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Lot 1708
Selection of art lamps and shades to include a Portuguese glass oil lamp. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Lot 100
Collection of leaves from devotional books, in Latin, illuminated manuscripts on parchment [England, or made for the English market, fourteenth to fifteenth century] Four leaves, comprising: (i) leaf from a Breviary, with double column of 30 lines, red rubrics, seven initials in blue or pink enclosing coloured foliage on burnished gold grounds, short coloured foliate extensions in margins, fabric tags on reverse from last mounting, else good condition, 175 by 125mm., France, for the English market, c. 1350; (ii) leaf from the Sanctoral of a Breviary, in double column of 34 lines, red rubrics, small initials in blue or rose pink, enclosing foliage and on burnished gold grounds, border decoration on inner sides of three columns of gold bars and coloured and gold foliage, trimmed at top, slightly cockled, small spots and stains, else excellent condition, 117 by 84mm., England (once thought to be East Anglian, based on misidentification as Use of Norwich, but Use of Sarum and more probably of Gloucestershire origin: see below), c. 1400; (iii) leaf with Psalm 79:10-80:1-7, with single column of 18 lines, red rubrics, one-line initials in gold or red with contrasting penwork, line-fillers in same, one 6-line initial in gold on blue and pink quartered grounds with coloured and gold foliage in margins, scuffs to gold in places and mount adhered to rear, else good condition, 143 by 94mm., probably England, fifteenth century; (iv) leaf from a Book of Hours, Use of Sarum, single column of 16 lines, with ornamental cadels in lowermost line, red rubrics and paragraph marks, four initials in gold on blue and pink grounds with simple green leafy foliage extensions in margins terminating in gold seedpods or bezants, some shine-through from decoration, small spots and stains, else good condition, 178 by 129mm., England, second half of fifteenth century Item (i) here is from a Breviary owned by Otto Ege (1888-1951), which he thought to be a Book of Hours of Sarum (Canterbury) Use, and which he dispersed in his Fifty Original Leaves portfolios (see S. Gwara, Otto Ege's Manuscripts, 2013, p. 126, his HL 24). Item (ii) here is from a fragment of 87 leaves of an English breviary with an ex libris of c. 1600 of Henry Fowler, sold in Sotheby's, 14 July 1981, lot 27, bought by Maggs Bros., with the bulk sold to the Bodleian (now MS. Lat. liturgy D.44; whose records note that Henry Fowler was rector of Minchinhampton, Gloucestershire, from 1618, with remnants of his library now scattered between their holdings and those of Gloucester Cathedral and the Wellcome Library), with single leaves in Maggs Bros., European Bulletin 12 (1984), no. 48, and European Bulletin 15 (c.1990), no. 71, as well as Keio University, Tokyo (ref. 109) and in a private collection in Christchurch, New Zealand (see M.M. Manion, V.F. Vines and C. de Hamel., Medieval and Renaissance Manuscripts in New Zealand Collections, 1989, no. 163, p. 138).
