a remarkably lifelike representation. The facial features are rendered with a naturalistic precision, characterized by a pointed chin and smooth cheeks that convey a sense of softness and grace. The eyes, downcast and heavy-lidded, exude a contemplative aura, complemented by delicately arched browlines that enhance the overall serenity of the countenance. A finely sculpted nose contributes to the harmonious composition, while the lips form a subtle smile, hinting at inner tranquillity. At the center of the brow, an "urna" adorns the forehead—a distinct symbol in Buddhist iconography, often interpreted as the third eye or a mark of spiritual wisdom. The earlobes gracefully accommodate heavy round earrings. The head is crowned with an elaborate headdress, featuring a central part adorned with plumes and intricately decorated sides with floral motifs. A bodhisattva refers to an enlightened being who has chosen to postpone their own final liberation in order to compassionately assist others on their path to enlightenment. Bodhisattvas embody the virtues of wisdom, compassion, and selflessness, dedicating themselves to the liberation and well-being of all sentient beings. They are seen as compassionate guides and teachers, exemplifying the ideals of enlightenment through their actions and teachings. This item comes mounted on a custom-made stand. Size: L:160mm / W:105mm ; 2kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.
Middle Kingdom, Ca. 1985-1773 BC.A rare Epsilon type bronze axe blade comprising of an elongated crescentric form with three rivet holes. For a discussion of similar axe blades cf. W.C Hayes, The Scepter of Egypt, vol. 1, The Metropolitan Museum of Art, New York, 1953, pp. 282-293. For a comparison see Bonhams, lot 14, 15 April 2015. Item comes with a professional historical report from Ancient Report Specialists. Size: L:350mm / W:80mm ; 400g Provenance: Property of an European collector; formerly in a private German collection, formed in the 1980s.
Ca. late 6th century AD (or later).A stone figure of standing bodhisattva. This sculpture commands attention with its mesmerizing presence and intricate detailing. Perched atop a decorative plinth, the figure emanates an aura of tranquility and enlightenment. With downcast eyes, rounded cheeks, and a gentle smile, the bodhisattva exudes a serene countenance, while an elaborate headdress adorns the crown of the head, symbolizing divine wisdom. Both hands are delicately raised, expressing a gesture of reverence and compassion. The figure's body is resplendent with opulence, adorned with cascading chains of beads in various shapes and sizes, gracefully draping around the neck and elegantly crossing behind a circular ornament encircling the navel. The beads then loop back around the figure's back, creating a harmonious flow. The long robe adorning the bodhisattva showcases meticulously sculpted folds, adding a sense of movement and realism to the sculpture. In the Buddhist tradition, the bodhisattva represents an enlightened being who compassionately postpones their own nirvana to assist others in their spiritual journey. The Sui Dynasty, which reigned from 581 to 618 AD, marked a significant period of cultural and artistic development in ancient China, characterized by a synthesis of diverse influences and the flourishing of Buddhism as a prominent religion. This item comes mounted on a custom-made stand. Size: L:250mm / W:120mm ; 5.2kg Provenance: Private London collection, formerly with Sir Roger Moss, acquired in the 1980s in Hong Kong.
Ca. 1368-1644 AD or later .An ochre-coloured glazed terracotta dog depicted sitting on its haunches, with its tail curled over its back. Head held high with its mouth slightly open as if smiling. The dog's tail is painted green and lightly textured to imitate long hair. The dog's ears are likewise painted green. The facial details including the eyes, nostrils, and mouths are carefully modelled. The dog is the eleventh of the twelve animals in a zodiac cycle and represents loyalty, kindness, and courage. Dogs also served as protectors of the household and livestock and would have been valuable companions in the afterlife. Ceramic figures such as this item were important to a variety of cultures with afterlife beliefs that involved trials, travels, or an afterlife similar to that which was lived on Earth. These animals, which are included as funerary offerings reflect the belief that assistance, luck, and companionship would be helpful in overcoming the difficult environs of the afterlife. Size: L:110mm / W:100mm ; 340g Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.
