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A tubular mesh necklace, finished with a thick spring-ring clasp, yellow metal struck with Italian assay mark '750' and logo for Cleopatra Italia, overall length 46.0 cm, total weight of item 20.1 grams.

FRANCOIS FERRIERE (SWISS 1752 - 1839), SIR JOSHUA REYNOLDS PORTRAIT oil on ivory framed and under glassThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 8MW3BM26. image size 9cm x 7cm (oval), overall size 24cm x 23cm

Home made wheel steampunk item

Y&nbspA VICTORIAN TRAVELLING TOILET CASE STEPHENSON & SON The green leather case with gilt tooled decoration, opening to a concealed mirror, ten glass jars with silver covers, maker's mark TW, London 1856, engraved with foliate swags and floral sprays, and a manicure set with mother of pearl handles The case 31 x 24 x 17cm 204g (6.55 oz) weighable Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding. Condition Report: Case - Some staining to the leather, appears to be from water, hinge good, lock functioning, push button for bottom draw functioning, scuffs to inside edge of cover, one divider missing from interior Manicure set - Scissors appear to be rusted and replacements, one other item missing Silver lids - Marks generally clear, engraving crisp, no personal engraving, two unmarked Glass - One of the taller jars with chips and a repair, the rest with very minor nibbles, one small jar stained red All with light scratches and wear commensurate with age and use Condition Report Disclaimer

"Ten Little xxxxxx Boys"-An incomplete box of vintage Ivy machine twist No:40 tubes of thread. These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural historyCondition: One reel of thread missing and 2 having storybook bands intact, reflected in the valuationLocation:

NAITO: A PAIR OF IVORY-INLAID WOOD PANELSBy Naito, signed NaitoJapan, Meiji period (1868-1912)The black-ground panels each finely inlaid in bone with some ivory, one depicting a sarumawashi holding his taming stick and carrying his monkey on his back, with lotus leaves below, the other depicting a bijin and a young girl gathering flowers and plants in baskets. Both with inlaid seal marks NAITO and framed.SIZE 100 x 60.5 cmCondition: Excellent condition with traces of wear, no inlays are missing.Provenance: British collection.This item contains or is made from elephant ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Please note that in compliance with EU regulation effective January 19th, 2022, all items carved from elephant ivory before 1947 must carry a legal trade permit issued by the Austrian ministry of trade, or any other appropriate authority within the European Union. For this reason, any sale of such item can only be concluded after such permit has been granted. All payments made prior to the issuance of the respective permit will be held in escrow until the application for the permit has been approved. Please note that according to EU regulation it may take up to 3 months until the permit has been granted. In case the permit is declined, or not granted after 3 months, the payment will be returned to the client immediately. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0251).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A STAINED IVORY 'TROMPE-L'OEIL' OKIMONO OF A BANANAJapan, Meiji period (1868-1912)Carved as a half-peeled banana, a section of the skin peeled back to the brown stalk, revealing the fleshy, ribbed interior, the partly bruised skin skillfully stained yellow. An accomplished work at the very height of naturalistic fruit carving.LENGTH 18.2 cmCondition: Excellent condition with only few minor traces of wear.Provenance: British collection.Auction comparison: For a related okimono of a banana, see Bonhams, Fine Japanese Art, 12 November 2015, London, lot 487 (sold for 4,000 GBP).Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-4 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE IVORY BOX AND COVER DEPICTING A BIJIN WITH CHILDJapan, Meiji period (1868-1912)Finely carved and stained, the cover carved in high relief with a bijin (beauty) carrying a large wicker basket on her back with a child walking beside her. The child playfully reaching up towards the tall woman's basket filled with flowers, clothed in robes covered in cash coin (shippo) patterns. The woman with a fine coiffure clothed in voluminous robes with foliate designs. The sides of the box are carved in low relief with peony blossoms borne on leafy stems.LENGTH 14.7 cmCondition: Very good condition with minor wear.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 227.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00310/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

TANAKA REIGYOKU: A FINE IVORY TUSK BOX AND COVER DEPICTING A SNAKE EATING A SPARROWBy Tanaka Reigyoku, signed with two seals Tanaka and ReigyokuJapan, Tokyo, Meiji period (1868-1912)Finely carved and stained with a large snake twisting through the blossoming and leafing branches of a dogwood tree, snatching a bird in midflight as a second sparrow lands on the back of the snake in a frantic attempt to rescue its partner. The scales of the snake and feathers of the bird are naturalistically carved and surrounded by the curling branches carved in openwork. The cover naturalistically carved as a leaf surmounted by a finial in the shape of a young sparrow. Sealed to the base of the cover and box TANAKA and REIGYOKU.HEIGHT 11.7 cmCondition: Very good condition with minor wear, a few small nicks to edges, some typical natural flaws and age cracks.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 10.Tanaka Reigyoku (born in 1837), original name Tanaka Shigejiro, is listed in the Tokyo Meikokan (Famous Craftsmen in Tokyo). Tanaka Reigyoku exhibited at the 1876 Philadelphia Expo and 1878 Paris Expo. He also exhibited at the First (1877) and Second (1881) Naikoku Kangyo Hakurankai (Domestic Inland) exhibitions in Tokyo, Japan.Auction comparison:Compare a related ivory box and cover depicting a quail family, unsigned, at Bonhams, Fine Japanese Art, 6 November 2012, London, lot 357 (sold for GBP 4,375).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE04296/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

YASUHARU: A FINE IVORY TUSK BOX AND COVER IN DEPICTING A BRUSHWOOD COLLECTORBy Yasuharu, signed Yasuharu with seal Yasu and with kakihanJapan, Meiji period (1868-1912)Finely carved from a round section of ivory, the box carved in low relief and stained with a continuous band of rocky landscape with the two figures walking alone. One figure walks with a cane toward a large rock outcropping, carrying a large bushel of brushwood slung on his back. The second figure cresting a ridge carrying a rake. The cover surmounted by a figure bundled in thick robes, head wrapped in a scarf, seated on a cluster of logs next to a box. Signed to the underside of the cover YASUHARU next to the artist's seal, Yasu, and the base signed with the artist's kakihan.HEIGHT 12.1 cmCondition: Very good condition with minor wear and few natural flaws to the material.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 226.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00832/CE).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

MASATAMI: AN IVORY OKIMONO OF A MONKEY GROUPBy Masatami (Shomin), signed Masatami 正民Japan, Tokyo, mid to late 19th centuryFinely carved and stained, capturing a scene of youthful playfulness, depicting four young monkeys upon a persimmon branch (kaki), while two monkeys clutch the last two persimmons, the other two strive to seize the fruits from their companions. Signed underneath MASATAMI. Condition: With some wear and two repairs to the trunk, otherwise good condition Provenance: Private collection, Belgium. Dimensions: Length 10.5 cm Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0250).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