Lot 123
Collection of leaves from devotional books, in Latin, decorated or illuminated manuscripts on parchment [fourteenth and fifteenth century] Sixteen leaves (including a 6-leaf Calendar): (i) leaf from a Breviary, with double column of 32 lines, capitals with penwork decoration, red rubrics, initials in gold or blue with black or red penwork decoration, largest initials in variegated panels of gold and blue, innermost side of each text column decorated with gold and blue leaf shapes, seventeenth- or eighteenth-century inscriptions at head of each page describing contents, slightly cockled at edges, else excellent and glittering condition, 179 by 119mm., France, c. 1350; (ii) leaf from a Diurnal Breviary of Carthusian Use, single column of 5/6 lines, red rubrics, splendid initial 'C' ('Cum complerentur dies pentecostes ...') in pink heightened with white penwork, enclosing a circle of red and blue petals around central flowerhead, on burnished gold ground, full border of gold and coloured text bars and foliage terminating in ivy-leaves, space left empty for miniature, trimmed at edges with losses in places to border decoration, else excellent condition, 97 by 70mm.; (iii) two leaves from a Breviary, with double column of 29 lines in hand of the scribe Jean d'Aussert, red rubrics, 2-line initials in pink or blue heightened with white enclosing foliage and on gold grounds, contemporary folio nos. 'cccxli' and 'cccc' at upper outer corner of versos (with instructions to rubricator just visible at edges of leaves above the first of these), slightly cockled at edges, else excellent condition, 188 by 142mm., eastern France (Dôle), c. 1458; plus a complete Calendar from a Breviary on 6 leaves, with numerous saints local to Autun and the dedication of the church of St. Lazarus there on 30 December (with seventeenth century inscription on first leaf: 'Carmeli Semuriensis. G. 130', and hence then in library of the Carmelites of Semur-en-Auxois, about 40 miles north of Autun, and the parent volume sold as part of the library of the 6th Baronet of Pitsligo in Sotheby's, 6 December 2016, lot 29, and again Reiss & Sohn, 16 May 2017, lot 208), and a leaf from a charming Breviary with a king's head inside an initial, and a bird and a human-headed bird drollery standing on other initials (this acquired in Sotheby's, 19 June 2001, lot 10), and other leaves with decorated borders, illuminated initials and fine penwork decoration The first item here comes from a Breviary obtained by Otto Ege in Paris in 1928 (recorded in S. de Ricci, Census of Medieval and Renaissance Manuscripts in the United States, 1937, II, p. 1947, no. 35, and dispersed by Ege as part of his Fifty Original Leaves: see S. Gwara, Otto Ege's Manuscripts, 2013, pp. 125-6, his HL 23). The leaves in item (iii) come from a codex named the Carondelet Breviary by Sotheby's in 2015 (see below; and to be distinguished from that already given the same name and discussed in Illuminating the Renaissance, 2003, no. 122). The volume concerned here was commissioned by Étienne Carondelot, canon of the Church of Notre Dame in Dôle, from the scribe Jean d'Aussert in 1458. The parent manuscript was sold in Sothmann, Amsterdam, 28 February 1985, and then dispersed. The Catharijneconvent Museum, Utrecht, acquired fol. 206 in 2001, and other leaves have appeared in Sotheby's, 8 December 2015, lot 5 (part e) and Hartung & Hartung, 6-7 November 2017, lot 30.
Lot 25
Bifolium from a Peter Lombard, Magna Glossatura in Epistolas Pauli, with two large illuminated initials, in Latin, manuscript on parchment [France (probably Paris), last quarter of twelfth century (probably c. 1180)] Remains of two conjoined leaves, reused inside-out as a later binding and hence with losses from head and foot of second leaf and outermost column there partly trimmed away, main text in single column of up to 47 lines of an angular proto-gothic bookhand (with I Corinthians 12:26-13:11 and I Corinthians 16:18-II Corinthians 1:1-10), without biting curves and with pronounced fishtailing, glossing text in smaller version of same in two or three columns accompanying main text, rubrics and names of textual authorities in margins in red, one-line initials in main text in red or blue, two very large initials opening II Corinthians 1 and its gloss (both 'P': 'P[aulus] apostolus iesu christi per voluntatem Dei et thimotheus ...', and 'Paulus apostolus et cetera hanc item ...'), in coloured and gold panels, enclosing other decorated panels heightened with white penwork, ornate coloured and gold foliage within the bodies of the initials including a winged beast in the first initial, all on blue grounds, the extensions of the initials in the margins reaching almost two-thirds of the page in height, the whole much scuffed with damage to large initials and text, last page scrubbed clean and with the eighteenth-century inscription 'Table' followed in the first case by an illegible number, with folds, losses and small holes, the whole somewhat battered, each leaf approximately 440 by 335mm. Acquired from a European private collector in early 2020.This is perhaps the last noble relic of an otherwise lost codex of great refinement and beauty, produced on a grand format with lavish use of gold and decoration.