Ca. 100-300 AD. An outstanding pair of bronze and iron fittings, each one comprising a spiral fluted column with an iron rod projecting from the Ionic-variant capital that is surmounted by a bust of Bacchus wearing a goat pelt with a hoof falling over his shoulder. Aside from this, his chest is revealed with delineated nipples. Bacchus' handsome face is crowned by a centrally-parted coiffure adorned by a wreath of ivy leaves and berries and pulled back into a low chignon with wavy locks cascading over his shoulders. Both of these matching busts sit upon rectangular plinths with hatched borders and a looped handle joining the plinths to the upper end of the bust's verso, just beneath the nape of the neck. Father Liber (Liber Pater) or Bacchus was the god the Romans identified with Dionysus, the Greek god of wine and fertility. He has come to be associated particularly with drunkenness and lascivious behavior. Thus, even today people speak of having “bacchic rites,” referring back to ecstatic and frenzied Dionysian or bacchic festivals such as those that take place in Euripides' play the Bacchae. Item comes with a professional historical report from Ancient Report Specialists. Size: L:375mm / W:300mm ; 2.7kg Provenance: Ex. Christies New York, December 5th. 2012, Sale 2605, Lot. 75.
Ca. 400-600 AD.A faceted broad flat-section hoop engraved on the widest part with the Greek inscription, 'OMONOIA' (harmony), over two lines. For similar see: Christie's, lot 382, April 26, 2012. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D: 14.15mm / US: 3 1/8 / UK: F 1/2; 7.09g Provenance: Property of a private London collector; formerly in Kirby collection, acquired pre 2000.
Middle East, Ca. 13th - 14th century AD. A fine gold finger ring having a box form upper portion, finely engraved with an overall vine pattern, and inset with an orange carnelian intaglio carved with a long-horned animal. Wide tapered gold shank, highly decorated in relief and engraved with a fancy vine pattern, and inset with two fine turquoise teardrop stones. Engraved with a rearing animal on the underside of the box bezel. Intact, excellent condition. A beautiful example. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D: 19.1mm / US: 9 1/8 / UK: S; 14.38g Provenance: Property of a London Ancient Art gallery, acquired on the US Ancient Art market; Ex. Sumer Gallery, H. Anavian, NYC, acquired in the 1980s, to family by descent.
Ca. 330-200 BC. The slender terracotta rhyton formed with a flaring lip and conical shaped body terminating into a stag protome with the head drawn back on its long neck, its ears perked upright. The eyes and mouth are well defined. The animal’s antlers are drawn back on its neck. This form of rhyton is a fine example of its type used by the Greeks for religious rituals. The determination of the work rhyton derives from the Greek verb “to pour through,” which describes what happens when the liquid is added to the rhyton’s flared mouth. Item comes with a professional historical report from Ancient Report Specialists. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. For similar see: Miho Museum Japan: Accession Number 00002005e. Size: L:520mm / W:195mm ; 1.3kg Provenance: From the private collection of a gentleman; previously with A.R. London; formerly in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 300-200 BC.A bronze figurine of Herakles, depicted in a commanding standing pose. The statue features a subtle sway to his right, with his right leg slightly bent, and his right hand raised. His left hand is outstretched with a piece of lion skin draped over it. This representation of the mythical hero is both powerful and graceful, conveying a sense of strength and poise. The figurine features a nude representation of the hero, with a muscular body that is masterfully rendered with intricate details. The chiseled contours of his physique, including his well-defined muscles and sinews, are executed with remarkable skill and precision, conveying a sense of physical prowess and athletic grace. The facial features of the statue are equally impressive, with a well-proportioned and expressive face, and nicely arranged hair. The depiction of Herakles in this figurine exemplifies the importance of the hero in Etruscan mythology and his continued relevance in the ancient world. For a similar, please see The Metropolitan Museum of Art, Accession Number: 96.9.430. This item comes mounted on a custom-made stand Size: L:105mm / W:75mm ; 200g Provenance: Private London collection, B.A.; formerly in pre-2000 European collection.
