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Lot 1415
1 box containing 3 boxed atlas models of Gerry Anderson Thunderbirds series, 2 of which are sealed and 1 has been opened at one end with a Thunderbird 2 packed inside, plus a dealer display stand for a Scalextric Racing car in Vodafone livery complete with model attached. unusual item, 4 items in total.Condition report: See extra picture. Other two are sealed.
Lot 124
Gill (Eric) Wood-Engravings..., number 31 of 150 copies, title and a couple of plates printed in red and black, 30 woodcut or wood-engraved plates by Eric Gill and 2 by David Jones, original cream linen, uncut, a little spotted and browned, grey-brown dust-jacket (not pictorial), rather stained, torn and frayed, [Taylor & Sewell A129b], 4to, Ditchling, S. Dominic's Press, 1924.⁂ Scarce Gill item, particularly in the dust-jacket, compiled and printed by Douglas Pepler without Gill's knowledge or consent. Gill moved away from Ditchling, to Capel-y-Ffin in Wales, and wanted to take the engraved woodblocks with him as his personal property. Pepler claimed they belonged to the St.Dominic's lay order and press and so kept them, resulting in Gill's refusal to speak to Pepler again. Taylor lists two variants of the book: 50 copies numbered by hand and 150 copies with printed limitation.
Lot 429
FINELY MODELLED ELIZABETH II SILVER STAG,maker William Asprey & Sons, London 2010, with six-point antlers and detailed all over finish, 12cm long, approx 180gCondition report: This item is fully hallmarked and hence sterling silverCondition generally good. Left antler with casting imperfections part of the way round two thirds of the way up, doesn't appear to have been off, very slight nick or imperfection at joint of rear left leg, some further very minor casting imperfections, some minor surface wear, otherwise fine
Lot 553
Ombre. Regole Generali per il Giuoco dell'Ombre, 1st edition, Florence: Si vende dal Dispensatore della Gazzetta Universale presso le Scalere di Badia, 1807, 31pp., foxed, contemporary cream wrappers, dusty and foxed, spine worn, 12mo, together with: Attributed to Antonio Rodrigues Veloso de Oliveira. Tratado do jogo do Voltarete, com as Leis Geraes do Jogo, 1st edition, Lisbon: Simão Thaddeo Ferreira, 1794, index leaves bound at rear, Ai a little soiled to lower margin, occasional foxing, red sprinkled edges, contemporary speckled sheep, some minor worming to spine (sometime consolidated with adhesive), corners showing, 8vo, Ombre. Le Jeu de l'Hombre. Comme on le Joue presentement à le Cour, & à Paris. Avec les Pertintailles. Enrichy de cartes figurées, qui représentent les jeux qui se joüent, cinquieme edition, Paris: Veuve de Claude Barbin, 1705, engraved illustrations of card hands on letterpress, without the engraved frontispiece by Antoine Clouzier (as Depaulis 43), some toning and foxing, especially to first and final leaves, untrimmed (corners curled), wrappers composed of a contemporary waste sheet with letterpress on recto and musical notation on verso, dusty and frayed, 8vo, plus 4 others related, including volume 2 only (of 2) of the 1765 Leclerc printing of Académie Universelle des Jeux, and Traite du Jeu de Whist, by Edmond Hoyle, Turin, 1765Qty: (7)Footnote: First item rare; only the Oxford and Newberry Library copies cited in WorldCat.