![Collection of leaves from legal manuscripts, in Latin, on parchment [thirteenth to fourteenth century] Six leaves (including](https://cdn.globalauctionplatform.com/54a5f0e1-6657-49d3-8c4e-ad230108a26a/26a3a9ed-8cee-4564-bcc1-ad3600f22d26/468x382.jpg)
Lot 44
Collection of leaves from legal manuscripts, in Latin, on parchment [thirteenth to fourteenth century] Six leaves (including two bifolia), comprising: (a) leaf from a copy of Digest of Justinian, Corpus Juris Civilis, main text in double column of 52 lines of an early gothic bookhand, red rubrics, small initials in red or blue (those in margin tall and curved, and sometimes touched with contrasting penwork), two larger initials in pink or blue on contrasting grounds, enclosing foliage and with gold bezants mounted within their bodies and within the foliage, the second of these accompanied by a pink long-necked rabbit who stands on the initial below and looks back at the text, the entire leaf remarginated soon after it was written, with the original margins (and their gloss) cut away, and strips of parchment pasted to each side to allow space for the new gloss, small tears at edges and spots and stains, else good condition, Italy and then France, early thirteenth century with gloss added later, 435 by 253mm.; (b) bifolium from a copy of Digest of Justinian, Corpus Juris Civilis, main text in double column of 41 lines of a rounded gothic bookhand, capitals touched in yellow, paragraph-marks and one-line initials in red, larger slender initials in blue, each with a few red penstrokes, 2-line initials in gloss in alternate red or blue, the main text encased by smaller glossing script, discoloration at top of leaves from old water damage (this affecting only a few lines of gloss there), small tears to edges, small spots, else good condition, each leaf 434 by 270mm., southern France, first half of thirteenth century (parent codex reportedly dated 1238); (c) leaf from the Decretals of Gregory IX, or the 'Liber Extra', with double column of 40 lines of a rounded Italian gothic bookhand, blocks of gloss in margins in smaller script, occasional interlinear glosses, red rubrics, running titles in in red capitals at head of page, red or blue one-line initials, large initials in red or blue with contrasting penwork, one larger initial in pink enclosing coloured and gold foliage on blue grounds, one initial in pink touched with white penwork, enclosing a white faced animal on brightly burnished gold ground, the whole on blue grounds with coloured foliate extensions in margin terminating in coloured leaves with a gold bezant, grain pattern noticeable on one side, else in excellent condition, Italy, second half of fourteenth century, 448 by 280mm.; and (d) bifolium from a copy of William Durandus, Speculum judiciale, with double column of 82 lines, red rubrics and running titles, initials in red and blue, recovered from later reuse in a binding and hence with folds, stains and illegible sections, Italy, fourteenth century, total size 420 by 568mm. Item (a) here is one of the long-lost leaves from an imperfect codex of the Digest of Justinian sold in Sotheby's 10 July 2012, lot 22, identifiable by the mix of Italian script and French illumination, as well as the remargination of the entire codex soon after it was finished in order to equip it with a new, and probably more up to date, gloss. Other leaves of item (b) were offered by King Alfred's Notebook, Enchiridion 4 (2011), no. 2.
