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A RETICULATED JADE ‘KUI DRAGONS’ PLAQUE / PENDANT CHINA, LATE QING DYNASTY Finely carved and reticulated with two confronted kui dragons with coiled bodies. H: 6,7 cm Weight: 47,2 grams “夔龙”网纹玉吊坠 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FINE CANTON ENAMEL SORBET AND SAUCER CHINA, LATE QING DYNASTY, 19TH CENTURY The circular saucer with a central recessed part rests on a short ring foot. The sorbet, of round body, also rests on a short ring foot/ The outer parts of both pieces are all covered in light night blue enamels. Against that ground, various flowers, including lotus and chrysanthemums, enameled in light blue as well as double shou characters gilt enameled. H (the sorbet): 3,6 cm D (the saucer): 11,6 cm 精美广东珐琅餐具 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A CANTON ENAMEL ON COPPER ‘LOTUS’ DISH CHINA, QING DYNASTY, 19TH CENTURY It rests on a short ring foot and has a short round body and a foliate rim. The inner part is painted in light blue and pink enamels with lotus flowers and scrolls. The base is painted in dark blue enamels with three flying kui dragons against a turquoise ground. D: 24,2 cm 广东铜胎珐琅莲纹盘 中国，清代，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

$ A MOTHER OF PEARL EMBELLISHED POSSIBLY ZITAN WRIST REST OF GU QIN 古琴 FORM CHINA, QING DYNASTY The domed-part is finely inlaid with parcel polychromed mother of pearl to depict six flying butterflies. L: 29,5 cm Weight: 130 grams Note: The butterfly is a symbol of long life because the second character in butterfly (hudie - 蝴蝶) has exactly the same pronunciation as the character 耋 (die) which means ‘70 or 80 years of age’. The butterfly also signifies joy and warmth. $ 珍珠母贝装饰可能为紫檀古琴托架 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*A PEKIN / BEIJING OVERLAY GLASS ‘MAGPIES AND PLUMS’ TAPERING VASE APOCRYPHAL MARK OF EMPEROR TONGZHI CHINA, REPUBLIC / MINGUO PERIOD It has an elongated egg-shaped body surmounted by a trumpet neck. It is adorned in yellow overlay with magpies and prunus against an opaque blue glass ground. The base bears the apocryphal mark of Emperor Tongzhi, a four-character one in kaishu script: ‘同治年製’. H: 19 cm Notes: 1. The Chinese phoenix is a mythical bird known as the fenghuang (凤凰) in Chinese. It is believed that the phoenix only makes an appearance during periods of prosperity, peace and good government. The phoenix symbolizes joy and peace and is also stands for the Empress. 2. Traditionally in China, glass was a relatively non-essential material, used for decorative and ritual purposes, and was not commonly accessible to Chinese people until the early twentieth century. The change of status for glass - from a minor material to a functional material for making vessels, lenses, and windows - occurred in the late 17th century, when glassware and scientific instruments from Europe inspired Emperor Kangxi to establish his own glass workshop under the supervision of European missionaries, whom brought the Venetian technology to China. “喜鹊与李子”玻璃花瓶，仿同治款及可能时期 中国，晚清至民国 IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

AN IMPERIAL EDICT OR DECREE CONFERRING A PROMOTION UPON AN OFFICIAL DATED TO THE 20TH DAY OF THE 11TH MONTH OF THE 26TH YEAR OF THE REIGN OF EMPEROR QIANLONG CORRESPONDING TO 1761 CHINA, QING DYNASTY, QIANLONG PERIOD The edict is written on a woven silk brocade and mounted. It has been lately cut down and laid on on a soft cardboard as an accordion book with two covers. The text is arranged in standard form reading from right to left in Chinese characters and repeated from left to right in Manchu. The Chinese text is opening with a four-character title in a vertical line 'Fengtian Gaoming' (lit. ‘By Command of Heaven’), flanked by a pair of dragons, On the central part of the edict, there is a large stamped imperial seal impression reading ‘Zhì Gào Zhī Bǎo’ (‘制誥之寶’, lit. ‘Seal of Edict’) followed by the inscription ‘乾隆二十六年十一月二十日’ dating the decree to 1761. The content of the edict or decree first briefly describes the relevant will of the emperor, then the deeds or achievements of the conferred officials as officials, and finally the conferred rank and order. Dimensions (each leaf): 28,3 x 30 cm Note: Several decrees or edicts with similar contents and dated to the same day, month and year are known. One is preserved in the collection of the Imperial Decree Museum, Xuzhou, China. Another one has been sold at SOTHEBY’S Hong Kong, China, 2012-10-09, lot 3012, for HKD325,000. 皇帝圣旨- 乾隆二十六年十一月二十日 中国，清代，乾隆时期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*CHINESE SCHOOL IN THE MANNER OF BADA SHANREN 八大山人 (circa 1626-1705) BORN AS ZHU DA 朱耷 Bird on rock Ink wash on paper Signed on the upper right corner with the artist huāyā (花押) signature Bearing two red artist seals on the upper right 33,6 x 29,3 cm Provenance: a Private Collection. Notes: 1. Bada Shanren began painting and writing poetry in his early childhood. He later developed a career as a professional painter adopting a series of descriptive pseudonyms, most notably Bada Shanren by which he is most often known today. The stylized vertical writing of his pseudonym Bada Shanren (八大山人) looks like the characters for laugh (笑) and cry (哭), thus by signing his paintings he implied his confusion and feelings of grief for the fate of his country and home. His paintings feature sharp brush strokes which are attributed to the sideways manner by which he held his brush. In the 1930s, Chinese painter Zhang Daqian (​​張大千, 1899-1983) produced several forgeries of Bada Shanren's works. 2. A huaya or ‘Flower print’ is a stylized signature or mark used in East Asia cultures in place of a true signature. Originating from China, the huaya was historically used by prominent figures such as government officials and artists. 3. This painting of a bird on rock is similar to that of the anban or anwan album preserved in the collection of the Sen-Oku Hakukokan Museum, Sumimoto Collection, Lyoto, Japan. Click HERE to see the related painting said to be by the hand of Bada Shanren. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 中国画作 八大山人- 朱耷，约1626-1705 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*CHINESE SCHOOL, AFTER FU QING 傅清 (D. 1750) CHINA Two flycatchers eating a butterfly in a landscape with rocks and peonies Ink and colours on paper Mounted as a scroll / kakemono Signed on the upper right part An inscription completed by two (2) seals, one being ‘仲秦’ (zhòng qín), the other one being ‘傅清之印’ (fù qīng zhī yìn)Dimensions (the sole painting): 124 x 51,5 cm 中国画作，傅清之后（D.1750） 中国 IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*CHINESE SCHOOL Two ladies playing music, the first one playing the pipa (lute), the second one playing the qin (zither), in a landscape with rocks and bamboos Ink and colours on silk Mounted as a scroll / kakemono No signed Dimensions (the sole painting): 76,5 x 35 cm 中国画作 中国，清中期 IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