Near East, Ca. 1st millennium BC.Crafted from bronze, this cylindrical object bears a series of intricate decorative registers, meticulously carved into its surface. These registers serve as the medium through which impressions are made, allowing the seal to leave an indelible mark upon clay or other soft materials. The elongated twisted handle of the seal, extending from its cylindrical body, provides a convenient grip for its wielder. At the pinnacle of the handle, a suspension hole is present, allowing the seal to be suspended or attached to a cord or other means of carrying. Bronze cylinder seals, such as this one, held significant importance in the ancient world, serving as tools for personal identification, authentication of documents, and the establishment of authority. Their intricate designs, often depicting scenes of mythological, religious, or administrative nature, were impressed onto clay tablets, papyrus, or other media, sealing them and ensuring their integrity. This item comes with a modern necklace cord. Size: L:56mm / W:20mm ; 79.12g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 100-300 AD.A silver ligula spoon with a stunning pear-shaped bowl gracefully joined with a slender, exquisitely detailed handle. The bowl features a smooth and elegant contour, with a delicate lip for graceful pouring and a well-balanced weight. The handle is a masterful work of art, adorned with intricate details and fine engravings, adding a touch of sophistication to this exceptional piece. The ligula spoon was an essential item in the Roman world, primarily used for serving and sampling food and drinks at banquets and feasts. The pear-shaped bowl design was particularly popular, allowing for an easy transfer of liquids and pastes. The delicate handle, often decorated with ornate patterns, added a touch of elegance to the dining experience. Size: L:230mm / W:45mm ; 55g Provenance: Private collection of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 600 AD.A museum-quality silver vessel comprising a deep hemispherical bowl on a sloping ring base. Bowls like this were used for pouring libations to the gods as well as during feasting. For a similar see The Metropolitan Museum of Art, New York - Accession Number: 62.46. Item comes with a professional historical report from Ancient Report Specialists. Size: L:55mm / W:120mm ; 120g Provenance: Property of a London Ancient Art gallery; formerly in Welbank collection since 1980s.
Ca. 1368-1644 AD or later .A pottery mingqi presents a male figure in an upright stance atop a tiered, square-shaped base. The figure is adorned in a navy-glazed cross-over robe securely fastened at the waist. Intriguingly, contrasting accents embellish the sides of the robe, painted in a vibrant red hue, while the boots are in black pigment. A striking element of the figure's attire is the high, conical-shaped hat in a shade of red, serving as a distinguishing feature. The portrayal of the male figure exhibits a serene countenance, characterized by small eyes outlined in black, thin eyebrows, and petite lips. His right fist is clenched, exuding a sense of determination, while the left hand delicately holds an item, adding an additional layer of intrigue to the composition. As an exemplary mingqi, this artifact holds a significant role within the context of Chinese burial practices. Mingqi, a term encompassing various funerary objects, played a vital role in Chinese culture by accompanying the deceased in the afterlife. Such artifacts symbolized material wealth, status, and provided assistance to the departed in their spiritual journey. Size: L:195mm / W:60mm ; 265g Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.
Ca. 100-300 AD.A bronze key, exemplifying remarkable craftsmanship and functional design, offers a glimpse into the material culture and practical aspects of the ancient Roman world. This key showcases a circular suspension hoop, serving as a point of attachment for the key, while a rectangular-shaped shank extends from it, culminating in a distinct L-shaped bit. The bit of the key is carefully fashioned, featuring meticulously delineated teeth that facilitated the unlocking of doors or containers. Keys held significant importance in the Roman world, representing not only access and security but also authority and ownership. They were vital tools for safeguarding valuables, controlling entry to private spaces, and regulating access to public buildings. The design of Roman keys often varied, adapting to different locks and purposes. This item comes with a modern necklace cord. Size: L:55mm / W:28mm ; 42.95g Provenance: Private London collection; formerly acquired in the US in the 1990s.
George III mahogany bureau, fall-front with ivory escutcheon enclosing fitted interior and inset leather writing surface, above four graduating cock-beaded drawers, each with turned handles and ivory escutcheons, on tapered feetThis item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 114cm Length/Width: 112cm Depth/Diameter: 55cmCondition Report: Ivory Act - Submission reference: CUPKMRXC
A 1940s piano by Berry of London, from the home of Geoff Emerick comes with a photograph of him at the piano. With a copy of Geoff Emerick’s book Here, There and Everywhere My Life Recording the Music of The Beatles. This item is formerly the property of Beatles Recording Engineer Geoff Emerick
A late Victorian rosewood and marquetry envelope card table, circa 1890, the four fold top opening to reveal a green baize games surface and counter wells, rotating on a base with a single drawer and four slender legs united by a platform stretcher, all with ivory and decorative wood inlays, 75cm high, 59cm wide Subject to UK Ivory Licence exemption: NPKH6JDW. (Item made before 3 March 1947 with less than 10% ivory)
