We found 151062 price guide item(s) matching your search

A Victorian Infantry officer's sword, no scabbard.IN HOUSE SHIPPING IS NOT AVAILABLE ON THIS ITEM. 

A World War I French gras bayonet, having 52cm blade, no scabbard. IN-HOUSE SHIPPING IS NOT AVAILABLE ON THIS ITEM. 

A 19th century double barrel percussion pistol, with 8cm Damascus style barrels and floral scroll decorated lock plates, walnut grip, overall length 21cm.IN-HOUSE SHIPPING IS NOT AVAILABLE FOR THIS ITEM.  

A Taylor Sheffield 'Real Knife Witness' folding knife and leather sheath, having 18cm blade with chequered wood grips; together with another similar example. (2)IF REQUESTING IN-HOUSE SHIPPING FOR THIS LOT PLEASE NOTE THE FOLLOWING:ROYAL MAIL HAVE UPDATED THEIR REGULATIONS FOR POSTING WEAPONS BY ADDING A £10 SURCHARGE AND STIPULATING THAT THE ITEM CAN ONLY BE HANDED TO THE NAMED RECEIPEINT ON PROOF OF ID.       

A World War II British military machete and leather scabbard, stamped broad arrow and dated 1944; together with another billhook, (a.f.). (2)IF REQUESTING IN-HOUSE SHIPPING FOR THIS LOT PLEASE NOTE THE FOLLOWING:ROYAL MAIL HAVE UPDATED THEIR REGULATIONS FOR POSTING WEAPONS BY ADDING A £10 SURCHARGE AND STIPULATING THAT THE ITEM CAN ONLY BE HANDED TO THE NAMED RECEIPEINT ON PROOF OF ID.     

An antique cannon barrel flint lock pocket pistol, by 'T Coe, Cambridge', having walnut grip, overall length 21cm.IN-HOUSE SHIPPING IS NOT AVAILABLE ON THIS ITEM.  

A small Scottish skean dhu, by Mappin & Co, Sheffield, having 10.5cm blade.IF REQUESTING IN-HOUSE SHIPPING FOR THIS LOT PLEASE NOTE THE FOLLOWING:ROYAL MAIL HAVE UPDATED THEIR REGULATIONS FOR POSTING WEAPONS BY ADDING A £10 SURCHARGE AND STIPULATING THAT THE ITEM CAN ONLY BE HANDED TO THE NAMED RECEIPEINT ON PROOF OF ID.       

A Cartier Boston Bag – Oxblood leather. Each end of the bag is embossed with the signature Cartier “CC”. Vintage item in good condition with original dust bag.

1968 EUROPEAN CUP FINAL REPLAY / MANCHESTER UNITED V BENFICA / AT ARSENAL F.C. An original uncut sheet with all 16 pages of the programme planned for the scheduled Replay at Highbury on 31/5/1968. However the match was not played as United won 4-1 at Wembley. The sheet was printed by the Arsenal printers, King and Jarrett Limited and they were advised to destroy the programmes. It is obvious to the naked eye that the item is 100% genuine and not a reprint. The sheet has been folded in half three times to make the size similar to other programmes of this season. Very good

DANISH TEAK EXTENDING DINING TABLE OF MID-CENTURY DESIGN,the oblong top with two pull-out leaves, on tapered circular supports, stamped marks to underside, 73cm high, 189.5cm wide, 140cm long unextendedCentral leaf faded compared to end extensions; some relatively minor scuffs, scratches and abrasions; does feel loose in construction, would benfit from being tightened up; similar general wear to supports; total length extended 244cm, the central section is 144cm long, each end extension 52cm long, additional images available; for shipping of this item please visit www.mctears.co.uk/shipping for a list of our recommended couriers who will be able to supply quotes