Lot 562
Wells (Carolyn). The Rubáiyát of Bridge. With illustrations by May Wilson Preston, 1st edition, New York and London: Harper & Brothers, 1909, printed in black and orange, full-page illustrations throughout, original green cloth (slightly marked), with colour illustration mounted on upper cover (dust-soiled and with a couple of faint stains), 8vo, together with: Silva (Henriques da). Tratado do Jôgo do Boston, com a História das Cartas de Jogar em prefácio de Egas Moniz, 1st edition, Lisbon: Editorial Ática, 1942, errata slip (offset to last page of index), numerous black & white and colour illustrations, many full-page, original printed wrappers detached, spine stained and toned, 4to, Bray (Jean). How to Play Mah Jong, second edition revised and much enlarged. With an added chapter on Special Bonus Scores and "Limit Hands", London and New York: G.P. Putnam's Sons, 1924, half-title, numerous illustrations on letterpress, some full-page original green cloth gilt, dust-jacket, toned, with tear to lower portion of spine, 8vo, with folding colour Mah Jong score card loosely inserted, and 38 other early and later 20th century books relatedQty: (41)Footnote: The first item contains charming illustrations accompanying a poem about the game of Bridge: "Alas, how Subtle Bridge alluring Woos!/And robs me of my Nightly Beauty-Snooze./I often Wonder what Bridge Players gain/One-half so Precious as the Sleep they Lose."
Lot 613
Potter (Beatrix). The Tale of Mr. Tod, 1st edition, London: Warne, 1912, first or second printing, half-title inscribed by author 'For Lizzie Airey in "Mr. Tod's" kitchen with love from Miss Potter Oct. 17th 12', colour frontispiece, 14 colour illustrations, numerous black & white illustrations in letterpress, scarce spotting, small surface abrasion to p.7 affecting title verso facing, pictorial endpapers, stitching strained, rear joint cracked before endpapers, original grey boards, pictorial colour panel inset to front cover (with small surface abrasion), light spotting to rear cover, front corners somewhat bumped, lightly sunned spine with short split to foot of front joint, 16moQty: (1)Footnote: Provenance: Lizzie Airey, thence by descent; sold Sotheby's, English Literature & History, July 12 2007, lot 269. Linder p.429; Quinby 21. The kitchen of the 17th century Sun Inn in Hawkshead was the inspiration for Mr. Tod's kitchen, and Lizzie Airey was the landlord's daughter. According to notes accompanying this item, Willow Taylor, author of Through the Pages of My Life: And My Encounters with Beatrix Potter, and who grew up in Sawrey when Beatrix Potter was still alive, recalled the landlord of The Sun as being "short and corpulent. His wife was little and thin." She also described how Lizzie's two brothers Jim and Fred ran a local 'hail and ride' bus service between Ambleside and the Ferry before the Second World War. Presentation copies inscribed by Beatrix Potter in the year of publication are rare.
![Potter (Beatrix). Appley Dapply's Nursery Rhymes, 1st edition, London: Warne, [1917], first or second printing, half-title in](https://cdn.globalauctionplatform.com/fb79ffe5-2e0b-400c-9f86-adf200b90bfc/5bc6ff10-7589-4a73-9a52-adf30109ed61/468x382.jpg)
Lot 617
Potter (Beatrix). Appley Dapply's Nursery Rhymes, 1st edition, London: Warne, [1917], first or second printing, half-title inscribed by author 'For Esther Nicholson with love from Aunt Beatrix Nov 12. 17', colour frontispiece, 14 colour illustrations, toned letterpress with some soiling, p.8 illustration creased, pictorial endpapers with some creasing, rear free endpaper with some surface abrasion to upper blank margin, hinges renewed, original olive-green boards, rebacked, with original spine relaid, pictorial colour panel inset to front cover, some marks and stains, 16moQty: (1)Footnote: Provenance: sold Sotheby's, English Literature, History, Children's Books and Illustrations, July 10 2012, lot 165 (with one other related item). Linder p.430; Quinby 23. Esther Nicholson was one of William Heelis’s nieces. According to Judy Taylor (Beatrix Potter's Letters, p.380), "in 1915 Beatrix took on the financial responsibility for Esther’s education and over the ensuing years encouraged and supported her in her studies". Esther died in the early 1980s. Presentation copies inscribed by Beatrix Potter in the year of publication are rare.
![Potter (Beatrix). Peter Rabbit's Almanac for 1929, London: Warne, [1928], half-title (lightly spotted at head) inscribed by a](https://cdn.globalauctionplatform.com/fb79ffe5-2e0b-400c-9f86-adf200b90bfc/8b07d7ff-11c7-41f7-932b-adf30109ef1e/468x382.jpg)
Lot 620
Potter (Beatrix). Peter Rabbit's Almanac for 1929, London: Warne, [1928], half-title (lightly spotted at head) inscribed by author 'For Esther Nicholson with love from Aunt Beatrix Nov. 1928', 13 full-page colour illustrations (one for each month plus frontispiece), colour vignette to title, scarce minor marks, pictorial endpapers, hinges neatly strengthened (with slight creasing of pastedowns), original buff boards with colour illustration inset to both covers, rubbed and soiled, spine and front joint area with some adhesive staining from previous repairs, 12moQty: (1)Footnote: Provenance: sold Sotheby's, English Literature, History, Children's Books and Illustrations, July 10 2012, lot 165 (with one other related item). Linder pp.254-255 & 431; Quinby 28. Esther Nicholson was one of William Heelis’s nieces. According to Judy Taylor (Beatrix Potter's Letters, p.380), "in 1915 Beatrix took on the financial responsibility for Esther’s education and over the ensuing years encouraged and supported her in her studies". Esther died in the early 1980s. This was the only Beatrix Potter almanac produced. Writing to the Warnes about the design of the borders Beatrix Potter said "I shall not be able to do much more; these are good but they try my eyes very much. I cannot see to do them on dark days, and the lambing time is beginning ...". The author was unhappy with the finished article, and so the planned series of almanacs did not go ahead. Presentation copies inscribed by Beatrix Potter in the year of publication are rare.
Lot 631
* Cruikshank (George, 1792-1878). A fantasy scene of dwarves fleeing a heron, pen & ink and watercolour on paper, heightened with bodycolour, signed lower left, narrow mountstain to edges, sheet size 73 x 235 mm (2.75 x 9.25 ins), laid down on heavy paper, window mounted, framed and glazedFurther research has revealed that this item is more likely to be by George Cruikshank Junior (born 1842, active c.1842-1910).Qty: (1)
Lot 705
* Hale (Kathleen, 1898 - 2000). Henrietta's Magic Egg, set of original storyboards, 32 artist's boards, each with pencil, pen & ink, watercolour, and/or coloured crayon drawings, on Winsor & Newton TH Saunders Board or similar, depicting the pictorial title and all 31 pages of the published book, each with typescript text adhered in position above or beneath illustration, and with tracing paper overlay (some toning, a few detached), several with corrections in white bodycolour, each 24.5 x 33.7cm (9 5/8 x 13 1/4ins) or smaller, accompanied by a pencil manuscript author's note on plain A4 paper, "These drawings are the originals for "Henrietta's Magic Egg" published by Allen & Unwin ...", together with: Henrietta's Magic Egg, the artist's manuscript draft mockup, including illustrated front cover, mixed media on paper, with artist's pencilled annotations, printing notes, corrections, etc, 3 gutters with old adhesive tape discolouration, unbound, oblong 8vo, plus two folders containing numerous preliminary & working drawings, notes and typescripts for the same story, many pencil on tracing paper, and a printed copy of Henrietta the Faithful Hen, without covers, apparently used as a template or aide-mémoire by the author, with a few pencilled annotations, oblong 8voQty: (5)Footnote: The first item constitutes the original illustrations used to produce the book Henrietta's Magic Egg. Published in 1973 this was Kathleen Hale's final illustrated children's book.
Lot 713
* Hale (Kathleen, 1898-2000). Cockerel and alarm clock, circa 1951, costume design, watercolour and pencil on paper, with pencilled artist's notes, a few minor marks, mount aperture 29.3 x 20.3cm (11 1/2 x 8 ins), framed and glazed (52.0 x 41.1cm), verso with pencilled number 13, and number 107 (crossed out) which relates to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001Qty: (1)Footnote: This item is also listed in the Michael Parkin exhibition A Summer Picnic of Pictures, 2002 (number 30). Kathleen Hale designed the costumes and sets for a ballet 'Orlando's Silver Wedding' for the Festival of Britain in 1951, and this is believed to be one of the costume designs she produced. Sadly the ballet only ran for four performances.
Lot 735
Tanner (Robin). The More Angels Shall I Paint, a selection from the sketchbooks, writings and commonplace books of Robin Tanner, Monmouth, Gwent: The Old Stile Press, 1991, numerous full-page illustrations, brown suede free endpapers, pictorial pastedowns, marbled edges, original painted boards, green morocco yokes at head and foot of exposed painted spine, green morocco horizontal strips across covers and spine terminating in eyelets at fore-edges, large 8vo, housed in wooden slipcase frame, with metal cornerpieces, together with: McDowall (Nicholas), Robin Tanner & The Old Stile Press, being printed examples of twenty original patterned paper designs, with a personal memoir, Monmouth, Gwent: The Old Stile Press, 1994, original cloth-backed boards, housed in original decorative slipcase (few marks), large 8vo, (limited edition, 123/195 copies signed by the author/printer), plus: Tanner (Robin, illustrator), Poems, from four books by Jim Turner, chosen, written and decorated by Robin Tanner, for Effie, (privately printed), title signed by author and dated 20/XI/53, original limp wrappers, few minor marks, slim 4toQty: (3)Footnote: The first item is a limited edition, II of X copies with a special binding designed and executed by Andrew Cotton (of a total edition of 275 copies signed by Heather Tanner).
Lot 855
Morris (William, 1834-1896). The Roots of the Mountains... , 1st edition, Reeves & Turner, 1890, advert leaf before half-title and 32-page publisher's catalogue (dated November 1889) at rear, a little spotting and finger soiling, author's signed presentation inscription to William Harcourt Hooper, dated 'Jan. 9th 1891' to half-title, Hooper's bookplate to front pastedown, old printed booksellers' description pasted at head of pastedown, armorial bookplate of Charles Cammell to front free endpaper, inner hinges broken, some spotting and browning to endpapers, untrimmed, original maroon cloth with printed paper label to spine, rubbed and soiled, spine darkened and label chipped with loss, small 4toQty: (1)Footnote: A nice association item. William Harcourt Hooper (1834-1912) started in the commercial world of mass wood-engraving but was to later become the engraver for William Morris's Kelmscott Press. He also did engraving work for the Essex House and Ashendene Presses, and tutored both Charles Ricketts and Charles Shannon in the art of wood-engraving.
![[Thomas, Dylan Marlais, 1914-1953]. The Life of William Blake, by Mona Wilson, London: Rupert Hart-Davis, 1948, illustrations](https://cdn.globalauctionplatform.com/fb79ffe5-2e0b-400c-9f86-adf200b90bfc/c52f496b-e4c8-44f0-ba51-adf3010a97c5/468x382.jpg)
Lot 885
[Thomas, Dylan Marlais, 1914-1953]. The Life of William Blake, by Mona Wilson, London: Rupert Hart-Davis, 1948, illustrations, some light spotting, original cloth, spine ends faded, 8voQty: (1)Footnote: With a receipt from bookseller B.H. Blackwell, Oxford to Dylan Thomas, Manor House, South Leigh, near Oxford, dated 25/2/1949 for the purchase of the book along with 3 others (i.e. Brooks, Modern Poetry & Tradition, Soutar, Collected Poems & Golden Treasury Scottish Verse), the receipt totalling £2.19 (marginal creases and light spotting). Interesting item of Dylan Thomas ephemera reflecting his taste in reading. Dylan Thomas lived at Manor House in South Leigh from 1947-1949 after Margaret Taylor, wife of historian AJP Taylor, who had become infatuated with the poet had bought it for him, and where he had written most of his famous radio drama and play Under Milk Wood.
Lot 922
* Drinkwater (John, 1882-1937). English poet, playwright and critic. Autograph Manuscript Signed of John Drinkwater’s play Laying the Devil, A Play in Three Acts, 1927, written in a neat hand with authorial alterations on rectos of 86 numbered leaves (the Acts numbered separately), concluding 'Finished / October 30th 1926 / John Drinkwater’, contemporary half calf, 4to, together with a published copy of the exhibition catalogue John Drinkwater. An exhibition to mark the twenty-fifth anniversary of his death, The Times Bookshop,1962, 51 pages, pencil underscoring, original printed wrappers, some marks, 8voQty: (2)Footnote: The play Laying the Devil was first published by Sidgwick & Jackson in 1933 and performed for the first time at the Playhouse in Liverpool on 2nd May of the same year. It received its first London performance at the Shaftesbury Theatre exactly two months later. The present manuscript can be found as item 121 of the enclosed catalogue of the exhibition, having been previously owned by Drinkwater’s widow, the violinist Daisy Kennedy (1893-1981).