CHINESE SCHOOL (CHINA, 19TH CENTURY) Ladies, boys at play and puppies / dogs Ink and colors on a paper brisé fan laid on another surface, probably a soft cardboard Unsigned Framed with a glass Dimensions (the sole fan): 23 x 51 cm 中国画作（中国，19世纪） NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

CHINESE SCHOOL (CHINA, 20TH CENTURY) WITH SEAL POSSIBLY READING TÁN LÀNG BÁI 谭浪白 A couple of sparrows on a branch charged with lychees Ink and colors on paper Inscribed with a long calligraphy on the upper left Bearing an artist red seal on the middle left part Bearing another and larger red seal on the lower left Framed with a glass Dimensions (as seen within its frame): 23 x 51 cm 中国画作，（可能）为谭浪白印 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

CHINESE SCHOOL (ACTIVE 20TH CENTURY) MAYBE BY XIǍO LÍN SHÌ 晓林氏 Magpies and prunus Ink and ink wash on paper Inscribed with a long calligraphy on the upper left Signed on the upper left Bears an artist seal on the upper left Dated to a xīn yǒu 辛酉 year on the upper left Dimensions (the sole painting): 66,2 x 24 cm 中国画作 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

CHINESE SCHOOL IN THE MANNER OF XU BEIHONG XU 徐悲鴻 (CHINA, 1895-1953) Les trois cormorans - The three cormorants Ink and colors on paper Mounted as a scroll / kakemono With a signature (apocryphal) on the upper left: ‘悲鴻’ With a date (apocryphal) on the upper left: Winter 1935 (‘二十四年冬’) With an artist seal (apocryphal) on the upper left With an handwritten collector label on the scroll mount attributing the painting to Xu Beihong Dimensions (the sole painting): 110 x 59 cm Notes: The son of a painter, Xu Beihong was born in 1895 in Qiting, Jiangsu. He received a traditional scholar education, including classics of Chinese literature, philosophical essays and ink wash painting. From 9 years old onwards, he started copying old master paintings. He later studied at the French Department of the Catholic University of Furen and moved to Paris, France, where he studied at the Paris Fine Arts Institute (Institut des Beaux-Arts de Paris. Upon his return to China, later in his life, he was appointed a professor at the ink wash and calligraphy research Department of the University of Beijing. In 1935, Xu Beihong went to Guilin, Guangxi, where he first got acquainted with one of his favorite subjects: cormorants. Indeed, there, he saw fishermen fishing with those birds. He then studied thoroughly those birds, their interesting shapes, wings, colors and beak etc. He drew many sketches and wrote texts about them. Hence the versions of this subject that we can find in different museums, such as the one preserved in the collection of the Crystal Museum, Taichung, Taiwan, or the one preserved at the Memorial Museum of Xu Beihong, Beijing, China. In our painting, three lively black cormorants are depicted along a lake. The first one - on the first ground - is turning its back to us and the second one - on the middle ground - is seen from its side or profile whilst the third one - in the background - is drying its plumage with its hooked beak. 中国画作，徐悲鸿风格（1895-1953） NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

LIAO XINXUE (CHINA AND FRANCE, 1906-1958) Quatre moineaux perchés sur une branche de prunus fleuris (Four sparrows perched on a blossoming plum branch) 四只麻雀栖息在盛开的梅枝上 Ink and colors on silk Signed to the lower left: ‘Liao’ With an inscription on the upper left, meaning ‘Painted in Paris’, completed with a red seal of the artist Framed Dimensions (the sole painting, as seen within its frame): 25 x 33 cm Notes: 1. A relatively unknown Chinese artist who came to Paris. He has been masterfulling at painting animals and most specifically birds. 2. A portrait of a lady by this artist fetched €7,424 in Paris, France at ADER, 2021-01-26, lot 123. 中国画作（中国和法国，1906-1958） NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A LARGE PRESENTATION EMBROIDERED SILK WALL HANGING FOR A 91ST BIRTHDAY APOCRYPHALLY DATED TO THE 60TH YEAR OF THE REIGN OF EMPEROR KANGXI (1721) CHINA, POSSIBLY 19TH CENTURY A single rectangular shaped gauze silk panel richly embroidered with a lengthy inscription, giving a clear rendition of Confucian values, dated to a ‘康熙六十年’, i.e. the 60th year of Kangxi Emperor reign and bearing seals, one potentially reading ‘楊笆X除’, likely the name of the maker or the author of the calligraphy, a so-called ‘Chú’. The central panel, bearing the principal calligraphy, is circumscribed by another rectangle panel, embroidered with one hundred stylized variations of the shou character standing for a long life, then by a further rectangle with numerous characters, including officials and daoist immortals, and finally with another rectangle adorned with numerous auspicious daoist objects, emblems and beasts. 271 x 407 cm Notes: 1. When made for court personages, government officials, or other members of the aristocracy, commemorative hangings proclaiming meritorious service, major birthdays, or anniversaries could be spectacular objects. The dedicatory inscriptions are typically dated, while the figural imagery relating to family history is Confucian in nature. Taoist emblems connoting long life are also a standard part of the decoration. This hanging celebrates the 91st birthday of an important person. Major birthday celebrations in China were held at 60, 70, and 80 years of age. Prominent writers and calligraphers were typically recruited by the family to compose the actual verse. In that case, the author’s name may be deciphered as ‘Chú’ (‘除’). 2. Compare with a close birthday embroidery, though dated to 1887, preserved in the collection of the Minneapolis Institute of Art under, as part of The John R. Van Derlip Fund, under accession number 42.8.308. 大型且重要的91岁生日丝绸壁挂，康熙年间1721年仿款 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A EMBROIDERED SILK XIAPE OR COURT WAISTCOAT CHINA, QING DYNASTY, 19TH CENTURY Made of dark night blue silk. The front and the back bears a rank badge (buzi), possibly for Civil Rank #5, that of a SIlver Pheasant. The front part is embroidered with two confronted flying five-claw dragons amidst clouds and above lishui waves with a sacred peak or mountain as well as with numerous flying pheasants and bats and gourd wines. The back part is embroidered with one single archaistic and frontal five-claw dragon flying amidst clouds and above lishui waves and a sacred peak as well as with numerous auspicious symbols. H: 102 cm - width: 66 cm Note: Compare with a related xiape or court waistcoat sold at CHRISTIE’S South Kensington, London, UK, 2012-05-12, lot 1056, for GBP 6,250. 刺绣宫廷袍 中国，清代，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A SQUARED EMBROIDERED SILK 'PARADISE FLYCATCHER ROUND BADGE, BUZI China, Qing Dynasty, 19th century Polychromed and gilt threads. The bird is depicted flying amidst clouds above crashing waves. Dimensions (the sole badge): H: 28,5 cm - w: 27 cm Note: The bird might be identified as a paradise flycatcher therefore this buzi may be that of a ninth civil rank official. 