Ɏ A LARGE BLACK AND GOLD LACQUERED SHRINE (ZUSHI) WITH KANNON, BISHAMONTEN AND FUDO MYO-OJapan, 18th-19th century, Edo period (1615-1868)The exterior lacquered black and fitted with metal hinges and handles, the interior with a dark wood figure of Kannon seated on a gilt-wood lotus throne atop a rockwork base, holding a gilt lotus blossom in her raised left hand, her serene face with heavy-lidded downcast eyes, hair pulled up into a chignon, a gilt halo behind her head. Kannon is flanked by Bishamonten to her right standing on a demon and brandishing his spear, and by Fudo Myo-o to her left engulfed in flames and holding his sword, the interior doors and back lacquered gold, the canopy decorated with hanging metal emblems embellished with coral and stones.HEIGHT 38 cmCondition: Good condition with some wear, minor nicks, light scratches, age cracks, minor losses, the doors with old repairs, the shrine further with minor old repairs and touchups here and there.Provenance: From a German private collection, assembled between 1990 and 2007.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ A FINE IVORY NETSUKE OF A SHISHI, ATTRIBUTED TO RENSAIAttributed to Ishikawa Rensai, unsignedJapan, Asakusa, Tokyo, second half of 19th centuryFinely carved as a seated Shishi with its paws placed firmly on the ground and looking upwards. The mythical animal has a grim expression with furrowed bushy eyebrows, and the pupils are ringed and minutely inlaid in dark horn. The curly mane and bushy tail are carved very well. The lightly stained ivory is smoothly polished. The slightly flattened underside with a bridge functioning as himotoshi. HEIGHT 3.3 cm Condition: Very good condition with a visible nerve channel running through the ivory. Provenance: European collection.The expression, placement of the pupils, manner of the curls and treatment of the ivory justify the attribution to the Asakusa master Ishikawa Rensai. Auction comparison: Compare to a netsuke by Rensai, sold by Zacke, Japanische Netsuke - Ausstellung 1990, Vienna, no. 50.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0384). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ A RARE IVORY NETSUKE OF A DUTCHMAN WITH KARAKOJapan, 18th century, Edo period (1615-1868)The Dutchman and boy standing side by side, the karako holding a fan behind his companion’s back, the foreigner holding a closed folding fan, both wearing long buttoned robes with wave designs, the man with characteristically curled hair and wearing a large hat, his back with two asymmetrical himotoshi.HEIGHT 7.8 cmCondition: Very good condition, appealingly worn, few minor age cracks, a small nick to the hat. Fine honey-yellow patina.Provenance: European collection.The present netsuke is quite unusual in that the Dutchman and child are standing side by side. Netsuke depicting a Dutchman with child almost invariably depict the foreigner carrying the child, either on his back or in the case of smaller children in the front. The karako in this netsuke, however, seems to have reached an age where such action would be deemed inappropriate.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0285).

