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Click here to subscribeWebley Raider PCP .177 air rifle, serial number 0513 20038, with 16 inch barrel fitted with silencer, 10 shot magazine, fitted with Hawke Sport HD 3-9x40, scope, together with gunslip.No licence required to buy this item, purchaser must be over the age of 18. Cannot be posted to a private address and must be sent to a Registered Firearms Dealer.
Roman Knife Handle. Circa, 1st-2nd century AD. Copper-alloy, 23.07 grams. 59.83 mm. A very high status Roman bronze knife handle comprising an octagonal-section shank with intricately detailed incised line decoration, right hand finial with pearl between the thumb and forefinger. The surface is beautifully well preserved with traces of the original tinned surface. Ref: Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 285. Mills, Celtic & Roman Artefacts. RB178. Property of a Suffolk collector.
Medieval Harness Finial. Circa 14th century AD. Size: 78.03 x 42.06 mm. A gilt copper-alloy harness finial formed of a hollow sphere with four arched arms. Each arm has a shield-shaped heraldic pendant attached. Through the centre is a hole where a fixing rod would attached it to a horses head gear. Only traces of detail survive on each of the pendants so its not possible to trace the owner. A very rare item with only a handful of surviving examples known. Ref: Salisbury & South Wiltshire Museum, Medieval Catalogue. p. 20, 24. fig, 7.
Fine walnut and marquetry month going longcase clock with five pillar movement, the 11.5" square brass dial with silvered chapter ring signed William Provost (Prevost), Newcastle on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with moulded edge long door inlaid with three panels of birds and foliate marquetry, also fitted with a circular lenticle, the base similarly inlaid and the sides with boxwood stringing, the hood with a flat stepped cornice over a foliate marquetry inlaid door surround, 81" high (pendulum, two large brass cased weights and keys) (Case alterations) *It is thought that William Prevost (signed Provost on the dial) was of French extraction and was born in the early 1660s. Although based in Newcastle, he obviously visited London regularly and usually signed his dials with a London address. He married Margaret Badudouin at St Mary Magdalene church in Fish Street, London in 1689. His most famous clock is the year going and striking walnut longcase clock exhibited in the Horological Masterworks exhibition, item 44. This clock shares the same Newcastle address *This clock was sold by Bonhams in their Fine Clocks sale dated 11th December 2007 (lot 174) for £9,600 and by Bearnes Hampton Littlewood on 7th October 2009 for £11,400 *The clock also features in Brian Loomes - Clockmakers of Britain 1286-1700, p381, fig 202
Various silver and unmarked white metal, including Norwegian silver Viking design salt cellar, silver dressing table jar tops, silver mesh purse, napkin rings etc, 5.7oz weighableGenerally good overall condition, no obvious major damage, some dents to dressing table jar tops, wear to decoration, larger rectangular jar top is the only unmarked item, all other items are either English or Continental silver
Chris Levine (Canadian/British, born 1972)Kate Moss She's Light (Pure), 2014Studio Proof from the artist's personal collection, lenticular 3D print 75 x 55cm (750 x 550mm)Footnotes:This work is accompanied by a certificate of authenticity signed by the artist.ProvenanceA unique studio proof generously donated by both the artist Chris Levine and supermodel Kate Moss, with all proceeds going to Oxfam GB'Refuge is within and meditation is the key.'- Chris LevineChris Levine is a UK based light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form. Levine's work considers light not just as a core aspect of art, but of human experience more widely and a spiritual, meditative and philosophical edge permeates his work. Levine's status as one of the world's leading light artists has led to a number of high profile cross media collaborations from Massive Attack, Kate Moss, Grace Jones and Jon Hopkins and has produced work for Chanel, BMW and Swarovski. Levine's work has been exhibited at The National Portrait Gallery, Kensington Palace, the Science Museum, The Eden Project, The Royal Opera House, The Annenberg Space for Photography, MATE museum in Lima, New York City's Museum of Arts & Design, London's Fine Art Society and Tasmania's MONA museum.'Working with Chris was an incredible creative experience. The atmosphere on set was really calm and meditative and he has captured that stillness perfectly in this piece, I love the serenity in this image.'- Kate Moss'This meditative piece is very special to me and it was a dream come true to create it. It speaks of inner beauty and infinite peace within us. The work draws the viewer towards stillness, which is a portal to the divine, offering a moment's refuge in a crazy world.'- Chris Levine'We are grateful to Kate Moss for the generous donation of this striking lenticular 3D print and for her support for Oxfam over the years. All funds raised from the purchase of this item will support Oxfam's work to tackle poverty around the world.'- OxfamThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A Japanese Meiji period Satsuma globular vase with applied elephant head handles. Painted with a procession of geisher and samurai on a waterside path with mountains in the rear ground, painted in colours and heightened in gilt. Bearing a red character mark to the base.18cm. Together with a similar vase and a pair of tall Taisho period conical vase and other items of Satsuma wares. (12)Condition report: The primary item seems in good order the remaining items vary in condition, with missing sections, cracks and damage.