方形丝绸刺绣“长尾鹟”圆形徽章，补子 中国，清朝，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A NOTED COLLECTION OF JADES AND SNUFFBOTTLES A WHITE JADE CARVING OF A LOTUS ROOT AND BIRD CHINA, QING DYNASTY The stone, of fine white color highlighted with added russet, is naturalistically carved as a lotus root or rhizome to each side and further depicted with a bird. L: 7,5 cm Weight: 117,8 grams Notes: 1. A seemingly rare and original depiction of the subject. Because the Buddha is often depicted as seated atop a lotus, the lotus is considered a sacred Buddhist symbol (one of Eight Auspicious Symbols) representing purity and detachment from worldly cares. Additionally, the Chinese word for lotus is ‘lianhua’ (莲花) or ‘hehua’ (荷花) and ‘lian’ is also the pronunciation of the words for continuous (连) and harmony (和). As a result, the lotus has the hidden meaning of ‘continuous harmony’. 2. A fine white jade stone blushed throughout with russet highlights. 3. Compare with a related subject jade carving offered at public auction at BONHAM’S London, UK, ‘Roger Keverne Moving On (Part II)’, 2021-06-07, lot 717, sold for £5,100. 白玉雕刻“好事连连” 中国，清代，可能为乾隆时期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A SILVER LETTER OPENER WITH A JADE HANDLE THE SILVER BLADE: EUROPE, CIRCA 1900 THE JADE: CHINA, LATE QING DYNASTY It consists of a jade ‘chi dragon’ belt hook mounted with a silver blade chiseled with a floral pattern. L: 22,1 cm Gross weight: 84,4 grams 带玉柄的银质开信刀 玉柄部分：欧洲，约1900年 玉器部分：中国，晚清 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FRAGMENT OF A WHITE JADE ‘CHI DRAGON’ BELT HOOK / BELT BUCKLE CHINA, QING DYNASTY L: 9,7 cm Weight: 100,7 grams *****DIMENSIONS SHOULD READ 9,7 CM***** 螭龙玉带扣（部分） 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A WHITE JADE CHI DRAGON BELT BUCKLE CHINA, QING DYNASTY, 19TH CENTURY L: 11,6 cm Weight: 74,7 grams 白玉螭龙玉带扣 中国，清代，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A CELADON JADE ‘PLUM AND BUTTERFLY’ ELEMENT OF A BELT BUCKLE CHINA, QING DYNASTY L: 6 cm - width: 4,8 cm Weight: 44,5 grams Note: The five petals of the plum blossom symbolize the ‘five blessings’ (wufu - 五福), also known as the ‘five happinesses’ or ‘five good fortunes’. These five blessings refer to longevity (寿), wealth (富), health and composure (康宁), virtue (修好德), and the desire to die a natural death in old age (考 终命). The butterfly is a symbol of long life because the second character in butterfly (hudie - 蝴蝶) has exactly the same pronunciation as the character 耋 (die) which means ‘70 or 80 years of age’. 梅花蝴蝶青玉带扣 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FINE JADEITE JADE CARVING OF A STANDING MEIREN CHINA, CIRCA 1900-1930 The stone of white tone with apple green infusions and accents. Her head is turned to the left, she is wearing loose robes with flying ribbons, she is holding a tray with a teapot. H: 21,7 cm Weight: 643 grams Note: Compare with a related jadeite figure of Meiren sold by SOTHEBY'S New York, USA, 2014-09-16/17, lot 310, for USD 25,000. ****HEIGHT SHOULD BE READ AS 21,7 CM**** 上等翡翠玉立美人雕 中国，约1900-1920 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A FRENCH COLLECTOR OF JADE CARVINGS AND SNUFFBOTTLES A POSSIBLY SUZHOU AGATE GROUP CARVING OF A BOY RIDING A SEA-MONSTER WITH THE INSCRIPTION DÚZHÀN'ÁOTÓU - 独占鳌头 - GAIN THE FIRST RANK AT IMPERIAL EXAMINATIONS CHINA, MAYBE QING DYNASTY AND 18TH TO 19TH CENTURY This piece has been carved out of a mostly two-color agate, i.e. dark black and light brown with honey accents. It represents a young boy riding a swimming catfish and with further auspicious symbols such as a bound parcel of books and a double-gourd. It also has an inscription carved on its back reading ‘dúzhàn'áotóu’ (独占鳌头), i.e. roughly ‘may you be ranked first at imperial examinations’. Offered at auction together with a matching collector wooden stand open-worked with crashing waves that perfectly matches the iconography. L: 4,7 cm Weight: 33,6 grams Provenance: Property from a French collector: a collection of jade and stone carvings and snuff bottles assembled over two decades. Pieces either bought privately or at public auction. Notes: 1. The primary meaning of the inscription is ‘to stand alone on the head of the ao’ (occupying alone the sea-monster's head). Though, it may be understood as a wish to be ranked first at the imperial examinations. 2. Compare with a small Suzhou agate openwork pendant adorned with a monkey and also bearing an inscription from the Lizzadro Collection, Chicago, USA, sold at CHRISTIE’S New York, USA, 2013-09-19, lot 1198, for USD 37,500. 苏州玛瑙玉雕组-骑海兽的童子 - 独占鳌头 中国，可能为清代，18-19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A FRENCH COLLECTOR OF JADE CARVINGS AND SNUFFBOTTLES A MOTTLED JADE CARVING OF A RECUMBENT WATER BUFFALO OR OX CHINA, POSSIBLY REPUBLIC / MINGUO PERIOD This crouching ox has been carved out of a mottled jade stone whose inclusions have been skilfully used to pick out the colors and dots on its skin. It has a curled tail and reins attached to its mouth. Sold together with a matching collector wooden stand. L: 11,5 cm Weight: 675,4 grams Provenance: Property from a French collector: a collection of jade and stone carvings and snuff bottles assembled over two decades. Pieces either bought privately or at public auction. Note: The ox is one of the twelve animals of the Chinese zodiac. A boy, or cowherd, riding an ox, represents the early humble beginnings of Emperor Tai Zu of the Ming Dynasty. Because of their importance to agriculture, the water buffalo or ox (niu - 牛) symbolizes springtime, harvest and fertility. To city dwellers and government officials, the water buffalo also represents a simple and idyllic life. 水牛或公牛横卧玉雕 中国，民国时期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A FRENCH COLLECTOR OF JADE CARVINGS AND SNUFFBOTTLES A RETICULATED JADE ‘PEACH’ PLAQUE CHINA, POSSIBLY MING DYNASTY Carved out of a single piece of white jade with russet inclusions. With a reticulated decor of five peaches, leaves, rocks and a lingbi rock. L: 9 cm - width: 7,5 cm Weight: 102,7 grams Provenance: Property from a French collector: a collection of jade and stone carvings and snuff bottles assembled over two decades. Pieces either bought privately or at public auction. Note: The peach (tao - 桃) signifies the second month of the lunar calendar. It symbolizes marriage, spring, justice and especially Daoist immortality (longevity). It is also one of the Three Abundances (Three Plenties). “桃纹”玉牌 中国，可能为明代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A FRENCH COLLECTOR OF JADE CARVINGS AND SNUFFBOTTLES A CHICKEN BONE JADE PEAR-SHAPED SNUFF BOTTLE CHINA, POSSIBLY LATE QING DYNASTY It rests on a short ring foot and has a flattened pear-shaped body surmounted by a long tubular neck. The inner part is well hollowed. Offered at auction together with a stopper. H (stopper excluded): 5,8 cm Weight: 41 grams Provenance: Property from a French collector: a collection of jade and stone carvings and snuff bottles assembled over two decades. Pieces either bought privately or at public auction. 