Ɏ TOKOKU: A FINE MARINE IVORY RYUSA MANJU NETSUKE DEPICTING ONA NO TOFUSigned Tokoku Japan, Asakusa, mid to late 19th centuryAn early work by the artist who started out in the Asakusa school, founded by Ozaki Kokusai, and is probably best known for his later mixed-material carvings which are unparalleled in their quality and style. However, he also made very good ryusa manju when he was still active in the Asakusa school, though they are rarely found at auction. This ryusa manju, openworked on the sides depicting finely carved magnolia blossoms, shows Ona no Tofu on the separately carved inset medallion. He is depicted underneath a tree wearing courtly robes, an eboshi and holding a fan. The reverse with further blossoming magnolia amongst clouds carved in relief above an attractively stippled surface. Typical irregular himotoshi and the signature TOKOKU on an inlaid silver tablet. The material almost looks like ivory, however the sides reveal characteristic inclusions typical for marine ivory.DIAMETER 4 cm, WIDTH 1.5 cmCondition: Good condition, the separately carved central medallion has come a little bit loose at the top, and very minor cracks to the openworked section on the side.Provenance: European private collection.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ A SMALL IVORY NETSUKE OF TOBOSAKU SENNINJapan, Kyoto, early 19th century, Edo period (1615-1868)The peach sennin standing on one foot and holding a large fruiting peach branch. His robes neatly incised with cloud motifs. Two symmetrical himotoshi through the back.HEIGHT 4.4 cmCondition: Very good condition, minor wear. The ivory with fine honey-yellow patina on the reverse.Provenance: Old Viennese private collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0307).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ AN IVORY AND MIXED METAL KAGAMIBUTA NETSUKE DEPICTING TWO FIGURES ON A BOATJapan, 19th century, Edo period (1615-1868)Of circular form, the ivory bowl fitted with a shibuichi plate finely decorated in iro-e takazogan with gold, silver and copper highlights, depicting two figures in a low ferry boat sailing nearby a bridge support, with a night cuckoo flying directly above them. The himotoshi through the bowl and a looped cord attachment at the backside of the disc.DIAMETER 4.4 cmCondition: Good condition with usual traces of wear and age. Provenance: Notable European collection, ex-collection Elinor “Elly” Nordskog (1919-2013).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0399).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ GYOKU: AN IVORY NETSUKE OF AN ALBINO RABBITBy Gyoku, by Gyoku Japan, 19th centuryThe ivory netsuke wonderfully rounded, depicting a chubby hare (usagi), with its eyes inlaid in red glass, and its long ears falling over its back. The asymmetrical himotoshi at the underside together with the engraved artist signature GYOKU.LENGTH 3.8 cmCondition: Very good condition with minor traces of wear and age. Provenance: Notable European collection, ex-collection June Schuerch (1930-2009).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0403).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ KAIGYOKUSAI MASATSUGU: A SUPERB IVORY OJIME OF TWO TURTLESBy Kaigyokusai Masatsugu (1813-1892), signed Masatsugu 正次Japan, Osaka, mid-19th century, Edo period (1615-1868)Carved from a choice piece of lightly stained tokata ivory as two turtles embracing one another, the cord channel between them. The details are masterfully worked, especially when considering the size, the eyes are inlaid in pale, translucent horn. Signed MASATSUGU. HEIGHT 1.7 cm Condition: Good condition, tiny nicks.Provenance: From the Melvin Jahss Collection. Notable European collection, acquired from the above. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0242).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ AN IVORY NETSUKE OF A RECLINING HOTEI WITH HOSSU (FLYWHISK)Japan, 18th century, Edo period (1615-1868)Finely carved in a reclining posture, holding a hossu, the netsuke of a type meant to be worn horizontally reclining on the top of the obi. His loose robe with finely carved folds and opening at the chest to reveal his rotund belly and ample chest, a cheerful expression on his chubby face, the mouth agape in a laugh, the back with two generously excavated, asymmetrical himotoshi.LENGTH 6.1 cmCondition: Very good condition, appealingly worn, minor age cracks, light honey-yellow patina to the reverse. The himotoshi clearly display signs of use.Provenance: Acquired at Kunsthaus Lempertz, Asian Art, 6 September 2017, Cologne, lot 500.Netsuke such as the present lot are of unusually high quality for early figural ivory netsuke. Unlike the seated Hotei types, which tend to follow earlier Chinese models, these horizontal variants are purely Japanese in concept.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0339).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ IKKO: A RARE IVORY MANJU NETSUKE WITH TWO SAMURAIBy Hasegawa Ikko, signed Ikko 一光Japan, c. 1830, Edo period (1615-1868)Published: Sydney L. Moss (2010) they are all fire and every one doth shine. The Elly Nordskog Collection of Japanese Inro, Pipecases and Netsuke, London, pp. 370-371, no. 118.Of flattened, rounded square form with indented corners, the sunken obverse carved in relief against a cash (shippo) ground with two samurai standing in dynamic poses with amusing expressions, fully clad in neatly incised armor, the edge and rim incised with a herringbone pattern, the reverse engraved with a pine tree and branch, further with two large himotoshi and the signature IKKO within an oblong reserve. Note the fine staining of the ivory and skillful use of sumi.SIZE 4.3 x 4.5 cmCondition: Very good condition with minor surface wear, minimal age cracks, traces of use. The reverse with a fine, warm, smooth patina.Provenance: Ex-collection Elinor ‘Elly’ Nordskog. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0243).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ A FINE IVORY AND EBONY NETSUKE OF AN OX-HERDER AND OXJapan, Edo/Tokyo, second half of 19th centuryFinely carved as a young oxherder playing the flute atop a recumbent ox. The ox, carved from ebony wood, has finely rendered hairwork and inlaid eyes. The boy, carved from ivory bearing a lustrous polish, is portrayed almost naked wearing only an open robe revealing his genitals, a basket containing a sickle behind him. Big asymmetrical himotoshi and illegible signature to the underside.LENGTH 4.3 cmCondition: With minor surface wear, a section of the ox’s tail repaired. The signature partially eradicated. Provenance: French private collection, purchased from Sotheby’s in 2015.The imagery plays on a Zen Buddhist parable which draws a parallel between the herdboy and ox and the attainment of enlightenment. It is most famously portrayed in the series of ten ox herding pictures (originally only eight) accompanied by a series of short poems by Kakuan Shien.Auction comparison:A related ebony and ivory netsuke of an oxherder with ox by Kagetoshi was sold at Zacke, Fine Netsuke & Sagemono, 25 September 2020, Vienna, lot 158 (sold for 3,666 EUR).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0336).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ HOJITSU: A FINE IVORY KAGAMIBUTA NETSUKE WITH A RAKANBy Meikeisai Hojitsu, signed Hojitsu 法實 with kakihanJapan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Consisting of two parts, the front of the flush-fitting disc engraved in shishiaibori (sunken relief) with an image of a meditating rakan with a stern-faced expression, surrounded by a halo. The ivory bearing a light, lustrous stain, the surface superbly polished. Central himotoshi to the back, the cord attachment to the back of the disc next to the neatly incised signature HOJITSU and kakihan.DIAMETER 4.1 cmCondition: Excellent condition, minor wear.Provenance: Purchased from Nagel auctions, Stuttgart, May 2006. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0225).