A Chinese blanc de Chine cup, 18th century, modelled as a rhinoceros horn libation cup with scalloped rim. with relief decoration of a Buddhist lion beneath dragon and prunus tree and the opposing side with a deer beneath a pine tree and Manchurian Crane, 10cm diameter, 6.4cm highCondition report: Possible restoration to the rim as a little discoloured. No further apparent damage, although item is dirty and in need of a clean.
A 19th century gilt metal mounted Sevres style, blue ground porcelain "bonbonniere" of cushion form with painted panels of a musician in a landscape within raised gilt scroll borders. Bearing interlaced "L"s to the base. 7.5cm wide. Together with a small collection of mostly 20th century porcelain and enamel pill and cashew boxes of various forms and decoration. (13)Condition report: Some scratches to the cover of the lead item.
A Pilkingtons Royal Lancastrian vase, shape number 2634, with sponged deep blue ground, impressed marks to base, 18 cm high, together with an early 20th century mottled orange glass vase, of shouldered form with silver mounted collar, 15.5 cm.Qty: 2Condition report: Some dents to the silver collar, no other apparent issue to either item.
Beneath the Planet of the Apes (1970) hero rifle from the production, modified M1 Carbine, fitted inside custom aluminium casing painted in a wood effect, with retractable bayonet and leather strap, 35 inches long. The Apes in the film used modified M1 Carbines with additional housing to disguise the barrel and the magazine. Metal casings were used for the film as opposed to the wooden casings used in Planet of the Apes (1968) as these were prone to shatter when fired. For the background extras, wooden replicas were used but this gun would have been functional and used for close up action shots.Note - Please be aware this item carries certain restrictions on purchasing and shipping. Please satisfy yourself before bidding.
Star Wars: A New Hope (1977) - Shepperton Design Studios Replica E11 Blaster made by Andrew Ainsworth, serial Number 458200. Cast from the original Studio Moulds with an accompanying Certificate of Authenticity. Boxed in original packaging. Overall box size 30 x 52 x 12 cm. Note - Please be aware this item carries certain restrictions on purchasing and shipping. Please satisfy yourself before bidding.Condition Report: Excellent Condition.
Queen - A2 Limited edition signed print of Freddie Mercury in his royal robes by photographer Peter Hince. No 714/1200, 16.5 x 23.5 inches. Provenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Queen - Crew sleeveless T shirt from Sun City 1984 given to Peter Hince, showing dates with 'SOLD OUT' stamped over, unworn, size Medium. Provenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Queen - Original 10 x 8 inch Black and white silver gelatin print showing Freddie Mercury on a motorbike with a dancer on the set of 'Crazy Little Thing Called Love', taken by Peter Hince, signed and stamped, framed and glazed. Provenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Queen - Original 10 x 8 inch Black and white silver gelatin print showing Freddie Mercury on the set for the video 'I Want To Break Free' - London 1984, taken by Peter Hince, signed and stamped, framed and glazed. Provenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Historia Genealogica Principum Saxoniae Superioris, qua recensentur stemma witichindeum, origines familae saxonicae regnantis [...] veteres item thuringiae landgravii [...] Jo. Georgius Eccardus, Leipzig bei Gleditsch 1722, Format 4°, 694 S., auf dem Titelblatt wohl Autograph des berühmten Weimarer Kartographen Friedrich Zollmann (1690-1762), dekorativ marmorierter Pappeinband der Zeit.
