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Lot 29
William Conor RHA PRUA ROI (1881-1968)Water BucketsOil on canvas, 59.5 x 44.5cm (23½ x 17½'')Signed; signed again and inscribed with title and dated 1923 versoProvenance: Important Irish Art Sale, these rooms, 8th October 1987, Catalogue No.26, where purchased by current owner.Literature: Illustrated Irish Times 23rd January 1988 Review of the Year, where they thought it fetched a 'possible record price'.William Conor began his career as a lithographer in David Allen & Sons in Belfast and this early training has certainly contributed to his unique style and technique as an artist and colourist. Conor believed that the artist should record ‘his own epoch and give expression to that which is happening around him.’ (Máirín Allen, October 1942). In 1944 Richard Rowley wrote of Conor; ‘He has devoted all his manhood’s years to the praise and glory of the city which gave him birth; he has immortalised her beauty, and the steadfastness of her people, in works which will last to carry her fame to remote generations…’ (Dictionary of Irish Artists). The artist himself was aware of the transitory nature of the scenes and society he was chronicling, and he anticipated their passing, “...when we have trampled on the best of the past and sacrificed everything of value to the much vaunted name of progress I trust these paintings and drawings will recall a world that is quickly disappearing and could soon be forgotten.” (The People’s Painter). ‘Water Buckets’ is a lively and uplifting composition featuring two happy women carrying buckets up a steep hill. A row of houses in the village or town behind them are wonderfully rendered as a pleasant contextual backdrop. Typically of Conor the background beyond these houses is minimal and limited to some green trees and hills and an expanse of grey sky. This allows the action of the working women pride of place and primary focus. Unlike many of Conor’s paintings both figures in the work face directly out of the painting to meet the artist’s, now the viewer’s eye. This is an excellent strategy of engagement on the part of Conor in that it includes the viewer as an additional participant in the overall action. We feel both these women are walking purposefully in our direction, with water buckets laden, happy in their task, delighted to meet us in the road. There is a strong resemblance between both women in terms of stature and facial features. The daughter, of middle age, walks in front carrying two metal buckets. She is robed in a simple full-length light brown dress, sleeves rolled up and a beautifully rendered half apron, with brushstrokes capturing her purposeful stride. The buckets are held apart by a large circular metal hoop that prevents them from knocking against the woman’s legs as she carries them. The hoop and buckets was a popular carrying device particularly during the 1920s and was generally used by women and sometimes children in their daily task of fetching and carrying. Behind this woman to the left, is apparently her elderly mother with grey hair carrying one bucket in her right hand. Again she is happy and contented. Her attire is brighter and this helps give her parity with the other figure even though she is behind. She wears a rich blue full length dress with a rust-red shawl, the colour of which is broken by a few simple white stripes. Although both figures face out of the composition there is an inherent intergenerational camaraderie that links the figures both in familial and shared task capacities. It is interesting to see that Conor has depicted the older lady in her shawl as this was an item of clothing that the artist felt was particularly becoming on women. When he was drawing the ‘shawlies’ or mill girls he commented on the beauty of the shawl. Conor believed; ‘[The shawl] is…very feminine. After all is it not in a sense one symbol of motherhood…I like to make crayon sketches of Ulster people in all walks of life. It was while I was making these that I came across the Ulster mill-lassie in her shawl and realised that this was the headgear most suited to bring out beauty and personality.’ (Judith Wilson, p.43)Conor regularly made studies and paintings of women at work and their most common task was fetching or carrying. This could be water, fish, potatoes or turf depending on the scene selected by the artist. He continued to revisit this theme for many years. Examples include ‘At the Pump’ 1908, where two female figures carry a bucket each and the foremost is smiling broadly. This is a much simpler study in coloured chalks however than ‘Water Buckets’ 1923. ‘Gathering potatoes, near Portadown’ c.1939 and ‘Fisher girls at Ardglass’ 1945 are both detailed works where the two women in each share the carrying between them of the potatoes and fish respectively. In each of these compositions Conor has employed different techniques and he has also included more comprehensive backdrops of the field and trees where the women have collected potatoes and of ships and cranes behind the fisher girls. ‘Bringing in the Turf’ and ‘Gathering Potatoes’ (both undated), are similar compositions featuring two female figure groups but the toil of the task is more pronounced here and these groups lack the tangible glee of the figures at work in ‘Water Buckets.’Marianne O’Kane Boal
Lot 523
SEVEN LLADRO FIGURES, (mostly af) to include 'Saint Joseph Nativity III, 'Cinderella' No 4828 (broken fingers and arm), 'Fairy' No 4595 (broken hands), 'Bird on Hand' No 2151 (broken finger), 'Geisha Madam Butterfly' No 4991 (re-glued), 'Young Fisherman' (missing rod) and 'Seated Gent' (missing item from hand) (7)
Lot 171
A boxed Taylor and Barrett #196 Wagon with Load. A scarce item from their 'Farm Series' including blue cart with four red wheels pulled by two brown horses and load comprising three baskets, three marrows, two cabbages, three carrots and two sacks, overall appears G/G+ in F/G plain card box with label to one end of the lid.
Lot 518
A quantity of Victorian jigsaw puzzles including a Gall & Inglis dissected map of Europe in a W H Cremer box titled 'Cremers Popular Dissections; The Progress of Farming, published by F Green, Holborn with folding plan; Silk and its Manufacture, published Philip, Son & Nephew, London, with folding plan; The Horse and its Uses with folding plan and three others Condition Report: Map - three pieces missing. Norway piece looks broken in half. Some discoloration, some pieces slightly warped, box missing one end, lid a little warped, dirty. Progress of Farming - plan discoloured, some splitting to seams where folded, small tear, a number of small losses, mainly to the 'peg' part of pieces. Some small surface losses particularly behind figure Threshing. Some discolouration, no box. Silk - A few 'peg' parts missing, slight peeling to paper and slight discolouration. Plan folded, torn and repaired, box cover only (discoloured). One female figure snapped in two. Horse - 1 peg part broken, slight losses to paper. Worm damage visible front and back. Paper plan folded and heavily repaired with sellotape. Box cover only, warped, repaired with sellotape. Robin Hood- Missing perhaps three or four pieces, small losses to joins. Box incomplete. Cover broken in two. Unnamed depicting House and Garden - three 'pegs' broken but with item. Discoloured. General scuffs.The Farm Yard, Harvest Evening - A number of 'pegs' broken, some with lot. Slight lifting here and there to paper, scattered discolouration, box complete but lid broken in two.
Lot 125
A famille rose tankard of typical cylindrical form, decorated with four Manchu/Chinese figures on a garden verandah, 12.5 cm high, Qianlong, together with four famille rose saucers and four teabowls (9)Please note that this is a group lot where condition may vary from item to item; the deterioration includes: a repaired handle on the tankard; worn enamels; and some areas of cracking and repair.
Lot 16
A small famille rose oviform vase with Tongzhi six-character mark, 6cm high; a small blue and white cup with loop handle, 9 cm high; a famille rose vase decorated with lotus, 10 cm high; and a blue and white dish, decorated with birds, 27 cm wide (4)Please note that this is a group lot where condition may vary from item to item; there are areas of damage and repair including hairlines and evidence of riveting.
Lot 164
Eight various items, comprising: a blue and white oviform vase and cover, decorated with confronting dragons, 16 cm high; a beaker vase with foliate rim, six-character mark; a small blue and white ginger jar with four-character Kangxi mark; a blue monochrome vase and cover; a cup with four-character Kangxi mark; a small famille rose dish with Guangxu mark, 7 cm diameter; and two famille rose dishes with foliate rim and underglaze blue six-character mark (8)Please note that this is a group lot where condition may vary from item to item; some areas of damage including cracks and repairs extant.
