1st-3rd century AD. A rectangular mosaic panel in modern matrix, bi-chrome border with 'wave' pattern surrounding concentric borders, central motif of a biga with winged putto charioteer. 19.5 kg, 121 x 77cm (47 1/2 x 30 1/2"). Property of an important French collector; acquired from Oceanide Ancient Art, Geneva, Switzerland and shipped to Reading, UK, in 1994; accompanied by a copy of the original invoice and AWB. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition.
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1st-2nd century AD. A finely detailed winged or possibly horned bronze phallic double looped pendant or mount, three dimensional with engraved detail of hair; the reverse with two pierced lugs; accompanied by a copy of the Suffolk County Council Archaeological Service Finds Report dated November 1998 comments: 'Phallic ornaments are a fairly common good luck / virility symbol, the association with bulls is common - adding extra male strength to the symbolism - and they are often but not exclusively associated with the Roman army'. See Colonel Fanin, The Royal Museum at Naples, Being Some Account of The Erotic Paintings, Bronzes, and Statues Contained in That Famous 'Cabinet of Secret', London, 1871; also, Hammond, Brett, Benet's Artefacts of England: Roman Edition, Essex, 2016, pp.254-255 and Johns, Catherine, Sex or Symbol, BM, London, 1989 for discussion and other examples. Proceedings of the Suffolk Institute of Archaeology and History, vol.XXXIX, pt.3, p.357, fig.94(I) and p.362 (this piece), accompanied by a copy of the relevant pages including drawings and text. 70 grams, 43mm wide (1 3/4"). Found near Sudbury, Suffolk, UK, in 1998; accompanied by a copy of the Suffolk County Council Archaeological Service Finds Report dated November 1998 (Arts Council England export approval has previously been granted"). [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. Extremely rare.
3rd-7th century AD. A substantial iron-framed cavalry helmet formed as a hemispherical bowl with a broad band fore-and-aft, applied bronze reeded strips secured with decorative rivets, D-shaped lateral sheet silver panels with repoussé fish-scale detailing; the interior with panels and fragments in a matrix. See Grancsay, S.V. A Sasanian Chieftain's Helmet in The Metropolitan Museum of Art Bulletin, New Series, Vol. 21, No. 8 (April, 1963) for discussion; also Ahmad, S.N. A new Sasanian helmet in the Musee d’Art Classique de Mougins, in Historia i ?wiat, 2015. 2.3 kg, 17 x 24cm (6 3/4 x 9 1/2"). From the collection of a North London gentleman; acquired in the 1980s. Accompanied by a positive metallurgic analytical report, written by Metallurgist Dr. Brian Gilmour of the Research Laboratory for Archaeology and the History of Art, University of Oxford. The helmet's interior shows it has been constructed from bands and panels attached to an encircling browband, the most frequently encountered method for producing iron and bronze helmets in antiquity which persisted in eastern Europe and Western Asia until the early modern period. The fish-scale side panels are known from other Sassanian helmets, such as the examples in the Romische Germanische Zentralmuseum (Ahmad, fig. 7) and the Metropolitan Museum of Art (ibid., fig.6"). In plan, the helmet is more barrel-shaped than round, with distinct flattened faces to front and rear. This may have been intended to accommodate a separate arming cap or other form of inner protective layer. [A video of this item is available to view on TimeLine Auctions website.] Fine condition, some restoration. Rare.
1st century BC-2nd century AD. A silver pendant of a winged phallus with suspension loop to the rear. Cf. Boucher, S. Inventaire des Collections Publiques Françaises - 17 Vienne: Bronzes Antiques, Paris, 1971, item 60. 22 grams, 39.5mm (1 1/2"). From the collection of a European gentleman living in South London; acquired 1970-1980. Very fine condition.