The quality of this TR's restoration is simply spectacular. One of, if not the, finest example available today.Long famed for their rugged reliability and idiosyncratic good looks, the 'side screen' TRs have attracted a fanatical following over the years. The final evolution of the Triumph TR2/TR3 sportscar line (save for the American market TR3B), the TR3A was introduced in September 1957. It was never officially badged as such and was, in fact, a minor revision of the TR3 with updates including a new wide grille, exterior door handles, lockable boot and a full tool kit. Great fun to drive, its tough box-section chassis featured independent coil and wishbone front suspension, a leaf-sprung 'live' rear axle and disc/drum brakes, (the first British production car to have front disc brakes as standard). Fitted with a 1,991cc four-cylinder OHV unit developing around 104bhp and 117lb/ft of torque, it was reputedly capable of 110mph. A great sales success on both sides of the Atlantic, the model provided a rather more visceral alternative to its MG and Jaguar competition.This very early TR3A was one of the first ‘A’s to roll off the production line in 1957, and was built for the American market, arriving there and initially registered in 1958. It remained overseas until returning to the UK in 2018, ripe for a restoration which it was to receive at the hands of the present owner, a retired race engineer of some standing. Every nut, bolt, washer and screw has received attention with accuracy and attention to detail being at the forefront of the build. The bare shell was totally stripped and rebuilt as required, retaining as many of the original panels as possible, and sourcing the finest quality parts when required, to achieve a fit and finish that is difficult to criticise in any way. Delve a little deeper and the quality is clear to see from the outstanding Medici Blue paintwork to the fully detailed underside and the superbly trimmed interior.The engine bay is a work of art and houses the fully rebuilt and upgraded 2,138cc straight-four. After the bare block and head had been 'Hot Tanked' to chemically clean them, reassembly began with new 89mm pistons and liners, the con rods were replaced with Max Speed forged items, the crank was reground and balanced along with the flywheel/clutch/front pulley assembly. New parts included a Newman uprated camshaft plus followers, springs, valves, pushrods, rocker shaft and arms, Vernier-type timing sprockets, timing chain, ARP head studs and nuts, water and oil pump, oil filter conversion, rear-main seal conversion, narrow fan belt conversion, stainless steel four-branch exhaust manifold and single silencer system, Hi-torque starter motor and an uprated Aluminium radiator. The head, after some port work to match the TR4A inlet manifold (better flowing than the STD item) and the tubular exhaust manifold, was sent to a local automotive engineering company for skimming and lead-free valve seats to be fitted. The enhanced power output is fed through an uprated all-synchro, overdrive gearbox to the fully rebuilt final drive. The car's full specification is too long to list here but full details are available to interested parties.The quality of the restoration is exceptional in many ways and has to be one of, if not the, the finest example available today. Triumph TR3s come to market on a fairly regular basis, but spectacular examples of this quality do not, and your early inspection is welcomed and encouraged to fully appreciate the lengths that have been taken to produce this outstanding example.Ready to be enjoyed once again and with less than 100 miles covered since completion, a period of 'running-in' is highly recommended to achieve the very best from this ever popular 1950s roadster.SpecificationMake: TRIUMPHModel: TR3AYear: 1957Chassis Number: TS-25546-LRegistration Number: 589 XVRTransmission: ManualEngine Number: TS63047-EDrive Side: Right-hand DriveOdometer Reading: 30532 MilesMake: RHDInterior Colour: Dark Grey VinylClick here for more details and images
Maspoli of Hull - Late 19th century mercury cistern stick barometer, mahogany case with a round top and circular turned cistern cover with circular ivory inlay and adjustment screw, engraved register with predictions and adjustable vernier, with mercury thermometer and Fahrenheit scale. Tube with mercury present. This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 96cm Condition Report:Ivory Act - Submission reference: W7E1Z5DN
Louis and Marx 1965 Doctor Who plastic Dalek Bagatelle, with original spring, all working. item is in the original box and both box and bagatelle are in excellent condition for their age.Plastic front is good, no cracks, but does have some light scuffs from box wear and being taken in and out of the box.
Collection of 54 various white metal military vehicle, housed in a military cardboard and wooden ended storage case, the case contains a list of included models, some models have been removed. The outer box is lid marked SSST MCCREDIE RHWI 3 REST AAC, we believe the AAC stands for Army Air Corps, this item was possibly used for military training
OLYMPIC GOLD / ROWING Adidas white t-shirt from 1996 Atlanta, autographed to front in black felt tip pen by Steve Redgrave, Matthew Pinsent, James Cracknell and Tom Foster, the 2000 Sydney Gold winning team. This item was signed by Redgrave and Pinsent shortly after Atlanta, Cracknell's signature was obtained at a reception for Team GB in Oct 2000 and Foster's signatures was added when he captained a side playing at Wembley to commemorate the closing down of England's national stadium Oct 2000. The Sydney Olympics was Redgrave's 5th consecutive gold medal. Measures approximately 33" x 38". Included is a British Olympic Appeal COA. Good
Hogarth Press.- White (T.H.) & Julian Bell, contributors. Cambridge Poetry 1929, Basil Wright's copy with his ownership inscription to endpapers, signed by various contributors, including Ronald Bottrall, William Empson, K. A. Mathews etc., and with inscription from J. D. Cullen, all after their respective poems, light toning to endpapers, spine repaired, 1929 § Cornford (Frances) Different Days, signed presentation inscription from the author on front free endpaper, 1928; and 2 others, all from the Hogarth Living Poets series, original boards, some light rubbing and toning to extremities, the Hogarth press, 8vo (4)⁂ The first is a good Hogarth Press association item, being one of the editor's copies, signed by 14 of its contributors. It is also the final volume with a Vanessa Bell cover design. The title also precedes Julian Bell's first book of poems Winter Movement, which was published the following year.
Woolf (Virginia) The Common Reader, Trekkie Parson's copy, with her ownership name "T Rictchie" on front free endpapers, seventh impression, 1948; The Waves, review copy, with dated slip tipped onto front free endpaper, 1933; The Voyage Out, 1929; A Room of One's Own, 1931; Flush, 1933; Three Guineas, 1943, all "Uniform Edition", some light spotting or browning to endpapers, original boards, dust-jackets, lightly toned, some chips to extremities, but overall excellent; and 2 others, comprising 2 copies of The Captain's Death Bed, one a proof copy, all Uniform Edition, 8vo (8)⁂ A good run of the works in Uniform Edition, scarce in dust-jackets. The first a good Woolf association item, belonging to Trekkie Parsons, Leonard Woolf's lover after Virginia's death.
NO RESERVE Wellesley (Dorothy) Jupiter and the Nun, first edition, number 30 of 250 copies signed by the author, book-label to pastedown, original boards, rubbed and lightly soiled, [Woolmer 313], 4to, Hogarth Press, 1931.⁂ A good Hogarth Press item - this being the last title hand printed by the Woolfs.
Palitoy Action Man Vintage a mixed group to include undressed blond flock head figure, a similar item in an Australian outfit, hard plastic Dinghy with outboard motor and paddles, various weapons and accessories, Arctic Explorer items and skis, Red Devil Parachutist jumpsuit with red white and blue parachute, plus others - Fair to Excellent unboxed. (Qty)
Palitoy Action Man Vintage a mixed group of items to include boxed item Secret Mission to Dragon Island 34163 with inner card and some original items (stars have been cut from side of box), a flock head figure with gripping hands, various loose items including skis, weapons, hats and helmet - Fair to Excellent. (Qty)
Diverse collection of Early GB Stamps & Envelopes , & Cigarette Cards,all in a large Black ‘Partners folder ‘ then a blue centurion Stockbooks containing a mostly BC Selection of Stamps with odd world seen . The GB Content we note 1855 , SG 34 Blue , Perf 14: Wmk Large Crown , CF & II both separate , GB Victoria 1841 Blue , Horizontal Pair , FB / FC GB Victoria 1d Red , Imperf Pair JA / JB GB Victorian 1880 SG 164 x 2 Horizontal Pair ,v1;2d value showing a nice Norwich Circular Strike GB Victorian 1887-1900 ; 2-1/2d Vert Pair Mint GB Victorian SG 147 6d Grey , pl 16, 1820 Pre-Penny Black original letter / Envelope , postmark Doncaster dated 1828, very collectable item Then 9 Envs of Miscellaneous GB from 1850 to KGVI Back of folder sees a Carreras album Kings and Queens of England not complete Players cigarette cards , Film Stars , Third Series Interesting Lot.
James Bond No Time To Die (2021) Daniel Craig's Bond hardback book by Greg Williams, not for commercial purchase. This book was issued to crew and is hand numbered 247/1000, with a 007 embossed card signed by Daniel Craig. The item is being sold to raise funds for the Pilgrim Bandits. This charity supports injured Service Personnel and Emergency Service workers to live full and rewarding lives.This book was kindly donated by Daniel Craig himself. The book is also accompanied with Daniels signature on a gold embossed 007 card. Condition Report: The book is sealed and in very good condition.
ART DECO STYLE FIGURE AND OTHER ITEMS the figure modelled as a female posed on a resin base, along with a figural plaque, tapered vase and other itemsLargest item 47.7cm long Qty: 5Bust and vase in overall good condition. Vase with small firing imperfection. Two small white marks to one side. Wear to base of bust. Additional images now available.
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