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ KOSAI MORITOSHI: A SUPERB IVORY MANJU NETSUKE DEPICTING THE TALE OF PRINCE HANZOKU AND THE NINE-TAILED FOXBy Kosai Moritoshi (1854-1911), signed Kosai Moritoshi 孝齋 守壽 with kakihanJapan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Of circular form, the two-part manju finely carved to one side in shishiaibori (sunken relief) with Prince Hanzoku standing in a dynamic pose with all limbs spread out, wearing a pleated sarong and billowing scarves, adorned with a beaded necklace, his face with a grim expression, his curled hair neatly incised. The other side similarly carved with a nine-tailed fox, the true form of Hanzoku’s consort Lady Kayo, the beast with a fierce expression, the long body elegantly curved and still covered in the fine robes of her previous guise. Signed to the back KOSAI MORITOSHI with the characteristic ‘flying crane’ kakihan.DIAMETER 5.3 cmCondition: Very good condition with minor surface wear. Fine honey-yellow patina.The present netsuke depicts the Indian prince Hanzoku and his consort Lady Kayo, who reveals herself as a nine-tailed fox, and is based on a print by Utagawa Kuniyoshi (1798-1861) from 1849.Kosai Moritoshi (1854-1911) was the founder of a school of Manju netsuke carvers. Ueda Reikichi describes this carver’s work as having “a beautiful style”, see Bushell, Raymond (1961) The Netsuke Handbook by Ueda Reikichi, p. 543.Literature comparison: Compare a related ivory manju netsuke by Kosai Moritoshi, similarly carved in shishiaibori, formerly in the collection of Raymond Bushell and now in the Los Angeles County Museum of Art, accession number M.87.263.25. Compare a closely related ivory manju netsuke, the subject described as “the story of Abe no Seimei and the nine-tailed fox”, signed Shunkosai Moritoshi and also with a ‘flying crane’ kakihan, dated c. 1870, illustrated in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part A, p. 581.Auction comparison: Compare a related ivory manju netsuke by Moritoshi, similarly carved in shishiaibori and also with a ‘flying crane’ kakihan, at Bonhams, Asian Decorative Arts, 24 June 2015, San Francisco, lot 8007 (sold for 3,750 USD). Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0229).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ A SUPERBLY INLAID IVORY MANJU NETSUKE DEPICTING A BOY AND GOATInscribed Shibayama 芝山Japan, Tokyo, late 19th century, Meiji period (1868-1912)Published: Netsuke Kenkyukai Study Journal, vol.11, no.1, p. 12.Sydney L. Moss (2010) they are all fire and every one doth shine. The Elly Nordskog Collection of Japanese Inro, Pipecases and Netsuke, London, pp. 378-379, no. 124.The two-part ivory manju netsuke superbly inlaid in silver with gold and copper details, translucent buffalo horn, aogai, and malachite with a design of a boy dressed in Korean garments, riding a goat and holding a fan, next to craggy rocks, a fence, and a large leafy plant. The back with central himotoshi and replaced signature plaque reading Shibayama.DIAMETER 3.9 cmCondition: Good condition, minor wear to inlays, possibly some minor old repairs to malachite. The signature plaque is replaced.Provenance: Ex-collection Elinor “Elly” Nordskog (1919-2013).As noted by Sydney Moss Ltd. it is unlikely that this manju is by a member of the Shibayama family, but much more likely by the talented metalworker Serizawa Ryumin (born ca. 1836).Literature comparison:A related manju netsuke with similar inlays depicting Tenaga is in The Walters Art Museum, Baltimore, Maryland, accession no. 71.985. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0206).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ A FINE IVORY NETSUKE OF A SAKE BOTTLE (TOKKURI)Japan, 19th century, Edo period (1615-1868)Finely carved as a sake bottle, one side worked with the lucky god Hotei in sunken relief, the concentric circles across the globular body imitating the lines that are created when the lathe is turned, the underside marked with an imitation pottery seal mark in the form of a kakihan (artist’s monogram).HEIGHT 4.4 cmCondition: Very good condition with minor surface wear and natural age cracks. Provenance: German private collection, purchased from Lempertz, Cologne, in 2014.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0334).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ HOZAN: AN IVORY MANJU NETSUKE DEPICTING A BOY WITH BAGBy Hozan, signed Hozan with kakihan Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Of circular form, the two-part manju finely carved in shishiaibori (sunken relief) to one side with a karako holding a bag behind his back (an allusion to the lucky god Hotei), the face with a cheerful expression. The reverse with a neatly engraved staff, a central himotoshi and the signature HOZAN with kakihan – a pupil of Hojitsu.DIAMETER 4.4 cmCondition: Very good condition with minor wear, fine age cracks.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0304).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ RYUMIN: A FINE IVORY MANJU NETSUKE OF A SAMBASO DANCERBy Ryumin, signed Ryumin with kakihan Japan, Edo (Tokyo), c. 1860, Edo period (1615-1868)Published: Sydney L. Moss (2010) they are all fire and every one doth shine. The Elly Nordskog Collection of Japanese Inro, Pipecases and Netsuke, London, pp. 376-377, no. 123.Of circular form, the two-part manju finely carved to one side in shishiaibori (sunken relief) with a sambaso dancer in a dynamic pose with all limbs spread out, his face with a joyful expression. The reverse carved with a long-haired female courtier seen from behind, the hair neatly incised. The back with central himotoshi and red-ink signature RYUMIN with kakihan.DIAMETER 4.5 cmCondition: Very good condition with a minor nibbling to the rim.Provenance: Ex-collection Elinor “Elly” Nordskog (1919-2013).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0308).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ AN IVORY AND METAL KAGAMIBUTA NETSUKE DEPICTING A KONOHA TENGU WITH A GEISHAJapan, late 19th centuryOf circular form, the ivory bowl fitted with a shibuichi plate very finely worked in high relief and decorated in gold and copper takazogan to depict a Konoha tengu, with a suggestively elongated nose, following a geisha. Central himotoshi to the back.DIAMETER 4 cmCondition: Very good condition with minor surface wear and traces of use.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0316).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ TENMIN: AN IVORY AND METAL KAGAMIBUTA WITH RAKANBy Asama Tenmin, signed Tenmin 天民Japan, Tokyo, late 19th centuryThe disc very finely worked in high relief with a pensive Rakan with long eyebrows and a bushy beard, the eyes inlaid with gold. The ivory bowl superbly polished, with a central himotoshi, the cord attachment to the back of the disc.DIAMETER 4 cmCondition: Excellent condition.Provenance: Ex-collection Ted Wrangham, collection no. 2279 (according to label). Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0234).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ A FINE IVORY RYUSA MANJU NETSUKE WITH DARUMA, ATTRIBUTED TO RENSAIAttributed to Ishikawa Rensai, unsignedJapan, Tokyo, Asakusa district, late 19th centuryCarved on one side with an image of a grim, pensive Daruma against a ground of leaves and iron bars, the reverse with a beautifully carved hossu (flywhisk) and a nyoi-scepter and central floral himotoshi.DIAMETER 3.8 cmCondition: Very good condition. Fine honey-colored patina.Provenance: French private collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0346).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ AN IVORY NETSUKE DEPICTING A CRANEJapan, Meiji period (1868-1912)The ivory netsuke of rectangular form, decorated with aogai (mother-of-pearl) inlays, depicting a crane with outspread wings. The two asymmetrical himotoshi running through the backside.LENGHT 3.7 cmCondition: Traces of wear and age with small inlays of the crane missing. Provenance: German private collection, acquired between 1960 and 1990.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0434).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ YOSHIMASA: A VERY FINE SHIBAYAMA INLAID THREE-CASE WOOD INRO DEPICTING HOTEIBy Sakiyama Yoshimasa, signed Shen Nanpin (Nanping Shenquan) no zu ni motte, Seikotei ni oite kore o hori utsusu, Sakiyama Yoshimasa zo Japan, second half of 19th century A superbly inlaid three-case lacquer inro with a beautifully carved reddish wood ground. One side depicting Hotei with inlays of ivory, mother-of-pearl, stained horn and tortoiseshell. The reverse carved in relief depicting a very finely carved dragon emerging from the turbulent sea. Attached red lacquer ojime. The inro is signed and inscribed on the sides: 以南蘋沈銓圖、於青江亭彫写之。崎山良正造“Shen Nanpin (Nanping Shenquan) no zu ni motte, Seikotei ni oite kore o hori utsusu, Sakiyama Yoshimasa zo” Translated: “Based on a painting by Shen Nanpin (active 1682-1780, arrived in Nagasaki, Japan 1731 for two years), engraved at the Seikotei (“Blue Water Pavilion”), Sakiyama Yoshimasa made this” HEIGHT 8 cm Condition: Very good condition. Provenance: European collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0287).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ RANTEI: A RARE TWO-CASE IVORY INROBy Rantei, signed Rantei Japan, Kyoto, 19th centuryPublished: E. A. Wrangham, The Index of Inro Artists, 1995, p.208, Rantei, second from right.　