Lot 986
Zátopek (Emil, 1922-2000). Czech long-distance runner and winner of 3 Olympic gold medals in 1952. Emil Zátopek in Photographs by Frantisek Kozik, with a Preface by Emil Zátopek and an Epilogue by his Physician, 1st edition in English, [Prague]: Artia, [1954], black & white plates from photographs, author's signed presentation inscription in blue ballpoint pen to half-title, 'To Mr Harold Abrahams with the best regards, Emil Zátopek, London, 13.10 1955', original cloth in slightly frayed and soiled dust jacket, 4toQty: (1)Footnote: Provenance: Norris McWhirter (1925-2004), by family descent. Norris McWhirter was a British writer, political activist and television presenter, known most famously for founding, with his brother Ross, the Guinness World Records, which they wrote and annually updated together between 1955 and 1975. Emil Zátopek is a legendary long-distance runner, best known for winning three gold medals at the 1952 Summer Olympics in Helsinki. He won gold in the 5,000 metres and 10,000 metres and, more remarkably, he won the marathon having decided to run this first one at the last minute. Harold Abrahams (1899-1978) was an English athlete who became Olympic champion in 1924 in the 100 metres, a feat made famous in the 1981 film Chariots of Fire. Norris McWhirter commented that Abrahams 'managed by sheer force of personality and with very few allies to raise athletics from a minor to a major national sport'. A wonderful association item.
Lot 788
An antique white metal menorah, possibly Spanish, with urn and foliate design to the back, flanked by twill tall candlesticks, on a stepped base, (a/f), 22 cm high x 27.5 cm x 9.5 cm, 990g.Condition report: In need of repair and restorationThe back is held on with one remaining hand made screw and nut and a further four are missing.The stepped front is split near the candlesticksThe scroll openwork behind the oil jugs is damaged The item is apparently unmarkedSee images
Lot 470
A diamond and blue diamond ringThe 14ct white gold band collet-set to the front with a brilliant-cut diamond, between rows of channel-set similarly-cut blue diamonds, two stones deficient, approximately 0.20ct total, stamped with partial UK hallmark, ring size M 1/2Condition report: accompanied by a photocopy of authenticity guarantee from Rocks & Co. stating that the diamonds are VS2 and of African origin, item number 226 479.
Lot 480
A ruby and diamond ring the step-cut ruby, measuring 10.7mm x 8.7mm x 6.1mm, between duos of brilliant-cut diamonds, approximately 0.10ct total, to a 9ct yellow gold mount, stamped with partial UK hallmark, ring size NCondition report: Accompanied by a Jewellery Channel Guarantee, stating that the ruby is of African origin and weighs 4cts, item code 1035549
Lot 135
A French empire period 'Directoire' marble-topped mahogany commode, fitted three short over two long drawers with brass inlay, supported on turned and brass mounted legs. 135.5 cm wide x 64 cm deep x 87 cm highCondition report: Both sides cracked in the panels, see imagesA carcass top panel is missing from the stile and panel constructed carcass, under the marble slabSome odd woodworm flight holes to the back panelsDrawer runners have been changed, so have the drawer stops (blocks on back frame)The drawers show some signs of repairs to the bottoms especially the bottom drawer, its back looks a little clumsy in comparison with the othersA length of brass quadrant moulding is missing from the frame below the bottom drawer see an image of the bottom rail for clarificationSigns of old gimp pin repairs to some other brass moulding but very fewThe reverse of the drawer fronts show some extraneous holes, however, these handles look in keeping and seem period apart from the horrible hex nutsThe drawers have a key but this does not workThe marble slab appears to be goodTo sum up, the item is basically right but has had a series of running repairs over the course of its life and will require a few more to put into showroom conditionI have tried to be comprehensive in my list but it is possible some minor blemish has escaped me
Lot 202
A George III horn beaker, with silver rim, London 1806, engraved to the silver 'Success to the Plow', 9.5 cm high, together with another smaller (with white metal rim), 7.7 cm high.Condition report: No obvious damage visible to either, both rims are uneven. Small and thin stress crack close to base of smaller item.