Lot 56
Two leaves from a richly illuminated Breviary, in Latin with French rubrics, manuscript on parchment [France (Paris), second half of fourteenth century] Two separate leaves, each with double column of 36 lines in a fine gothic hand, with notable lateral compression, capitals with delicate hairline penwork, red rubrics, contemporary foliation ('xx iiii': text from end of the Hour of None and the beginning of the Hour of Vespers to be said on the Feast of Corpus Christi; and 'xx iiii xix': text from end of the Hour of Second Vespers followed by the beginning of the Hour of Lauds to be said on the Feast of the Assumption of the Blessed Virgin Mary) in red at centre of top of rectos, one-line initial in gold or blue with contrasting penwork, with geometric line-fillers in same, 2-line initials in blue or pale pink heightened with white penwork, enclosing sprigs of coloured foliage on burnished gold grounds, each leaf with one very large initial, one enclosing densely curled coloured foliage on gold grounds, the other with a grinning red face with foliage emerging from its mouth and ears (probably meant to be a lion, compare the decoration of another contemporary French Book of Hours, offered in our rooms, 6 December 2017, lot 61), full decorated borders (including inner margins) of thin gold and coloured bars with snarling dragons at head of pages, geometric panels at feet, and sprays of foliage, text borders in same on innermost sides of both columns on reverses of both leaves, modern pencil foliation '170' on one leaf, slightly trimmed at edges with small losses from border decoration, small smudges and spots, else excellent condition, each leaf 237 by 173mm. Provenance:1. The parent manuscript of this glittering Breviary was written and illuminated in Paris in the second half of the fourteenth century, most probably for a Franciscan house dedicated to St. Aegidius/Gilles (with references on some leaves to that saint as 'our patron').2. It was most probably initially dispersed in the late 1920s or early 1930s, with leaves first appearing in Quaritch's cat. for 1931, nos. 127 and 128 (each item advertising 'a few leaves' from the manuscript). Other leaves can be found in a bequest by Lord Cholmondeley of 2 leaves to the Society for Italic Handwriting; a UK private collection, bought from Quaritch in 1950 (these with the address to St. Aegidius as 'our patron' in prime from the office of that saint; Sotheby's, 5 April 1976, part of lot 601, the teaching collection of A.N.L. Munby, illustrated in frontispiece image there; Sotheby's, 19 June 1979, lot 3 (this described later in Sotheby's December 1994, as then in a Swiss collection); Christie's, New York, September 1981, lot 16; Sotheby's, 8 December 1981, lot 3; Quaritch, cat. 1056, Bookhands of the Middle Ages II (1985), no. 69; Sotheby's, 24 June 1986, lot 50; Sotheby's, 22 June 1988, lot 11; and Maggs Bros., Bulletin 10 (June 1979), that now Tokyo, Keio University Library.3. The first of the present leaves acquired from North American trade in 2002, who had in turn acquired it from a private collector in San Francisco; the second leaf here was acquired in McTear's 1842 Auctions, Glasgow, 19 July 2019, lot 1684.
Lot 80
Collection of leaves from early French Books of Hours, in Latin, illuminated manuscripts on parchment [first half of fifteenth century] Eleven leaves, comprising: (1) three leaves from a Book of Hours, Use of Coutances, Normandy, all with single column of 15 lines, red rubrics, one-line initials in gold on blue and pink grounds, line-fillers in same, one large initial on each page in same enclosing coloured foliage on gold grounds, one gold and coloured bar down left-hand side of text column with each initial, some of these ending with sprays of coloured acanthus leaves and coloured flowers with spiky stamens, a half-length woman in red robes and a pink hood, a kneeling devotee in blue robes and a red hat pointing at the text, a blue human face with a pointed beard, a large green and red frilled dragon with a long-billed bird's head and a woody thorn with wings and feet, these with floral shoots emerging from them terminating in coloured and gold leaves, some small scuffs to gold in places, slight shine-through from decoration in places, a few spots and stains, overall good and clean condition, each approximately 162 by 112mm., Normandy, c. 1420; (2) two bifolia (4 leaves) from a Book of Hours, each leaf with single column of 14 lines, red rubrics, one-line initials in gold on blue and pink grounds, line-fillers in same, larger initials in same colours enclosing foliage on gold grounds, full borders of gold and coloured text bars with sprigs of coloured foliage and three geometric twist at foot or sides of text bars, five coloured dragons snapping at gold bezants, small spots and stains (especially at outer edges), margins slightly cockled, overall excellent condition, 183 by 134mm., France, c. 1400-20; (3) leaf from a Book of Hours, single column of 18 lines, capitals touched in yellow, red rubrics, one- to 3-line initials in blue or pink enclosing coloured baubles or foliage on gold grounds, line-fillers in same, full illuminated border of gold woody stems branching into rinceaux foliage terminating in coloured flowerheads and gold leaves, excellent condition, 211 by 156mm., France (Paris), c. 1420; (4) two leaves from a Book of Hours, each with single column of 11 lines, one-line initials in gold on pink and blue, line-fillers in same, larger initials in same colours enclosing foliage on gold grounds, full borders of gold and coloured texts bars, acanthus-leaf sprays and rinceaux foliage terminating in coloured flower-heads and gold leaves, small spots, else excellent condition, 201 by 144mm., France, c. 1440; (5) Calendar leaf for November, from a Book of Hours, entries in French in gold, blue and pink, one-line initials in gold on pink and blue grounds, 'KL' initial in same colours enclosing coloured foliage on gold grounds, thin gold and coloured bars on three sides of the text with full borders of single-line rinceaux foliage with gold leaves and seedpods, small stains and slight cockling at edges, else good condition, 182 by 137mm., France, c. 1400-20Item (1) here was already dispersed in the 1950s in North America, with two of the three leaves here traceable back to Books Inc, of San Francisco in April 1953. Item (3) here is from an exquisitely illuminated but imperfect Book of Hours, sold in Sotheby's, 5 December 1995, lot 43.
Lot 93
Two leaves from an Antiphonal, of Carthusian Use, in Latin, decorated manuscript on parchment [southern Netherlands (Ghent or Bruges), c. 1500] Two separate leaves, each with 10 lines of text in two sizes of a highly ornamental and calligraphic late gothic liturgical hand, with music on a 4-line red stave (with Antiphons and Psalms during the third nocturn on Good Friday and the Responses and Verses for Holy Saturday; and Benedictions, Psalms and Antiphons for the Octave Days of Easter, together with instructions relating to other feasts), original folio nos. 'CXIX' and 'CXXXIIII' at head of rectos, capitals touched in red, red rubrics, large initial in split penwork bands touched in red or simple red, one leaf with a large initial 'A' (opening 'Astiterunt reges terre ...') in red woody stalks, from which hang pendulous globe-like blue fruit, on a pastel blue ground, decoration in bas-de-page of a panel enclosing realistic foliage, fruit and a colourful bird on dull-gold grounds, the other with a large initial 'D' (opening 'Dignus es domine ...') formed from twisted green foliage on a green ground with liquid gold penwork, another border panel in bas-de-page with realistic foliage on dull-gold ground, second leaf rubbed at top with small losses to text there, both leaves trimmed at top and with water damage to lower margin causing some staining and cockling with affect to bottom edges of border panels, overall fair and presentable condition, each approximately 480 by 340mm. Provenance:1. The presence of two responses from Matins in the version of the plain chant used by the Carthusians in one of the dispersed leaves offered by Maggs Bros in their cats. 1283 and 1319 (see below), indicates that the parent volume was made for use in a house of that order, and this also explains why another leaf offered by the same company in 1967 included the antiphon and response for the feast of Saint Hugh of Lincoln (a Carthusian monk and bishop of Lincoln, d. 1200). The parent codex appears to have been dispersed in London in 1960s, with leaves offered by Maggs Bros, in their Bulletin 5 (April 1967), nos. 45 and 46 (folio nos. 'CCXL' and 'CXXVI'); Folio Fine Art, cat. 47 (June 1967), no. 201; Sotheby's 20 June 1989, lot 2 (two leaves, folios 'CCXXX' and 'CLXXII'); Les Enluminures, cat. 5 (1996), no. 5; Sotheby's, 17 June 1997, lot 36 (folio no. 'XXXVI', and now in a private collection in New York); Sotheby's 7 December 1999, lot 17 (two leaves, folios 'CI' and 'CLXLI'); Maggs Bros., Illuminations, cat. 1283 (1999), item 36 (folio 'CCI'), and again cat. 1319, item 57.2. The present leaves acquired in North American trade in 2009 and UK trade in 2014.