The two-case inro of oval form, carved in relief with a small boy playing the sho watched by a sage seated on the reverse beside a pine tree, the details very neatly engraved, the downside signed within an irregular reserve RANTEI.HEIGHT 5.1 cmCondition: Excellent condition with minor traces of wear and few natural age cracks, good patina. Provenance: Ex-collection Edward Wrangham. Bonhams, New Bond Street, 10th May 2011, acquired from the above.Auction comparison: Compare two closely related ivory inro signed Rantei and of similar shape and size at Bonhams, The Edward Wrangham Collection of Japanese Art Part III, 15 May 2012, London, lot 361, (sold for 8,254 EUR) and at Bonhams, The Harriet Szechenyi Sale of Japanese Art, 8 November 2011, London, lot 331 (sold for 5,703 EUR).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0219).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ SHISEN: A FINE GOLD LACQUER FOUR-CASE INRO DEPICTING OF A SLEEPING LADYBy Shisen, signed Shisen 芝船 saku 作 Japan, 19th centuryOf rounded rectangular form and oval section, the nashiji ground finely lacquered in gold and colored takamaki-e, hiramaki-e, and tsukegaki to depict a blissfully sleeping court lady, the facial features appearing like the Shinto goddess Okame, her right arm and head resting on a pillow and her left hand holding a fan, wearing voluminous patterned robes, a blind open behind her. The reverse with an empty black lacquer tsuigasane (table tray) and a wooden tray – indicating that the lady has fallen asleep after eating an offering of sweets. The interior of nashiji with gold fundame edges. The underside signed in tensho characters SHISEN saku [made by Shisen].HEIGHT 9 cmCondition: Excellent condition with minor wear, the interior with traces of use. Provenance: A private collection in Somerset, England.With a coral ojime of globular form.The present inro’s depiction of a sleeping court lady may be a mitate allusion to The Pillow Book (Makura no soshi) by Sei Shonagon (c. 966-1017 or 1025). Sei Shonagon was a court lady and poet who served the Empress Teishi during the middle Heian period. Sei Shonagon is often depicted in Japanese art dressed in an elegant kimono and rolling up blinds, although depictions of her sleeping and holding a fan exist as well.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Ɏ AN UNUSUAL INLAID BLACK AND GOLD LACQUER FOUR-CASE INRO DEPICTING BONSAI TREESUnsignedJapan, 17th-18th century, Edo period (1615-1868)Of upright, rectangular form and oval section, the roiro ground lacquer in gold takamaki-e and hiramaki-e as well as inlays of coral and various semi-precious stones, to depict a bonsai tree in a shallow rectangular footed vessel, the exterior of the cord holes decorated with scroll. The interior of roiro with gold fundame edges.HEIGHT 7.5 cmCondition: Good condition with some wear, minor age cracks, small losses to inlays, little flaking to lacquer, the interior with traces of use.Provenance: French private collection.Bonsai is a Japanese version of the original traditional Chinese art penjing or penzai. Unlike penjing, which utilizes traditional techniques to produce entire natural sceneries in small pots that mimic the grandiose and shape of real life sceneries, the Japanese bonsai only attempts to produce small trees that mimic the shape of real life trees. It was during the Tang dynasty, when penjing was at its height, that the art was first introduced into Japan.Bonsai cultivation reached a high level of expertise during the Edo period. Bonsai dating to the 17th century have survived to the present. One of the oldest-known living bonsai trees, considered one of the National Treasures of Japan, can be seen in the Tokyo Imperial Palace collection. A five-needle pine (Pinus pentaphylla var. negishi) known as Sandai-Shogun-No Matsu is documented as having been cared for by Tokugawa Iemitsu. The tree is thought to be at least 500 years old and was trained as a bonsai by 1610.By the end of the 18th century, bonsai cultivation in Japan was becoming widespread and began to interest the general public. In the Tenmei era (1781–88), an exhibit of traditional dwarf potted pines began to be held every year in Kyoto. Connoisseurs from five provinces and neighboring areas would bring one or two plants each to the show in order to submit them to visitors for ranking.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Dame Agatha Christie, Lady Mallowan (1890-1976), her mortar and pestle, from Winterbrook House, Wallingford, the item being a circa early 20th Century Chemist’s acid proof stoneware mortar and pestle, with a typed letter of provenance stating:“…My mother Lily Belson was Agatha’s last Cook and Housekeeper at Winterbrook House. One day, Agatha requested that the mortar she had used when she was a pharmacist be thrown out as it had a crack in it. My mother quite liked it and so Agatha was happy to give it to her…”The letter of provenance signed by Betty Paine, whose mother Lily Belson was housekeeper, cook and companion to Agatha Christie for 23 years at Winterbrook House, Wallingford, where the mortar & pestle was gifted to her by Agatha Christie. In another connection, the item subsequently donated in 2012 by Betty Paine to Lindsay Spalding & Don Birch, then owners of The Beechwood Hotel, North Walsham. The letter of provenance addressed to Mr L Spalding, joint owner of the Beechwood Hotel, North Walsham, Norfolk 1993-2005, the hotel formerly being The Shrubs, the home of doctors Peter & Margaret McLeod, whom Agatha Christie befriended in Iraq during her travels there in 1928. The McLeod’s bought The Shrubs when they returned to England from Mesopotamia in 1936, over the next thirty years, Agatha Christie stayed many times at The Shrubs until it was sold in 1967. She would often come for a month at a time, usually travelling by train and always came on her own. She spent many hours writing in the summerhouse here, and over dinner would discuss possible plots with Peter and Peggy who were always happy to supply medical information on how for example, poisons worked, to ensure her books were authentic. Many of the author’s novels involve murder by toxic substance, with deadly toxins being deployed in more than 30 of her crime novels. Her accurate knowledge on the subject was primarily gained during the first World War, where she volunteered at the Red Cross Hospital in her hometown of Torquay, Devon. As a Voluntary Aid Detachment (vad) nurse, she was introduced to a wide range of chemicals, she later dispensed medicines in her duties as well, in order to enable her to do this, Christie had to pass several exams to become an apothecary’s assistant. She had to study theoretical and practical chemistry and she took tuition from a pharmacist in the town. All prescriptions were prepared by hand and it was essential to deliver the right dosage. Overdoses of many over-the-counter drugs, as well as switched prescriptions, are a common feature of her fiction, and many of her poisoners have some medical training. Had Christie not been taken off hospital duty to work in a dispensary, she might not have acquired her thorough knowledge of poisons which she used in her compelling plotlines. In her first novel, The Mysterious Affair at Styles, the killer uses strychnine, which, like arsenic, was still in medical use at the start of her writing career. “It was while I was working in the dispensary that I first conceived the idea of writing a detective story […] and my present work seemed to offer a favourable opportunity. […] I began considering what kind of detective story I could write. Since I was surrounded by poisons, perhaps it was natural that death by poisoning should be the method I selected,” Christie recalled. Cyanide, the author’s favourite instrument of chemical death, was readily available until the mid 1940s in the form of domestic pesticides and was used to bump off characters in The Mirror Crack’d from Side to Side, And Then There Were None and, of course, Sparkling Cyanide. Elsewhere in her books, toxic plants such as yellow jasmine, foxglove and hemlock, were administered to lethal effect. She even tried literary experiments with more unusual chemicals, such as thallium and ricin. When the second world war broke out, Christie volunteered again. She renewed her training at University College Hospital, London, and worked regular hours at the dispensary, while planning fresh methods of murder.The mortar diameter approx. 15cm at rim, the rim chipped, (as stated in letter in provenance as to why Agatha Christie wished it to be disposed of), the base diameter approx. 10cm and marked “Guaranteed Acid Proof”, the turned wood handled pestle approx. 19cm long. With typed letter of provenance, and colour photograph of Lily Belson in the kitchen at Winterbrook House, Wallingford.