鸡骨玉梨形鼻烟壶 中国，可能为清末期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A FRENCH COLLECTOR OF JADE CARVINGS AND SNUFFBOTTLES A WHITE JADE ‘LOTUS POND’ SNUFF BOTTLE CHINA, POSSIBLY QING DYNASTY This snuff bottle has been carved out of a single white jade pebble with infused russets. It rests on a short ring foot, has a flattened round body and round shoulder, carved with ‘beast’ handles with loose rings imitation, and surmounted by a short circular neck. Its front part has been carved in low-relief with a naturalist subject, that of a lotus pond, whilst its back part has been left uncarved and is infused with amber-tone veins, a good transcription of the mud of the lotus pond. The inner part is well hollowed. Offered at auction together with a stopper. H (stopper excluded): 5,5 cm Weight: 79,3 grams Provenance: Property from a French collector: a collection of jade and stone carvings and snuff bottles assembled over two decades. Pieces either bought privately or at public auction. Notes: 1. The mud in which the lotus roots grow represents the darkness from which all life begins, as the lotus grows it reaches towards the light, which is a metaphor for the Buddhist pursuit of enlightenment. Chinese poets and scholars often also use the lotus as a symbol of inspiration to continue striving through difficulties. 2. Compare with a related ‘lotus pond’ jade snuff bottle sold at BONHAM’S New York, 2016-09-12, lot 9096, for USD 5,250. 白玉“荷塘”鼻烟壶 中国，可能为清后期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A NOTED COLLECTION OF JADES AND SNUFFBOTTLES *A MUGHAL-STYLE JADE BOWL AND COVER CHINA, QING DYNASTY The covered tea bowl is very thinly and evenly carved and polished with each petal concave and convex to the exterior and interior, the bowl fluted resembling the shape of a chrysanthemum. The foot is similarly carved as a downturned floral bloom. Fitted with a separate domed cover carved from a similar stone in a similar motif in compliment. H: 10 cm - D: 12,2 cm Weight: 237,4 grams Notes: 1. Jades carved in this florid style originated in Hindustan in the Mughal period and began to come to China around the middle of the Qianlong Emperor's reign. The first carved jade bowl to have been sent from Central Asia as tribute is recorded for AD 1756, and thereafter tribute gifts of this type continued to arrive throughout the Emperor’s reign and beyond. At the same time Moslem jade carvers were brought to work in the Palace Workshops to fashion similar wares and as early as 1764, exact copies of Indian jades held at the palace were ordered from the Chinese craftsmen working at the court. 2. . Compare a jade covered bowl of a very similar size and form currently exhibited in the Minneapolis Institute Of Art, gallery 210, GIFT OF MR. AND MRS. AUGUSTUS L. SEARLE 34.21.6A,B. Click HERE to see the related piece. Also compare with a closely related piece sold at CHRISTIE’S New York, USA, auction #19844, 2021-12-01/14, lot 34, for USD 22,500. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 莫卧儿风格带盖玉碗 中国，清代，18-19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A FRENCH COLLECTOR OF JADE CARVINGS AND SNUFFBOTTLES A SPINACH JADE SNUFF BOTTLE OF ROUND SHAPE CHINA, POSSIBLY LATE QING DYNASTY It rests on a short ring foot, has a flattened round body with round shoulders surmounted by a short cylindrical neck. The inner part is well hollowed. Offered at auction together with a stopper. H (stopper excluded): 4,9 cm Weight: 389,3 grams Provenance: Property from a French collector: a collection of jade and stone carvings and snuff bottles assembled over two decades. Pieces either bought privately or at public auction. 菠菜绿玉圆形鼻烟壶 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A FRENCH COLLECTOR OF JADE CARVINGS AND SNUFFBOTTLES A ROCK CRYSTAL SNUFF BOTTLE CHINA, POSSIBLY LATE QING DYNASTY Its body is of flattened rectangular shape with round corners and shoulders surmounted by a short cylindrical neck. Its front part is carved in low relief with two fruits and two scrolls bound with ribbons, possibly a symbol of one of the Eight Daoist Immortals. The inner part is well hollowed. Offered at auction together with a stopper with a crouching mythical beast finial. H (stopper excluded): 5 cm Weight: 50 grams Provenance: Property from a French collector: a collection of jade and stone carvings and snuff bottles assembled over two decades. Pieces either bought privately or at public auction. 水晶鼻烟壶 中国，可能为清末期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A FRENCH COLLECTOR OF JADE CARVINGS AND SNUFFBOTTLES AN UNUSUAL ‘DRAGON AND CLOUDS’ AGATE SNUFF BOTTLE CHINA This snuff bottle has been carved out of a single block of agate of greyish tones with a thick orange skin. It rests on a short ring foot, has a flattened body and round shoulders surmounted by a short cylindrical rim. The skilful carver used the orange parts, circumscribing the body of the snuff bottle, to depict a flying dragon, whilst he used the greyish part to rend the clouds, some of them detailed with engraving. The inner part is well hollowed. H: 5,5 cm Weight: 82,6 grams Provenance: Property from a French collector: a collection of jade and stone carvings and snuff bottles assembled over two decades. Pieces either bought privately or at public auction. Note: The dragon (long - 龙) is one of the twelve animals of the Chinese zodiac. The dragon is believed to live in the mountains or in the seas and can fly into the heavens. Ancient Chinese believed the dragon brought rain, good harvests and fertility. Clouds, sometimes referred to as ‘auspicious clouds’ (xiangyun - 祥云), represent the heavens and also ‘good luck’ because the Chinese word for cloud (yun - 云) is pronounced the same as yun (运) meaning ‘luck’ or ‘fortune’. Its form often resembles the auspicious shape of the lingzhi ‘fungus of immortality’. The cloud is a commonly seen design and when repeated in a pattern symbolizes never-ending fortune. 罕见的祥云龙纹玛瑙鼻烟壶 中国，20世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A SILVER-MOUNTED AGATE SNUFF BOTTLE MODIFIED AS A FRICTION LIGHTER THE SNUFF BOTTLE: CHINA, LATE QING DYNASTY, 19TH CENTURY THE MOUNT: MAISON MAQUET, PARIS & NICE, CIRCA 1900 The agate snuff bottle with a flatted egg-shaped body and with brown inclusions is carved in lower relief with a fan and a woven pattern. It has been silver-mounted on a spread foot chiseled with flowers. The rim is also lined with silver and it is combined with a silver stopper embellished with stones. The rim bears the mark ‘Maquet’. H: 9,1 cm Gross weight: 87,6 grams 由镶银玛瑙鼻烟壶改装的摩擦打火机 鼻烟壶部分：中国，晚清，19世纪 其他部分: 巴黎及尼斯，约1900年 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A NOTED COLLECTION OF JADES AND SNUFFBOTTLES *A MUGHAL-STYLE JADE MARRIAGE BOWL OR CUP WITH LOOSE RING HANDLES CHINA, QING DYNASTY The bowl is thinly carved with fluted sides in the shape of a chrysanthemum. The foot is similarly carved as a downturned floral bloom. It is flanked by two handles shaped as bats together with loose rings. The jade stone has been very finely carved so it has a semi-translucent or diaphanous aspect. Offered at auction together with a parcel reticulated wooden stand. H: 3,9 cm - L: 17,8 cm Weight: 200 grams Note: 1.Large shallow bowls with two loose-ring handles carved from white or very pale green jade, such as the present lot, were deemed very suitable as prestigious gifts at a wedding, hence their typical designation as 'marriage bowls'. Many feature pairs of butterflies, bats or mythical beasts as the handles, the depiction of the animals or insects in pairs being suggestive of happy union. Bats in particular were a popular motif to celebrate a happy occasion such as a wedding, since the character for bat (蝠 - fu), is a pun for wealth and happiness (i.e. 