Lot 2
Four items of famille rose, comprising a circular Canton dish, 26 cm diameter, a Canton bowl, 26 cm diameter; a Canton vase, 26 cm high and another vase decorated with panels of figures, 21 cm high (4)Please note that this is a group lot where condition may vary from item to item; the damage includes areas of repair, loss and cracking.
Lot 40
A Cantonese ivory fan with 19 sticks; decorated with typical designs of figures, gardens and trees; 19 cm high, Qing Dynasty Provenance: The Property of a Gentleman.Please note that there are some areas of damage and deterioration to the fan; this includes: broken ribbon and some broken or lost ivory filigree. This item is subject to CITES regulations.
Lot 6
A famille rose tureen cover of domed form with knop finial, 20 cm diameter, Yongzheng/Qianlong; together with three Chinese Export blue and white dishes and a number of other Chinese Ceramics including a bowl decorated with the linear combinations of the I Ching (Classic of Changes) (10)Please note that this is a group lot where condition may vary from item to item; he damage includes areas of repair, re-gluing, cracking or loss.
Lot 109
JOHN LENNON CHECKERBOARD TABLE. A large chessboard patterned table from John Lennon's home, Kenwood, in Weybridge, Surrey. The table was made for John when he moved into the house in 1964 and was the centrepiece of his living room. Many of the world's most famous musicians and rock stars sat at this table with him. It was also a focal point for John's songwriting. The chess table measures 125cm x 125cm x 42cm (49.25 inches x 49.25 inches x 16.5 inches). Unfortunately, all of the original black and white tiles have been replaced due to damage. The replacements are modern exact replicas in black and white. The wooden base on which the tiles sat has also been replaced. The metal frame and legs are original. The condition of the table is very good. Item comes with letter of provenance from original vendor and John's lifelong friend Pete Shotton. ** BEATLES
Lot 71
DYLAN THOMAS 1940s framed portrait-photograph of the poet and inscribed by Thomas to his friend 'Phil', the landlord of the Cross Inn, Laugharne. Taken by Slade School attendee, photographer Nora Summers, possibly at Laugharne or The New Forest. Provenance: the landlord Phil Richards sold this item with other related memorabilia (including two bounced cheques to him from Dylan Thomas ) at Bonhams in London, 2014. The Estate of Michael Bogdanov (1938-2017) esteemed Welsh theatre director
Lot 259
A slice of greenstone matrix with numerous areas of bright native copper, with an acrylic finish to prevent oxidation of the copper. See Bonewitz, Dr. Ronald Louis, Rocks & Minerals, 2008, p.112. 234 grams, 12cm (4 3/4"). From the historic ‘Victorian Museum’ and later collection of Gregory, Bottley & Lloyd (Gregory's); formerly Gregory, Bottley & Co. (1932-1981) and previously J. R. Gregory & Co. (1898-1932); originally James Reynolds Gregory (1858-1898"). This item is part of a historic collection of fossils and minerals which has recently been reviewed by leading geological expert Dr. Ronald Bonewitz. The firm Gregory, Bottley and Lloyd (Gregory's), was acquired by TimeLine Auctions in 2016. London-born James Reynolds Gregory (1832-1899) founded the company, which is the second longest-running gem and fossil dealership in the world. James was educated at Archbishop Tennison's School, and afterward found employment in a jewellery company on Regent Street. In 1858 he established his own business in King William Street. A few years later he moved to ‘very extensive premises’ in Golden Square, Covent Garden. He was one of the best known dealers in London, exhibiting at major commercial shows throughout the world and winning awards for excellence in Paris in 1867, Sydney in 1879 and London in 1862, 1883 and 1884. James primarily bought his stock at auction, from collectors and other dealers, and supplied many major collectors and scientists of his day. He built superb personal collections, a selection going to the British Museum. He wrote many papers and was a member of several learned societies including the Society of Arts. The business became known as J.R. Gregory & Company in 1896, still under James' management with the assistance of his son Albert Gregory (b.1864"). When James died three years later, the business passed to Albert. At the end of the 19th century most London dealers had folded or retired, many selling out to J.R. Gregory & Co. Albert continued by acquiring Russell and Shaw (Est. 1848) in 1925 and Francis H. Butler (Est. 1884) in 1927. Percy Bottley (1904-1980) took over the company in 1931, renaming it Gregory, Bottley & Company with respect to his predecessors. Percy’s company survived the 2nd World War by buying out all of its competitors, including the supplier to Pitt-Rivers, Samuel Henson (Est. 1840) and G.H. Richards (Est. 1897) in 1936. Percy also added many important collections to his stock including those of Rev. F. Holmes in 1940, and the Graves collection in 1943. Following Percy's death in 1981, the business was sold to Brian Lloyd, whereupon it became Gregory, Bottley & Lloyd. Brian had been Sotheby’s main Natural History expert in the 1960s and 1970s, and subsequently traded from Pall Mall. The business continued to thrive, and Brian purchased the Joseph Neeld (1789-1856) collection in 1974 and the historic gold collection of H.S. Gordon, first exhibited at the Empire Exhibition, South Africa in 1936. Brian moved the business to 12-13 Rickett Street in 1982, and to 13 Seagrave Road in 1993. He carried on the company's specialization in historic collections, most recently acquiring that of Robert Ferguson (1767-1840) in 2000. The business moved to Walmer in Kent in 2008, and was acquired by TimeLine in April 2016. Trading History Est. 1858 (59 Frith Street, Soho) 1859 - 1861 (3 King William Street, Strand) 1862 - 1866 (25 Golden Square, Covent Garden) 1866 - 1874 (15 Russell Street, Covent Garden) 1874 - 1895 (88 Charlotte Street, Fitzroy Square) 1896 - 1906 (1 Kelso Place, Kensington) 1907 - 1926 (139 Fulham Road, Chelsea) 1926 - 1981 (30 (Old) Church Street, Chelsea) 1982 - 1993 (12-13 Rickett Street, Fulham) 1993 - 2007 (13 Seagrave Road, Fulham) 2008 - 2015 (59 Liverpool Road, Walmer, Kent) 2016 - (363 Main Road, Harwich, Essex) [No Reserve] Extremely fine condition.
Lot 367
A mid-20th century preserved and well modelled Bream, contained within a bow front taped display case, bearing legend 'Caught by J L Helsey at Goring, 26th September 1954'. Condition Report: Overall condition very good, however, in our opinion, this item has been repainted and restored at sometime. Case 50cm long.
Lot 126
An Art Deco silver five-piece tea and coffee set, comprising; teapot, coffee pot, hot water jug, cream jug, and open sugar, each of plain tapering form with rounded corners, the tea, coffee and hot water pots with hinged covers and bakelite handles, maker Gieves Ltd, Birmingham 1933, gross weight approx 57oz, coffee pot h.17.5cm, teapot h.11.5cm (5)With original Thurlow Champness & Son of Abbegate Street, Bury St Edmunds, purchase receipt dated 6th April 1968, for a total of £105 Condition Report / Extra Information Each item stands well.Covers sit well on relevant pouring vessels.Some light surface scratches (mostly to bases).General handling wear and tarnishing.A good set overall in excellent working condition.