(Ian Fleming, James Bond, You Only Live Twice), A rare Ian Fleming James Bond poster for the novel 'You Only Live Twice', first published Jonathan Cape Ltd, 1964, the poster presumably a promotional item produced for the launch of the book, approx size 75.5 x 50cm, on board, with the author's surname in block capitals at head of poster in the iconic 'Tea Chest' stencil typeface, first used with such stunning effect on the 'From Russia with Love' dust jacket, where the beautiful and classic Trompe L'oeil illustration by Richard Chopping is in stark contrast to the rough boldness of Tea Chest, thereafter becoming part of the house style in the Jonathan Cape UK first editions of the vast majority of Bond novels, including the Chopping designed dust jacket of 'You Only Live Twice'. The title of the book in English and Japanese characters vertically descending on the right hand side of the poster, the main image of the poster a montage consisting of a photographic portrait of a Japanese lady (presumably the main female character in the novel, "Kissy Suzuki"), a Chrysanthemum flower, an iconic Walther PPK pistol, and a toad sitting on a torn out newspaper obituary for Commander James Bond, and the text "Jonathan Cape 16s" to lower right. The toad and the pink chrysanthemum also echo the Richard Chopping designed dust jacket for the novel. You Only Live Twice was published in the UK on 16 March 1964, by Jonathan Cape and cost sixteen shillings. There were 62,000 pre-orders for the book, a significant increase over the 42,000 advance orders for the hardback first edition of On Her Majesty's Secret Service. Some wear to extremities and corners, slight toning and light waterstaining to the "L" & "E" of "FLEMING" at head of poster, corner mounted in a modern box frame. A very scarce Ian Fleming James Bond item.