Y A Kingwood, Vernis Martin and gilt metal mounted display cabinet, circa 1900, 191cm high, 171cm wide, 46cm deepCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use,Some chips and losses, old splits and cracks, the panels all with old scratches, chips marks and losses.The gilt metal areas with dirt and some discolouration, some missing securing pins. Missing the escutcheon to the main door. There is a screw piercing the top of the cabinet, this should have held the finial previously - this was balanced on for the photograph but will require some repairs, restoration and probably some additional elements to secureAll elements are locked shut and there are no keys present with the lot - there are pegs where shelves would have been secured, but these are also not present with the lotMarks and staining is visible to the fabric liningsThere are also internal electrics fitted, Dreweatts in no way give any guarantees as to the condition of this and stress this sold as a furnishing item only and if wished any electrical elements to be used these should be re-wired and tested by a professional electrician. Please refer to additional images for visual reference to condition Condition Report Disclaimer
A George III silkwork picture of a lady reading, late 18th century, within verre eglomise border and gilt composition oval frame; and two coloured mezzotints, late 18th/ early 19th century, one with a young woman in a landscape, the other with a gentleman in relief, each framed and glazed, the largest item 33 x 30.5cm overallCondition Report: Usual minor marks, knocks and scuffs overall consistent with age.The needlework has a chip to its gilt composition frame, which also has some cracking, and some mottling to the verre eglomise. Otherwise it is quite well preserved. The glass is a little loose in its frame, and there are some rips to the paper backing.The mezzotints each have some irregularities in the glazing and in the case of the smaller print very minor losses, and the frame of the larger one has one or two nibbles to the interior moulding some white tac to the underside. The paper backing has been torn and reattached.Condition Report Disclaimer
A glass topped and composite stone centre table, 20th century, the circular top above the base modelled as a Corinthian capital, 94cm high, 136cm diameterCondition Report: Please note this splits into three main pieces and the glass top (4) It is heavy (approx. 500kg) it is on a pallet and can be moved with a pump truck. It is a job to move for four removal people and essential any van has a suitable tail lift. Please see our list of suggested shippers who may be able to move this item Dreweatts can give no estimates or quotes as to what this may cost - potential purchasers need to ascertain this for themselves.Please note this is not a condition report Condition Report Disclaimer
An Edwardian mahogany and satinwood banded display cabinet, early 20th century, of small proportion, with two internal glass shelves, 100cm high, 33cm wide, 33cm deepProvenance: From The Hon. William McAlpine Collection Condition Report: Marks, knocks, scratches, abrasions, consistent with age and use,Some chips and losses, old splits and cracks, The glass shelves are supported on eye-pins, these are slightly loose and great care should be taken regarding moving this item when the shelves are in place. they were put in for the photograph and then placed in the base for safety. They are probably later associated in any case.There is a lock to the door which appears to be original, there is a key operating at time of report.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Sommerfield, John (1908-1991) The Death of Christopher A Novel. Author's autograph manuscript (c.. 209pp.) and heavily annotated and corrected typescript (c.215pp.), inscribed in red pen on the title by the author "To him what launched this mss, John Sommerfield" and in the hand of S. Sommerfield "He has made restitution. May god rest his soul. I hope he doesn't lose on it. For Charles Stonehill, S. Sommerfield", manuscript in red or green ink and pencil, typescript corrected in red or green ink and pencil, in card folder with contact details of Vernon Sommerfield, some sections page numbered, Chapter 1 marked "June 1928, New York", at end marked "John Sommerfield, 19 Park Place, Kensington Gardens, W."Footnote: Note: Sommerfield left University College School at the age of 16 and worked as a newspaper delivery boy, stage hand and merchant seaman before moving to Chelsea, where he was active in the Communist Party. He appears to have joined the Communist Party in the early 1930s and it was a major part of his life for the following quarter century. He wrote columns for several Communist periodicals, including the Daily Worker, and was active in the Communist Party Writers' Group. Sommerfield's first two books, They Die Young (1930) – which was published in the United States as The Death of Christopher – and Behind the Scenes (1934) drew upon his experiences at sea and as a stage hand. 1936 saw the publication of May Day, which is considered Sommerfield's most important work. The novel was published by the Communist Party's publishing house, and fictionalises a Communist uprising in London. Shortly after the publication of May Day, Sommerfield volunteered for the International Brigades and fought in the Spanish Civil War alongside his friend John Cornford. After returning he discovered that he had been reported dead. During World War II he served as an aircraft support mechanic in Burma and India. This wartime service in Asia with the RAF provided the inspiration for some of his best short stories, collected after the war as The Survivors (1947). In 1937 Sommerfield published Volunteer in Spain, which was an account of his time in Spain. George Orwell called the memoir a "piece of sentimental tripe", while others praised it and called Sommerfield "an excellent writer". The book was dedicated to Cornford, who was killed in Spain in December 1936. The poet and novelist Malcolm Lowry, a close friend of Sommerfield's, counted him as an important influence, and dedicated his poem Song About Madrid, Useful Any Time to him and Julian Bell. Perhaps the most widely read of Sommerfield's works was Trouble in Porter Street, published in 1939. The Communist Party asked Sommerfield to write a manual about how to organise a rent strike. He wrote a short story for this purpose instead which was published cheaply as a pamphlet and sold in tens of thousands. Sommerfield was also active in the Mass Observation project and took the lead in the research, largely in Bolton, for The Pub and the People. Throughout the war and in the following decade, Sommerfield continued to write for Communist and progressive periodicals and literary journals, including John Lehmann's New Writing journal, and worked largely in documentary films. Among his writing, The Adversaries (1952) was a historical novel based on the life of the mathematician Evariste Galois while North West Five (1960) was a novel about a young working class couple struggling to make their own way in post-war Kentish Town in north London. The item appears to be a mixture of original manuscript and heavily annotated typescript drafts, new sections being headed "Mss 1st", "3/rd," etc. Due to erratic, and the absence of, page numbering, and not having a copy of the published novel, it has not been possible to establish with certainty if the entire novel is present in manuscript or typescript but it does appear to be complete. A significant and early literary manuscript of one of Britain's most radical political writers of the inter-war era, which also reflects Sommerfield's awareness of and response to modernist writing. Of particular topicality is Christopher's interest in the human consequences of technological advances and their implications for human liberty.
A late Regency mahogany secretaire bookcase of small proportions, the upper section with reeded cornice over two Gothic arch glazed and barred doors enclosing adjustable shelving on a base with fitted secretaire drawer with Bramah lock enclosing a fitted interior with drawers and pigeon holes, over a pair of panelled cupboard doors enclosing three linen shelves, the door with further Bramah lock, raised on turned cup and cover supports, 85.7 cm wide x 208 cm high x 51 cm deep CONDITION REPORTS A couple of the panes of glass are cracked and a couple have been replaced. There is some cracking to the veneer especially noticable on the top left-hand corner of the top section. Area of moulding missing to the left-hand section middle and some damage just around the corner. Some heavy scratches but old. Some damage to the moulding on the right-hand middle section. Ivory finials to some of the handles have broken. Entire item has clearly been well polished over the years. Some heavy surface scraching on the left-hand side to the base. Otherwise general wear and tear conducive with age and use to include knocks, bumps, stains, etc. See images for more details.
A modern upholstered three-seat sofa in the style of Howard of London, the sides with curved rails raised on turned and ringed supports to brass caps and castors, 230cm W x approx 110cm D x 81cm H CONDITION REPORTS Unfortunatly this item is one piece and does not break down its approx seven feet long In need of re-upholstery. Upholstery is worn, faded etc throughout. Has been heavily used. Frame and base generally OK. Wear and tear conducive with age and use. See images for more details.
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