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Lot 2321
An 18th century French School oval half-length portrait miniature of a lady wearing a blue dress, watercolour on ivory, 6cm x 4.8cm, within a white metal mount. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2327
After Andrea Appiani - a late 19th/early 20th century half-length portrait miniature of Napoleon Bonaparte, watercolour heightened in gilt, bearing signature and date '1803', mounted within an ebonized and ivory banded frame, 17cm x 13cm. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 97
Antique Fine dolls house Table and chairs and large selection of miniature-fine artist pieces including umbrella stand fender and fire place item and also various miniatures inc antique ceramic style tiny items and an array of vintage pieces from artists miniaturists and the dolls house emporium amongst others with a hand made tiny lace tale centre.(excellent quantity)
Lot 104
A rare miniature walnut table clock with published provenanceThe movement and dial by Charles Gretton, late 17th century, the case a 20th century bespoke replacement the case with shallow caddy surmounted by a turned brass handle and four brass pierced mounts, moulded cornice, silk-backed sound frets to the front door and sides over glazed rectangular panels on a moulded base and block feet, veneered all over in panels of well-figured walnut, both doors with working locks using the same key. The 5.25inch square gilt brass dial mounted with four winged cherubs head spandrels framing the silvered chapter ring, five-minute Arabic numerals engraved within the minute band, the Roman hours interspersed by meeting arrow-head half-hour markers, with inner quarter hour track, signed between V and VII Char. Gretton London, blued steel sculpted hands, strike/silent lever at III. The twin gut (now wire) fusee movement with high-set fusees between the plates measuring 13.7cms x 11.6cms (5 7/16ths x 4 9/16ths) united by five knopped and finned pillars (centre one replaced), the going train terminating in a knife edge verge escapement with short pendulum set behind an elaborately pierced and engraved apron; the striking train with rack and pull repeat for the hours on the single bell, the backplate with stylised wheatear border framing a symmetrical pattern of climbing foliage including a pair of chrysanthemums and roses around the oval signature cartouche Charls= Gretton, London. Ticking, striking and repeating, together with a case key and a pierced floral 17th century style brass winding key. 31cms (12.25ins) high.Footnotes:Literature: Radage, D. et al (2016) Charles Gretton Clock & Watchmaking through the Golden Age. Vancouver: Three O'clock Publishing. Item SC12, pages 326-329 inclusive.Another clock by Charles Gretton with a similar backplate is featured in Dzik, S. (2019) Engraving on English Table Clocks: Art on a Canvas of Brass 1660-1800, Wild Boar Publications, pg. 323 (G1-1).For further information on this lot please visit Bonhams.com
Lot 73
A LATE 17TH CENTURY BURR WALNUT VENEERED LONGCASE CLOCK WITH TEN-INCH DIAL AND BOLT-AND-SHUTTER MAINTAINING POWERJOHN EBSWORTH, LONDONThe rising hood with overhanging cornice and blind cut frieze supported on twisted columns, with long side glazed panels over a convex throat moulding and long door with oval lenticle framed by quarter-veneered panels of lively figuring within a D-moulded edge, on a crossbanded base and squat bun feet. The ten-inch square brass dial with single line border framing the winged cherubs' head spandrels and silvered chapter ring, the Arabic five-minute markers set within the minute ring and enclosing the Roman hours, fleur de lys half-hour markers and inner quarter hour track, the finely matted centre with slender subsidiary seconds dial and chamfered date aperture with boldly engraved date numerals, signed along the lower edge in copperplate script John Ebsworth, Londini Fecit. The weight driven eight-day movement with six latched knopped pillars and bolt-and-shutter maintaining power to the going train with anchor escapement, the strike train regulated via an outside countwheel acting on the bell. Ticking and striking, with case key, crank winding key, pendulum and a pair of brass-clad weights. 