Lot 273
Stunning Veronica Cartwright The Twilight Zone hand signed 10x8 photo. This beautiful photo depicts a rare hand signed image of Veronica Cartwright as Anne Rogers, in the Twilight Zone episode !I Sing The Body Electric. Veronica has also added the episode name with her signature. This is a rare item! This signed photo is guaranteed authentic and is supplied from one of the UK s leading autograph memorabilia companies. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95
Lot 1016
A Gemini rocking chair designed by Walter S Chenery in the 1960's and manufactured by Lurashell, fibreglass shell with a teak base 90cm high and a Lurashell swivel chair with metal base, 100cm high (2) This item is offered for sale as a work of art, it may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling
Lot 1017
Two mid-20th Century upholstered swivel chairs with adjustable backs on metal base, 103cm high (2) This item is offered for sale as a work of art, it may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling
Lot 1187
A late Victorian wooden hand operated fairground carousel or merry-go-round, circa 1895, last used at Nottingham Goose Fair in 1979, featuring individually-carved ponies and peacocks plus two peacock chariots and comes with full provenance. Made in Burton On Trent, Staffordshire, a town famous for its beer, by George Orton, Sons and Spooner of Swan Works for Fred Westrope in 1895.Provenance:According to historical documents found with the item, it was the only ten-section, three-abreast carousel ever built and, apart from redecoration, is exactly as it was back in the days when Queen Victoria was on the English throne.The ride is approximately 18ft in diameter and features 12 ponies and six peacocks along with the peacock chariots, which can carry nine children in each. No two figures are the same and they are all suspended on twisted, brass-covered iron rods. It also features mirrors ceilings and a mirrored centre.When Fed Westrope owned the ride it was taken to fairs around the Midlands for him by the Meakin family and was a regular visitor at Burton's statutes fair. It was later bought by a Mrs West and taken to fairs in Nottinghamshire and Derbyshire. Later it passed to Jimmy Fantom and travelled around fairs with his family for 46 years. After its final appearance at Nottingham Goose Fair in 1979, it passed to Burton couple George and Joyce Mander who restored it to its former glory and took it along to steam rallies and vintage fairs. The historical notes tell us that every effort was made to retain its Victorian authenticity during the painstaking restoration. Rides such as this demanded ornate carving, decorative brackets and other embellishments which required great skill. In time, the demand for speedier, more thrilling rides heralded their demise.Offered with an extensive archive of images, including those of it in use at events.Estimate Upon Request
Lot 210
Restoration binding.- Allestree (Richard) The Gentleman's Calling, additional engraved title, contemporary black morocco by John Harding, border and panel of a double gilt fillet, strawberry and flower corner tool at the inner angles of the panel, same tools arranged to form central lozenge, the whole covered with a design of volutes, tulips, rosettes, acorns, leaves, stars and bunches of grapes, gilt spine in compartments, g.e., preserved in modern half calf over marbled board drop-back box, [Wing A1126], 8vo, by R. Norton, for Robert Pawlet, 1677.⁂ A superb example of a binding by the London binder John Harding. Born near Chester, Harding was apprenticed to Jeremy Lamas in 1653 and appointed to the Stationers' Company in 1677. Although the box and a note by Dublin bookseller Falkner Greirson attribute the binding to Samuel Mearne, it is so similar in tools and style to one attributed by Maggs to John Harding (Bookbinding in the British Isles, catalogue 1212, item 60), that we are confident in our re-attribution. Provenance: Shane Leslie (ex-libris to front endpaper and inscription "From the library at Golagh presented to Lady Constance Leslie by Mrs Woodwright.")
Lot 433
Alps.- Leschevin (Philippe-Xavier) Voyage a Genève et dans la Vallée de Chamouni, en Savoie, first edition, half-title, engraved portrait of de Saussure after St.Ours, pp.21-22 slightly defective at outer margin where carelessly opened with loss of a couple of letters (neatly repaired), modern morocco-backed boards, uncut, [Meckly 111; Perret 2646], 8vo, Paris, A.A.Renouard, & Geneva, Guers, 1812.⁂ Travels of a mineralogist, describing early attempts on Mont Blanc and with a bibliography of works relating to the Savoie, including item XXVIII (p.17): an account by Dr. Paccard of 1786 (probably never published) of the first ascent of Mont Blanc.
Lot 356
A Handmade Cultured Freshwater Pearl, Blue Agate And Blue Tigers Eye Long Necklace Handmade in England this necklace comprises of smooth tanzanite rondelles, lapis lazuli in various shapes and sizes, purple amethyst in various shapes and sizes, lavender amethyst in faceted rounds, kyanite in elongated ovals, black spinel faceted rondelles, blue agate rounds and blue tigers eye. Strung on sterling silver and finished with a sterling silver bolt ring clasp, the necklace is extra long at approx 69 inches and can be worn as a long single strand or doubled up as a two strand statement piece. A bespoke item in brand new condition. Length, 27.5 inches, please see accompanying images.
Lot 415
Two brass hilted bayonets and a sword, comprising: a French 1866 pattern Chassepot bayonet without scabbard, 67.5cm; a German 1871 pattern Seitengegewehr bayonet, 72cm; and a 19th century Continental short sword, no makers, marks, 78.5cm (3) some rusting noted to second item, the German 1871 bayonet
Lot 1372
Football Interest Autographed Brazil 1970 World Cup Winners Shirt A rare and immaculately presented piece, framed and mounted under glass, complete with etched plaque to bottom centre, Original Nike Brasil Cotton t-shirt signed to front by Pele, Carlos, Rivellino, Jairzinho, Felix, Britto and Paizza. Wonderful collectors item. Perfect condition, Frame size 21 x 31 inches.
Lot 1375
Liverpool Football Club Autograph Interest Rare Group Of Original Autographs From 1957 - 1978 A Rare and immaculately presented item, Housed in contemporary black gloss frame with black and white team photo and etched plaque to bottom. Autographed paper to top with the authentic autographs of Gerry Byrne 1957-69, Chris Lawler 1960-75, Tommy Smith 1962 -78, Ron Yeats 1961-71, Alf Arrowsmith 1960-68, Ian Callaghan 1959-78, Gordon Milne 1960-67, Willlie Stevenson 1962-67, Roger Hunt 1958-69, Ian St John 1961-71, Gordon Wallace 1962 -67, Geoff Strong 1964 -70, Peter Thompson 1963-73, Tommy Lawrence 1957 - 71. Perfect condition, 26 x 20 inches.
Lot 149
Five (5) Pc. Juventino Lopez Reyers Art Nouveau Sterling Silver Tea Set. Includes: Teapot, creamer, covered sugar, waste bowl, and undertray. Each item is stamped with makers mark, sterling "Made in Mexico" on underside. Small bending to bottom on teapot and covered sugar, needs a minor cleaning. Teapot measures 10" H, undertray measures 20" W. Total weighs approx. 106.90 Troy ounces. Shipping $145.00 (estimate $1200-$1800)
Lot 190
In the manner of Simon Troger, Austrian (1683-1768) Carved Wood and Ivory Musicians. Good condition. Measures 11" H x 3-3/4" W. We Will Not Ship This Item Out of State of Florida. Anyone Having This Item Shipped Must Have a Florida Address or the Item will not be Shipped. We will Not Knowingly Sell Endangered Species outside of Legal Channels. Shipping $65.00 (estimate $500-$800)
Lot 71
Large Antique Oil on Canvas "Dancing Bear". Signed Lower Left Fermin Girard. Good Condition. Measures 30 Inches by 43-1/4 Inches. Frame Measures 38-1/2 Inches 51 Inches. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request. (estimate $800-$1350)
Lot 23
1955 MG TF 1500- First RHD production example- Current ownership for 10 years- Treated to a restoration in the mid 1990'sAn attractive righthand drive example of this increasingly sought-after MG model, '256 CMG' is presented in White with contrasting Red interior trim. It rides on chrome wire wheels and comes complete with tonneau cover and luggage rack, as well a selection of invoices, old MOTs and photos of the car before it was treated to a restoration in the mid-'90s. Also included in the file is a letter written by its keeper back in 1988, from which we learn the MG was first registered on the first of January 1955 and originally finished in Pale Metallic Green, that he was only the third owner, and that by then it'd been fitted with a Gold Seal replacement engine. In fact, lengthy retention would appear to have been a feature of this TF's life to date, as the vendor has himself hung onto the car for 10 years. Another item of correspondence, an email to the 2007 owner from the TF Registrar of the MG Car Club, confirms that the first batch of TF 1500s produced comprised 150 cars, 149 of which were reserved for American enthusiasts and only '256 CMG' retained for sale at home, making it the very first of its kind. The first post-war MG, the TC, bore great similarity to the pre-war TB and was superseded by the TD in 1950. Though visually similar to the earlier cars, it was built around the more modern chassis of the Y-Type Saloon, and it was around the uprated MKII TD that the TF of 1953 was based. Intended as an interim model pending the arrival of the upcoming MGA, its fared-in headlights and sloping radiator grille ensured more modern looks, and for the last year of manufacture the engine capacity was increased to 1,466cc. Just 3,400 of these so-called TF 1500s were ultimately produced.