BISEI: AN IVORY OKIMONO DEPICTING A MILLER AT WORKBy Bisei, signed BiseiJapan, Meiji period (1868-1912)The miller seated on a reed mat and firmly gripping a wooden staff to craft two millstones, one on its side and the other lying down at his feet. A woodblock with two mallets resting on top, positioned next to the miller, with several other tools on its side. His robes decorated with various brocade patterns with his tobacco pouch and manju netsuke attached to his belt alongside his kiseruzutsu opened to reveal a thin pipe. His face is carved with an expression of calm determination, finely engraved and stained with naturalistic features. Signed to the underside within a red lacquer tablet BISEI.LENGTH 7.2 cmCondition: Good condition with minor wear, expected age cracks, possibly some minor losses and a minor restoration to the end of his staff.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 21.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00323/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

SEIHO: AN IVORY OKIMONO OF A MAN AND HIS CATBy Seiho, signed SeihoJapan, Meiji period (1868-1912)Finely carved and stained depicting a man seated on a straw mat playing with his cat. The cross-legged figure dressed in a checkered robe with foliate designs under an overcoat with karakusa, the voluminous fabric falling in pleats and opened slightly at the chest, one hand dangling a ball of yarn while the other clutches a piece of cloth. The cat crouching and ready to pounce, its head turned and focused on the dangling ball above, all beside a hollowed wood stump with a tubular vessel within. Signed on a red-lacquer tablet SEIHO.HEIGHT 4.3 cm, LENGTH 5.7 cmCondition: Very good condition with minor wear.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 76.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00297/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

SOJUN: AN AMUSING IVORY OKIMONO OF A SLEEPING SCHOLARBy Sojun, signed SojunJapan, Meiji period (1868-1912)The resting scholar sitting on a mat with his knees tucked beneath him, propping his head on one arm as his glasses are delicately held on the open book in his lap. His voluminous robes finely engraved and stained with brocade patterns, his book opened to reveal the mathematical formulas which have caused his great slumber. Behind him, an empty teacup tipped on its side. The tenons on his hands and feet are naturalistically rendered and his face is stippled with a stubble on his lip and chin. Signed to the underside within a red lacquer tablet SOJUN.LENGTH 5.5 cmCondition: Very good condition with only minor wear.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 25.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00277/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KOICHI: AN IVORY OKIMONO OF A FARMERBy Koichi, signed KoichiJapan, Meiji period (1868-1912)The farmer standing on a shaped base, carrying a basket and holding a hoe, a bundle of grains slung over his back, and lifting a grain stalk next to his face with superbly carved features. The lightly stained ivory finely carved, the man wearing a large straw hat and dressed in neatly patterned robes. Signed underneath KOICHI. HEIGHT 20.5 cmCondition: Good condition and presenting very well. Some minor, non-distracting repairs.Provenance: From a Belgian private collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00303/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

MASAYUKI: A FINE SHIBAYAMA INLAID IVORY OKIMONO OF DAIKOKUBy Masayuki, signed MasayukiJapan, Meiji period (1868-1912)Finely carved and stained, the grinning Daikoku holding his lucky mallet with his right hand as he kneels to open his treasure bag. The deity dressed in a long robe and wearing thick boots, his head covered, and face with an expression of triumph flanked by ears with pendulous lobes. The bag held down with one foot as the deity allows the viewer to glimpse at the treasures within, his mouth biting down the edge of one side of the bag. Overall incised for texture and detailed with Shibayama-style horn and mother-of-pearl inlay. Signed on a red-lacquer tablet MASAYUKI.HEIGHT 9.3 cmCondition: Very good condition with few mkinor losses to the mother-of-pearl inlay.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 95.Auction comparison:Compare a closely related ivory okimono of Daikoku and oni by Akishige at Zacke, Fine Japanese Art, 28 October 2020, Vienna, lot 168 (sold for EUR 3,034).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00865/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

MUNEKAZU: AN AMUSING IVORY OKIMONO OF A STARTLED SNAKE CHARMERBy Munekazu (Munenori), signed MunekazuJapan, Meiji period (1868-1912)The alarmed snake charmer startled by a frog, his hands up in the air in disbelief, perhaps under the impression that his snake has escaped the wicker basket and is crawling up his leg. The man carved in an animated pose with a surprised look on his face, mouth agape, and dressed in a checkered robe with an overcoat incised with foliate motifs. The basket with carefully incised details, topped with a thatched lid lined with foliage and leaves and strap handles to the back. The snake slithering out from a gap in the lining in pursuit of the frog that has startled his master. Signed to the basket within an oval reserve MUNEKAZU.HEIGHT 9 cmCondition: Good condition with minor wear. One foot re-glued and a tiny chip to one finger. Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 84.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00432/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

SEISHU: A RARE IVORY OKIMONO OF A FISHERMAN REELING IN A FISHBy Okawa Seishu, signed Seishu sakuJapan, Tokyo, late 19th century, Meiji period (1868-1912)Elaborately carved from several parts, depicting a fisherman standing on a boulder joined to a dock above a small pond, casting his fishing rod into the water and pulling out a fish which jumps onto a small rock. The okimono is superbly detailed overall, with intricate openwork carving to the straw skirt of the man and the net which emerges from the water. Signed underneath within red-lacquered reserve SEISHU saku [made by Seishu].LENGTH 18.7 cmCondition: Very good condition with minor wear. The fishing line has been replaced and a small section of the rod has been re-glued. Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 110.Auction comparison:Compare a related ivory okimono of similar elaborate design, by the same artist, at Bonhams, Fine Japanese Art, 12 November 2015, London, lot 443 (sold for GBP 3,125).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00319/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

HOKO: A FINE TOKYO SCHOOL IVORY OKIMONO OF AN ELDERLY FISHERMAN WITH HIS NETBy Hoko, signed Hoko and kakihanJapan, Tokyo, Meiji period (1868-1912)Naturalistically carved, the elderly fisherman placing one foot on the raised bank, holding his large casting net in folds with both hands, the weaving carved with remarkable realism and the net swung back as if beginning the forward motion of the cast. The fisherman wearing a grass skirt and simple robes with a tobacco pouch suspended from his belt, his bare feet finely detailed on the textured ground, and his wrinkled face set with a calm smile. Signed underneath HOKO with a kakihan seal within the plugged nerve channel.HEIGHT 31.1 cmCondition: Good condition with minor wear, expected age cracks, some plugged natural nerve channels.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 102.The artist Hoko is likely to have studied under Yoshida Homei or the latter's student Hirasaka Hobun, who were leading sculptors of the Tokyo School, the artists sharing the same character Ho 芳.Auction comparison:Compare a related Tokyo school ivory okimono of a fisherman with net, signed Isshin, at Bonhams, Export and Decorative Art of the China Trade, 9 March 2004, London, lot 167 (sold for GBP 4,780).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE04275/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