(Royalty) A packet of ephemera and small number of books with inscriptions by royal family members etc. to members of the Wylde family of East Sheen, Surrey, mainly Eric Wylde, including an 1898 copy of 'A March on London' by GA Henty, inscribed by Princess Victoria Mary, later Queen Mary (1867-1953) at front "For Eric Wylde from Victoria Mary Xmas 1897, plus other Queen Mary items including card inscribed for Eric Wylde as Duchess of York, Christmas 1896, New Year greetings card 1896 inscribed "For Eric Wylde from Victoria Mary 1896 - With best thanks for kind present to little Edward", plus Queen Maryletter front, invitation, thank you card from Edward written in pencil on York Cottage Sandringham headed card; Princess of Wales, later Queen Alexandra (1844-1925), 3 Christmas cards/cards inscribed to Eric Wylde and signed as Princess of Wales 1901/02; other royalty items including telegram Esher 1907 "Mrs Wylde East Sheen Many thanks kind congratulations Teck"; 1902 printed invitation to Marlborough House, another item signed and inscribed Princess Mary Adelaide, Duchess of Teck (1833-1897), etc; autograph letter signed and 2 autograph cards signed Prince Alexander of Teck (1874-1957), army commander and governor general of South Africa & Canada, to Mrs Wylde, on Henry III Tower Windsor Castle headed paper, plus 2 juvenile late 19th Century books signed and inscribed at front by Prince Alexander George of Teck and dated Xmas 1897, etc; Maxwell: 'In Malay Forests', 1911, 2nd edition, signed and inscribed to FFEP "To Jack From Ismail Bin Ibrahim [signed again beneath in Jawi]", this possibly General Ibrahim Ismail (1922-2010), etc