5th-8th century AD. A socketted triangular-section iron francisca axehead with broad curved cutting edge and elliptical socket; mounted on a custom-made display stand. Cf. Nice, A. Revue Archéologique de Picardie: La Nécropole Mérovingienne de Goudelancourt-lès-Pierrepont (Aisne), Senlis, 2008, item S.311. 890 grams, axe: 14.5cm (5 3/4"). From the family collection of a South East London collector; formerly acquired in the late 1950s. Very fine condition, professionally cleaned and conserved. Rare.
1st century BC-1st century AD. A bronze figurine of a nude rider with mantle to the shoulders and quiver to the back, radiate crown, right hand extended with discus or patera. Cf. Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965, item 320 for type. 29.4 grams, 53mm (2 1/4"). Property of a gentleman; acquired in the late 1960s-early 1970s. Very fine condition.
15th-16th century AD. A gold ring with shank widening slightly to the centre; the bezel in the form of a pair of clasped hands with ruffled collars. 4.87 grams, 23.30mm overall, 20.06mm internal diameter (approximate size British U, USA 10 1/4, Europe 23.00, Japan 22) (3/4"). From the Gencs family collection. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. A large wearable size.
1st century AD. A gold finger ring comprising a slender lentoid-section hoop, ellipsoid plaque with central cell, inset carnelian(?) gemstone, intaglio standing Telesphorus with cape. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 2137 for type. 6.89 grams, 24.35mm overall, 20.06mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18) (1"). From the collection of a European gentleman living in South London; acquired 1970-1980. Telesphorus was a son of Asclepius in Greek (Asia Minor) tradition, often found with his sister, Hygieia. He was depicted as a dwarf, his head always covered with a cowl, and he apparently represented recovery from illness. His name means the accomplisher or bringer of completion in Greek. His cult may have been introduced to Anatolia by Gaulish settlers, the Galatians, to whom St. Paul addressed one of his Epistles. Very fine condition. Rare.
Roman Period, 30 BC-323 AD. A gold finger ring comprising a flat-section shank of ropework between filigree edges, applied rosettes and granule clusters. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 121 for type. 4.85 grams, 23.40mm overall, 20.28mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.40, Japan 23) (1"). Property of a London gentleman; acquired before 1970. Fine condition. A large wearable size.
5th-7th century AD. A hollow-formed gold cruciform pendant formed as four hollow hexagonal-section expanding arms each with a band of granules and domed finials with granules, central disc with band of granules and inset cabochon garnet, large suspension loop with granule detailing. Cf. Wamser, L. Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, item 516. 13.43 grams, 43mm (1 3/4"). Property of a North London gentleman; acquired on the UK art market before 2000. Very fine condition.
1st century AD. A bronze patera comprising a shallow discoid bowl with inturned lip, central dome with concentric ring ornament, basal ring; the handle columnar with foliage to the junction, lion-head finial with gaping mouth. 408 grams, 21cm (8 1/4"). Ex Horton collection; acquired Gorny & Mosch, Munich, 25 June 2014, lot 86; accompanied by a copy of the relevant Gorny & Mosch catalogue page. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition.
Late Period, 664-332 BC. A pale blue glazed composition ink pot formed as a bearded male head with lateral horns to the brow, painted detailing, with old collection label, 'No.10. (27/6/92.)' on base. 73 grams, 60mm (2 1/2"). Property of a London gentleman; acquired before 1970. [A video of this item is available to view on TimeLine Auctions website.] Fine condition.
4th-3rd century BC. An iron dagger and associated scabbard; the dagger with carp's tongue blade, flared lower guard, rounded grip, hollow T-shaped pommel with four large rivets, silver inlay to the hollow lower guard; the scabbard with median projections to connect with the lower guard and two T-shaped cotton-reel attachment points for the belt or baldric, four discoid lateral buttons to the finial; the lower guard with panels of inlaid silver wire in lattice patterns with guilloche border, similar ropework and guilloche patterns to the waist, and lower body, cross-in-circle designs to the lateral buttons; the blade lentoid in section with midrib; Iberian workmanship. See Capwell, Dr. T. Knives, Daggers and Bayonets, London, 2009 for discussion. 344 grams total, 29.5cm (11 1/2"). Property of a Suffolk gentleman; acquired before 2000. Accompanied by a report of metallurgic analytical results, written by Metallurgist Dr. Brian Gilmour of the Research Laboratory for Archaeology and the History of Art, University of Oxford. The dagger and its elaborate sheath bear distinctive decoration in the technique later known as Tauschierarbeit when it reappeared in the early medieval period. The process involves laying out a design on the metal surface, then carefully incising a narrow (typically 0.5mm or less) slot into the surface. The slot is then further worked with a graving tool to enlarge the hollow inner faces, creating a wedge-shaped profile to the cut with the narrow edge at the top. The silver wire is then made slightly over-width for the slot's dimensions, placed over the slot and slowly worked down with a flat-faced hammer so that the displaced metal expands into the lower part of the slot and fills the void. The process is repeated for every separate line in the design. The four discoid buttons at the lower end of the scabbard are an unusual feature of this type with parallels in many Iron Age cultures of Europe. The two attachment studs would have passed through corresponding slits in a leather or woven textile belt or baldric. The designs chosen for the inlay are all geometrical, mostly based around concentric rectangles and lattice or guilloche patterns. The reverse of the scabbard and hilt are both undecorated because expensive and labour-intensive ornament was reserved for the surfaces which could be displayed. The ornament may have held some symbolic meaning which is no longer recoverable. The organic grip would have been carved to accommodate the fingers and to facilitate a firm hold on the hilt. [A video of this item is available to view on TimeLine Auctions website.] [2] Very fine condition. Rare.
1st century BC-1st century AD. A bronze figure of Hercules standing nude, bearded and with hair drawn back, with a cup(?) in his right hand, club cradled in the crook of the left arm, lionskin mantle over the right forearm with head and forelegs carefully modelled. Cf. Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965, item 105. 103 grams, 78mm (3"). Property of a gentleman; acquired in the late 1960s-early 1970s. Very fine condition.
Early Dynastic Period, early 3rd millennium BC. A slender vase with tapering body, everted rim, carved from fossiliferous black limestone containing numerous corals. 524 grams, 19cm (7 1/2"). From the private collection of a North West London lady; previously with a central London gallery; formerly acquired before 1990, supplied with geologic report No. TL005184, by geologic consultant Dr R. L. Bonewitz. A macehead made from the same rare limestone was auctioned at Christie's New York in 2009, lot 2. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. Extremely rare.
Saite Period, 26th Dynasty, 664-525 BC. A bronze mummiform statuette of the god Osiris with arms folded across the chest holding crook and flail, with Atef crown and uraeus on the head; plaited beard, wearing Broad Collar; the feet on a rectangular base; mounted on a custom-made stand. 690 grams total, 23cm including stand (9 1/4"). Property of a gentleman; from a Mayfair, London, UK, gallery; formerly in the Bastan collection, Hamburg, Germany; previously with Van Ham, Cologne, Germany, 13 February 2008; formerly in an early 20th century collection; accompanied by a copy of the Van Ham purchase invoice. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition.
Late 2nd millennium BC. A bronze figure of a deity, seated frontal with joined legs and upright torso, right arm raised in a benediction gesture, left arm bent to hold an object in a fisted hand; wearing a short crown with rounded top with the remains of silver cladding, and a long dress with fringed border and decorated collar; narrow face with light features; peg extending from the rear and below the feet for insertion onto a throne; mounted on a custom-made stand. 1.7 kg total, 21cm including stand (8 1/4"). From an English private collection, 1973-2012; previously in the Hormann collection, Germany, 1946-1973; formerly with Elie Bustros, Beirut. [A video of this item is available to view on TimeLine Auctions website.] Fine condition. Rare.
8th-11th century AD. A bronze pendant in the form of of horse with mounted rider holding up a discoid object, possibly a shield, and a sword in other hand. Cf. Arbman, H. Birka I: Die Graber, Uppsala, 1940, pl.92, item 7. 5.49 grams, 34.5mm (1 1/4"). Property of a lady living in Kent, UK; formerly part of her grandfather's collection; acquired in Germany after WWII; thence by descent 2006. Fine condition. Rare.
New Kingdom, 1550-1070 BC. A carved haematite pendant mask of Bes with plumed headdress and grotesque features, pierced transversely for suspension. 16 grams, 38mm (1 1/2"). From an old British private collection; formed between 1975 and 1985. [A video of this item is available to view on TimeLine Auctions website.] Fine condition.
2nd-4th century AD. A substantial youthful and benign grey schist statue of the bodhisattva Avalokiteshvara on a plinth, standing erect wearing a dhoti and sandals with swags of beads and braided ornaments to the neck, sanghati mantle draped elegantly over the left shoulder; the face with pointed moustache, urna to the brow, copious hair bound with a beaded headband; the right hand raised palm-outwards in the mudhra gesture of reassurance, the left hand holding a censer; the plinth with segmented panels; mounted on a custom-made stand. 72.0 kg, 120cm (47 1/4"). Property of a London gentleman; previously with central London gallery; imported from the USA in the early 1970s; formerly with Mahboubian Gallery, New York since the late 1960s; accompanied by a original early 1970s black and white photograph. The figure probably represents the bodhisattva Avalokiteshvara, who is said to embody the compassion of all Buddhas or 'awakened beings'. According to some early Buddhist teachings drawing on pre-existing Hindu tradition, the sun and moon are said to be born from Avalokiteśvara's eyes, Shiva from his brow, Brahma from his shoulders, Narayana from his heart, Saraswati from his teeth, the winds from his mouth, the earth from his feet, and the sky from his stomach. In this way, he has the role of 'primordial being' also seen in the stories of Vedic Yama and Avestan Yima, who are instrumental in creating the world from the remains of a single being. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition.
6th century AD. A gold sword pommel and hilt comprising: tapering flat-section iron tang fragment; narrow scaphoid-section lower guard with two rows of billets and an arcade all executed in garnet cloisonné; two vertical rivets with domed ends and beaded wire collars; three-lobed pommel with beaded wire rims, geometric cloisonné design to each face and scale pattern to the narrow edge, four attachment pins with ribbed sleeves. 60 grams, 67mm wide (2 3/4"). Property of a private collector; acquired before 1975. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. Rare.
2nd-3rd century AD. The goddess of love depicted with youthful idealising features on a slender neck, hair dressed in a chignon to the rear, two tresses pulled up over the crown of her head and fastened in a top-knot, with two tresses falling past her shoulders; her oval face with almond-shaped eyes beneath gently-arching brows, slightly-parted lips, and a rounded chin; standing on a columnar base, the goddess depicted nude, with a slender physique, standing with her weight on her left leg, similar to that of the Capitoline Venus; holding and looking into a circular mirror held in her right hand and a pomegranate in her left, both professionally re-attached. See Havelock, C. M. The Aphrodite of Knidos and Her Successors, 1995 for general information. 875 grams, 27 cm (11 3/4"). Formerly with Lennox Galleries, London, UK; previously in the David Strong collection, London, UK, 2005; ex. L. Grenacs, Brussels, 1967; accompanied by an Art Loss Register certificate. [A video of this item is available to view on TimeLine Auctions website.] Extremely fine and important. The pale green, even patination stable and most attractive, with a suggestion of silvering.
Ptolemaic Period, 332-30 BC. A bronze vessel with tapering body, conical underside, two loops to the rim and bronze rod handle; bands of reserved decoration to the body including reed boats above a frieze of gods with Min facing a papyrus stalk, behind him standing figures of the goddesses Isis and Hathor with another standing Min; frieze beneath with repeated scene of winged scarab and figure of dancing Anubis before raised uraeus, lotus-petal detail to the underside; mounted on a custom-made stand. Cf. World Museum, National Museums Liverpool, accession number 56.20.485 for type. 375 grams total, 16cm including stand (6 1/4"). Acquired on the Belgium art market in 1956, previously in a private Belgium collection formed in the 19th century; formerly with Pierre Bergé & Associés, Archéologie, Paris, 16 December 2015, lot 113; accompanied by copies of the relevant Pierre Bergé catalogue pages. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition.