ICHIYOSAI SOKO: A RARE IVORY OKIMONO DEPICTING A KISERU (PIPE) MAKER WITH HIS SONBy Ichiyosai Soko (Munehiro), signed Ichiyosai SokoJapan, Meiji period (1868-1912)Finely carved, the tall craftsman standing next to his workbench carving a narrow pipe with an awl, his mouth open in a joyous expression as he watches his son play. Dressed in an elaborate robe decorated with brocade patterns, his sagemono secured in his obi, the young boy wearing a kinchaku (purse) secured at his waist. The child holds a small string attached to a toy fish pulled on four wheels. The carver's bench with one large removable drawer below a shelf filled with bamboo shafts and a pair of drawers, all beneath the worktable filled with tools; several finished kiseru are mounted on the side of the table while two straps are attached to the other side to transport the small workbench. Signed to the base of the workbench on a red lacquer tablet ICHIYOSAI SOKO.HEIGHT 13.9 cmCondition: Good condition with minor wear, expected age cracks, natural flaws, and the string attached to the child's toy lost.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 135.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00224/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KOZAN: A LARGE AND IMPRESSIVE TOKYO SCHOOL IVORY OKIMONO OF A CORMORANT FISHERMAN WITH CHILDRENJapan, Tokyo, Meiji period (1868-1912)The elderly fisherman holding a young child in one arm with a second child attempting to remove a sweetfish (ayu) from the mouth of the cormorant while holding a lantern at his feet. The elderly fisherman barefoot and dressed in simple robes with a grass apron, his face bearing a charming expression of great satisfaction at having the children with him as he fishes. The large cormorant tied with a harness attached to the belt of the fisherman, the bird detailed with fine feathers. The figures are finely carved with impressive incision work and staining. The base signed in a square reserve KOZAN.HEIGHT 30.9 cmCondition: Very good condition with minor wear, expected age cracks, and natural flaws including one nerve channel to the base. The handle of the lantern re-stuck.Provenance: From an old private collection in southern Germany, assembled between 1975 and 1982. An old collector's label to the base of the figure, 'OKIMONO, Komeran-Fischer Ivory. Jap. Meiji ca. 1880. Sign Naga-san. DM 9,000.'Cormorant fishing (ukai) was at one time the primary method of catching ayu (sweetfish). It is first attested in the Book of Sui (636 AD), an official history of the Sui Dynasty in China, and was said to be a method invented in ancient Japan. To control the birds, the fishermen tie a loose snare near the base of the bird's throat. The snare prevents the bird from swallowing large fish, which are held temporarily in their gullet. When a cormorant has caught a fish in its throat, the fisherman brings the bird back to the boat and has it regurgitate the fish. Cormorant fishing was often most effective at night when the fish would swarm to the surface causing the fishermen to use large torches for lighting and to draw the fish in.Auction comparison:Compare a related Tokyo school ivory okimono of a cormorant fisherman with his cormorant, signed Eizan, at Bonhams, Fine Japanese Art, 16 May 2013, London, lot 305 (sold for GBP 6,259). Compare a closely related composition of an elderly man catching turtles with two children, signed Kakihan, at Zacke, Asian Art Discoveries, 27 January 2022, Vienna, lot 644 (sold for EUR 6,320).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number DE-K-221108-374). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

YOSHIDA: A SUPERB AND LARGE TOKYO SCHOOL OKIMONO OF A GARDENERSealed Yoshida and KotobukiJapan, Tokyo, Meiji period (1868-1912)Superbly carved as a gardener standing on a platform holding a basket of water lilies in one hand, the other hand holding a bunch of large lotus leaves. The man dressed in voluminous robes over checkered pants, fitting snug against his legs, the hem of the robe hiked and tucked into the obi (sash), his face tired and labored from the day's work. To his feet lies further loose plant material. Signed underneath with two seals YOSHIDA and Kotobuki. HEIGHT 32 cmCondition: Very good condition with minor wear and few natural age cracksProvenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 88.The name Yoshida suggests a connection to the important Tokyo school artist Yoshida Homei (1875-1943).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE04321/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

GYOKUSHO: A FINE TOKYO SCHOOL IVORY OKIMONO DEPICTING A HUNTERBy Gyokusho, signed GyokushoJapan, Tokyo, late 19th century, Meiji period (1868-1912)Finely carved as a hunter standing with one foot on a gnarled tree stump beside a basket of persimmons, wearing a straw helmet, fur vest, and patterned robes, holding a basket with a freshly caught bird as well as a bow and an arrow, a sword and pouch attached to his belt. He is looking fondly at a young woman seated on a bundle of sticks and holding a pouch and pipe case in her right hand. The underside of a loose twig incised with the signature GYOKUSHO.HEIGHT 18.4 cmCondition: Good condition with minor wear, the arrow held in the hunter's left hand with a minor old repair. Provenance: Collection of Charles Rozenfeld, Antwerp, Belgium. Charles Simon Rozenfeld (1943-2020) was a Belgian diamond dealer and keen collector of Japanese art, particularly ivory.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE02906/CE).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE IVORY OKIMONO OF A FISHERMANJapan, 19th centuryFinely carved, the elderly fisherman wears a grass skirt, posed walking with a fishing basket in one hand and a fishing spear in the other resting on his shoulder. A leather tobacco pouch (tabako-ire) hangs from his belt on one side, suspended from a netsuke, and a wood tonkotsu suspended on the opposite side. His charming expression with a large smile, masterfully rendered wrinkles, and gentle eyes under slightly raised brows. The base sealed with a red lacquer tablet.HEIGHT 13.5 cmCondition: Very good condition with only minor wear. The fishing spear possibly replaced.Provenance: Hungarian private collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0339).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KEIUN: A FINE IVORY OKIMONO OF A PAIR OF CRANESBy Keiun, signed Keiun toJapan, Meiji period (1868-1912)Naturalistically carved as a pair of cranes, one pausing mid-step with its head turned as it looks on and the other standing flatfooted, drawing its head in towards its body. Their feathered bodies exquisitely defined in fine lines and accents of black pigment, supported on ribbed legs on webbed feet rendered in iron, the eyes inlaid in mother-of-pearl. Signed underneath the body of the larger crane KEIUN to [carved by Keiun].HEIGHT 13.7 cmCondition: Very good condition, the base with a large age cracks. Very light chipping to the edge of tail feathers of the smaller bird.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 17.Auction comparison:Compare a closely related ivory okimono of a single crane at Bonhams, Fine Asian Works of Art, 23 June 2008, San Francisco, lot 8351 (sold for USD 5,700).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE04286/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KATO TOMOTOSHI: A SUPERB IVORY OKIMONO OF AN EAGLE PREYING ON A GROUP OF MONKEYSBy Kato Tomotoshi, signed Kato Tomotoshi and kakihanJapan, Tokyo, Meiji period (1868-1912)The majestic eagle swooping down to prize away an infant monkey from the arms of its mother. The primate lifeless as the eagle digs its talons into its limp body, the sharp claws puncturing its skin, the mother holding on to its one arm, prying its baby away from the eagle's clutches. Another infant scrambles under its mother's protection, gripping on to her tail, as she bares her teeth at the predator. The scene executed in superb detail with the plumage of the bird carved with precision and eyes inlaid in mother-of-pearl, the stained and incised fur of the monkey similarly executed. The rush of movement and dynamism further exacerbated by the last infant trying to escape from under the wings of the imposing eagle. Signed to the base KATO TOMOTOSHI with the artist's kakihan.HEIGHT 8.8 cmCondition: Old restoration to one wing. Otherwise very good condition with minor wear, some natural flaws, and presenting beautifully. Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 9.Kato Tomotoshi was a highly talented ivory carver who participated in and received a prize at the second carving competition organised by the Tokyo Chokokai (The Tokyo Carver's Association) in 1889.Auction comparison:For another work by the artist, signed Tokosai Tomotoshi, see Bonhams, Fine Japanese Art, 17 May 2018, London, lot 233 (sold for GBP 5,000).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE04290/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KOZAN: AN IVORY OKIMONO OF THREE FIGHTING LIONSBy Kozan, signed KozanJapan, Meiji period (1868-1912)Finely carved in openwork with three lions, a large male lion standing over a smaller lioness fallen on her back, reaching her claws forward in panic. The paws of the male resting on the hindlegs of the fallen, while a third lion watches from behind hopping over the back of the other. Each lion naturalistically carved with finely etched and stained hair, their long tails twisting around each other. The back of the fallen lioness signed KOZAN. LENGTH 14.6 cmCondition: Very good condition with minor wear and expected age cracks.Provenance: Collection of Charles Rozenfeld, Antwerp, Belgium. Charles Simon Rozenfeld (1943-2020) was a Belgian diamond dealer and keen collector of Japanese art, particularly ivory. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE03279/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

TOMOKAZU: A SUPERB IVORY OKIMONO OF A BEARBy Okada Tsunekichi (art name Tomokazu), signed TomokazuJapan, Meiji period (1868-1912)Realistically carved as a heavy bear seated and propped up on its front legs, lifting its head slightly with its gaze directed up. The power of the bear manifested in its heavy coat, massive claws, and piercing eyes, which are inlaid with mother-of-pearl. The dynamic pose of the animal filled with motion, lifting its paw and beginning to snarl as if readying an attack. The underside signed with the typical signature in relief TOMAKAZU.LENGTH 7.4 cmCondition: Very good condition with minor wear, expected age cracks, minor chips to claws.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 13.Okada Tsunekichi, also known as Tomokazu, was a gifted carver of okimono. He was a member of the Tokyo Chokokai (The Tokyo Carver's Association) from 1906-1910, and he participated in several carving competitions hosted by the association. Little is known about his life, but his work received several outstanding prizes during competitions he participated in and there is little doubt why. His carvings are powerful with impressive realism (see the comparison below for a further example of this).Auction comparison:Compare a related ivory okimono of two bears attacking an eagle, signed Tomokazu, at Bonhams, Fine Japanese Art, 9 November 2017, London, lot 167 (sold for GBP 10,625).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00467/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

TOSHIMUNE: A FINE IVORY OKIMONO DEPICTING A RESTING FLOWER SELLERBy Toshimune, signed ToshimuneJapan, Meiji period (1868-1912)Exquisitely carved with naturalistic detail, the flower seller seated on a carrying pole (tenbinbo), propped between his two baskets, leaning forward with an amused look. Holding his narrow tobacco pipe (kiseru) in one hand and his inro with manju netsuke in the other, wearing several layers of elaborately patterned robes. Large peony and hibiscus blossoms wrapped in reed mats, one resting in a finely carved basket, are attached to both ends of his carrying pole. The man rests on a reed mat set on a naturalistically rendered ground. The base signed within an engraved and stained rope on a red lacquer tablet TOSHIMUNE.LENGTH 10.7 cmCondition: Very good condition with only minor wear and a plugged natural nerve channel.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 37. The base with several old labels.Auction comparisonCompare a related signed ivory okimono of a flower seller, at Christie's, Asian Art, 23 February 2006, London, lot 2413 (sold for GBP 4,560).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00398/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

TOMOTADA: A GOOD KYOTO SCHOOL IVORY NETSUKE OF A DOG WITH AWABIAttributed to Yamaguchi Okatomo, signed Tomotada 友忠Japan, Kyoto, 18th century, Edo period (1615-1868)A sublimely carved and beautifully worn, old ivory netsuke, bearing an unctuous yellowish patina, depicting a dog wearing a collar and holding a large awabi shell between its paws. The dog (inu) has floppy ears, inlaid eyes, and a pleasingly curling tail, all executed in the manner of Yamaguchi Okatomo. The hairwork is neatly incised but heavily worn, mostly visible in the crevices and unexposed areas of the carving. Signed underneath one leg TOMOTADA. Large himotoshi formed by one cord hole underneath and two further holes to one side.HEIGHT 3.5 cm, LENGTH 3.7 cmCondition: Good condition with several natural age cracks and some tiny old, smoothed-out chips.Literature comparison:Compare a closely related ivory netsuke depicting the same subject, signed Okatomo, illustrated in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part B, p. 620.Auction comparison:Compare a related ivory netsuke of a dog and pup, attributed to Yamaguchi Okatomo, at Zacke, Fine Netsuke & Sagemono, 22 April 2022, Vienna, lot 47 (sold for EUR 7,584).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number DE-K-230523-296 ). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

TOMOTADA: AN IVORY NETSUKE OF A DOG WITH BALLSigned Tomotada 友忠Japan, Kyoto, 18th century, Edo period (1615-1868)The dog (inu) wearing a collar with bell and protectively holding a large ball between its paws, its face with a charming expression, the eyes inlaid in reddish horn. The details, such as the curling tail and pronounced spine and rib cage, are finely carved. The ivory bearing a beautiful, warm yellowish patina, clearly loved and handled by several generations. Large himotoshi underneath and to the side. Signed TOMOTADA within a rectangular reserve under the left hind paw.LENGTH 4.1 cmCondition: Good condition with several age cracks. Attractively worn with a fine patina.Provenance: The Gabor Wilhelm Collection, Paris.Auction comparison:Compare to a closely related ivory netsuke of a female dog and pup, signed Tomotada, at Zacke, Fine Netsuke & Sagemono, 29 October 2021, Vienna, lot 52 (sold for 5,688 EUR).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207511156-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A GOOD IVORY NETSUKE OF A POWERFUL SHISHI ATTRIBUTED TO MITSUHARUUnsigned, attributed to MitsuharuJapan, Kyoto, early 19th century, Edo period (1615-1868)The powerful shishi, executed in ideally rounded netsuke form, with a flowing mane and mighty curls. It is holding a large and smooth ball between its clawed paws, and has its head tilted backwards, roaring with all its might, eyes wide open with inlaid pupils of dark horn and bared teeth. The carving is unsigned, however certainly attributed to the workshop of Mitsuharu, who was famous, amongst other carvings, for his shishi, which are unique in their style, expression, and power. Good and large himotoshi through the bottom and side and loose ball in the mouth of the mythical beast.HEIGHT 4.4 cmCondition: Good condition, the patina somewhat rubbed. Provenance: Czech private collection, formerly in the collection of His Royal Highness Prince Henry, Duke of Gloucester (1900-1974), sold at Christie's London, 12th-13th July 2006, lot 661.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0587). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A RENSAI STYLE IVORY NETSUKE OF A SHISHI, MEIJIJapan, Meiji period (1868-1912)Of flattened form. Finely carved as a recumbent shishi resting on a rectangular base. The mythical animal shows a grim expression with furrowed bushy eyebrows and ringed pupils. The curly mane and tail are well carved. The underside carved in shishiabori (sunken relief) with a flowering branch and hosting two himotoshi. LENGTH 4.7 cm Condition: Very good condition with minor wear and a single natural age crack. Provenance: From the collection of Felix Tikotin, and thence by descent within the family. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his own first gallery in Berlin. The entire family survived the holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0271). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN INLAID IVORY NETSUKE OF A RECUMBENT SHIBAYAMA SHISHIJapan, late 19th century, Meiji period (1868-1912)The shishi's head shows a grim expression, and the style of carving is very much reminiscent of shishi by the celebrated carver Ishikawa Rensai. Curly whiskers, mane, and tail as well as tassel-shaped decorative inlays throughout in shibayama style inlays made from precious stones and red coral. Inlays also on the flat, oval base, but made from metal and silver. The pupils are inlaid and the himotoshi are located on the underside.HEIGHT 4.4 cmCondition: Good condition, with very minor losses to inlay and surface scratches to the underside of the base. Provenance: Czech private collection. Formerly in an Austrian private estate.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B- 0586). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A POWERFUL KYOTO SCHOOL IVORY NETSUKE OF A SHISHIA bold and impressive ivory netsuke of a recumbent shishi executed in distinct Kyoto style, probably carved by an artist of the Okatomo school. The shishi has a bushy tail, mane, floppy ears and is scratching its densely bearded chin with its hind leg. The powerful expression is a mixture of a deep satisfaction and an expressively powerful snarl. The shishi's spine and rib cage are articulated and the large himotoshi are located on the underside.HEIGHT 3.5 CM, LENGTH 5 CMCondition: The patina is slightly rubbed in some areas, and the two front legs have been reattached and fixed with a pegProvenance: Czech private collection, acquired at Zacke. Previously in the 40-Year Collection of a London GentlemanAuction comparison: A comparable shishi was sold at Bonhams, Fine Japanese Works of Art, New York, 19 March 2008, lot 5079.A comparable shishi by Okatomo was sold at Bonhams, The Harriet Szechenyi Sale of Japanese Art, London, 6 November 2011, lot 18.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0585).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN AMUSING OSAKA SCHOOL IVORY NETSUKE OF A TIGERUnsignedJapan, Osaka, late 18th to early 19th century, Edo period (1615-1868)A compact depiction of a recumbent tiger, or tora, its head slightly raised and its tail curling over its back. The tiger is the third animal of the zodiac, the tiger and dragon are considered the most powerful animalistic forces in the universe. Tigers also served as talismans for a safe return, as it was said that a tiger could travel for a thousand miles and still safely return home. This tiger's expression is crafted in Osaka style and is very amusing. The eyes are inlays of reddish horn. Good, thoroughly excavated himotoshi underneath.LENGTH 4.3 cmCondition: Good condition with some natural age cracks and surface wear.Provenance: Zacke, Fine Netsuke, Sagemono & Okimono, 24 November 2018, Vienna, lot 11. German private collection, acquired from the above.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0344). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

IKKO: A FINE IVORY NETSUKE OF A RABBIT EATING A LOQUATBy Ikko, signed Ikko 一光Japan, probably Kyoto, early 19th century, Edo period (1615-1868)Naturalistically carved from a choice piece of ivory, the hare (usagi) sitting on the stem of a loquat branch and holding the fruit delicately with one paw, biting into it. Its ears are laid back and the fine hairwork is incised with minute strokes. The himotoshi is formed by the natural hollow between the branch and its leaf beneath the rabbit. The underside of the branch signed IKKO. The ivory has a rich, yellowish patina.LENGTH 3.7 cmCondition: Good condition with minor wear, light expected age cracks, a natural nerve channel between the ears, one of the eyes has been replaced.Provenance: Galerie Zacke, Vienna, 24 November 2018, lot 13. German private collection, acquired from the above.Auction comparison:Compare a related ivory netsuke of a hare from the same school, signed Rantei, sold at Bonhams, The Harriet Szechenyi Sale of Japanese Art, 8 November 2011, London, lot 131 (sold for 2,750 GBP).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0345). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN OLD IVORY NETSUKE OF THE SAMBIKI SARU (THREE WISE MONKEYS)UnsignedJapan, 18th century, Edo period (1615-1868)Finely carved and worn, depicting the three wise monkeys (hear no evil, see no evil, speak no evil) arranged in a pyramid, covering each other's mouth, ears, and eyes. The smallest monkey sitting on top of the largest, simultaneously covering its own ears and the eyes of the other, while the largest covers the mouth of another small monkey seated at its feet. Two well-hollowed himotoshi to the base. The ivory is covered in a superb patina of a fine yellow tone.HEIGHT 4.6 cmCondition: Very good condition with wear, expected age cracks, and extensive rubbing which has smoothened the ivory to an exquisite sheen.Provenance: Ex-collection Marcel Lorber (1900-1986). Zacke, Japanische Netsuke - Ausstellung 1990, no. 93a. From the collection of Dr. Ferdinand and Dr. Gudrun Thaler-Szulyovsky, acquired from the above, and thence by descent in the same family. The couple, who had both been practicing law, met in 1967 through their mutual passion for art. Together they built a substantial and diverse art collection over many decades.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0386).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KAIGYOKUSAI: A FINE IVORY NETSUKE OF A FISHER GIRL (AMA) WITH TENAGA MONKEYSSchool of Kaigyokusai Masatsugu (1813-1892), signed Kaigyokusai 懐玉齋Japan, Osaka, second half of the 19th centuryFinely carved, the standing fisher girl turning to look up at the monkey seated on her shoulders, stabilizing the monkey's two legs, as the long-armed monkey reaches down and holds the arms of its young seated at the ama's feet. The fisherwoman dressed in the grass skirt of a pearl diver, having a serene expression on her face, a pouch tied to her waist. The monkeys are naturalistically carved and have inlaid eyes of tortoiseshell. The 'chimney type' himotoshi formed by one aperture to the back with the second beneath the skirt. Signed within a polished reserve KAIGYOKUSAI.HEIGHT 6.8 cmCondition: Very good condition with minor wear.This rather unique netsuke is finely balanced by the lanky arms which link the two monkeys, and which are a reference to the legendary yokai-fisherman Tenaga. In this amusing netsuke, the ama employs a Tenaga-monkey to fish its young out of the water.Auction comparisonCompare a related ivory netsuke attributed to Kaigyokudo (Kaigyokusai) Masatsugu, signed Masatsugu, depicting Okame with a monkey, at Christie's, The I.A. and Cecile Mann Victor Collection of Netsuke, 20 April 1989, New York, lot 58.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307502999-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY AND METAL MANJU NETSUKE, 19th CENTURYJapan, 19th centuryConsisting of two parts, the beautiful stained ivory cover carved in openwork, neatly adorned with a shippo pattern and central flowers, the reverse made of metal with a central himotoshi. DIAMETER 4.4 cm Condition: Good condition with minor surface wear, one crack to the rim of the ivory cover, and the metal part with slight surface scratches. Provenance: Dutch collection. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 22NL306099/20).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY NETSUKE OF A HOTEI, 19th CENTURYJapan, 19th century The ivory netsuke with a fine honey to amber hued patina, depicting the lucky God Hotei standing on one leg, his treasure bag draped over his shoulder, dressed in long robes with neatly incised details, boasting a joyful facial expression and pendulous earlobes. The two himotoshi through the back. Appealing patina. HEIGHT 5.9 cm Condition: Very good condition with minor surface wear, some age cracks. Provenance: Dutch collection. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 22NL306322/20).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY NETSUKE OF HOTEI WITH HIS TREASURE BAGJapan, 18th century, Edo period (1615-1868)Carved as the seated Hotei, his face with a joyful expression, the right arm resting on his treasure bag and holding a fan, the left on his knee, dressed in a decorated robe, open at the chest to reveal his chest hair. Asymmetrical himotoshi through the underside.LENGTH 4.3 cmCondition: Good condition with minor wear and minor expected age cracks, fine honey colored patina. Provenance: German private collection. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0662). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

HOJITSU: AN IVORY NETSUKE OF TWO KARAKO PLAYING WITH HOTEI'S BAG, 19th CENTURYBy Hojitsu, signed Hojitsu 法實 Japan, 19th century Finely carved, depicting two karako playing with the lucky god's treasure bag, one of them up to his neck inside the big sack, the other trying to climb on top of the bag, both taking a hold of Hotei's fan. The two himotoshi at the underside as well as the artist signature HOJITSU. Fine patina. LENGTH 11.1 cm Condition: Very good condition with minor traces of wear and age, and some natural age cracks. Provenance: Collection Prof. Dr. Henk C. Hoogsteden, Rotterdam. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0042).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

RENSAI: AN INLAID IVORY MANJU-STYLE NETSUKE DEPICTING A BOY, 19th CENTURYBy Rensai, signed Rensai 蓮齋 Japan, Asakusa, Tokyo, second half of 19th century Of rectangular form with rounded edges, the ivory bearing a fine honey hued patina on the backside, the front depicting a seated boy playing with a coral inlaid object against a diaper-ground, all carved within a raised border. The two symmetrical himotoshi to the back as well as the artist signature RENSAI zo (made by Rensai). HEIGHT 3.1 cm, LENGTH 4 cm Condition: Good condition with minor surface wear, discoloration, and few tiny age cracks. Provenance: From the collection of Gaston Lazard (1878-1956) and his wife Jane Levy (1886-1985) and thence by descent within the same family.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0144).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A MARINE IVORY OJIME OF A KARAKO, 19th CENTURYJapan, Edo period (1615-1868)Carved as a karako (Chinese boy) wearing a patterned robe, seated with both knees raised as well as the arms. The vertical hole running from the bottom and extending through the gaps between the legs and arms. HEIGHT 1.4 cm Condition: Good condition with minor wear.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A LARGE IVORY AND MIXED METAL KAGAMIBUTA WITH ROOSTER, BAMBOO, SNAIL AND SPIDERUnsignedJapan, c. 1860The shibuichi disc worked in iro-e takazogan with a proud long-tailed rooster and offspring next to bamboo shoots and a long bamboo stalk with a crawling snail, the top showing bamboo leaves and a spiderweb with a spider hanging from a loose thread. The back with a central himotoshi, the cord attachment beneath the disc.DIAMETER 5 cmCondition: Very good condition with few expected natural age cracks to the bowl and some nibbling to edges of the metal disc.Provenance: La Licorne, Paris, September 1995. Ex-collection Guy de Lasteyrie, acquired from the above. De Lasteyrie is a member of the Lasteyrie du Saillant family and is considered among the leading French collectors of netsuke.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207506418-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A RARE MARINE IVORY NETSUKE BY TANUKI HARA TSUZUMI, ATTRIBUTED TO MASATAMIAttributed to Masatami, unsignedJapan, Tokyo, second half of the 19th century, Meiji period (1868-1912)Depicting tanuki no hara tsuzumi (belly drumming raccoon dog), the fur finely incised, the lustrous marine ivory beautifully stained, the spine expressively carved, the face with sharp fangs, upwards turned snout, double-inlaid eyes in mother-of-pearl and black horn, and a jovial expression - he is visibly delighted as he drums on his large and smooth belly, with his left front paw raised in a dynamic posture. Himotoshi to the underside and to the back.HEIGHT 3.8 cmCondition: Very good condition with only minor surface wear and a flaw to the material by the creature's shoulder.Provenance: Zacke, Fine Japanese Art, 4 June 2021, Vienna, lot 202. German private collection, acquired from the above.The tanuki possesses magical powers and can change forms, sometimes into Buddhist monks; they are jovial, but also dangerous, as they have been known to suffocate hunters with their enormous scrotums. The act of drumming on the belly, according to legend, was used by tanuki to beguile travelers and hunters and to lead them astray. However, it has also been said that tanuki would get together just for fun, drumming on their bellies under the moonlight, perhaps even with some sake involved.Museum comparison: Compare a closely related ivory netsuke, signed Masatami, at the Asian Art Museum, San Francisco, object number B70Y1039.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0363). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A TALL IVORY NETSUKE OF ASHINAGA WITH A CANDLEUnsignedJapan, 18th century, Edo period (1615-1868)The long-legged Ashinaga standing tall, wearing a straw skirt tied round his waist with rope, suspending a gourd, his bony legs, emaciated ribcage, curved spine, and muscular arms well detailed. The legendary fisherman is holding a candle in front of him with his right hand and scratching his head with the other, his mouth wide open with the tongue stretched out, his curled hair and beard finely carved and neatly incised. The back with two large himotoshi. The ivory bearing a superb, honey-yellow patina.HEIGHT 15.9 cmCondition: Losses, old repairs and touchups, including to the beard and feet. Minor age cracks.Museum comparison:Compare a related ivory netsuke of Ashinaga holding a fish, formerly in the Trumpf collection and now in the Linden Museum Stuttgart, inventory number OA 18670. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0252).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY NETSUKE OF KADORI MYOJIN WITH NAMAZUJapan, early 19th century, Edo period (1615-1868)Carved as Kadori Myojin sitting on namazu, while grasping a hyotan (double gourd). The giant earthquake fish is well carved, its face neatly detailed and showing an eerily grinning expression marked by bared teeth, the large visible eye inlaid in dark horn. Generously excavated himotoshi to the underside. LENGTH 5.8 cmCondition: Very good condition with little wear, a few light surface scratches. Fine patina and with a few age cracks.Provenance: Ex-collection Teddy Hahn, Darmstadt.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0305).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

HOSAI MASAHIRO: A FINE ANABORI IVORY NETSUKE REFERENCING THE LEGEND OF CHORYO AND KOSEKIKOBy Hosai Masahiro, signed Masahiro 正廣 with seal Hosai 芳齋Japan, Tokyo, c. 1860A remarkable and intricately carved ivory netsuke, the manju-type netsuke fitted with a 'faux lid' carved in relief with a ferocious sinuous dragon forming a circle, one side pierce-carved in anabori with a design of Choryo handing back the shoe to Kosekiko after having defeated the water dragon. Two himotoshi and signed MASAHIRO with red seal HOSAI underneath. The artist was known for his meticulous anabori carvings and was a pupil of Adachi Masanobu.DIAMETER 3.7 cmCondition: Very good condition with few natural age cracks.Provenance: Sold at Sotheby's, 13 March 1987, London, lot 39. German private collection, acquired from the above.Zhang Liang (known as Choryo in Japanese) was a Chinese military strategist and politician who lived in the early Western Han dynasty. The present netsuke depicts the legend of when Choryo met the old man Kosekiko (Huang Shigong) on a bridge. The old man began to teach the art of war to Choryo and one day Kosekiko wanted to test Choryo and threw a shoe into the river where a powerful water dragon lived. The dragon seized the shoe and Choryo defeated it and gave the shoe back to Kosekiko. The present netsuke shows exactly this scene - the proud Choryo, with one foot on the dragon's head, is presenting the shoe to Kosekiko who is mounted on a horse atop a bridge. According to legend, Choryo used the teachings of Kosekiko as a military adviser to Liu Bang, the founder of the Han dynasty.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number DE-K-230523-303). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A WALRUS TUSK RYUSA MANJU NETSUKE OF RAKAN HADAKA SONJA CONJURING A DRAGONJapan, Edo period (1615-1868)Carved in openwork and depicting a large dragon emerging from the alms bowl which Handaka Sonja holds aloft. Two attendant sitting next to the rakan, one holding a hossu (fly whisk) up towards the writhing dragon. Two himotoshi to the back.LENGTH 3.9 cmCondition: Very good condition with wear, natural flaws, and small nicks.Provenance: French private collection.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

YOSHINAGA: AN IVORY NETSUKE OF GAMA SENNIN, EDO PERIODBy Yoshinaga, signed Yoshinaga Japan, Kyoto, late 18th century, Edo period (1615-1868) Of triangular section, Gama Sennin is shown in a dancing posture with one foot raised above the other, holding a fruiting peach branch, his three-legged toad, with large dark horn inlaid eyes, to be found on his back. His cloak is finely engraved with cloud patterns. Very attractive and irregular himotoshi on the reverse, as well as the signature YOSHINAGA in a rectangular reserve. HEIGHT 5.8 cm Condition: Very good condition with few faint age hairline cracks. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0227 ).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY NETSUKE OF A JOYFUL SENNIN, EDO PERIODJapan, 19th century, Edo period (1615-1868)Finely carved, depicting a bearded Sennin with a large hat strapped to his back, standing on one foot, the other leg slightly raised, both arms lifted and positioned next to his head. The immortal with a cheerful facial expression, the mouth wide open, revealing his tongue, framed by a long chin beard. The two himotoshi at the back. HEIGHT 6.3 cm Condition: Good condition with minimal wear, and few age hairline cracks. Provenance: Private collection, Southern France.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0104).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KAIGYOKUSAI MASATSUGU: A FINE IVORY NETSUKE OF JO AND UBA INSIDE A PINECONESchool of Kaigyokusai Masatsugu (1813-1892), signed Kaigyokusai Masatsugu 懐玉齋正次Japan, Osaka or Tokyo, late 19th century, Meiji period (1868-1912)Depicting a pinecone, carved from two parts, hinged together and openable, the lustrous exterior superbly polished, naturalistically carved, and with pine needles, the inside revealing a densely carved and remarkably intricate depiction. The famous elderly couple Jo and Uba are nestled under an imposing pine tree, sharing tea. The other side of the pinecone is carved in relief with swirling clouds. Signed underneath KAIGYOKUSAI MASATSUGU.HEIGHT 4 cmCondition: The hinged mechanism is repaired. A tiny chip to the edge of the pine tree to the interior. Generally good condition and presenting well.Provenance: Old French private collection, acquired in Tokyo, May 8, 1968, from the Tokyo Art Club.Jo and Uba, the pine spirits who were thought to inhabit two pines at Takasago and Sumiyoshi, are depicted here as an old couple. According to legend, Jo makes a trip to Sumiyoshi nightly to visit his love. The two spirits represent eternal fidelity, good fortune, and longevity.Auction comparison:Compare a near-identical ivory netsuke, attributed to Kaigyokusai Masatsugu, at Bonhams, Fine Japanese Art, 19 May 2009, London, lot 170 (sold for GBP 3,600).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307500499-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

OKAKOTO: AN IMPRESSIVE AND LARGE IVORY NETSUKE OF A TARTAR ARCHERBy Yamaguchi Okakoto, signed Okakoto 岡言Japan, Kyoto, late 18th century, Edo period (1615-1868)Published & Exhibited: Association Franco-Japonaise, Netsuke Sagemono, Paris, 2019, p. 66, no. 110.A dramatic representation of a Tartar archer dynamically swinging his bow back, his loose sleeve swinging upwards as a result, and readying two arrows as he eyes an enemy in the distance. His detailed robe is beautifully carved and engraved with various sumi-stained patterns, the buttons of his coat are inlaid in dark horn, as are the eyes and finial of his quadrilobed hat. The archer has a grim expression with a wild windswept beard, reminiscent of the demon queller Shoki. The superbly carved backside, which is unusually thick and appealingly rounded, shows the kirin-form quiver with neatly incised scales and head, and the beautifully excavated, asymmetrical himotoshi next to the signature within a rectangular reserve OKAKOTO. The ivory bearing a deep-yellow patina, particularly to the back.HEIGHT 8.2 cmCondition: Very good condition, few natural age cracks and typical wear.Provenance: Jan Lühl Antiques, Paris, April 1991. Ex-collection Guy de Lasteyrie, acquired from the above. De Lasteyrie is a member of the Lasteyrie du Saillant family and is considered among the leading French collectors of netsuke.Yamaguchi Okakoto was a pupil and younger brother of Yamaguchi Okatomo. His work is considerably rarer than those of other members of the Oka school. While this is a known subject by Okakoto (Fuld's Netsuke and Ojime Index lists five examples) this appears to be the largest and finest model of this group, possessing remarkable sculptural quality and boldness in the execution.Auction comparison:Compare a closely related, yet smaller (6.8 cm), ivory netsuke of a Tartar archer by Okakoto at Christie's, Japanese Art & Design, 12 May 2010, London, lot 1 (sold for GBP 10,625).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207506631-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A CHARMING IVORY NETSUKE OF DAIKOKO LIFTING A RICE BALEUnsignedJapan, 18th centuryThe God of Wealth and Agriculture, Daikoku, dressed in voluminous garments, grimaces as he crouches over a bale of rice straining to lift it. The bale secured with neatly incised ropes. Large himotoshi to the base opening to the back.HEIGHT 3 cmCondition: Good condition with minor age cracks.Provenance: Collection of Dr. Ferdinand and Dr. Gudrun Thaler-Szulyovsky, thence by descent in the same family. The couple, who had both been practicing law, met in 1967 through their mutual passion for art. Together they built a substantial and diverse art collection over many decades.Literature comparison:Compare a related netsuke of Daikoku with a rice bale by Masakazu, illustrated in Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 65, no. 164.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0389).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY AND IRON KAGAMIBUTA NETSUKE DEPICTING A CRANE AND THE MOON, EDOJapan, 19th century, Edo period (1615-1868)Of circular form, the ivory bowl fitted with an iron plate finely decorated in low relief and silver takazogan to depict a crane in flight, below the moon and above a meandering stream. Central himotoshi to the back, the cord attachment to the back of the plate. DIAMETER 4.2 cm Condition: Good condition with expected surface wear, remains of gilt, and few natural age cracks to the bowl. Provenance: Estate of an Austrian collector, the collection was assembled in the 1980s - 1990s through purchases at Galerie Zacke and other specialized galleries in Vienna. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0242).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A GROUP OF FIVE NETSUKEJapan, 19th centuryThe first, an ivory carving of a frog seated atop a folded lotus leaf with dark bone inlaid eyes, the lotus step attached to the base of the leaf with a single bud issuing from it. Signed to the base.The second, an ivory netsuke depicting Daikoku riding a large rat across a bridge while holding a sack and below the bridge Shiei rides a large fish. A single himotoshi through the base. The base signed within a red lacquer rectangular reserve.The third consisting of a stained ivory netsuke of a recumbent ox. The ox naturalistically rendered with a lead rope attached to its nostrils. Two himotoshi along the base.The fourth, an ivory mixed metal kagamibuta depicting a beauty stirring the water with a stick. The disc is fitted into a superbly polished, shallow ivory bowl. Central himotoshi to the back, the cord attachment beneath the disc.The fifth, an ivory netsuke depicting a seated Hotei holding his fan, wearing checkered robes and a two-case inro attached to his belt by a manju netsuke. Two himotoshi to the base. The base incised with a signature.LENGTH 6.8 cmCondition: Good condition with wear, expected age cracks, chips, small nicks, and losses.Provenance: German private collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number DE-K-221108-386).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE WALRUS TUSK NETSUKE OF A MUSHROOM WITH LOTUS AND GINKGOUnsignedJapan, Tokyo, Asakusa district, second half of 19th centuryFinely carved as a mushroom cap with a ginkgo leaf on top of it, the underside with the neatly incised radial gills and a budding leafy lotus flower forming the cord attachment. The walrus tusk bearing an attractive color and with pleasing 'milky' inclusions throughout.LENGTH 3.8 cmCondition: Excellent condition, minor wear, few natural age cracks.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

TOMOKAZU: A FINE IVORY MASK NETSUKE OF KARASU TENGUBy Tomokazu, signed Tomokazu 友一Japan, early 19th century, Edo period (1615-1868)Finely carved, the crow-beaked tengu with distinct human features, wearing a cloth tied around his head as if from a toothache. The expression on its face is stern, its furrowed brows set above inlaid buffalo horn eyes. The back carved with a simulated wood grain and with good functional himotoshi. Signed to the back TOMOKAZU. The ivory bearing a fine, glossy patina.HEIGHT 3.8 cmCondition: Very good condition with minor wear and expected age cracks.Provenance: European collection P. Jacquesson.Tengu were considered the embodiment of powerful and usually malevolent spirits who, in Japanese folk beliefs, inhabit the woodlands of high mountains. There are two principal forms of tengu: the karasa tengu and the konoha tengu. They are typically represented as having human bodies, wings, and sometimes talons in place of hands and feet. The karasu tengu has a birdlike head complete with a strong, sharp beak. The konoha tengu has a human face, distorted by an enormously long nose.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0336 ).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.