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Revere Auctions
Lot 137

John Monks (British, b. 1954). Oil on canvas painting titled "Chaise Lounge No. 2" depicting an abstract interior scene, 2003. Signed and dated along the verso.Height: 18 1/2 in x width: 15 1/2 in.Condition: The item is in good condition with no visible tears, losses, or cracks to paint. The surface is stable, and the color is bold and bright. No visible sign of restoration. Along the verso, there is possible water damage along the upper margin; however, it does not affect the recto.

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Lot 301

Large Native American Inuit bone mask. Dark and carved with a heavy brown and inset with whiter bone eyes.Height: 6 1/2 in x width: 8 1/2 in x depth: 12 1/2 in.Condition: The item is in fair condition with no major losses, cracks, or visible signs of restoration under UV light. All facial components are present. Wear throughout as expected. Due to the original design, it is difficult to discern whether there are minute chips to the surface; however, there is no major loss that altar the overall appearance of the item. To the left cheek, there is discoloration as shown in the listing image. To the head, there is an area that shows color difference from the rest of the face; there are a few cracks in the area; however, it does not appear to be a restoration under UV light. To the right side of the face, there is a line of white accretion. There is a loss, measuring 1 1/4 in, to the lower left. Along the underside, there is a drill hole; please see the listing image; along the edges, there are a few cracks.

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Lot 131

David Dornan (American, b. 1954). Oil on canvas painting titled "Velvet" depicting a photorealistic red velvet cupcake, 2009. Signed along the lower left. Signed, dated, and titled along the verso. With a certificate of authenticity from Coda Gallery.Unframed; height: 22 1/2 in x width: 24 in. Framed; height: 24 in x width: 25 3/4 in.Condition: The item is in excellent condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. To the upper left corner, there is a surface scratch, measuring 1 inch. Clean verso. When inspected under UV light, there is no visible sign of restoration. Along the verso, there are pen inscriptions to the upper center; there are light paint accretions to the center right; however, the pen inscriptions and paint accretions do not affect the recto. Very light wear to the frame.

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Lot 67

Ronald "Ron" King (Brazilian/British, b. 1932). Group of three lithographs including:"Knight" depicting a cross; pencil initialed along the lower right; titled along the lower left."Ninth Song," depicting an abstract composition in blue, red, and yellow. Pencil signed along the lower right; titled and numbered 20/30 along the lower left."Pardoner," inspired by Chaucer's "Canterbury Tales"; pencil initialed along the lower right; titled along the lower left.Height ranges from 9 1/4 in to 19 1/4 in; width ranges from 6 1/2 in to 13 1/4 in.Condition: The items are in good condition with no visible tears or losses, or major creases. The color is bold and bright. There is light wear to the deckled edges. The item, captured left in the listing image, has light creases throughout; along the verso of the right margin, there is skimming which does not affect the image. When inspected under UV light, none of them show a visible sign of restoration. Clean verso.

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Lot 115

Jack Roth (American, 1927-2004) also known as "Rodney Jack Roth." Mixed media painting on paper depicting an abstract scene. Pencil signed and dated along the lower right. Pencil inscribed "LA468" along the lower right quadrant. With a sticker from M. Knoedler & Co., Inc affixed along the verso.Unframed; height: 50 in x width: 38 in. Framed; height: 51 1/2 in x width: 39 1/4 in.Condition: The item is in good condition with no visible tears, creases or losses. All margins are visible under the plexiglass. No visible sign of restoration under UV light. The color is bold and bright. To all four corners, there are several pinholes, most likely original to the artistic practice. To the upper right and left quadrants, there are horizontal marks. Light handling marks. Not inspected out of frame; verso is not inspected. Very light wear to the frame.

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Lot 333

Collection of three flown film fragments from the lunar surface, filmed during the Apollo 13 mission. Affixed to a certificate of authenticity; numbered 6/30.These fragments are from the collection of Dick Underwood and are from film magazines II, JJ, and R. Dick Underwood, a NASA Supervisory Aerospace Technologist, assisted in acquiring camera equipment including the Hasselblad 70mm camera used for many early missions. He processed the films and salvaged the leaders and tails from each roll of flown film. The segments are from film used to document the mission including serious damage to the service module, the improvised adaption of the LiOH canister in the LM, the flyby of the moon, and the jettisoning of the Lunar Module (lifeboat).Each film; height: 1/2 in x width: 1/2 in.Condition: The item is in great condition with no visible tears, creases, or losses. The film fragments are kept intact under the transparent tape. There are no tears or other visible damage to the paper. When inspected under UV light, there is no visible sign of restoration.

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Lot 305

Large Native American Inuit jade carving depicting a man holding a pelt. With a Canada igloo sticker affixed along the underside and numbered 811-1004.Height: 13 in x width: 8 in x depth: 4 in.Condition: The item is in fair condition with no major losses or dents that would alter the overall appearance of the item. Heavy wear throughout as shown in the listing image. Multiple cracks visible throughout, as expected from age and use, most significantly towards the base. No visible sign of restoration under UV light. Wear along the underside.

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Lot 191

Richard Haas (b. 1936). A photograph and screenprint proposal of the Boston architectural center mural. Pencil signed along the lower right; numbered 8/15 along the lower left. With an affixed slip of paper reading "Project: Boston Architectural Center - completed 1977 with funds from National Paint and Coatings Association and private donors."Height: 18 in x width: 32 in.Condition: The item is in good condition, with no visible tears, losses, or major creases. The emulsion appears to be smooth and great. In the upper right corner of the right image, there is a minor crease that does not affect the overall appearance. When inspected under UV light, there is no visible sign of restoration. Both images are affixed on the board; therefore, the verso of each image was not inspected.

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Lot 195

Arturo Rogerio Dimayuga Luz (Filipino, 1926-2021). Ink on paper drawing or sketch depicting a nude seated figure, their back to the viewer. Signed along the lower right.Height: 11 in x width: 8 1/2 in.Condition: The item is in fair condition. The paper is glued to the board. The paper is toned and browning as shown in the listing image. There is an acidic burn, most likely from the previous mat. Foxing and soiling throughout. There are minor losses along the margins. To the right upper quadrant, there is a light red vertical line mark. To the center, there is a light crease that is only visible under careful scrutiny. To the lower right and left quadrants, there are line marks that measure from 1/4 inches to 2 inches. The verso of the paper could not be inspected due to the nature of how the item is matted. Along the verso of the mat, there is soiling and heavy foxing; old tape marks and skimming visible along the margins. Along the upper left quadrant of the verso, there is a cut that does not affect the recto. No visible sign of restoration under UV light.

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Lot 91

Michael Mazur (American, 1935-2009). Lithograph on paper titled "Amaryllis/Calla Lily IV," depicting a group of orange and red flowers against a green background. Pencil signed along the lower right; titled and numbered 6/10 along the lower left.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 48 in x width: 31 1/4 in. Framed; height: 52 1/2 in x width: 36 1/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The color is bold and bright. The paper is floated in the frame and has undulation along the margins. Wear to the upper and lower margin; however, it appears to be original to the artistic practice. No visible sign of restoration when inspected under UV light. The artwork is framed under the plexiglass; not inspected out of frame. Very light wear to the frame.