富 - fu and 福 - fu). 2. Jades carved in this florid style originated in Hindustan in the Mughal period and began to come to China around the middle of the Qianlong Emperor's reign. The first carved jade bowl to have been sent from Central Asia as tribute is recorded for AD 1756, and thereafter tribute gifts of this type continued to arrive throughout the Emperor¡’s reign and beyond. At the same time Moslem jade carvers were brought to work in the Palace Workshops to fashion similar wares and as early as 1764, exact copies of Indian jades held at the palace were ordered from the Chinese craftsmen working at the court. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 莫卧儿风格双柄大婚用玉碗 中国，清代，18或19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A NOTED COLLECTION OF JADES AND SNUFFBOTTLES *A FINE SOAPSTONE ‘TIGER TAMING LUOHAN’ aka PINDOLA 賓頭盧 CHINA, QING DYNASTY This figure of an ascetic arhat has been carved out of a soapstone of pinkish colors further enhanced with painted polychromed parts. Pindola is depicted seated in royal ease (rajalalisana), loosely dressed in a simple dhoti, holding a sutra scroll in his right hand and a tiger in his left hand below which are books. He has a tonsured head, elongated earlobes and a smiling expression which contrasts with his emaciated body with veins, ribs and knobbly spine. The base is inscribed with a two-character mark that may have been originally completed by two further ideograms not visible anymore. It is also inscribed in red with what seems to be an old inventory collection number: ‘HC - 413’ (). H: 11,5 cm Weight: 41,26 cm Note: Pindola Bharadvaja is an Arhat in Buddhism who was, according to the earliest Indian Buddhist sutras, one of four Arhats asked by the Buddha to remain in the world to propagate Buddhist law, each of them being associated with one of the four compass directions. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 伏虎罗汉石刻 中国，明中期至晚期，18-19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PARCEL RETICULATED ‘GOURD AND SQUIRREL’ VELVET AMBER BRUSHREST CHINA, QING DYNASTY H: 7,3 cm - L: 13,3 cm Weight: 105,7 grams Note: Grapes combined with squirrels form a popular motif that represent the wish for many children and ceaseless generations of sons and grandsons (Sōngshǔ pútáo - 松鼠葡萄). The gourd is popular as a charm symbol to ward off evil spirits and disease because its first character (hulu - 葫芦) has the same pronunciation as the word to ‘protect’ ‘(hu - 护) and also the word for ‘blessing’ (hu - 祜). “葫芦和松鼠”琥珀笔刷 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence ofsuch a reference does not imply that an item is freefrom defects or restoration, nor does a referenceto particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF CARLOS ALFREDO TORNQUIST ALTGELT (1885-1953): A PROMINENT ARGENTINIAN BANKER AND DIPLOMAT (BY REPUTE) A LARGE AND THICKLY POTTED CELADON GLAZED STONEWARE VASE CHINA, PROBABLY MING DYNASTY It rests on an unglazed ring foot with an orange color, has a waisted lower part and a globular elongated body surmounted by a trumpet neck. It is either molded or carved with a decor of leaves scrolls under a celadon glaze. H: 56,4 cm Provenance: - a private Collection; - Carlos Alfredo Tornquist Altgelt (1885-1953, by repute). Note: Carlos Alfredo Tornquist Altgelt (1885-1953) was the President of the banking house of Ernesto Tornquist Co., Ltd., and a member of a prominent Argentinian family. A person of influence, he is also known to have played a crucial role in helping to avoid a war between Argentina and Chile in 1902 by managing the British mediation in the border dispute. Throughout the years, he maintained a close friendship with Argentina Presidents Julio A. Roca (1843-1914) and Carlos Pellegrini (1846-1906). 大号青瓷花瓶 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence ofsuch a reference does not imply that an item is freefrom defects or restoration, nor does a referenceto particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF CARLOS ALFREDO TORNQUIST ALTGELT (1885-1953): A PROMINENT ARGENTINIAN BANKER AND DIPLOMAT (BY REPUTE) A LARGE DEHUA / BLANC DE CHINE PORCELAIN FRAGMENT OF A BEAKER VASE, YENYEN CHINA, QING DYNASTY It has a trumpet foot and a globular central part of the body surmounted by a trumpet neck. It is either molded or carved with lotus scrolls under a covering white glaze of light ivory tone. H: 39,5 cm Provenance: - a private Collection; - Carlos Alfredo Tornquist Altgelt (1885-1953, by repute). Note: Carlos Alfredo Tornquist Altgelt (1885-1953) was the President of the banking house of Ernesto Tornquist Co., Ltd., and a member of a prominent Argentinian family. A person of influence, he is also known to have played a crucial role in helping to avoid a war between Argentina and Chile in 1902 by managing the British mediation in the border dispute. Throughout the years, he maintained a close friendship with Argentina Presidents Julio A. Roca (1843-1914) and Carlos Pellegrini (1846-1906). 大号德化白瓷花瓶残片 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence ofsuch a reference does not imply that an item is freefrom defects or restoration, nor does a referenceto particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A LARGE DEHUA / BLANC DE CHINE PORCELAIN TWO-HANDLED PEAR-SHAPED VASE CHINA, QING DYNASTY It rests on a tall spread foot and has a pear-shaped body surmounted by a long tubular neck flanked by two open-worked handles. It is adorned with two registers of applied symbols and taotié masks, one located near the handles, the other one located on the central body. It is all covered with a desirable white glaze of ivory tone. H: 43,5 cm Comparison: A related Dehua vase with a similar applied design was formerly in the Yamanaka collection. Another related vase is published in Kokuritsu Hakubutsukan, 'Min Shin No Kaiga'. Tokyo, 1980, fig. 1-218, p. 47. 德化白瓷双耳梨形大花瓶 中国，清期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence ofsuch a reference does not imply that an item is freefrom defects or restoration, nor does a referenceto particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A DEHUA / BLANC DE CHINE PORCELAIN PEAR-SHAPED VASE WITH A GARLIC NECK CHINA, QING DYNASTY It rests on a short ring foot left unglazed and has a slender pear shaped body surmounted by a garlic head. The neck is encircled by an applied chi dragon in high relief. The vase is all covered with a white glaze of slightly ivory tone. H: 22,8 cm Note: Compare with a related vase dated to the Kangxi period offered at SOTHEBY’S New York, USA, 2022-03-23, lot 323, sold for USD 12,600. 