Diego Maradona Poster, of him in his younger days, wearing Boca Juniors Strip, salmon pink background, the lower border Diego Armando Maradona Producciones S.A, image 57.5 x 44cm, framed. This iconic rare item was purportedly purchased by the vendor in Buenos Aires Argentina.

Assorted Jersey Militia cap badges with a Jersey Militia dress medal and seven badges. * Provenance: R & D Auctions Ltd, purchase receipt, Thursday 20th March 2014, item No. 456.

A Fabrique Nationale double barrel side by side 12 bore shotgun circa 1924 with 30in. nitro barrels and a chequered pistol grip stock, serial 7782, 46.5in. overall length, comes with soft carry case, shotgun cleaning kit and cartridge belt. *Shotgun certificate required to purchase this item.

A galvanised bucket, a square loaf tin, cast iron skillet, and one other item (4)

Antique Bezique Card Table By Thornhill Of Bond Street, circa 1890's.  Ebonised mahogany folding games table with a green baize playing surface. Brass pull out draw for scoring pegs set to the underside, the drawer is engraved 'Sole Manufacturers, W. Thornhill & Co., 144 New Bond Street. London, Rd. 52608'. The top is hinged to the centre to enable it to fold up and the base is an X-frame. 70cm x 67cm x 69cm.  COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A 19th Century Victorian Lebus oak clerk's roll top desk, the tambour front opening to reveal drawers and recesses, above a central cushion drawer flanked by eight short drawers, raised on plinth bases. Measures approx; 118cm x 137cm x 68cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

An early 19th Century Regency mahogany workbox on stand of large size. Comprises the box with hinged lid and brass handles raised on a tapering line inlaid square leg base. The interior fully appointed with a fitted interior. Measures approx; 56cm x 46cm x 34cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A pair of Arts and Crafts oak side / dining chairs, possibly by William Birch for Liberty & Co. raised on ring turned legs and stretchers, with blush pink upholstered seat. Measures approx; 100cm x 40cm x 43cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A matching pair of 19th Century Victorian mahogany side chairs having one panel carved backrest with hand painted floral decoration. Each raised on splayed turned supports. Each chair measures approx; 95cm x 44cm x 41cm.   COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A 19th Century Victorian chair having a padded back and seat rest with red velvet floral upholstery with tasseled ends. All raised on straight leg supports. Measures approx;  COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A pair of 19th Century walnut Carolean revival carved hall chairs / throne chairs.Tall intricate carved backrest with 'C' scrolls, acanthus leaf and central floral medallion flanked by turned columns over tapestry horsehair stuffed seat raised on block and turned legs with carved decorative stretcher. Measures approx; 130cm x 49cm x 41cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A 19th Century George III mahogany bachelor's chest of drawers in the manner of Chippendale. The straight bank of four drawers having a series of ornate brass handles flanking ornate lock escutcheons. All raised on bracket feet. Measures approx; 82cm x 78cm x 49cm.  COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A late 18th Century George III carved walnut mural cupboard having a decorative carved pierced foliate surround with shell top and acanthus leaf detailing. Single door with further applied foliate mouldings opening to reveal a fitted interior. Finished in white. No signs of visible damage. Measures approx; 96cm x 59cm.      COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A set of four early 19th Century Regency period rosewood brass inlaid dining chairs / side chairs. Each with bar back and inset with brass scrollwork all raised on sabre legs. Measures approx; 84cm x 47cm x 55cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A pair of ladies & gents 19th Century Arts & Crafts bobbin turned armchairs having turned bobbin gallery backrest, arms legs and supports with inset rush seat pad. Measures approx; 96cm x 59cm x 53cm.  COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A 19th Century French mahogany Bijouterie jewellery display cabinet table. Comprises a circular table top with hinged glass lid, applied mouldings and chequered inlay band raised on a baluster turned tripod splayed leg base. Crack to glass otherwise in good functional condition. Measures approx; 71cm x 33cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

An 18th Century George III oak childs crib / cot having turned finial columns and square form cover raised on bowed sleigh rockers. Measures approx; 75cm x 91cm x 52cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

An 18th Century George III oak wall cupboard having a carved front set with small square door opening to reveal a spacious interior. Carved with repeating patterns and motifs under an arched pediment top. Measures approx; 64cm x 88cm x 51cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

An early 19th Century Regency period Scottish mahogany chest of drawers. The bank of two over four drawers having a secret hinged top compartment, mother of pearl decorated large turned handles to the drawer fronts all raised on large bun feet. Measures approx; 120cm wide x 51cm deep. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A large & impressive mid - late 19th Century Victorian Gothic Ecclesiastical breakfront sideboard credenza in the manner of Augustus Welby Northmore Pugin. Arched top gallery back with blind fret piecing and battlement top with shelf above three mirror panels. The base having fret pierced panel doors below three drawers. Measures approx; 186cm x 135cm x 55cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A 19th Century Victorian arts & crafts window seat two seater bench having bobbin turned columns and supports. Rush seat raised on bobbin turned legs & stretchers. Measures approx; 77cm x 105cm x 45cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A 19th Century Gothic brass worked chandelier light of two tier ecclesiastical circular form. Each tier with pierced foliate decoration and torch style mounts. Brass chains through supporting each tier. Measures approx; 90cm x 60cm diameter.   COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .