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Lot 364
CHESTER FC EARLY 1950S HOME FOOTBALL PROGRAMMES, X7 ISSUES, WREXHAM 15/4/1953, STOCKPORT 20/12/52, BRADFORD CITY 17/10/53, PORT VALE 6/4/53, PORT VALE 26/12/53, BARNSLEY 26/8/53, ROTHERHAM 14/4/51. CREASES, FOLDS, SLIGHT TEARS NOTED, SOME PEN WRITING, 52/53 PORT VALE ITEM HAS STAPLES REMOVED.
Lot 504
Marvel, Silver & Bronze Age Superhero Comics, The Avengers & similar. Consisting of The Avengers #71 First Appearance of The Invaders, The Avengers #76 First Meeting of Vision & Scarlet Witch, The Avengers King-Size Special #3 (stapled), Marvel Super-Heroes #17 Presents The Black Knight (stapled & front cover detached), Captain America #112, The Incredible Hulk King-Size Special #2 (stapled), Marvel Collectors’ Item Classics #1 (stapled) & Marvel Super-Heroes #21 (stapled & almost complete spine split). Silver to Bronze Age. A bagged & boarded group. Although unchecked for completeness condition appears to be Fair to Good. See photo.
Lot 789
Two Sideshow Premium Format Figures. Comprising of Stormtrooper Limited Edition Item Number #7180 (With Box), and Luke Skywalker Episode IV: A New Hope Limited Edition Number 1480 of 2500 pcs (unboxed). Both 1/4 Scale. Both Display Bases Present. Small Parts Detached, Small Parts May Be Missing and Damages Noted. Together with a boxed Paladone battery operated Star Wars Logo Light untested. (3).
Lot 70
Justin Bieber signed album cover for Justice, accompanied by the official CD release. The autograph, prominently placed on the cover, is in bold black ink. Bieber’s Justice album, released in 2021, features hit singles such as Peaches and Anyone, marking a significant era in his music career. The signed cover is housed in a protective sleeve. Largest item measures 7.25"H.Issued: 2020Dimensions: See DescriptionCondition: Age related wear.
Lot 81
This Baccarat crystal Bearbrick necklace is a unique and highly collectible piece, designed in collaboration with Medicom Toy. Standing at 1.5 inches tall, this necklace features a beautifully crafted crystal Bearbrick figure with a sleek, minimalist design. The piece is made from high-quality Baccarat crystal, showcasing the brand's renowned craftsmanship and clarity. It comes in its original sealed box, making it a perfect addition to any luxury crystal or designer toy collection. The Baccarat France backstamp guarantees its authenticity. This item has its original sealed box.Artist: Medicom ToyDimensions: See DescriptionCountry of Origin: FranceCondition: New, sealed box.
Lot 13
This collectible stone resin piece features an England soccer player, designed by the renowned artist Romero Britto. The mini figure is part of the World Cup series, representing the vibrant and dynamic energy of international soccer. The piece showcases Britto's signature bold lines and bright colors, capturing the spirit of the sport and the pride of England's soccer heritage. This item remains in its original box.Artist: Romero BrittoIssued: 2012Dimensions: 3.25"HCountry of Origin: ChinaCondition: Age related wear.
Lot 16
Collectible stone resin figure representing a Spain soccer player, part of the World Cup mini figure series. The figure is characterized by Britto's signature graphic style, incorporating segmented color blocking, bold lines, and geometric patterns. Rendered in multicolored tones, the piece depicts a soccer player in uniform with a soccer ball. This item includes its original box.Artist: Romero BrittoIssued: 2012Dimensions: 3.25"HCountry of Origin: ChinaCondition: Age related wear.
Lot 67
a signed copy of Crazy Times, the 2022 studio album by Sammy Hagar & The Circle. The cover features bold signatures in red ink, making this an exceptional piece for fans of the legendary rock vocalist. Sammy Hagar, best known for his tenure with Van Halen and a successful solo career, delivers a high-energy performance alongside his band, The Circle. The album includes standout tracks such as "Father Time" and "Funky Feng Shui." Factory-sealed, this autographed edition enhances its collectible appeal. This item has its original box.Issued: 2022Dimensions: 5.5"L x 4.75"HCondition: Age related wear.
Lot 66
Framed and autographed LP cover of The Best of Earth, Wind & Fire iconic album, featuring their distinctive golden emblem with Egyptian-inspired symbolism. The cover bears multiple signatures from members of the legendary R&B funk band, signed boldly in black ink. Presented in an ornate gold-tone frame with a cream mat, this piece captures the essence of the group's enduring legacy. Accompanied by a certificate from Autograph Pros, LLC, ensuring authenticity. A remarkable collector's item for music enthusiasts and memorabilia collectors.Artist: Earth, Wind & Fire GroupIssued: c. 1978Dimensions: 11.25"L x 9"HCountry of Origin: USACondition: Age related wear. Minor scratches on upper center. Frame does not include glass.
Lot 199
This aluminum sculpture, "Blue Dog Silver Base," by acclaimed Brazilian artist Romero Britto, radiates playful charm and vivid colors. Britto's iconic style is evident in the cheerful, cartoon-like depiction of the blue dog, adorned with a patchwork of geometric and abstract patterns. This piece, measuring 9 inches in height and mounted on a silver base, is numbered 408 in a limited edition of 1000, making it a sought-after item for collectors of Britto's art and enthusiasts of contemporary sculptures. Certificate of Authenticity included.Artist: Romero Britto (Brazilian, b. 1963)Issued: 2007Dimensions: 9"HCondition: Age related wear.
Lot 15
Collectible stone resin figure depicting an Italy soccer players in Britto's signature graphic style. This World Cup mini figure features a stylized athlete, adorned in team uniform representing Italy, with bold lines and vibrant colors characteristic of Britto's artwork. Crafted in stone resin, the piece is part of a limited World Cup-themed series. The item is housed in its original box, which bears Britto branding.Artist: Romero BrittoIssued: 2012Dimensions: 3.25"HCountry of Origin: ChinaCondition: Age related wear.
Lot 80
A Fragment Design and French luxury imprint Baccarat joined together for a handmade BE@RBRICK figure The brands have returned once again for a collaborative crystal BE@RBRICK — this time, sculpted with crystal facets, the “Polygon Red” Medicom Toy BE@RBRICK is one of collector’s item designed by Hiroshi Fujiwara. With an all-over red crystal exterior and subtle fragment design logo printed on the back, the BE@RBRICK takes on a sleek and luxurious appearance. Handmade in Baccarat’s artisanal factory, the figure is only available in a limited edition. Originally only sold exclusively in Baccarat boutiques in Tokyo, Paris and New York for registered clients. Standing at 4.75"H, this collectible piece is a testament to Baccarat’s mastery in crystal craftsmanship. Includes the original box measuring 5.75"L x 4.25"W x 4"H, adding to its collectible value. A fusion of art and pop culture, this limited-edition piece features the Baccarat acid mark, ensuring authenticity and heritage.Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.
Lot 1
Explore the vibrant fusion of sports and art with this hand-painted baseball by Charles Fazzino, celebrating MLB star Shohei Ohtani. Crafted in 2022, this mixed-media artwork showcases Fazzino’s flair for vibrant, detailed design, featuring key moments from Ohtani's career embellished with acrylics, markers, and rhinestones. Autographed by Shohei Ohtani, this one-of-a-kind collector's item, limited to 1/1, includes authenticity certificates from Museum Editions, Ltd. and Fanatics Authentic (Hologram ID B473329). A must-have for art collectors and baseball fans alike.Artist: Charles Fazzino (American b. 1955)Issued: 2022Dimensions: 3" dia. Condition: Age related wear.
Lot 93
A striking mixed-media Chihuahua dog sculpture by Khalil Douisse, featuring a dazzling silver finish with multicolored Louis Vuitton-inspired motifs. This contemporary artwork is embellished with sparkling accents and pearl-like details, creating a bold and playful aesthetic. Mounted on a contrasting orange base, the sculpture captures a fusion of street art and luxury branding, making it a standout statement piece. Accompanied by a Certificate of Authenticity, the sculpture is identified as Item No. KD182 LV Chiwawa Dog by By Khalil and signed by artist on base. An eye-catching collectible for contemporary art enthusiasts and lovers of avant-garde design.Artist: Khalil DouisseIssued: 2023Dimensions: 18"HCountry of Origin: United StatesCondition: Age related wear.
Lot 76
A rare and exclusive Dom Perignon Vintage 2012, transformed into a one-of-a-kind collectible by artist Abraham Onkst. This 750ml 12.5% ABV bottle features Onkst's signature intricate abstract design in black, white, gold, and purple, adding a bold artistic flair to the prestigious champagne. The set includes the original black embossed presentation box, also signed by the artist, making it a highly desirable item for both champagne connoisseurs and art collectors. Dom Perignon Vintage 2012 is renowned for its depth and intensity, showcasing a rich balance of fruit, minerality, and a refined, lingering finish. This unique edition is a striking fusion of fine art and luxury, ideal for collectors or as an extraordinary gift. In-house shipping from Lion and Unicorn is not available for this lot. Winning Bidders will have to arrange to pick up their purchases at the Lion and Unicorn Auction Studios at 200 Oakwood Ln. Suite 200 Hollywood, Florida 33020, or make arrangements with their own third-party shipper. A local third-party shipper that can be contacted directly for a domestic shipping quote is: First Class Shipping Center 7826 NW 44th Street Sunrise, FL 33351 Tel: 754-800-7674 Fax : 954-999-5166 Email: 1shippingcenter@gmail.com https://www.1shippingcenter.comArtist: Abraham OnkstIssued: 2012Dimensions: 13"HCountry of Origin: France Condition: Age related wear.
Lot 75
A rare and collectible bottle of Dom Perignon Rose Vintage 2008, uniquely customized by artist Abraham Onkst. The bottle features Onkst's signature abstract style in striking black, white, and pink designs, creating a visually stunning work of art. This exclusive piece is further enhanced by a signed presentation box, making it a one-of-a-kind collector's item. Dom Perignon Rose 2008 is renowned for its refined complexity, rich notes of red fruit, and elegant finish, making this both a masterpiece of art and a luxurious indulgence. 12.5% ABV 750ml bottle. In-house shipping from Lion and Unicorn is not available for this lot. Winning Bidders will have to arrange to pick up their purchases at the Lion and Unicorn Auction Studios at 200 Oakwood Ln. Suite 200 Hollywood, Florida 33020, or make arrangements with their own third-party shipper. A local third-party shipper that can be contacted directly for a domestic shipping quote is: First Class Shipping Center 7826 NW 44th Street Sunrise, FL 33351 Tel: 754-800-7674 Fax : 954-999-5166 Email: 1shippingcenter@gmail.com https://www.1shippingcenter.comArtist: Abraham OnkstIssued: 2008Dimensions: 13"HCountry of Origin: FranceCondition: Age related wear.
Lot 196
λ A PERUVIAN POLYCHROME FEATHERWORK TABARD FRAGMENT WITH ANIMAL MOTIFS Chimú or Inca Peru, South America, circa 14th - 16th centuryThe rectangular fragment most probably once part of a larger Peruvian tribal tabard garment, made of polychrome bird feathers tied into knots and then knotted directly onto an off-white coarse cotton ground, the feathers prominently in the tones of orange red, light yellow, iridescent teal blue, and brown, the upper section featuring two rows of stylised animals with claws and big fangs, the lower section monochrome, mounted on a cream-coloured cotton canvas in a Perspex casing.The panel 77cm x 43.5cm, 99.5cm x 64.3cm including the frame Provenance: Gifted from the Peruvian Ambassador to the parents of the present vendor in 1968 and in a private UK-based collection since. Exhibited and Published: Juan de Lara, Mestizaje and Craftsmanship in the Viceroyalties of America, Series 'Sumando Historias' of the Museo de America of Madrid, 4 April 2024. The fascination for exotic birds' feathers and their incorporation into artworks, whether in the form of textile panels, totems, adornments, or headdresses, are certainly not only prerogatives of South American civilisations. That said, in the specific case of Peru, featherwork certainly reached an unparalleled high level of complexity and impressive quality during the Chimú (ca. 1000 – 1470) and Inca (1430–1534) periods, as attested by the intricate string system with which the feathers were attached to the tabards. This technique was so elaborate and time-consuming that it is occasionally referred to as 'feather mosaic' (Christine Giuntini in Heidi King, Peruvian Featherworks: Art of the Precolumbian Era, MET, 2012, p. 94). Throughout the 16th century, Spanish and European conquistadors and explorers of the Americas wrote with admiration of the exotic objects they saw on their travels, among them not only clothing and textiles, but also weapons and objects often made of or embellished with rare and precious feathers of birds (Heidi King, Peruvian Featherworks: Art of the Precolumbian Era, MET, 2012, p. 9). Considered symbols of high status, they soon became prized ethnographic possessions, and later entered many important international museum collections. In terms of comparables, our tabard panel presents compositional and manufacturing similarities to another fragmentary panel attributed to Chancay or Ichma Peru, dating 13th - 15th century, in the Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Ethnologisches Museum (acc. No. VA 660300) (ibidem, p. 33, fig. 21) and another Chimú panel with birds and wave motif, 13th - 15th century, in the Museo Amano, Lima (inv. 7512) (ibidem, p. 118). As far as the decoration goes, birds or animals mixed with running scroll or wave motif were seen on many tabards of the 13th - early 16th-century period, as well as in a variety of other mediums ncluding architecture, ceramics, metalwork. The later dating pieces tend to showcase more abstract and stylised creatures, like the present lot, making species identification difficult. λ This item may require Export or CITES licences in order to leave the UK. It is the buyer's responsibility to find out and conform to the specific export requirements of their country and ensure that lots have the relevant licences before shipping. The panel 77cm x 43.5cm, 99.5cm x 64.3cm including the frame Qty: 1
Lot 210
λ A JAPANESE MEIJI BAMBOO OPIUM PIPE Japan, ca. 1868 - 1912The long, upward-curving bamboo cane fitted with a bone or marine ivory mouthpiece and a bowl made of different copper-inlaid brass plaques, the lateral ones designed as fish with thick scales, the centre near the furnace with concentric circles of fretwork and geometric motifs, standing on a wooden presentation stand.52.5cm long Provenance: UK diplomatic family collection since the early 20th century. For a similar example recently sold in the auction market, please see Zacke (Austria), Asian Art Discoveries, 20 January 2023, lot 1158. λ This item may require Export or CITES licences in order to leave the UK. It is the buyer's responsibility to find out and conform to the specific export requirements of their country and ensure that lots have the relevant licences before shipping. 52.5cm long Qty: 2
Lot 90
λ A PAIR OF CEREMONIAL FEMALE UZBEK BOOTS (MAHSI) Bukhara, Uzbekistan, Central Asia, ca. 1900 - 1910Of postilion shape, the joined panels of plum silk velvet worked in metallic threads wound around silk cores, with bold outlines of floral motifs on raised cut-out support, the inner flowerheads couched in orange thread, highlights of twisted green silk thread, the heel reinforced with couched metal thread, the kneecap in green silk velvet edged in white crochet band, the sole of verdigris shagreen, lined in joined panels of silk ikat in white, magenta, yellow, and blue, the inner toe in Russian printed cotton, the inner sole of off-white leather.Each approx. 66cm x 28cm Provenance: purchased from Mansour Gallery, London, 2007 - 2008. Late 19th-century and early 1900s Bukhara court footwear were often low-vamp, high-heel shoes worn with leather stockings or heavily embroidered velvet boots like the present example. For related examples, please see the section on Riding Dress and Paraphernalia in J. Kalter and M. Pavaloi, Uzbekistan: Heirs to the Silk Road, 1997, pp. 177-180. The catalogue of the Paris IDMA (Institut du Monde Arabe) exhibition Sur les Routes de Samarcande: Merveilles de Soie et d'Or, 2022, features three further examples of such boots attributed to Central Uzbekistan, part of the Tashkent and Samarkand National Museums's permanent collections (acc. no. 3379, 7402, and 4452). λ This item may require Export or CITES licences in order to leave the UK. It is the buyer's responsibility to find out and conform to the specific export requirements of their country and ensure that lots have the relevant licences before shipping. Each approx. 66cm x 28cm Qty: 2
Lot 146
λ FOUR CARVED MOTHER-OF-PEARL TALISMANIC PENDANTS ENGRAVED WITH SHI'A IMAM NAMES Collected in Lucknow, Awadh (Oudh), Northern India, late 19th centuryEach pendant carved in oval shape with flattened top and bottom, the concave calligraphic cartouche in-filled with two lines of free-flowing nasta'liq script reading the names of four of the Twelve Shi'a Imams, specifically the fourth Imam, Ali Ibn al-Hussain (Zayn Al-Abidin); the seventh Imam, Musa Ibn Jafar (Al-Kadhim); the eighth Imam, Ali Ibn Musa (Al-Reza); and the twelfth Imam, Muhammad Ibn Hassan (Al-Mahdi), two of the pendants also bearing the number 4, possibly serving a symbolical, talismanic purpose.Each 3cm x 2cm λ This item may require Export or CITES licences in order to leave the UK. It is the buyer's responsibility to find out and conform to the specific export requirements of their country and ensure that lots have the relevant licences before shipping. Each 3cm x 2cm Qty: 4
Lot 4
λ A PORTABLE TUAREG LEATHER CASE WITH SMOKING ACCESSORIES Northern Mali, Africa, first half 20th centuryOf flattened, elongated bulbous shape, with four rounded flaps decreasing in size, and nine applied circular pom-poms made of leather strips on the outer flap, each rounded flap and side of the leather case tooled, dyed and painted in a palette of burgundy and bright reds, ochre yellow, maroon, and green, typical of African Tuareg leather works, bearing geometric and spiral motifs, as well as eight-pointed stars and stylised crosses, the innermost compartment holding smoking accessories including a tall, tapering, conical mouthpiece with a silver and copper-inlaid brass head and concentric polychrome woods and bone circles on the body, and a plain steel cleaning needle, at the bottom a braided leather string with leather strip pom-pom to be able to tie the case on the wearer's sash or belt.7.5cm x 20cm Tuareg leather works, usually in the form of travel accessories and a male prerogative, are renowned for their practical and functional shapes, bright earthly colours, intricate tooling, and dense, stylised geometric motifs. Some of the designs visible on this pouch can also be seen on two other Tuareg leather creations dating to the first half of the 20th century, namely a travel bag (arreg) and a horse riding bag (techchekouat) (L. Balout, Collections Ethnographiques: Musée d'Ethnographie et de Préhistoire du Bardo, 1959, pp. 20 - 21). The presence of several flaps on the present example makes it a rare specimen, considering that most leather cases tend to have two or less flaps. It must have been a prized possession, possibly belonging to a Tuareg chief. A comparable five-flap tobacco leather case is published in Wolfgang Creyaufmüller, Nomadenkultur in der Westsahara: die materielle Kultur der Mauren, ihre handwerklichen Techniken und ornamentalen Grundstrukturen, 1983, p. 266, no. 181. λ This item may require Export or CITES licences in order to leave the UK. It is the buyer's responsibility to find out and conform to the specific export requirements of their country and ensure that lots have the relevant licences before shipping. 7.5cm x 20cm Qty: 3
Lot 123
Registration No: PAS 656 Chassis No: 1006930 MOT: ExemptConverted to Right Hand Drive specification upon import to the UK in 2003Subject to a complete cosmetic overhaul while in the vendor's possessionUpgraded with suspension dampeners for the front end“The most intelligent application of minimalism ever to succeed as a car” - LJK Setright on the Citroen 2CVThe development of Citroën's ever-charming Deux Chevaux dates back to 1936 - a couple of years after the company had been rescued by Michelin. It was intended to motorise the large number of French farmers still relying on horses and carts, and it was research carried out amongst France's largely rural population that determined the following unique design brief: a low-priced, rugged 'umbrella on four wheels' that would enable four peasants to drive 110lb of farm goods to market at 31mph in clogs and via muddy, unpaved roads; including transporting eggs across a ploughed field without breaking them. Production was delayed by WWII, but began in 1948, following which 3,872,583 2CVs were manufactured via 11 factories across the world (including one in Slough, England) between 1948 and 1990, by which time, the ageing design had been defeated by contemporary legislation.Understood to have been built in 1958, chassis 1006930 was delivered as a home market 2CV and remained in France until imported to the UK in 2003 by the previous owner. The history prior to import is unknown, however upon arrival in the UK it was noted that the car was a particularly solid example and was sold in need of restoration work to the vendor in 2004, now registered in the UK as 'PAS 656'. The vendor, a motor engineer by trade, immediately set about performing a complete body overhaul and interior re-trim into what is understood to be the original colour scheme of Grey over Red fabric seats. At the same time it was elected to convert the car to right hand drive specification, a relatively easy and non-destructive task on the little 2CV, and retain as many of the original parts as possible. The front suspension was also uprated with the addition of dampers as per the later variants of the 2CV which is said to have improved the ride significantly.Now offered for sale without reserve due to lack of use and an imminent house move, this example of the famous French workhorse is said to have 'very good' bodywork and paintwork, and the vendor rates the rest of the vehicle as 'good all-round'. The mighty 425cc twin-cylinder engine fired up eagerly upon our inspection and moved around willingly for the photography session, and the vendor is confident that the car is able to live up to its advertised ability to transport a basket of eggs across a freshly ploughed field. To be sold complete with a history file including old MOTs, plus sundry receipts for various works, this French design icon should be a major bucket list item for any collector of classics. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430
Lot 122
Registration No: D348 UBH Chassis No: 1G1YY6787G5905383 MOT: June 2025Number 5,383 of 7,315 C4's built to Indy 500 pace car specificationSupplied with the original owners handbook displaying 1986 Indy 500 winner Bobby Rahal's autographImported to the UK in 1992Described as an extraordinarily original car with only 49,989 miles displayed on the odometerArguably the most radical 'Vette in two decades, the fourth generation or C4 model was introduced in March 1983. Built around a C-section beam-reinforced monocoque, it was equipped with composite transverse-leaf independent suspension and rack and pinion steering. Fitted with 16 x 8.5 alloy wheels shod with P255/50VR-16 tyres as standard, the C4's handling drew considerable praise from the contemporary press. Powered by a 350ci/5.7-litre V8 engine mated to either four-speed automatic or manual gearboxes, it was reputedly capable of 0-60mph in under six seconds and over 140mph. Boasting new aluminium callipers, its four-wheel disc braking system proved more efficient than ever. Noticeably lower-slung than its predecessor, the new car actually possessed greater ground clearance (thanks to a cleverly routed exhaust) and a more spacious interior.In 1986, to celebrate the launch of the new C4 Convertible, Chevrolet supplied 56 Corvettes as pace cars and official vehicles for the Indianapolis 500. Chevrolet saw a great marketing opportunity in making replicas available to the general public. The cars actually used at the track sported Yellow paint, but all 1986 Convertibles were considered Pace Car Replicas. The open-top option added $5,000 to the price of the car, and 7,315 were produced out of the 35,109 total Corvettes sold that year. Supplied in Red, Silver, Black, Gold and Yellow, the C4 Pace Cars were fitted with a commemorative dashboard plaque and were all identical in specification, with brushed alloy wheels and tan leather interior.Our Corvette was delivered in September 1986 to Palm Harbor, Florida, and is said to have been supplied to none other than Bobby Rahal, who won the 1986 Indianapolis 500 Miles race and was the first driver to complete it in under three hours, driving a March 86C. The Corvette was later sold through Florida’s Toy Store dealership, with Mr. Rahal’s signature in the owners handbook, and was imported into Britain in 1988.Besides its provenance, this Corvette represents one of the best-preserved C4s in existence. We understand the paintwork is all factory-applied, and the interior is evidently original and complete with its Indianapolis commemorative plaque. The car has been cherished as a collector’s item from early in its life, having enjoyed single ownership from November 1992 to March 2024, while the MoT record beginning at just over 28,000 miles in 1990 suggests the present mileage of just under 50,000 is genuine. The paint and exterior exhibit only a light patina, concomitant with a well-cared for but unrestored car.The Corvette starts well and runs sweetly, and all of the gauges and switches are to said to function as they should. It is offered with the current V5, a large collection of MoT certificates and the original signed handbook. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430
Lot 140
A PAIR OF LOUIS XVI ORMOLU TWIN BRANCH WALL LIGHTS IN THE MANNER OF JEAN-LOUIS PRIEUR, LATE 18TH CENTURY The tapering backplates with urn finials and hung with laurel swags, later fitted for electricity 56cm high overall, backplates 41cm, 28cm wide Provenance: Christopher Rowley (d.2003), Wormington Manor, Worcs, sold Sotheby's house sale on the premises, 22nd July 2003, lot 346 Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Later fitted for electricity with original bobeches now absent. Relatively plain nozzles and inset discs which my suggest replacement, wired but untested and are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 119
A MATCHED PAIR OF GILT METAL MOUNTED BLUE JOHN 'GOAT'S HEAD' CANDLE VASES THE FIRST GEORGE III, CIRCA 1775, BY MATTHEW BOULTON, THE SECOND PROBABLY 20TH CENTURY Both with reversible gadrooned nozzles, tapering ovoid bodies hung with laurel swags, the shoulders with goat's heads, on waisted spiral fluted socle bases and square stepped plinths terminating in ball feet 21.5cm high as candlesticks Literature: N. Goodison, Matthew Boulton: Ormolu, London, 2002, p. 333, figs. 332-333.The 'goat's head vase' is derived from a sketch illustrated in Boulton and Fothergill's pattern books preserved in the Birmingham City Archives (Pattern Book 1, p.171). The model was one of the most popular of the smaller vases and first appeared in 1769 when a Mrs Yeats ordered '1 pair of goat's head vauses light blue cheny or enamelled'. In the same year, Sir William Guise ordered a pair with Blue John bodies. Other buyers of goat's head vases include Lord Digby in 1774 and Lord Scarsdale in 1772, who paid £4.4s a pair. Some examples feature 'antique' medallions depicting the head of Alexander the Great, suspended from the rim of the vase. Condition Report: Generally good and structurally secure. As noted one vase is 18th century with gilt metal of a more yellow colour - old cracks and repairs to the blue john of both with some vacant areas to surface. The second probably 20th century with more `brassy' gilt metal and slightly different proportions to the cradle and socle. Note that there may be some mixing of 18th century and later metal parts. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 221
A PAIR OF BRASS `RISE AND FALL' TABLE LAMPS AFTER THE DESIGN BY W.A.S. BENSON, 20TH CENTURY With pleated shades 51cm high overall including current shades Condition Report: With mild wear, marks, knocks and scratches as per relatively modern age, handling, use, and cleaning. ELECTRICAL GOODS. Sold with a 2025 portable appliance test (PAT) certificate Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 24
A CARVED OAK NEWEL POST FINIAL FORMED AS A SEATED LION HOLDING A SHIELD MID 19TH CENTURY, IN THE 17TH CENTURY MANNER 41cm high, 15.5cm wide, 17.5cm deep Condition Report: 41cm high, 15.5cm wide, 17.5cm deep With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Shrinkage to the wood- vertical lines visible to body, base with some old repair and larger damage/crack to one corner Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 252
λ SIMON BRADY (BRITISH 20TH/21ST CENTURY) FIREPLACE SCREEN, THREE URNS Oil on board Signed and dated MCMLXXXIII (lower right) 86.5 x 77cm (34 x 30¼ in.)Painted in 1983. Condition Report: With mild wear, marks, knocks and scratches as per age, handling, use, and cleaning. This is not framed so has had mild rubbing to corners notably at base , edges. Some scattered small dirt stains, small areas of paint loss notably left hand jar Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 20
Y AN INDO-DUTCH COLONIAL EBONY BOX EARLY 19TH CENTURY AND LATER The rich relief carving of scrolling foliage re-laid on a later oak carcase 36.5cm wide, 25cm deep, 10cm high Condition Report: As per cataloguing "rich relief carving of scrolling foliage re-laid on a later oak carcase"- alterations to lock and hinges- natural shrinkage and edge/corner gaps and rubbing, slight warp to top- back not veneered Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 50
A RARE ITALIAN RENAISSANCE TERRACOTTA TILE WITH THE CYPHER OF FEDERICO DA MONTEFELTRO, DUKE OF URBINO CIRCA 1474/1482 Moulded with San Bernardino rays quartering FE[EDERICO] DUX 33.5cm x 33.5cm Literature: https://www.umbriametu.it/museums/museo-civico-palazzo-dei-consoli-gubbio/focus-on-federico-da-montefeltro-and-gubbio-exhibition/?lang=en emblema di Federico da Montefeltro formella 1474/ 1482 Federico da Montefeltro, Duke of Urbino (1422-1482), was a significant humanist figure in the Italian Renaissance. He was instrumental in fostering learning at his court, employing copyists to amass one of the largest libraries outside of the Vatican. His patronage extended to artists such as Piero della Francesca, whose Diptych of Federico da Montefeltro and Battista Sforza remains one of the most iconic portraits of the Renaissance, (housed today in the Uffizi Gallery) This large tablet tile bearing his personal cipher and emblem, possibly designed by Francesco di Giorgio Martini, is part of a decorative series of more than 275 tiles that adorned the Palazzo Ducale in Gubbio. It is generally understood that these tiles were likely commissioned after Federico's elevation to Duke of Urbino and they served as a public display of his new rank and prestige. The Palazzo passed out of the family line and was purchased by the Balducci family of Gubbio in 1860 with most of the contents dispersed when it subsequently was sold to a silk spinning company in 1870. There are documentary reports from the late 19th/early 20th century deploring the general state of the building, singling out the neglect to the roof. It is possible that it was at this time the tile was detached and sold on. The inscription "FE DUX" and the inclusion of "tongues of fire" have been widely interpreted, with scholarly perspectives providing different readings of their possible meaning. The most likely interpretation connects the flames to the insignia worn by the Accesi, young initiates of the Venetian brotherhood Compagnia della Calza, whom Federico was associated with during his exile in Venice, 1433. This rare tile, whether interpreted as a reference to Venetian affiliations, familial heraldry, or local industry; reflects the complex interplay of personal history, economic interests, and cultural patronage that characterized Federico's rule. His contributions to art, architecture, and humanist scholarship continue to be celebrated, underscoring his enduring impact on the Italian Renaissance.At the time of cataloguing, no examples of this tile seem to have appeared on the art market with 275 still at the Palazzo and three held in the museum of the Palazzo Venezia in Rome. Condition Report: Darker than main image suggests- extra images give a better indication of colour. Wear and some rubbing to raise detailing- right hand edge with damage around what could have been a pin mounting joint. No traces of original polychrome. Surface dirt- natural firing flaws and edge wear, small chips and losses. Provenance: The estate of the late Philip Astley-Jones. No paperwork or oral history to confirm where he obtained it from or when except statement from his partner, the jeweller Johnnie Lloyd Morgan: ""I don't know where Philip found the Urbino tile but it has been in our house for ever. Certainly since the early '80s when we first met. It never seemed to find a place in the home but I know he was intrigued by it."With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 23
A GEORGE III PINE AND GESSO URN CIRCA 1800 AND LATER With mask mounts to the sides, suspended relief medallion, square base, later fitted as an electric table light 64cm high overall including current shade Condition Report: ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Losses to mouldings throughout- small section replaced with wax or similar, drilled and fitted as a lamp, repairs to stem above base- visible joint sections to body With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 98
Y ATTRIBUTED TO SAMUEL PERCY (IRISH 1750-1820)- A PAIR OF WAX BUST PORTRAITS 18TH CENTURY Depicting in red, black and flesh tone waxes and presented in a Dutch ebonised and tortoiseshell casket of elongated hexagonal form, red velvet lined interior the box approximately 41cm wide, 16cm high Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. box formerly mounted- with vacant holes to surface from prior fixings and loss, small tears to veneer, later lining, no key, numerous moulding losses- some loose strips present but not enough to complete the edges Wax- both very dirty- one head is off- both with some rubbing and loss/wear Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 67
A GEORGE III BRASS-MOUNTED BOTANY BAY OAK (CASUARINA) TEA CADDY CIRCA 1800 The domed lid with a loop handle, twin compartment interior, paper label for Roger Warner 15.5cm wide, 9.5cm high Provenance: With Roger Warner Condition Report: Provenance: With Roger Warner The estate of the late Philip Astley-Jones With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Veneer replacements to lower margin of front, left had side lower edge. This strip missing from right side lower margin. Shrinkage faults and the whole with signs of regular wax polishing but possibly cleaned back slightly 30 years ago or so. All metalware looks to have been replaced, interior lids possibly a fruitwood and possibly replaced. Carcase looks to be oak but hard to see as mostly covered Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 164
AFTER THE ANTIQUE- A WHITE BISCUIT PORCELAIN MODEL OF THE BORGHESE CENTAUR BY GIOVANNI VOLPATO (1735-1803), LATE 18TH CENTURY Impressed stamp to one side of plinth G. Volpato Roma 28cm high, base 18cm wide There are two Roman forms of these large centaur sculptures. The first are the 'Furietti' pair in Laconian grey black marble which were discovered during excavations at Hadrian's Villa in Rome during the 1720s. That pair were purchased by Cardinal Furietti, whose descendants sold the centaurs to Pope Clement XIII after which they were added to the Capitoline Museum collection. This form, with the young Eros figure riding on the back of the older of the two centaurs, was excavated in Rome in the 17th century and entered into the Borghese collection. Together with 694 other statues it was acquired from Camillo Filippo Ludovico Borghese by Napoleon in 1807 and is now held in the Louvre Museum. Working in white biscuit, Volpato mimics the white marble of the original and a pair of centaurs by Volpato are held in the Museum of Arts and Crafts Hamburg (1878.564.a). For a comparable pair of centaurs by Volpato please see Christie's New York, Important European Furniture, Works of Art, Ceramics, 21 May 2003 lot 99 (sold for $15,535 inc. buyer's premium). Condition Report: With engrained surface dirt throughout- resulting in browner patches- and odd fluorescence under UV. Cupid right foot and right wing repaired, lacking fingers to centaur's hand and section of rein/strap formerly over hand Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 254
A HADDONSTONE 'ADAM' SWAG URN LATE 20TH CENTURY Unmarked 80cm high, base 23cm square Condition Report: With weathering - colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning. Lid is loose- chip to edge- old rubbing to surface detailing from outdoor exposure- bottom edge and corner wear Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 212
A PAIR OF GILT BRONZE WALL BRACKETS 19TH CENTURY AND LATER Marble set tops 25cm high Together with a pair of Chinese vases, 18th century, the vases decorated in blue and white with floral landscapes, 25.5cm high Condition Report: As per cataloguing- brackets and 19th century and later- various drilled holes for earlier mounting to bronze, tops with blue tac and some edge wear Vases- both with natural firing flaws, bumps and marks, surface scratches to both- one with hairline to neck and chip to foot, the other with section of neck missing- slight variance from manufacture Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 17
AFTER THE ANTIQUE- A BRONZE MODEL OF THE PERSONIFICATION OF THE RIVER NILE IN THE MANNER OF RIGHETTI, CIRCA 1820-1850 15cm high, base 27cm wide, 13cm deep Provenance: Agnew & Co 2019 Masterpiece Fair This bronze depicting the River Nile is a reduced version of a colossal Roman marble group found in 1513 in Campo Marzio where it was probably part of the decoration of the Iseo Campense. The composition is an allegory of fecundity with a cornucopia placed prominently near the reclining Nile, and the sixteen small children who cavort on and about the figure of the river symbolize the sixteen cubits by which the river rose annually, fertilizing the surrounding areas. The complexity of the composition, due in large part to the incorporation of the children, meant that reproductions in bronze are scarce. A simplified version, without the children, and possibly executed by Carlier and Buviette is held in The Huntington Library, Art Museum, San Marino California. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Modern scuff to laurel wreath above his face- some edge wear and patina rubbing but generally in fairly good condition for age and likely handling Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 3
A GROUP OF DOOR PORTERS 19TH CENTURY To include brass bell base examples including a pair with ram horn handles, later polychrome painted lion porter tallest 47.5cm high, smallest 36.5cm high Condition Report: All with wear from regular domestic use- brass has been kept clean so all fairly high polish, lion needs a good clean Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 260
A PAIR OF HARDWOOD GARDEN BENCHES AFTER EDWIN LUTYENS LATE 20TH CENTURY Each with an arched slatted back and scrolled arms, with a loose cushion to the seat 102cm high, 166cm wide, 61cm deep Condition Report: With weathering - colour variance from exposure, sections of this garden much damper than others leading to quite a lot of greening to wood and one much greener than the other- wear, marks, knocks and scratches as per age, handling, outdoor garden use, and cleaning Some shrinkage to wood most visible to arms and tops of back supports but roll sections still secure to tops of arms Slight size variances Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 66
A GROUP OF FRENCH GILT AND PATINATED BRONZE DESK ORNAMENTS 19TH CENTURY To include: An inkwell, modelled as knelling winged cherub before an altar, lid with General's helmet above well interior 9.5cm high, 11.5cm wide Together with a gilt and patinated bronze mounted paperweight, with hands conjoined, polished black hardstone base, 7cm high, and an oil lamp after the antique, serpent handle, 15cm wide Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some rubbing to gilding of each Inkwell- lacks sword end, reservoir well broken- patina quite worn to bronze Paperweight- nibbles and small chips along most of the edges Lamp- some distortion around spout hole and to foot Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 267
A SET OF SIX ELM GARDEN CHAIRS LATE 20TH CENTURY Each with a solid back and seat 30.5cm high, 70cm wide, 45cm deep Condition Report: With weathering - colour variance from exposure, sections of this garden much damper than others leading to quite a lot of greening to some wood whilst other chairs are much greyer- weather and sun bleached, - wear, marks, knocks and scratches as per age, handling, outdoor garden use, and cleaning Some shrinkage to wood most visible to tops of backs and arms. The chairs are constructed using what look to be metal pins and all still feel sturdy, bird messes and staining. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 10
A GEORGE III GILT BRASS HEXAGONAL HALL LANTERN CIRCA 1800 AND LATER With scrolled supports, the anthemion clasps added, with later light fitting 98cm high (excluding chain), 46cm wide Condition Report: ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Rubbing to gilding- some loose mounts, glass probably all replaced Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 257
A PAIR OF HANDYSIDE CAST IRON PLANTERS LATE 19TH CENTURY with applied floral mounts, grey painted 77cm high, bases 30cm square Condition Report: With weathering - colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning The thick later paint almost certainly hiding old remedial repairs- one visible to foot rim which looks to be a repaired crack and further to plinth edges. Heavy bubbling to some painted surface which may indicate corrosion to underlying metal, Some rusting developing and staining. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 92
A PAIR OF GILT BRONZE MOUNTED WHITE MARBLE TWO BRANCH URN CANDELABRA 19TH CENTURY IN THE LOUIS XVI MANNER Possibly Palais Royale, Leaf scrolling branches above pierced Daguerre style rims, twin serpent handles 37cm high Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Slight inconsistency of gilding colours which could be from atelier construction. One base replace. Scoring marks to bases of urns from metal mount contact. Scoring marks additionally to tops which could be from prior fixing. Small knocks to moulding, natural inclusions Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 88
A GROUP OF BLUE JOHN DECORATIVE WARE To include: A pair of early 19th century pedestal bowls on polished Ashford bases 8cm high Together with a George III bowl and two polished 'eggs' (5) Condition Report: With natural flaws and remedial infill from manufacture to brittle surface. Under UV 20th century repairs evident to stems of both urns and to flat bowl. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 14
A LARGE MIDDLE EASTER CISTERN OR WINE COOLER POSSIBLY 18TH CENTURY Of flattened spherical form, twin ring handles to the ends approximately 76cm wide, 41cm high Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Surface lifting to green verdigris patina and with signs of old label shadow- some edge knocks and scuffs- upper edge distorted to one section- rubbing to foot approximately 76cm wide, 41cm high Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 13
A FRENCH FLORAL URN TAPESTRY IN THE BEAUVAIS MANNER, EARLY 18TH CENTURY With two children flanking a tall classical flower with arrangement of flowers, later set within a giltwood frame frame 170cm by 127cm Condition Report: The whole with later pale blue border which hides ends of original piece- almost certainly a section from a larger example- small shaped stitch edge weave panels to both left and right mid/upper margins which may indicate that these have been slightly altered to create a uniform background field. Colour muting- some old mostly professional stitch repairs, some occasional looseness to filed, puckering, frame with edge and corner scuffs and losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 256
A PAIR OF HARDWOOD CHINESE TRELLIS BACK GARDEN ARMCHAIRS LATE 20TH CENTURY each 61cm wide, 92cm high Together with a hardwood garden bench of similar form, 121.5cm wide, 85cm high Condition Report: With weathering - colour variance from exposure, sections of this garden much damper than others leading to quite a lot of greening to wood, - wear, marks, knocks and scratches as per age, handling, outdoor garden use, and cleaning Some shrinkage to wood most visible to arms and tops of back supports Chairs with labels for Lindsey Plantation teak. Fairly sturdy- one with loose peg to top of backsplat that needs refixing to ensure stability. The back support by this quite split to the top- may well benefit from remedial binding or work Bench a little flimsier Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 262
A HADDONSTONE PLANTER BASE LATE 20TH CENTURY In the 18th century Neo-Classical manner 39cm high, 61cm wide, 30cm deep Together with a marble elephant mounted above, 55cm high, 53cm deep Condition Report: With weathering - colour variance from exposure, wear, marks, knocks and scratches as per age, handling, outdoor garden use, and cleaning Elephant with natural flaws- some of which have widened from frost and weathering notably: top of head, trunk (with loss), front right leg, along front of base, and with repaired break to rear left corner which is now loose and needs remedial work. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 60
Y A SPECIMEN OF SICILIAN TRAPANI RED CORAL Set on a simulated hardstone inset ebonised base 21cm high overall, coral 21.5cm long Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please note the coral is now set on "a simulated hardstone inset ebonised base". Coral with repair to one side descending section- visible under extra images attached under UV. Coral is fixed and not weighable. Please note that lots marked with the symbol (Υ) in the printed catalogue and the online catalogue may be subject to CITES Regulations when exported. Relevant CITES Regulations information may be found here https://www.gov.uk/guidance/cites-imports-and-exports Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
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