德化白瓷梨形蒜颈瓶 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence ofsuch a reference does not imply that an item is freefrom defects or restoration, nor does a referenceto particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A DEHUA / BLANC DE CHINE MOLDED PORCELAIN FIGURE OF A SAGE, POSSIBLY LAOZI 老子 CHINA, QING DYNASTY He is represented seated in rajalalisana, his left hand, holding sacred texts and resting on a rock, wearing loose robes, a bear, a hair bun and two braids. All covered with a white glaze of slightly ivory tone. H: 10,9 cm Notes: 1. Laozi (老子 - 6th to 4th century BC) was an ancient Chinese philosopher and writer. He is the reputed author of the Tao Te Ching, the founder of philosophical Taoism, and a deity in religious Taoism and traditional Chinese religions. 2. Compare with a related Dehua model of Laozi sold at CHRISTIE’S New York, USA, 2015-03-15/16, lot 3140, for USD 18,750. 德化白瓷“老子”像 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A BLANC DE CHINE / DEHUA PORCELAIN MODEL OF A SEATED BUDAI WEARING A HAT AND HOLDING A SCROLL CHINA, QING DYNASTY H: 14,8 cm Note: Compare with an identical piece offered at Nagel Auktionen, Stuttgart, Germany, 2018-12-06, lot 530, with a pre-sale estimate of €2,000. 德化白瓷像-手持卷轴的布袋和尚 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A LARGE AND IMPORTANT DEHUA / BLANC DE CHINE MOLDED FIGURE OF GUANYIN BOJI YUREN 波及漁人 IMPRESSED MARK CHINA, 19TH OR 20TH CENTURY The Goddess of Mercy is depicted seated in rajalalisana and holding a ruyi scepter. She wears loose robes as well as a necklace. A hair bun is topping her head. The back bears an impressed four-character mark of square shape: ‘波及漁人’. H: 34,3 cm Notes: 1. The impressed seal mark 'Boji Yuren' can be read as 'Virtue extends to all, including fishermen'. For figures bearing the Boji Yuren seal mark, see J.Ayers ‘Blanc de Chine: Divine Images in Porcelain’, pp.117-120, pls.68-71. 2.Compare with a related molded figure of Guanyin of smaller size sold at CHRISTIE’S CSK, London, UK, 2011-05-13, lot 1087, sold for GBP 9,375. XXXXX COMPARE TO PRINTED CATALOG, DATING CHANGED TO 19TH OR 20TH CENTURYXXXXX 德化白瓷观音像，波及渔人款识 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF SENOR JORGE CASARES: A REPUTED ARGENTINIAN ORNITHOLOGIST (BY REPUTE) A DEHUA / BLANC DE CHINE MOLDED FIGURE OF A GUANYIN CHINA, QING DYNASTY, 18TH TO 19TH CENTURY The Goddess of Mercy is seated in rajalalisana on a rockwork throne, draped in a long cowled robe obscuring the high, ornamented coiffure, the soft, serene face with delicate features and a pointed chin, a large lotus necklace set against the bare chest and above the belted undergarment, originally holding a scroll (here missing) iin one of the delicate hands extending from a sleeve of luxuriant folds, a sutra text resting on an integral rock pedestal just behind the figure, the white clay body covered in a transparent, creamy-ivory glaze pooling in the recesses of the modeling and folds. H: 31,3 cm Provenance: - a private collection; - Señor Jorge Casares, Buenos Aires, Argentina, a reputed ornithologist born in a wealthy landowning family, also a relative of the renowned Argentinian fiction author Adolfo Bioy Casares (1914-1999) and a fellow of W.H. Hudson (1921-1982), an Argentinian-borned British Naturalist and Ornithologist. He is praised to have donated his library to the Sociedad Ornitológica del Plata (by repute). Note: Compare with a related figure of Guanyin dated to the 17th century sold at SOTHEBY’S New York, USA, 2020-09-23, lot 778, for USD 8,190. Also see a Dehua figure from the same collection sold in these rooms 2021-06-29, lot 20, for €11,000. 德化白瓷观音像 中国，清代，18-19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF SENOR JORGE CASARES: A REPUTED ARGENTINIAN ORNITHOLOGIST (BY REPUTE) A HEAVY CASTED BRONZE FIGURE OF A STANDING ATTENDANT OR MONK China, Possibly Ming Dynasty The attendant or monk standing on a lotus base, wearing a large coat and joining his hands in dhyana mudra. Dark brown to light brown patina. H: 36 Weight: More than 5000 grams. Provenance: - a private collection; - Señor Jorge Casares, Buenos Aires, Argentina, a reputed ornithologist born in a wealthy landowning family, also a relative of the renowned Argentinian fiction author Adolfo Bioy Casares (1914-1999) and a fellow of W.H. Hudson (1921-1982), an Argentinian-borned British Naturalist and Ornithologist. He is praised to have donated his library to the Sociedad Ornitológica del Plata (by repute). 重铸青铜侍从或僧侣立像 中国，明朝 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) AN ENAMELED RUYI-SHAPED BAMBOO BRUSHPOT, BITONG CHINA, LATE QING DYNASTY TO REPUBLIC / MINGUO PERIOD Of naturalistic ruyi / lingzhi fungus shape, it has been made out of bamboo and affixed to a black wood base. It is finely enameled with chrysanthemum flowers. It bears a seal, possibly that of the maker. H: 11,3 cm Weight: 98,6 grams Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). 珐琅装饰如意笔筒 中国，清代，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A BAMBOO ‘HEHE - HOHO - ÈRXIÁN - 二弦’ BAMBOO BRUSHPOT, BITONG CHINA, LATE QING DYNASTY TO REPUBLIC / MINGUO PERIOD Of tubular shape, it is carved with the twin Erxian riding a bamboo raft and crossing the ocean with crashing waves. The base bears a Jian Ding wax seal of exportation. H: 12 cm - D: 7 cm Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). Note: These twin laughing immortals are known as the Gods of Peace and Harmony, the Gods of Unity and Harmony, Hehe erxian (和合二仙), the Laughing Twins and the Gods of Mirth. Oneis named Shi De (拾得) and usually holds a lotus. The other is Han Shan (寒山) who may hold a round box, a ruyi scepter, a gourd, or a coin. 和合二仙竹笔筒 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A COLLECTION OF SEVEN (7) MANDARIN’S HAT FINIALS CHINA, QING DYNASTY The bases are made of bronze whilst the beads are made of glass of various colors. H (the biggest): 6 cm Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). Note: Hats were an important part of official dress in all levels of government, and the finial worn on a hat was an indication of the wearers rank. The significance of the hat for military or civil officials is shown by the way the hat comes first in the regulations stipulating the correct dress code for court. Easily identified, hat finials were introduced in 1727 by the Yongzheng emperor and were worn on all official and public occasions. In 1730 regulations were introduced to allow the use of coloured glass instead of precious stones 一组七（7）个东方帽饰 中国，晚清 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A PAIR OF CORAL-GROUND ‘BATS’ PORCELAIN LANTERN-FORM VASES APOCRYPHAL MARK OF EMPEROR QIANLONG CHINA, LATE QING DYNASTY TO REPUBLIC / MINGUO PERIOD It rests on a short ring foot and has an elongated egg-shaped body surmounted by a round shoulder, a short tubular neck and an everted rim. The outer part is molded with a frieze of ruyi as well as with a bee nest pattern and flying bats. The inner part and the base are enameled in turquoise. The base is centered by an apocryphal underglaze six-character mark of Emperor Qianlong in seal / zhuanshu script. H: 20,4 cm Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). Note: A picture of a bat (fu - 蝠) can be a visual pun for ‘good fortune’ or ‘happiness’ (fu - 福) because both characters are pronounced ‘fu’. 