Lot 184
MOORCROFT unknown design trial piece tile possibly by Vicky Lovatt - depicting a walled garden with fruit and flowers in original frame, unsigned, impressed and painted factory marks verso including trial 15-5-18, original price label attached, 14 x 25cms overall, boxed, probably non-production item
Lot 202
A Meissen porcelain figural group of the drunken Silenus, 19th century, supported by Bacchus and slumped on a donkey being fed grapes by a maiden relaxing on the ground, and a putto playing with its tail, incised 2724 to base, and blue crossed swords mark, 21cm high, approx 20cm wideCondition report: donkey's tail entirely broken off and end missinglosses to flowers and petals in basket and garlands etcitem broken off and missing from Bacchus's handmaiden's fingers broken and missingdonkey's right ear missingSilenus hand poorly glued back onmaiden's toe missingputto's fingers missingchips and dinks
Lot 443
Vatican City 1929 Registered envelope posted to Amiens France, cancelled Vatican post on SG 11 2150 definitive and Vatican Post registered label No. 4953, cancelled on reverse Vatican Post on SG 1 5c definitive. Transit and received cancels on reverse a bit scruffy but nice early Vatican Post item
Lot 3015
Carved ivory round lidded box with flowers, France, dieppe ca. 1840, h. 4, diam. 6.5 cm. The item comes with a certificate of authenticityIvoren gesneden ronde dekseldoos met decoratie van bloemen, Frankrijk, Dieppe ca. 1840, h. 4, diam. 6.5 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3016
a pair of portrait miniatures of a lady on ivory, signed v. Hall, Germany ca. 1900, 9 x 9 cm. and a miniature portrait of a youngman on ivory, England ca. 1820-1840 10 x 11 cm. The item comes with a certificate of authenticityLot van 2 portret miniaturen van een dame op ivoor in zwart houten lijstje, ges. v Hall, Duitsland ca. 1900, 9 x 9 cm. en een portret miniatuur van een jonge man op ivoor, Engeland ca. 1820-1840, 10 x 11 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3018
a lot of 4 of portrait miniatures of a lady on ivory in ivory and tortoiseshell frame, signed v. Hall, Germany ca. 1900. The item comes with a certificate of authenticityLot van 4 portret miniaturen van een dame op ivoor geschilderd en in schildpad en ivoren lijstjes, ges. v Hall, Duitsland ca. 1900. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3144
Carved ivory sculpture of one of the eight immortals, Zhang Guolao, sitting on his white mule, China ca. 1900-1920, h. 11 cm. The item comes with a certificate of authenticityIvoren sculptuur van een van de 8 onsterfelijken Zhang Guolao, zittend op zijn witte ezel, China ca. 1900-1920, h. 11 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3149
Carved ivory Okimono sculpture of a lumberjack with his knapsack and a peach branch, Japan ca. 1900-1920, h. 18 cm. The item comes with a certificate of authenticityIvoren Okimono sculptuur van een houthakker met bijl, knapzak en perzik aan een takje, Japan ca. 1900-1920, h. 18 cm. (ges. onderzijde) Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3151
Carved ivory sculpture of a elephant bridge with 6 elephants on wooden base, Japan ca. 1900-1912, h. 9.5, w. 28, d. 7 cm. The item comes with a certificate of authenticityIvoren sculptuur met olifantenbrug van 6 olifanten van groot naar klein op standaard, Japan ca. 1900-1912, h. 10, br. 28, d. 7 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3155
Goldlaquerwork Inro with Ojime and ivory netsuke, Japan ca. 1900, h. 4.5, w. 3, d. 3 cm. The item comes with a certificate of authenticityGoudlakwerk Inro met Ojime en gesneden ivoren netsuke, Japan ca. 1900, h. 4.5., br. 3, d. 3 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3158
Goldlaquerwork Inro with Ojime and ivory netsuke, Japan ca. 1900, h. 10, w. 3 cm. (laquerwork damaged) The item comes with a certificate of authenticityGoudlakwerk Inro met Ojime en gesneden ivoren netsuke, Japan ca. 1900, h. 10, br. 3 cm. (lakwerk beschadigd) Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3159
Carved ivory Netsuke of a figure carrying a lotus flower over his shoulder, Japan ca. 1900-1920, h. 5.5 cm. The item comes with a certificate of authenticityIvoren gesneden Netsuke van een figuur met een lotusbloem over zijn schouder, Japan ca. 1900-1920, h. 5.5 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3160
Carved ivory brush pot decorated with figures in a garden, China, Canton ca. 1800-1850, h. 17, diam. 11 cm. (base broken en restored) The item comes with a certificate of authenticityIvoren gesneden cilindervormige penselen beker op opengewerkte voet (gebroken en gelijmd) met decoratie van figuren in tuin met paviljoen, China, Kanton ca. 1800-1850, h. 17, diam. 11 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3163
Carved ivory brush pot decorated with figures in a garden, China, Canton ca. 1800-1850, h. 16, diam. 10 cm. The item comes with a certificate of authenticityIvoren gesneden cilindervormige penselen beker op opengewerkte voet met decoratie van figuren in tuin met paviljoen, China, Kanton ca. 1800-1850, h. 16, diam. 10 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3164
Carved ivory Okimono sculpture of a grapepicker, waving his had, Japan ca. 1920-1940, h. 18 cm. The item comes with a certificate of authenticityIvoren Okimono sculptuur van een druivenplukker, zwaaiend met zijn hoed, Japan ca. 1920-1940, h. 18 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3165
Carved ivory Netsuke of a man repairing sandals, Japan ca. 1900, h. 3,5 cm. The item comes with a certificate of authenticityIvoren gesneden Netsuke van een sandalen maker, Japan ca. 1900, h. 3.5 cm. op houten sokkel. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3167
Carved ivory Okimono sculpture of a man balancing on a rock with a fan in his hand and a young acrobaat on his shoulder, Japan ca. 1900-1920, h. 17 cm. The item comes with a certificate of authenticityIvoren Okimono sculptuur van een man op een steen balancerend, met waaier en een jong acrobaatje op zijn schouder, Japan ca. 1900-1920, h. 17 cm. (ges. onderzijde) Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3169
Carved bone Okimono sculpture of Bishamonten, God of the warriors, Japan ca. 1920-1940, h. 21 cm. (ornament on head broken) The item comes with a certificate of authenticityBenen Okimono sculptuur van Bishamonten, god van de krijgers, Japan ca. 1920-1947, h. 21 cm. (ornament op hoofd gebroken) Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3171
Carved ivory sculpture of a crocodile standing on a rectangular base, Africa ca. 1920-1940, h. 3, w. 19.5 cm. The item comes with a certificate of authenticityIvoren gesneden sculptuur van krokodil met open bek op rechthoekig plateau, Afrika ca. 1920-1940, h. 3, br. 19,5 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3172
a pair of carved ivory Noh masks Netsuke of the female deity Okame or Otafuka, signed, Japan ca. 1900, h. 6 and h. 3.5 cm. The item comes with two certificate of authenticityStel ivoren gesneden Noh maskers Netsuke's, met gezicht van de godin Okama/Otafuke, gesigneerd achterzijde, Japan ca. 1900, h. 6 en h. 3.5 cm. Dit object wordt geleverd met twee certificaten van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3173
a pair of carved ivory Noh masks Netsuke of the female Hannya, 1x signed, Japan ca. 1900, h. 5.5. and h. 3.5 cm. The item comes with two certificate of authenticityStel ivoren gesneden Noh maskers Netsuke's, met gezicht van vrouwelijke demon Hannya, 1x gesigneerd achterzijde, Japan ca. 1900, h. 5.5. en h. 3.5 cm. Dit object wordt geleverd met twee certificaten van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3174
Carved ivory Netsuke of a man with a child on his back, Japan ca. 1900, h. 5 cm. The item comes with a certificate of authenticityIvoren gesneden Netsuke van een man met kind op zijn rug paardje rijdend, Japan ca. 1900, h. 5 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3175
a pair of carved ivory and polychrome coloured sculptures of ladies with a fan in her hands, Japan ca. 1900, h. 6, h. 8 cm. The item comes with two certificate of authenticityStel ivoren en polychroom gekleurde sculptuurtjes van hofdame met waaier in de hand, Japan ca. 1900, h. 6 en h. 8 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3176
Carved ivory Netsuke, shaped as a lady riding a temple lion, Japan ca. 1900, h. 3, w. 3.5, d. 3 cm. The item comes with a certificate of authenticityIvoren gesneden Netsuke van een dame op een tempelleeuw, Japan ca. 1900, h. 3, br. 3.5, d. 3 cm. Dit object wordt geleverd met een certificaat van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 3177
a pair of carved ivory Noh masks Netsuke, 2x signed, Japan ca. 1900, h. 5.5 cm. The item comes with two certificate of authenticityStel ivoren gesneden Noh maskers Netsuke's van gezichten, 2x gesigneerd achterzijde, Japan ca. 1900, h. 5.5 cm. Dit object wordt geleverd met twee certificaten van Beëdigd taxatie bureau Ruben Aardewerk.
Lot 35
MISSION IMPOSSIBLE: Film / Production Crew Issued Clothing: A pair of 'XXL' t-shirts - MISSION IMPOSSIBLE 6: FALLOUT location department - (black) and MISSION IMPOSSIBLE 5: ROGUE NATION stunts team (teal) unworn PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 358
Film / Production Crew Issued Clothing: - A pair of unworn t-shirts for THE DAVINCI CODE - one black (long sleeve) /one white (short sleeve) - PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 390
KING KONG - An original, rare Studio Oxmox very limited official fibreglass reinforced plastic statue - originally black, this has been spray painted pink! (coming off in places) - created to support the promotion of the official game tie-in to the Peter Jackson movie - Please ensure you ask us for shipping costs prior to bidding if you do no intend to collect this item - specialist delivery services are required
Lot 400
Film / Production Crew Issued Clothing: - Two XL T-Shirts for PRINCE OF PERSIA one sand short sleeve, one black long sleeve (both XXL) together with a READY PLAYER ONE, black stunt crew shirt (medium) - unworn - PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 41
TROY: (2004) (BRAD PITT) Film / Production Crew Issued Clothing: - one white 'XL' stunt crew shirt together with a khaki stunt partnership cap - unworn PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 71
CHARLIE AND THE CHOCOLATE FACTORY (2005) - A pair of original production used WONKA bars from the movie directed by Tim Burton - featuring Johnny Depp as Willy Wonka. The lot consists of two wrapped bars - Nutty Crunch Surprise and a Triple Dazzle Caramel. Each bar is made of brown plastic and wrapped in silver foil with printed wrappers (2) - This item has come to us directly from a member of the set crew and comes with an Excalibur Auctions Certificate of Authenticity
Lot 75
Film / Production Crew Issued Clothing: ROBIN HOOD - grey short sleeve 'xxl' t-shirt and blue cap - PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 76
Film / Production Crew Issued Clothing: A group of four 'XL' short sleeved t- shirts comprising: BOOK OF EXODUS visual effects shirt (grey); JACK THE GIANT KILLER (dark grey); MARS ATTACKS (black promotional shirt) and THE MUMMY RETURNS stunt crew shirt (white) - PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 98
SHREK - An original, rare Studio Oxmox very limited official lifesize Shrek fibreglass reinforced plastic statue - approved by the studios - these were created to support the promotion of the Shrek the Third Movie - Please ensure you ask us for shipping costs prior to bidding if you do no intend to collect this item - specialist delivery services are required
Lot 17
Film / Production Crew Issued Clothing: - A pair of unworn Stunts Crew XXL black t-shirts for THE FAST AND FURIOUS 6 - PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 172
Film / Production Crew Issued Clothing: WAR HORSE - A 'L' short sleeve brown shirt and cap - PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 173
Film / Production Crew Issued Clothing: BAND OF BROTHERS - A pair of production crew shirts comprising one short sleeve (khaki) video production 'M' together with a Special Props (sand) 'L' - PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 18
Film / Production Crew Issued Clothing: A group of four 'L' t- shirts comprising: THE LEGEND OF ZORRO (black); SWEENEY TODD (white); SHERLOCK HOLMES 2 (black); CLASH OF THE TITANS (black) PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
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