1.93m (6ft 4ins) high.Footnotes:Provenance:P.A. Oxley, 4 April 1997.John Ebsworth was apprenticed to Richard Aymes (also spelt Ames) in 1657, meaning he was likely born around 1643. Richard Aymes is known to have worked in Holborn, near St. Andrews Church, so it seems likely that this is where Ebsworth served his apprenticeship. A Christopher Ebsworth is also noted as being apprenticed to Aymes in 1662, and he was described as a clockmaker after his apprenticeship. It remains unknown what his relationship to John was, though he has long been assumed to be the younger brother, given his later date of apprenticeship. He was not listed in John's will, but he may simply have died before John. John gained his freedom of the Clockmakers Company in 1665, before moving into a shop 'at the Cross[ed] Keys in Lothbury'. This may have been on the same site as Knifton's former premises which were destroyed in the Great Fire, to the far south-west of Lothbury. When Lothbury was rebuilt, Ebsworth may have chosen to occupy a site well-known for clocks from Knifton's occupancy since 1646. Lothbury was a popular centre for clock workshops from the 1630s onwards; the area had long been associated with metal workers and founders. This association goes back, certainly as far as 1508, with some suggestion of going as far back as 1365, and the establishment of the Founder's Company. Given the easy access to all the raw materials, it is natural that the early clockmakers would be found here too. Interestingly, Richard Aymes was apprenticed to Peter Closon, a famed early lantern clock maker, and when Knifton died in early 1667, Aymes was one of the appraisers of his estate. Closon, Knifton, and Ebsworth all have clocks which used the 'matchstick man' casting mark. This mark has been associated primarily with Lothbury clockmakers, between the 1630's until about 1685. The mark has been variously ascribed as being the mark of the founder, the casting firm, or another specific individual. John Ebsworth is also recorded as working at 'New Cheap Side, however, the uniformity of his style makes it difficult to tell where he worked first, but any work signed from the Cross[ed] Keys is likely to date from the rebuilding of Lothbury by the early 1670s; Ebsworth had an extensive output of products which included lantern, bracket and longcase clocks, pocket watches, and even sundials.He continued to climb the ranks of the Clockmakers Company throughout his career, becoming a warden by 1695; in October of that year, he and another warden, Edward Stanton, were present when the apprentice George Graham gained his freedom of the Company. Two years later, Ebsworth was the Master of the Company. That he was financially secure at this point is seen by his investment in 1694 of £1,000 in the burgeoning Bank of England. This is the largest amount invested by any recorded clockmaker, with the exception of Thomas Tompion, who also invested £1,000. Ebsworth died in 1699, appointing his wife Susanna the sole executor of his will and Edward Stanton as the overseer, as well as instructing Stanton to provide business advice to Susanna. In total, he willed £570 to his three cousins and their children, with the promise of giving them more, should Susanna remarry within two years of his death. He was buried in St.Margaret's, Lothbury, a short walk from his home and workshop, and his memorial may still be seen there.His timepieces remain highly prized; a longcase by Ebsworth is on display at the Victoria and Albert Museum, and one of his table clocks was presented to the Duke of York in 1923 to celebrate his marriage and is still kept running at Clarence House.Nye, J. and Doherty, C. (2020) 'Thomas Knifton, beginnings, middle, ends', Antiquarian Horology, Vol. 41 (1), pgs.76-82.Lloyd, H. A. (1951) 'George Graham Horologist and Astronomer', Horological Journal, Vol 93 (11) pg. 710.Will of John Ebsworth (1699). The National Archives: Public Record Office. Catalogue reference: PROB 11/452/249.The Worshipful Company of Founders (2022) History. Available at: https://www.foundersco.org.uk/historyRoyal Collection Trust (2022) Table clock. Available at: https://www.rct.uk/collection/3000/table-clock Victoria and Albert Museum (2008) Longcase clock. Available at: https://collections.vam.ac.uk/item/O53199/longcase-clock-john-ebsworth/ Loomes, B. (2013) Lantern Clocks of the mid-seventeenth century - an examination of some with 'matchstick man' castings and 'matchstick' flower engraving. Available at: https://www.brianloomes.com/collecting/matchstick/index.html Loomes, B. (2006) 'A Lantern Clock Showing 'Thirds'', Horological Journal, Vol. 148 (3), pg. 107-108. Robey, J. (2012) 'Moorfields And Clock-Brass Founders Part 2: The Mayor Family And Other Founders', Antiquarian Horology, Vol. 148 (3), pg. 622-623.Buick, T. (2020) Orreries, Clocks, and London Society Cham: Springer.Gloag, J. (1976) A Short Dictionary Of Furniture London: Allen & Unwin.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 13
Joseph Ntensibe (Ouganda, né en 1953)The Innocents2006signé et daté '06' en bas au centreacrylique sur toilesigned and dated '06' lower centeracrylic on canvas124,5 x 124,5 cm. 48 13/16 x 48 13/16 in.Footnotes:ProvenanceCollection privée, Etats-UnisThis lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 14
Joseph Ntensibe (Ouganda, né en 1953)Ribbons2005signé et daté 'Ntensibe 05' en bas à droiteacrylique sur toilesigned and dated 'Ntensibe 05' lower rightacrylic on canvas127 x 92.5 cm.50 x 36 1/4 in.Footnotes:ProvenanceCollection privée, Etats-UnisThis lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 27
Abdoulaye Diarrassouba 'Aboudia' (Côte d'Ivoire, né en 1983)Patrol licorn2011daté '05 04 2011' en bas à droitehuile et acrylique sur toiledated '05 04 2011' on lower rightoil and acrylic on canvas 190 x 238 cm. 74 13/16 x 93 11/16in.Footnotes:ProvenanceCollection privée, AngleterreExpositionAbidjan, Côte d'Ivoire, Villa Kaïdin, Drawings & Paintings During the Days of War, March - April, 2011.BibliographieStefan Meisel, Aboudia, Drawing and paintings during the days of war, March and April 2001. Villa Kaidin, Abidjan, Cote d'lvoire, (Germany: Abobo Gare Art Gallery, 2001)This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 9
Getahun Assefa Balcha (Ethiopie, né en 1967)Girls on red background2020signé et daté 'ጌታሁን 2020/ GETAHUN ASSEFA' en bas à droiteacrylique sur toilesigned and dated 'ጌታሁን 2020/ GETAHUN ASSEFA' lower rightacrylic on canvas150 x 150 cm.59 1/16 x 59 1/16 in.Footnotes:ProvenanceCollection privée, Etats-UnisThis lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 330
Chad Valley felt cloth doll, English circa 1930, moulded felt head with painted brown eyes, lashes, eyebrows and lips, brown hair, on a velvet body jointed at shoulders and hips, wearing original cotton flower pattern dress and underclothes, blue velvet cotton with fur trim, hat, socks and shoes, 16” (41cm) tall, (condition: good) together with a redressed Lenci felt doll with painted features and blonde hair, 16” (41cm) tall, (condition, little dirty and small hole to top lip) and a composition headed girl doll on cloth body with composition lower arms and wearing original clothes, (3 item).
Lot 1565
A Chinese turquoise glazed vase of cong shape, 20th century, moulded on each of the four sides with pairs of scholarly figures, on an interlocking keywork ground, within Greek key borders, the neck with lappet and ruyi head bands, the shoulder with Shou symbol spandrels, on a circular foot, fitted as a lamp with hardwood base, the vase presumably drilled to the base, the vase 12in. (30.5cm.) high, overall 26½in. (67.3cm.) high. Has not been dismantled, but the base has presumably been drilled for the cord exit. No visible damage to the vase. Sold as a decorative item only - will require rewiring if intended for use as a lamp.
Lot 280
A very rare Worcester pierced strainer, circa 1760-65The simple bowl with a very slightly flaring rim, pierced in the bottom with a pattern formed from tiny holes, the exterior painted in colours with flower sprays in an unusual style and palette, the rim edged with a gold line, 11.4cm diamFootnotes:ProvenanceT Grant Dixon Collection, Ampleforth AbbeyGerald Moore CollectionExhibited by Albert Amor, Worcester Porcelain First Decade Exhibition, 1981, item 74. Aside from two blue and white examples, no other Worcester strainer bowls have been recorded.For further information on this lot please visit Bonhams.com
Lot 1336
A Regency mahogany and rosewood square piano, inlaid with brass by Robert William Keith, 131 Cheapside, London, raised on reeded turned legs with brass castors. 170 cm wide, 90 cm high, 67 cm deep. NOTE: This item is offered for sale in accordance with the ivory act 2018 and has been assigned an exemption certificate Ref No. M5GFE7R.