一对珊瑚地蝙蝠灯笼花瓶，书写乾隆皇帝款 中国，19-20世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A FAMILLE ROSE PORCELAIN LOTUS-SHAPED OFFERING CUP OR BOWL CHINA, QING DYNASTY It rests on a ring foot, an interesting one, describing a spiral to imitate the lotus branch. The outer part is molded with lotus petals and the rim, a scalloped one, is also imitating lotus petals. The inner part is enameled in turquoise, whilst the outer part is enameled in pink and the base is enameled in green. H: 6,4 cm - D: 14.5 cm Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). Note: Because the Buddha is often depicted as seated on a lotus, the lotus is considered a sacred Buddhist symbol (one of Eight Auspicious Symbols) representing purity and detachment from worldly cares. 莲花形粉彩瓷供杯 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) HEAVY CAST BRONZE ‘BOY, VASE AND QILIN’ CANDLESTICK HOLDER CHINA, QING DYNASTY Heavy cast and all covered with a dark patina. It depicts a standing boy holding a vase and standing on a Qilin or Chinese unicorn with a ball standing four squares on an oval base with a waived apron. It is finely detailed with engravings, e.g. on the dog mane and tail. H: 29,4 cm Weight: Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). Note: The qilin (麒 麟) or Chinese unicorn represents good luck , prosperity, goodwill and benevolence. When it appears, it is believed that it is a sign of the birth of a son in a near future. 重铸“男孩，花瓶，麒麟”铜烛台 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A COPPER ALLOY MANDALA KAPALA TIBET, 19TH CENTURY The lower part of this box is shaped like a skull. Its rim is underlined by a frieze of pearls as well as a frieze of skulls. It is combined with a lid with a dome-shaped central part topped by a vajra. The lid is finely chiseled with a foliate pattern. H: 9,5 cm Weight: 138,2 grams Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). 铜合金雕刻 中国西藏，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A GILT BRONZE FIGURE OF AN ATTENDANT OR A DAOIST GOD CHINA, PROBABLY 17TH TO 18TH CENTURY Heavy cast, with mercury gilt remains and nice chiseling. The attendant is depicted standing, wearing a robe crossed on the front of his chest and knotted at the waist. He has a round plain face and two hair-buns. His hand might have originally holded an attribute such as a holy water vase (now missing). Affixed to an old and parcel reticulated stand. H (stand included): 18,4 cm H (the sole sculpture, approximately): 14,7 cm Total gross weight: 515,3 grams *****APPROXIMATE HEIGHT OF THE SOLE SCULPTURE MIGHT BE 14,7CM ***** Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). 铜鎏金道家圣人铜像 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A GILT BRONZE FIGURE OF THE BUDDHA AMITĀYUS ALSO KNOWN AS AMITĀBHA CYCLICALLY DATED TO GĒNGYÍN YEAR 庚寅 CORRESPONDING TO 1770 TIBETO CHINESE / SINO-TIBETAN, QIANLONG MARK AND MAYBE OF THE PERIOD Finely cast seated in padmasana on a rectangular plinth, the hands held in dhyana mudra, wearing a simple robe draped over the left shoulder leaving the right exposed as well as the jeweled necklace, the face with a meditative expression beneath hair pulled up into an elaborate coiffure behind a five-leaf tiara, the front of the plinth with an inscription reading ‘大清乾隆庚寅年敬造’ (Dà qīng qiánlóng gēng yín nián jìngzào - lit. ‘Respectfully made in the gengyin year during the Qianlong period in the Great Qing dynasty’). H: 18,7 cm Weight: 842,5 grams Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). Notes: Amitābha is a celestial buddha according to the scriptures of Mahayana Buddhism. He is the principal Buddha in Pure Land Buddhism, a branch of East Asian Buddhism. In Vajrayana Buddhism, and is known for his longevity attribute, magnetizing Western attributes of discernment, pure perception and purification of the aggregates with a deep awareness of emptiness of all phenomena. The present figure belongs to a larger group of identical bronzes, most of which bear cyclical dates along the bottom of the rectangular frame of the throne, produced to commemorate birthday celebrations of the Emperor Qianlong and the Empress Dowager. 铜鎏金佛像，年代约1770年 中国西藏，乾隆款识及可能时期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) STONE-EMBELLISHED GILT COPPER ALLOY FIGURE OF AN ELEVEN-HEADED AVALOKITESVARA TIBETO CHINESE / SINO-TIBETAN, POSSIBLY 18TH CENTURY Mercury gilt and initially stone embellished. Exquisitely modeled and standing on a single lotus rank base, with his two principle hands in front of his chest in anjali mudra and holding various implements in his six radiating hands (here only the lotus blossom and the kundika are left) dressed in a pleated two-tier ankle-length dhoti incised with a floral pattern, adorned with jewelry festoons and an antelope skin draped over the left shoulder, the eleven faces arranged in tiers, each surmounted by a jeweled tiara, the primary head with cascading locks of hair, the face with almond shaped eyes and bow-shaped mouth, richly gilt overall with polychromy remaining. The base is sealed with a plaque centered by a vajra. H: 35,5 cm Weight: 1330 grams *****DIMENSIONS SHOULD READ 35,5 CM***** Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). Note: The origin of the eleven-headed Avalokiteshvara is shrouded by many legends. In one version, the bodhisattva Avalokiteshvara vowed to never give up practicing tender loving compassion and would not reach enlightenment until all beings had reached nirvana. He tried for eons with no avail and when he saw no decrease in suffering of living things within samsara, his head split into a thousand pieces in despair. His spiritual father, Amitabha, consolidated them into ten heads and placed them above each other, then putting his own head on top. The wrathful aspect of Avalokiteshvara, Mahakala, came into existence to fight against negative forces with compassion, guiding all living things toward righteousness and achieving enlightenment. 铜鎏金十一面观音菩萨像 中国西藏，可能为18世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

THE ROLLING STONES - LP COLLECTION (INCLUDES RARITIES). Amazing collection of 17 x LPs. Titles include Limited Edition Collectors Item (Australian Promo Copy - RS.3006), Voodoo Lounge (1994 OG), Their Satanic Majesties Request (1p/p1 matrix endings - mono OG - G / Ex w/ OG Swirl Inner), After-Math (6B / 1A Matrix, OG Unboxed Labels), Sticky Fingers (A1 / B3 Matrix), Hot Rocks 1964-1971 (2013 RE - Unopened / Mint), The Rolling Stones (Boxed RE), The Rolling Stones Rarities 1971-2003, Live at the BBC... And Beyond, Let It Bleed (Boxed RE), Sticky Fingers (Private - Spanish, Pink Vinyl), Emotional Rescue, Rock 'n' Rolling Stones and Got Live if You Want It. Condition is generally Ex to Ex+ / Archive.

MUSE - SIMULATION THEORY (2020 BOX SET RELEASE 850018479158). Excellent collector's item for Muse fans with this 2020 Film Deluxe Edition box set of Simulation Theory. Including colour vinyl, Blu-ray, poster, comic book, jacket, glasses, face mask and cassette!. The vinyl set is factory sealed and is catalogued as Mint.

An original four page recording contract, dated March 29th 1954 and signed to final page by Bill Haley. The contract documents an agreement between Decca and BH and The Comets to record 12 sides during the contract period Also to include a letter dated December 3rd 1954 from Decca to Haley relating how they would use the option to extend the contract by a year, as well as a second Decca letter dated November 1958 mentioning an enclosure of the previous letter. Supporting documentation includes the original eBay description and correspondence with original seller, who relates how the item came from from the son of entertainment lawyer Charles Seton who represented Bill Haley during the period of the Decca Contract. Pages are loose and intact though show some yellowing/age wear.

An early 18th century Portuguese ebonised table cabinet, of architectural form, with central door enclosing an ornately inlaid nonsuch interior, flanked by an arrangement of drawers. UK APHA Registration of an ivory item Submission reference: 6JVVBES5 width 87cm, depth 38cm, height 57cmEbonised finish is now rather dull with splitting running across the top right side, a number of small losses of mouldings to the front, interior with tortoiseshell, ivory and bone inlay, right side with scuffing and losses to the plinthPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 87cm, depth 38cm, height 57cm

An important 18th century Lombardy ebony banded walnut and ivory inlaid twin pedestal desk, the top and sides inlaid with a scenes from Homer’s Iliad, after original drawings by John Flaxman RA (1755-1826), within moulded shaped ebony cartouches, fitted with three frieze drawers over hinged cupboards, inlaid with allegories representing Hope and Faith, on later castors.UK APHA Registration of an ivory item Submission reference: D99UXPKP W.118cm D.61cm H.82.4cm LOT ESSAY BY DR. ARABELLA CIFANIThe scene is taken from a drawing that the English sculptor and draftsman, John Flaxman(1755–1826), made to illustrate the passages of Homer's Iliad, a commission proposed to him in 1791 by Georgiana Hare-Naylor while he was living in Rome. Here is represented a rare episode, with Polydamas, a character from Greek mythology soothsayer, adviser and valiant warrior, friend and lieutenant of Hector, who fought in the Trojan War and who, in the twelfth book of the Iliad, advises Hector not to cross a dangerous moat that was part of the defence at the Achaean port and also advises Hector not to continue the siege. Hector will not listen to him and will face death at the hands of Achilles (Homer Iliad 12.60).‘’Then verily Polydamus drew nigh to Hector, and spake, saying: “Hector, and ye other leaders of the Trojans and allies, it is but folly that we seek to drive across the trench our swift horses; hard in sooth is it to cross, for sharp stakes are set in it, and close anigh them is the wall of the Achaeans.’’ Homer - Iliad 12.60John Flaxman, sculptor and draftsman, a leading proponent of English neoclassicism, created 34 drawings for Homer's Iliad in Rome in 1793, which were engraved on copper for the first time in Rome by Tommaso Piroli in 1793 ("L'Iliade et the Odyssée d'Homère gravéepar Thomas Piroli d'après les desseins composés par John Flaxman. 94 gravures ", Francesco Romero publisher, Rome, 1793). The meeting Flaxman and Piroli was a happy union, sealed by a public success that also provoked real acts of editorial piracy. "The reprints followed one another in various original editions or copies of the branches in different European cities, attesting to the vast success achieved from Flaxman's inventions masterfully translated and propagated with the burin of Piroli. Two years later, the plates for "The Iliad" were republished in London. In 1805, publishers Longman, Hurst, Rees and Orme printed new editions of both series, including eleven extra illustrations commissioned from Flaxman (five for "The Iliad" and six for "The Odyssey").The style of the ivory inlay perfectly reflects the spirit of Flaxman's engraving, the figures in fact retain their taste for graffiti, which was an absolute novelty at the time. Flaxman avoided the background landscape, setting and detail, focusing on figures rendered with pure outlines. It has long been known that Flaxman drew on and synthesized a wide variety of visual sources in the development of his outline illustrations, combining classical figuration from "Etruscan" reliefs, sculptures, engravings and vases with forms derived from medieval and early Renaissance sources, life studies and observational sketches of daily Italian scenes and characters. Flaxman's style of illustration has been discussed and celebrated by a multitude of critics across Europe and has had a demonstrable influence on artists such as Ingres, Goya and Blake.The cabinet is also enriched with other ivory inlays, representing divinities and allegories, including the allegory of Hope and Faith.GORRINGE’S are grateful to Dr. Cifani, for her identification of John Flaxman’s designs, used in the ivory inlays on this desk.Overall a little evenly faded to a light walnut tone with old dents, small losses and splits throughout commensurate with age, ivory inlay looks to be mostly complete but some small losses notably to the right side of the top, the doors to the drawers are fitted with English locks but no escutcheons suggesting the later addition of the veneers, cupboard doors have Italian locks but no key, lower front right corner is broken with the foot now come loose, minor dents and scuffing elsewhere around the base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.118cm D.61cm H.82.4cm