Lot 66
A good late 17th century French quarter repeating travel timepiece with balance/pendulum - driven verge escapementGribelin, ParisThe shaped case surmounted by a pierced ormolu caddy and folding handle on a foliate pommel, the intricately cast cornice over curved sides with brass-line inlay within wider brass borders, on a cast base with intricate cast base on turned feet, the front of the case hinged at IX and VI, and set with an ormolu-framed shaped glazed door, the conforming waisted gilt dial six inches wide with a silvered Roman chapter ring with meeting-arrow-head half hour markers and every minute engraved around the outer edge, with fine blued steel hands, all on a shaped gilt dial plate engraved all-over with shaded foliate scroll work, a regulation dial set above XII, the movement plates united by four tapering pillars, with large spring barrel to a verge escapement to a silk-suspended short pendulum impulsed by a pin set on a plain steel circular balance, signed along the lower edge of the backplate, the hours and quarters sounded on demand by a pull cord to the side of the case acting on three vertical hammers and bells mounted in the caddy. 38cmsFootnotes:A similar travelling timepiece, lacking its balance wheel, was sold in these rooms 17 June 2008, lot 112.Comparative literature:A related tete de poupee timepiece (with alarm) by Gribelin with very similar dial engraving is illustrated in Tardy 'La Pendule Francaise, 1re Partie: De l'Horloge Gothique a la Pendule Louis XV. 1967, page 103. Another by Isaac Thuret is similar is illustrated in Vehmeyer, Clocks, their origin and development, part II, chapter 5 item F33. Of those seen, the current clock has the most intricate brass panelling and finely finished brass work.Nicolas Gribelin was born in 1635 and died in 1715.This lot is subject to the following lot symbols: * Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 643
WW2 A Piece of metal from John Hopgoods Lancaster M Mother RAF Dambuster plane. 5. 5inches long, and 1 inches tall. Good collector s item, Rare.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 520
Multi signed 10x8 007, James Bond promo photo. Multi signed 10x8 007, James Bond promo photo. Multi signed 10x8 007, James Bond promo photo. This collectable item features signatures from James Bond actors including Madeline Smith, Caroline Munro, Eileen Roberts, Christopher Muncke and Lana Wood.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 566
Football, Jamaica multi signed 16x12 colour football photo signed by Paul Hall, Rodolth Austin, Deon Burton, Marcus Gayle, Jamie Lawrence, Ian Goodison, Ricardo Gardner, Fitzroy Simpson. Ricardo Fuller and Frank Sinclair, Ibrahim Ba, Michael Johnson, Gregory Messam and Darren Byfield amongst others. Please note, this item does show some signs of wear with slight creases.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 93
Bruce Forsyth signed vintage 10x8 black and white photograph pictured during the 15 minute game show, Beat The Clock. Sir Bruce Forsyth (22 February 1928 - 18 August 2017) was a British entertainer and presenter whose career spanned more than 70 years. Forsyth came to national attention from the late 1950s through the ITV series Sunday Night at the London Palladium. He went on to host several game shows, including The Generation Game, Play Your Cards Right, The Price Is Right and You Bet!. He co presented Strictly Come Dancing from 2004 to 2013. In 2012, Guinness World Records recognised Forsyth as having the longest television career for a male entertainer. Please note this item shows some signs of wear and has creases in the top right corner but this does not affect the signature or the main image.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 29
Commodore Amiga Model A 500 Plus Computer. Brand New, Unused, In Original Box. All contents are individually wrapped to preserve this rare unique item. All Power Supply is included. Overall Condition is very good.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
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151070 item(s)/page