Lot 4
A Japanese bronze cockerel and hen, raised on a wooden base. Overall height 37 cm, width of base 29 cm. CONDITION REPORT: The wooden base is structurally sound with no damage but there is evident wear to the feet and along the top of the rectangular surface which the chickens stand on. There is also a clear repair to the side at the back of the stand. The hens themselves are not stable on the stand and the larger cockerel has damage to his legs, one of which is split all the way through and loose, so the overall condition for this item is not good, there is also a wing missing in entirety from the cockerel.
Lot 693
A military Bowie type knife, with wooden handle and sheath together with a machete. Complete length 31 cm. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Lot 695
A signed Japanese Samurai sword, with metal scabbard. Overall length including scabbard 102.5 cm, blade length to tang 69 cm (see illustration). This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Lot 743
A collection of 20th century medieval style weaponry, to include breastplate, gauntlets and an array of axes, daggers and maces, all attached to a shield shaped backboard, the backboard at its highest being 115 cm. Provenance: Langdale Chase Hotel (see illustration). This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Lot 744
A collection of weaponry displayed on a large shield shaped backboard, to include a breastplate, swords, cutlasses and other edged weapons, the backboard at its highest point being 163 cm. Provenance: Langdale Chase Hotel (see illustration). This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Lot 771
An antique Cambodian sword with scabbard. Overall length 70 cm, together with a small brass mounted ornamental dagger. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Lot 826
A collection of seven penknives, various, mother of pearl backed, bone and plated. Longest 86 mm. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Lot 301
A pair of Chinese carved amber figures of a man and a woman in robes, stood upon carved wooden cloud form stands, now fitted as table lamps, figures approx 19 cm high, height overall 35 cm including fittings CONDITION REPORTS Figure 1 - woman - head broken and repaired. Ribbon to her right shoulder damaged. Cord in her hands damaged to top. Signs of knocks and dents to base.Figure 2 - man - item in left hand presumably a parchment or scroll damaged and with loss. Otherwise the pieces with wear and tear conducive with age and use as a lamp in recent years. With some chipping to the top of the head and scratch to the reverse of the robe.See images for further detail.
Lot 713
A mid 20th Century teak sideboard, the plain top above three cupboard doors with turned wooden handles enclosing glasses rack, drawers and shelves, flanked by a pair of sliding glazed doors enclosing two further shelves, 206 cm wide x 48 cm deep x 79 cm high CONDITION REPORTS Top has stains and water marks, etc. Appears a bit faded - possibly sanded down previously. The side panels have water marks or liquid marks on them. The horizontal marks are groove decoration. The interiors are a little rough. Door ball clips do not work. Glass in need of a clean. Wood has faded generally throughout and has water marks / blemishes. Back panels in the glazed section - two of them are coming apart and there is a gap between. All the legs have marks. Heavy scuffs and discolouration. Item has heavy wear and tear conducive with age and constant use. See images for further details.
Lot 357
A late Victorian brown leather cased and plated picnic set, commemorating the 1893 Grand National winner 'Cloister', the rectangular case with hinged lid revealing a fitted interior of Hukin & Heath plated sandwich boxes, a pair of flasks, rectangular trays, telescopic cups, condiments and cutlery, each piece with engraved inscription 'Cloister' and further detail to large trays 'Grand National 1893. Cloister 12st 7lbs time 9 min:42.2/5 sec: won in a canter by 40 lengths beating all record', the case interior detailed 'Clark 20 Old Bond Street', the hinged lid exterior detailed 'Given to Prince A.de Chimay by A.Yates Bishop Sutton', length 33.5cm, height 23.5cm (two pieces of cutlery lacking and other minor faults). Note: Cloister was one of the best steeplechasers of the 19th century, coming second in two Grand Nationals before winning in 1893 by a record 40 lengths. He was trained by Arthur Yates from his yard at Bishop's Sutton, Alresford, Hampshire. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 330
An early Victorian harlequin silver four-piece tea set, each piece of lobed melon form with scroll handles and anthemion moulded feet, comprising teapot and sugar bowl, London 1839 by William Hewitt, milk jug, London 1839 by J.E. Terrey & Co, and hot water pot, London 1841 by Joseph & Albert Savory, height of hot water pot 24.5cm, total weight 2258.5g. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 332
A George V silver, cut glass and ivory hip flask, the facet cut glass with silver detachable cap, the silver collar and screw hinged lid with ivory surmount, London 1928 by Asprey & Co Ltd, length 15.6cm. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 320
An Edwardian silver five-piece christening set, comprising cylindrical mug with loop handle, decorated in relief with panels of flowers beneath a floral band, napkin ring, knife, fork and spoon, all with engraved floral decoration, Sheffield 1905, 1907 and 1908 by James Dixon & Sons Ltd, weighable items 193.8g, height of mug 7.5cm, within a fitted red leather case. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 561
AN 18TH CENTURY MAHOGANY ADJUSTABLE CANDLE STAND with inlaid ivory decorated top and turned stem with thumb screw adjuster, on a lead weighted circular baseUK Ivory Act 2018 Exemption Submission Reference - YQTDA91A20.5cm high closed down. This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: YQTDA91A
Lot 508
GARDEN FURNITURE: a very large garden parasol, on black all weather base/stand, with water hole to weight item. Parasols in working condition at property, but Auctioneer cannot guarantee any parts or working condition at point of sale, please view and buy as seen (JUST ONE PARASOL, THE SECOND PARASOL IN THE PHOTO, IS IN THE NEXT LOT 509)
Lot 546
Modern decorative sideboard cupboard, painted in silver colour and with marble top, 133cmLong x 60 D x 80cmH (PLEASE NOTE the photos are for illustrative purposes only from the house. The lot just contains the item as per the actual description here, and not other items like cushions/items surrounding)
Lot 560
A good show framed settee, upholstered in cream silk fabric, raised on tapered legs to brass drum castors, 144cmL (PLEASE NOTE the photos are for illustrative purposes only from the house. The lot just contains the item as per the actual description here, and not the cushions or items surrounding). Dimensions are: 92 cm height, 74 cm depth, 142 cm length. SOME WATER MARK STAINING TO SEAT
Lot 575
A good Victorian Chesterfield sofa, in a contemporary terracotta ground upholstery, fully buttoned ; 225cmL (PLEASE NOTE the photos are for illustrative purposes only from the house. The lot just contains the item as per the actual description here, and not the cushions or items surrounding)
Lot 583
A good two seater sofa, SOFA.COM; with deep seat and back cushions, upholstered in a light pink/ purple herringbone fabric 125cmL This sofa is being sold with TWO matching herringbone, grey backed cushions. (PLEASE NOTE the photos are for illustrative purposes only from the house. The lot just contains the item as per the actual description here, and not the cushions or items surrounding)
Lot 591
Small traditional two seater sofa, with loose cushions upholstered in a gold and cream patterned fabric, 135cm overall length, some minor wear to top; in used condition. No spare cushions with this lot (PLEASE NOTE the photos are for illustrative purposes only from the house. The lot just contains the item as per the actual description here, and not the cushions or items surrounding)
Lot 77
A mid Victorian ebony, calamander, abalone, mother of pearl, ivory, bone, rosewood, purpleheart, sycamore and fruitwood marquetry collector's cabinet1870-1875, possibly by Jackson and GrahamWith line-inlaid borders and stringing, the top surmounted by a baluster gallery to the rear, above a stylised foliate inlaid frieze comprised of alternating palmettes and lotus-leaves flanked by rosette tablet angles, over a twin double panelled door, the upper panel inlaid with a still life of assorted shells, moluscs, coral and seaweed, the lower door panel inlaid with stylised foliate and scrolled angles, enclosing a total of eleven satinwood veneered and mahogany lined drawers comprised of eight long drawers over three deep drawers, flanked by stylised foliate, palmette and honeysuckle inlaid angles, on a plinth base, the lock stamped: 'CHUBB PATENT, 128 QUEEN VICTORIA ST., ST. PAUL'S, LONDON, 800354', 96cm wide x 67cm deep x 148cm high, (37 1/2in wide x 26in deep x 58in high)Footnotes:The repeating inlay running across the frieze of the offered lot is redolent of some Greek revival or 'Neo-Grec' designs published in 1856 within 'The Grammar of Ornament' by Owen Jones (1809-1868). Worthy of particular comparison are several decorative patterns inspired by ancient Greek vase ornamentation which feature among Plates XVI and XVII, Greek No.'s 2 and 4. Owen Jones was among the most notable designers employed by the renowned cabinet making combination of Jackson and Graham so it seems probable that the present cabinet was indeed executed by this firm. Added to this, the use of ivory (amongst the various other exotic materials) inlaid into ebony, along with its distinctive stylised foliate embellishments, are certainly characteristics very much in keeping with those pieces produced by Jackson and Graham during the period 1865-1875. Jackson and Graham (fl. 1836-1885)Jackson and Graham were one of the most successful and prestigious firms of the early and mid-Victorian periods. Based in London, they were responsible for enhancing the reputation and improving the renown of English cabinet makers throughout the rest of the World. In 1836 the partnership of Peter Graham (1811-1877) and Thomas Charles Jackson (1807-1848) was founded at 37 Oxford Street, but by 1839 the venture had developed to incorporate 37 & 38 Oxford Street, as well as an additional location at 18 Newman Street.In 1845 the company was recorded in the Post Office Directory as cabinet makers, upholsterers, carvers, gilders and house agents. However, by as early as 1866 they had grown sufficiently quickly as to include locations at 29, 33, 34, 35, 37 and 38 Oxford Street, together with the ownership and running of addresses at Perry's Place, Freston Place and Newman's Yard. In the 1860s, as part of their operation, Jackson and Graham employed 250 workers. During the 1850s the firm set up a steam engine for the more rudimentary sawing requirements, however by the next decade they had established machine-carving as well. By 1875 their total number of employees had reached within the region of 600 to 1,000. The rapid rise of the business is summarised in a London Directory advertisement of 1866 in the following way: 'Jackson and Graham announce... that they have recently made great additions to their former extensive premises, which render their establishment the largest of its kind in this or any other country. The Spacious Show Rooms and Galleries are filled with an unrivalled stock, the prices of which are all marked in plain figures at the most moderate rates for ready money. The extensive Manufactory adjoining, with machinery worked by steam power, is fitted with all means and appliances to ensure superiority and economise cost. Each of the departments will be found as complete as if it formed a separate business...' Only one decade on from this, another detailed account of the company is provided in J.H. Pollen's publication of Bevan's 'British Manufacturing Industries' (London, 1876). It elucidates a business which was as almost entirely automated as any other at that time in Victorian Britain, utilising and manipulating steam in order to power their wide assortment of machinery. Yet, despite this fact, the substantial contribution of highly skilled human labour and craftsmanship was also simultaneously championed therein. And, probably in part due to their employment of specialist foreign inlayers or marquetry experts, the firm's output easily rivalled anything then being produced in Europe, as evidenced by the numerous awards they were honoured with over time. Jackson and Graham used every opportunity to display their 'wares' at the various International Exhibitions which took place throughout much of the second half of the 19th century. They did so in order to showcase the very best of what they could produce. Their notable participation at the first and most famous of these, the Great Exhibition of 1851, was described thus by the 'Art Journal': 'Messrs Jackson and Graham, the eminent upholsterers of London are large contributors to the Great Exhibition of many important articles of their manufacture'. At the 1851 Exhibition in London, they received a prize medal for their exhibits.For the 1855 Paris Exhibition the firm showed a large Eugene Prignot-designed cabinet to the public, which was thereafter acquired by the Victoria and Albert Museum for £2,000: W.81-981, where it is still housed today. Among the more significant furniture supplied for the 1862 International Exhibition in London were a pollard oak sideboard and a Louis XVI style ebony and ivory cabinet with an onyx top. Again, they were honoured with multiple awards in London, but also gained similar trophies five years hence at the Paris Exposition. In 1871 an ebony and inlaid cabinet, which followed a design by R.S. Lorimer, was displayed by Jackson and Graham at the International Exhibition. They were also involved at Vienna in 1873 and took part in London the next year. However, it appears that at the 1878 Paris Exposition, which was their ultimate event of this scale and scope, they obtained the Prix d'Honneur for the British section. Whilst for the star item, known as the 'Juno' cabinet, they in fact achieved the 'Grand Prix' before the Viceroy of India bought the piece for £2,000 (now in the Victoria and Albert, W.18: 1-6 1981). Their principal documented commissions include work provided for; the Ball Room at Buckingham Palace; the Palace of the Khedive in Cairo, Egypt; the City Carlton Club; and the Livadia, a yacht belonging to the Czar of Russia.It should be noted that a great deal of the success of this business was allied to the fact that they often employed the major designers of the day. Such prominent figures as Owen Jones, Thomas Jeckyll, Bruce Talbert and Christopher Dresser all worked at one time or another for Jackson and Graham. As on the offered lot, the particular emphasis in the designs of Owen Jones was largely upon ebony pieces inlaid with ivory and sometimes also metal. During the period 1862-c.1864, Alfred Morrison commissioned Jackson and Graham together with Jones to produce extensive work at Fonthill House in Tis... This lot is subject to the following lot symbols: TP Y ФTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Lot 259
Historically Interesting German K98 Combat Bayonet Documenting the WW2 Service of Henry P Leath 18th Field Artillery Group, the bayonet is housed in the original scabbard of issue with leather bayonet frog. The pommel is impressed with the US veteran who captured the item “HENRY P LEATH”, the blade has been professionally engraved “18th Field Artillery Group – Normandy, France June 44 – Siegfried Line Germany Sept 44 – Battle of the Ardennes Jan 45 – Ruhr Pocket April 45 – Chemnitz Germany May 45”. Some wear but an interesting item.
Lot 419
WW2 German Luftwaffe Flight Suit Grouping, consisting of two piece flight suit, being the wool lined suede flying jacket with large brown wool collar. Large front zip and zips to the cuffs. Complete with all the press stud straps etc. Interior lined with white sheep’s wool. Internal adjustment belt. Accompanied by the grey leather flight trousers with the various lower pockets and snap attachments. Original cream colour bakelite zips to the pockets. Front zip and zips to the legs. Fur lined interior with original issue label dated 1944. The last item in the grouping is a blue grey Luftwaffe overseas service / side cap, with roundel cockade and de-nazified eagle to the centre. Cloth lining to the cap. The set shows some expected service wear. (3 items)
Lot 442
Very Rare Third Reich NSDAP Political Leaders Walther PPK Pistol Holster, brown leather PPK pistol holster with impressed NSDAP political eagle and swastika to the top flap. Complete with the securing strap and aluminium securing stud. Holster impressed “D.R.G.M”. Reverse of the holster with thick belt loop. An extremely rare item of political equipment.
Lot 577
WW2 Japanese Seninbari (1000 Stitch Belt) Captured on Japanese Island of Okinawa 1945, fine example of a 1000 stitch belt with printed Japanese national flag to the centre and red stitches. Inked to the side is the name and unit of the US GI who brought the item home as a souvenir from Okinawa in 1945. See previous and next lot for Japanese bayonet and Japanese helmet which were also picked up on Okinawa by the same US veteran.
Lot 81
J B Johnson Ltd Military Tailors Uniform Price Lists of Mostly Indian Army Interest, fascinating printed price lists from the firm for the various regiments of the Indian army, these would have been handed to officers so they could order their uniform and accoutrements. Most have the firms London and Dublin address but some also with a Lahore, India address. Regiments include Punjab Cavalry, 25th Cavalry, Central India Horse, Bengal Cavalry, Lancers, etc. Some non Indian Army regiments also. Very interesting item for any uniform collector. (11 items)
Lot 359
JACKSON MICHAEL: (1958-2009) American pop singer. A printed 4to special limited edition 12th Anniversary Tourbook for the Bad World Tour, 1987-88, featuring various colour images of the singer performing, and printed text including a list of tour dates etc., signed by Jackson in bold black ink with his name alone to the colour front cover featuring his portrait. Some light creasing and age wear, about VG Provenance: Acquired by our vendor from a Christie's auction of Popular Culture: Rock & Roll Memorabilia, 12th June 2012 (part lot 30). The lot is also accompanied by a letter of provenance from a previous owner, Jennine Elcock-Haskell, in part, 'After many years as the celebrated “King of Pop”, Michael Jackson was ready to celebrate his 30th Anniversary with 2 star-studded concerts at Madison Square Garden in New York City. I attended them both. To commemorate this milestone in his career several items were made available. This “BAD” World Tour 12th Anniversary Book was one of these items. This item is signed'.
Lot 46
SCHULBERG BUDD: (1914-2009) American screenwriter, remembered for his Academy Award winning screenplay for the crime drama film On the Waterfront (1954). An good series of five T.Ls.S., Budd, six pages (total), mainly small 4to, n.p. (the final letter written from Sarasota, Florida), 1946-56, all to Leonard Lyons. Schulberg writes on a variety of subjects, in particular Isaac Babel, in part, 'At cocktail parties so many people say so many things they don't remember later that I wanted to let you know that I had not forgotten my promise to send you the short stories of Isaac Babel. But at the stores I tried Babel was out of print….I'm a Babel enthusiast. As I said…..Gorki felt that Babel was his logical successor. Unfortunately he disappeared in one of the early purges in the 30's' (18th June n.y.), 'The Isaac Babel book mentioned to you previously has just arrived…..When I went to the Soviet Union in '34 I was curious about him and learned that Gorky had discovered him…..But he had fallen out of favor with the Party's literate favorites; in the late 20's and early 30's his work had been banned. In 1934 there was a World Writer's Congress in Moscow, precided (sic) over by Gorky, and the censorship seemed to ease a bit. I happened to attend this Congress. It was quite fantastic, for Gide, Malraux and other towering figures were there. One of the speakers…..was Babel, who had been silent and obscure for several years. He made an odd speech, apparently eating crow and accepting orthodoxy, but with sly, interior allusions that were not lost even in translation……Babel said there was also another right, the right to write badly. In other words to write as you please, regardless of the official, cultural needs of the moment. Around the start of World War II I heard that Babel had disappeared…..He had been one of the victims of the 1936-1939 purge of intellectuals……As far as I know no one has ever heard of him again and the tragic presumption is that he no longer exists……What a loss it was. The Russians seem to have succeeded with rockets and moons and grafting legs to the heads of live dogs, but they failed with Babel and I still think that was a frightening and terrible failure' (28th July n.y.), 'Thought you'd be interested to know that the Sat. Eve. Post has taken the Riefenstahl piece I told you about - including the Dolly Haas item, for which I thank you' (25th January 1946), 'Enclosed is the piece on Hannukah I mentioned to you…..The American Judaism version is somewhat condensed. I thought you might be interested in running it or some excerpt from it during the Hannukah season' (4th December 1956). A group of letters with interesting content. Some very light age wear and minor creasing, generally VG, 5 Leonard Lyons (1906-1976) American newspaper columnist for the New York Post where his columns, The Lyons Den, became a New York institution covering theatre, movies, politics and art. Isaac Babel (1894-1940) Russian writer, journalist, playwright, and literary translator, best known as the author of Red Cavalry and Odessa Stories. Babel has been acclaimed as 'the greatest prose writer of Russian Jewry'. He was arrested by the NKVD on 15th May 1939 on fabricated charges of terrorism and espionage and executed on 27th January 1940.
Lot 123
Early 1st millennium B.C. A ceramic figurine section, the head and upper body of a demon with thick ribbed skin, broad head with applied eyes, broad muzzle, gaping mouth with tongue protruding, thick crest behind the brow ridge, squatting posture with tail at the back; mounted on a custom-made stand. Cf. similar item in the British Museum under accession number 33.22, 458. 803 grams total, 17.5 cm high including stand (6 7/8 in.). Acquired 1969-1999. London collection of the late Mr S.M., thence by descent. [A video of this lot is available to view on Timeline Auctions Website.]
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