Lot 1002
Gentlemans' walnut dressing table box, with green leather fitted interior bottles and jars with silver plated mounts, two ivory handled cut throat razors, fold-down section revealing brushes and manicure set, central lift-out section enclosing mirror, box 25.5cm wide, and a ladies rosewood dressing table box, with mirror, bottle and jars with silver plated mounts, secret compartment and lift-out section, 30cm wide,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. .
Lot 1008
Early 20th century mahogany cased canteen of silver plated cutlery for 12, hinged top and two drawers on cabriole legs united with an x frame stretcher - 78 x 79 cm,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. . General wear and tear. Some cracks and yellowing to ivory handles.Please note: Not complete and spoons are rat-tail pattern.See images for missing items.Contents as follows:12 dessert forksMustard spoon.Sugar spoon.Pickle fork.Cheese scoop.18 table knives.12 cheese knives.Carving fork.12 coffee spoons.12 fish forks.11 fish knives.18 table forks.Fish servers.2 butter knives.Chutney spoon.1 pair of sugar tongs.Gravy spoon.Soup ladle.Sugar sifter spoon.12 dessert spoons.12 soup spoons.6 table spoons.1 non-matching sauce ladle.
Lot 1013
Large silver plated kettle with scrolling decoration on four shaped feet, swing handled basket, entree dish and cover and other items,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping..
Lot 1023
Victorian silver tea pot engraved throughout with floral and geometric patterns, on round foot, by W & G Sissons, London, 1881, gross weight 20.6oz, 640g,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping..
Lot 1049
Victorian silver bullet shaped tea pot, by Mappin Brothers, Sheffield, 1880, gross weight 16.2oz, 503g,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping..
Lot 1093
Victorian silver three piece tea service, comprising tea pot, cream jug and sugar bowl, with engraved and embossed decoration on round beaded feet, by John, Edward, Walter & John Barnard, London, 1869, gross weight 39.5oz, 1228g,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.. Teapot 18.5cm high. Handle a little loose. Finial not straight.All with some rubbing to marks and wear to decoration.
Lot 1097
Victorian four-piece silver tea service, comprising teapot, coffeepot, sugar bowl and cream jug, each decorated with neo-classical scenes including Adam and Eve in the garden of Eden, on a pitted ground and with crests to the necks, with ivory insulators, by J E Terrey & Co, London 1846, 72oz, 2239g,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. .
Lot 1205
Set of twelve Victorian silver and ivory handled fish knives and forks with engraved scrolling decoration, by John Gilbert & Co., Birmingham, 1868, in fitted burr walnut case,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. . Wear, small losses and scratches to case.Ivory has yellowed.Some knife blades and fork heads coming away from handles.Light wear and tear consistent with age and use.
Lot 1289
Early 20th century ormolu cherub table lamp 65cmPLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. . Metal ware worn.
Lot 1305
Early 20th century Indian tortoiseshell, ivory and bone mounted sandalwood box, on four lion's paw feet, 26cm wide,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. .
Lot 1307
19th century blond tortoiseshell card case, 10 cm x 8 cm PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbanks advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping..
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