1st century BC-1st century AD. A carved marble bust of a youthful female, possibly a goddess, with hair parted in the centre and tied at the rear of the head in a chignon, the eyes with soft fleshy lids, the nose and mouth small, the lips pert and the chin rounded; mounted on a custom-made stand. See Wheeler, M. Roman Art and Architecture, London, 1964 for discussion. 30.1 kg, 41cm (16 1/4"). Property of a European gentleman; formerly in a German private collection formed in the 1950-1970s. The hairstyle with centre parting a chignon is typical of the Julio-Claudian era when the fashion turned towards simplicity (and thus honesty and virtue) as a counterpoint to the excessive flamboyance of Cleopatra and the Ptolemaic Egyptian court. [A video of this item is available to view on TimeLine Auctions website.] Fine condition.
Han Dynasty, 206 BC-220 AD. A parcel-gilt bronze figure of a pixiu crouching with head turned and mouth gaping; the body covered with gilt feather-pattern detailing; hollow to the underside. See Song, L. Chinese Bronze Ware, Cambridge, 2011 for discussion. 775 grams, 15cm (6"). Property of a London collector; by inheritance from his grandfather; acquired during travels in the Far East in the 1920s. [A video of this item is available to view on TimeLine Auctions website.] Fine condition.
13th-14th century AD. A gold ring comprising a thick barrel-shaped hoop inscribed to the outer face; Malcolm Jones, Sheffield University, Dept. English Language & Linguistics, Senior Lecturer 1994-2009 and advisor to the British Museum and Portable Antiquities Scheme, says: 'This ring is inscribed with a posy in Anglo-French, i.e. the type of French written and spoken by the Norman French elite and the upper classes in post-Conquest England of the 12-15th centuries. Anglo-French is also the language of the conventions of Courtly Love, andthus common on items of late medieval English personal jewellery. The inscription on the present ring is incomplete, it lacks the end of the penultimate word and the final word altogether. From other examples (in the Victoria & Albert and British Museums) we know that the full posy is a rhyming couplet: IO : SVI : DE : DRVERIE : NE ? ME ? DV[NE: MIE] [“I am [given] out of love; on no account give me away”] (JE’s translation “do not give me away”, does not differ from the simple negative, “ne me dune pas”, but we do not have the usual ‘pas’ here, we have ‘mie’ and her translation does not convey the force of ‘mie’, which is a stronger negation, as if – in modern terms -- “do NOT give me away”! I have tried to convey this force with my rather old-fashioned “on no account” (!)).' See Evans, J. English Posies and Posy Rings, Oxford, 1931. 6.73 grams, 19.11mm overall, 15.27mm internal diameter (approximate size British I, USA 4 1/2, Europe 7.97, Japan 7) (3/4"). Property of a Wiltshire lady; acquired on the UK art market in the late 1960s-early 1970s. The full text, of which the present inscription is an abbreviation, appears in Evans (1931, p.2) 'IO SVI DE DRVERIE NE ME DVNE MIE' (I am a love-token, do not give me away"). [A video of this item is available to view on TimeLine Auctions website.] Fine condition. Rare.
Late 1st century BC-early 1st century AD. A mosaic glass pyxis in swirls of green, amber, blue and white glass, squat jar with shallow lid and knop handle. See Whitehouse, D. Roman Glass in the Corning Museum of Glass, vol.1, New York, 1997, item 55 for technique (formerly Ray Winfield Smith Collection); and for similar examples see Walters Art Museum, Baltimore, accession number: 47.76; and Metropolitan Museum, New York, accession number: 91.1.1335a, b; and Museum of Fine Arts, Boston, accession number: 99.454a-b. 84 grams, 73mm (3"). Property of a Richmond gentleman; part of his family collection formed before 1980; thence by descent. This pyxis is exemplary of luxury Roman glassware. The gilded bands are composed of a layer of gold foil between two colourless layers, the coloured bands form between them the complete vessel. [A video of this item is available to view on TimeLine Auctions website.] Fine condition, repaired.
2nd century AD. A broad bronze disc brooch with central stud, the face with concentric bands of millefiori glass and central green glass panel; pin and catch to the reverse. Cf. Hattatt, R. Ancient and Romano-British Brooches, Sherborne, 1982, item 126 for type. 50 grams, 54mm (2 1/4"). Property of a London gentleman; acquired by his father in the 1970s; thence by descent. Very fine condition.
6th century BC. A large ceramic black-glazed bucchero oinochoe with wide mouth pinched to the front and sieve at the lip; tubular neck with thin collars at junction; shoulder decorated with repeating pattern of scrolling lotus flowers, one with scrolling figure-of-eight pattern; central part of bulbous body delineated by ribs and decorated with a frieze of warriors in helmets and carrying swords and large shields, advancing horses and lotus flowers; applied strap handle decorated with column of lotus flowers within a frame; tall incised triangles to the lower body; wide foot with gusset to the rim. See Perkins, P. Etruscan Bucchero in the British Museum, London, 2007. 2.15 kg, 39cm (15 1/4"). Property of a European gentleman living in London; previously from a German collection formed in the early 1980s. Accompanied by a copy of a thermoluminescence test certificate no.N117a80 by Oxford Authentication Ltd. [A video of this item is available to view on TimeLine Auctions website.] Fair condition.
6th-7th century AD. A gilt silver brooch in the form of a stylised raven with spiral beak, claw and feathers. Cf. Menghin, W. The Merovingian Period. Europe Without Borders, Berlin, 2007, item V.3.9.1 for style. 6.4 grams, 3cm (1 1/4"). Property of a North West London gallery; formerly in a 1980s collection. Very fine condition.
5th century AD. A black onyx gem intaglio bust of Serapis with modius above the head, set into a later gold ring comprising a broad flat-section hoop with filigree detailing to the borders, impressed concentric circles, ribbed cup bezel with flange. 9.37 grams, 28mm overall,16.28 mm internal diameter (approximate size British K 1/2, USA 5 1/2, Europe 11.0, Japan 10) (1"). Property of a London gentleman; acquired by his father in the 1970s; thence by descent. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition.
2nd-3rd century AD. A gold pin or stylus with tapering shank, the finial an open right hand with serpent wound about the wrist. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 285 for type. 9.42 grams, 11cm (4 1/4"). From the collection of a European gentleman living in South London; acquired 1970-1980. Fine condition.
9th-10th century AD. A complete drum brooch with central lozengiform knop to the domed upper face; the outer sidewall with panels of regularly spaced points, four tongue-shaped dividing panels with tremolier detailing extending beyond the upper rim; the upper face with cruciform bands, the quadrants filled with knots of three-strand bands; a separate baseplate with engraved tremolier frames and radiating arms, four attachment rivets, with a pin and catchplate. See MacGregor, A. et al. A Summary Catalogue of the Continental Archaeological Collections (Roman Iron Age, Migration Period, Early Medieval), Oxford, 1997, item 1.8; Rydh, H. Dosformiga Spännen från Vikingatiden, Stockholm, 1919. 84 grams, 51mm (2"). Property of a 19th century collector; thence by descent. Drum brooches (also called ‘box brooches’, Swedish Dosspännen) were a Scandinavian fashion of the Viking period, beginning in the late 8th century AD and featuring Oseberg style gripping-beast motifs. They remained popular throughout the period into the 11th century AD. They are especially associated with the island of Gotland, the crossroads of trade and traffic in the Baltic where a variety of cultural influences were felt. Occasional examples occur elsewhere in the area of Scandinavian power, plausibly associated with the movement of brides from Gotland to foreign homelands. The earliest (8th century) examples are high-quality multi-part castings with lavish use of gold, parcel-gilding and silver; by the later Viking age they appear in bronze and gilt bronze. The original artistic motifs also evolve into more geometric forms with increased use of knotwork. As a type, they are characterised by their discoid upper face divided into symmetrical quadrants often with openwork detail; cords and faux-ropework to the edges are a consistent feature of the design. Some feature a separate cast upper plate, and on others it is the baseplate which is separate, as on the present example; occasionally the central knop is also a separate casting. It has been suggested that drum brooches were used to hold small valuables, although this seems improbable – these were normally suspended from the girdle or necklace for display. They were most probably used to fasten the triangular shawl or mantle which covered the upper body, in the dress fashion which included the heavy hängerok dress which was worn outside the undershift; the hängerok was often of rich fabric with embroidered borders, and the metal jewellery and glass beads were used to add richness to the costume. It may be this type of brooch (or the tortoise form) which was referred to by the Arab traveller Ibn Fadlan when he mentioned that Rus women wore on their chests drum-shaped brooches of iron, copper, silver or gold, whose decoration indicated the wealth of their husbands. [A video of this item is available to view on TimeLine Auctions website.] Extremely fine condition. Extremely rare.
1st century BC. A sheet silver drinking cup comprising a foot with beaded rim, balustered stem, mammiform body with flared mouth, two bands of punched beading, chamfered rim to the inner face; two lateral strap handles, each a teardrop panel attached to the lower body supporting a ribbed bracket dividing into two curved rods with knop finials. 172 grams, 13cm across including handles (5"). Property of a European businessman; formerly in a Belgium collection; previously from an old German collection. A similar, smaller vessel of more ornate design is in the British Museum with accession number 20.49.3. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition, handles and foot re-affixed.
9th-8th century BC. A tubular bronze sceptre finial formed as a standing figure with hands clasped to the breasts, tiered rings to the neck, ribbed cap and girdle, bulbous hips, ornamental bands to the knees and ankles. See Völling, E. Iranische Bronzen, Würtzburg, 2004, item 11 for type. 105 grams, 16cm (6 1/4"). Property of a Mayfair lady; formerly in an important London collection formed since 1965. Fine condition, repaired.
Ptolemaic Period, 332-30 BC. A gold ring comprising a hoop of four coils of filigree ropework, piriform bulb finials with filigree rims. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 118. 3.45 grams, 22.33mm overall, 20.50mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.40, Japan 23) (1"). Property of a London gentleman; acquired before 1970. Fine condition. A large wearable size.
3rd-5th century AD. Atlas at rest carved in schist, crouching on one knee with a muscular torso, stern facial expression with penetrating stare and abundant beard, hair swept back from the brow, robe elegantly draped across the shoulders and chest, the sturdy right arm supporting weight on the knee and the left hand gripping the shin and calf; mounted on a custom-made stand. 72.2 kg, 67cm (26 1/2"). Property of a London gentleman; previously with central London gallery; published in Apollo Magazine in February 1981; imported from the USA in the early 1970s; formerly with Mahboubian Gallery, New York since the late 1960s; accompanied by a copy of the relevant Apollo Magazine pages. The Atlas motif is among a range of imports from Greek and Persian art - caryatids, Ionic columns, drinking scenes, vines, acanthus leaves, Olympian gods and Dionysian revelries - which give Gandharan sculpture its unique flavour. The figure is derived from representation of the Greek myth of Atlas, whose task it was to uphold the sky; his thickset frame and stocky limbs indicate his ability to support any burden. Many examples of the Atlas figure are modelled with hands raised, or with a flattened upper surface to the head where an architectural feature was placed above, but in the present case the figure appears to be resting; it also does not sport the wings found on may other examples. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition; the right arm and knee polished through constant ceremonial use.
1st-2nd century AD. A flat-section gold hoop with perpendicular shoulder, raised collet and inset nicolo intaglio of Mercury standing wearing a wreath, with a bag of coins. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 173. 5.07 grams, 18mm overall, 13.92mm internal diameter (approximate size British F, USA 2 3/4, Europe 3.67, Japan 3) (3/4"). Ex Horton collection; previously in the collection of a Mayfair gentleman since the 1970s. Very fine condition.
6th century AD. A silver-gilt radiate-headed bow brooch comprising a D-shaped headplate with reserved comma motifs, three radiating balustered knops and lateral bird-heads with inset garnet cabochon eyes, long bow with vertical grooves, median band with punched triangles to accept niello fill, lozengiform footplate with reserved scroll detailing and garnet cabochon to each lateral angle, lappets formed as profile quadrupeds, beast-head finial with scooped comma-shaped nostrils; pierced lug and catch to the reverse. Cf. Menghin, W. The Merovingian Period. Europe Without Borders, Berlin, 2007, item VII.10.16 (Herpes, Charente) for type. 30 grams, 97mm (4"). From the collection of a European gentleman living in South London; acquired 1970-1980. Fine condition, usage wear to bow.
Later 6th century AD. A gold ring comprising an openwork hoop of two bands with eighteen granules between, discoid bezel with central cell and beaded wire collar, inset garnet(?) cabochon. Cf. Hadjadj, R. Bagues Mérovingiennes - Gaul du Nord, Paris, 2007, item 250 for type. 5.06 grams, 27.17mm overall, 20.36mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21) (1"). From the collection of a European gentleman living in South London; acquired 1970-1980. Very fine condition. A large wearable size.
4th-5th century AD. A silver vase with discoid flat base, globular body, gently narrowing to the neck, flared rim; applied loop handle to the side; to the body, six applied bosses, each with raised lobed centre surrounded by a pellet border. See Cleveland Museum of Art, accession number: 1961.200 for a vase with similar shape. 550 grams, 14.5cm (5 3/4"). From the collection of a North London gentleman; acquired in the 1980s. [A video of this item is available to view on TimeLine Auctions website.] Fine condition, scratch to left of handle.
14th century AD or later. A silver chalice pair, each a hemispherical bowl with baluster and flared foot; the bowl with stepped rim, four roundels each with an eagle rousant with wings displayed, stem with band of acanthus-leaf ornament, segmented baluster, second acanthus band and flared foot with vertical expanding panels alternating plain and acanthus-leaf, band of feather detailing to the rim, with later parcel-gilding. 1.2 kg total, 20.5-22.5cm (8 - 8 3/4"). From a private collection of seals and amulets, the property of a Canadian gentleman living in London; from his father's collection formed in the late 1960s to 1980s. [A video of this item is available to view on TimeLine Auctions website.] [2] Fine condition.
A WWI Webley & Scott Flare Gun, crows foot mark and dated 17, ID no. 64294. The firing pin has been filed, but this requires a firearms licence to be presented in person by the successful bidder. Auctioneer's Firearms Permit 2018. PLEASE NOTE THIS MUST BE COLLECTED IN PERSON BY THE BUYER WHO MUST PRESENT THEIR ORIGINAL FIREARMS LICENCE TO THE AUCTIONEER. NO POSTAGE ON THIS ITEM **PLEASE CHECK YOU HAVE A FIREARMS LICENSE _ A SHOTGUN CERT. IS NOT SUFFICIENT**
1930s enamel-on-brass AEC & English Electric TROLLEYBUS BADGE from an AEC trolleybus with English Electric bodywork. Measures 13.5" x 10" (34cm x 25cm) at maximum. In ex-vehicle, possibly ex-scrapyard, condition with considerable loss of enamel, which has been partly painted over, possibly when still in service, and slight bending to the tips of the wings. A most unusual item. [1]

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