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Lot 92

Robert Motherwell (American, 1915-1991). Lithograph "Untitled (Number 24)" with chine colle from the "Octavio Paz" suite, 1988. Pen signed and dated along the lower right.Robert Motherwell was a leading Abstract Expressionist who dramatically altered the American art scene during the mid twentieth century. At first desiring to become a philosopher, Motherwell studied the discipline at Stanford University and later at Harvard University. It was in 1938-39 during a trip to Paris where he observed modern art that Motherwell decided to pursue a career in painting and went on to study art history at Columbia University. When he moved to New York he joined with like-minded artists such as Jackson Pollock, Willem de Kooning and Mark Rothko among others. Motherwell also became close friends with Roberto Matta, whom he joined on a six-month trip to Mexico in 1941. Matta’s associations with Surrealism and the delving into the subconscious no doubt influenced Motherwell and other Abstract Expressionists. Reacting against typical artistic conventions, Motherwell started painting big and bold brushstrokes set against a minimal backdrop. His paintings were meant to evoke authentic emotion by doing away with the superfluous and hence uncovering what is most essential. In 1943, Motherwell began experimenting with collage, which he continued to do until the end of his career. He was a frequent writer on the subject of art as well; in 1944 he became the editor of the literary series “Documents of Modern Artâ€. The same year he had a solo exhibit at Art of this Century Gallery in New York, leading to many more solo exhibits in the following years. Starting in the late 1940s Motherwell began painting his most famous works, "Elegy to the Spanish Republic," a series of over 170 paintings that were inspired by the Spanish Civil War. He worked on "Elegy to the Spanish Republic" until his death, the works representing the universal themes of human suffering and violence reflected in the jarring colors and forms of the compositions. At the same time he began painting "Elegy to the Spanish Republic" he spent a great deal of time teaching and lecturing, which he did through the 1950s. A retrospective of his work was held from 1983-85 by Albright-Knox Gallery in Buffalo, NY, and his work is included in the collections of such museums as the Museum of Modern Art, The National Gallery, and The Guggenheim Museum.Unframed; height: 22 1/2 in x width: 28 in. Framed; height: 25 1/2 in x width: 30 1/2 in.Condition: The item is in good condition with no visible tears, creases, or losses. The paper is floating on the frame; all four margins are visible. Light wear to the frame; however, it appears to be original to the artistic practice. No visible sign of restoration under UV light. The color is bold and bright. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.

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Lot 74

James Rosenquist (1933-2017). Rectangular mirror with the following written along the lower margin: "At night 1, 2 or 3 people should face the mirror about 30 inches from the surface of the mirror. Turn a single overhead light down slowly until the reflections are barely visible, and wait. Watch the physical energy of the reflection from the mirror start to be replaced by imagination. James Rosenquist 1975."Height: 23 in x width: 29 1/2 in.Condition: The item is in great condition with no visible cracks, losses, or restoration under UV light. Throughout the front and the back, there are light surface scratches as expected.

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Lot 147

Jacques Lievin (Eugene Galien-Laloue) (French, 1854-1941). Oil on canvas painting depicting a riverbank. Signed along the lower right.Sight; height: 12 1/2 in x width: 17 1/2 in. Framed; height: 20 in x width: 25 in.Condition: The item is in generally good condition with no visible tears or major cracks or losses. The surface is stable, and the color is bold and bright. The canvas is not firmly attached to the frame. Along the four margins, there is a line of paint loss against the, possibly, previous frame. Along the upper margin, particularly along the upper left quadrant, there are light cracks to paint. To extreme edges, there are a few paint losses against the frame. Along the verso, there is an area of soiling to the left margin, which does not affect the recto. When inspected under UV light, there is no visible sign of restoration. Loss and wear to the frame; please see the listing image.

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Lot 335

Apollo-era prototype circuit board. Developed for use in the Apollo biometric monitoring equipment as a result of anomalies experienced during the Mercury and Gemini programs. Housed in a protective plastic case affixed to a certificate of authenticity.Height: 1/2 in x width: 1 1/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The circuit board is housed in a protective circular plastic case with black foam. There are no visible issues with the circuit board; not inspected outside of the case. There are no tears or other visible damage to the certificate. When inspected under UV light, there is no visible sign of restoration.

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Lot 48

Rare Japanese metal tsuba sword guard, intricately decorated with gold inlay and with pierced decoration in the form of a manji.Diameter: 3 in.Condition: The item is in good condition with no visible dents, cracks, or losses. No visible dents along the edge. Light wear throughout as expected. Light metal erosion. No visible sign of restoration when inspected under UV light.

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Lot 58

Ryohei Tanaka (Japanese, b. 1933). Etching print on paper depicting a scene of a harbor lined with houses. Pencil signed and dated 1989 along the lower right; numbered 34/150 along the lower left.Sight; height: 9 in x width: 10 in. Framed; height: 15 in x width: 15 1/2 in.Condition: The item is in good condition with no visible tears, creases, or losses. The paper is lightly toned. When inspected under UV light, there is no visible sign of restoration. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.

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Lot 77

Joan Miro (Spanish (Catalan), 1893-1983). Lithograph on paper titled "L'echelle de l'evasion (The Escape Ladder)" depicting an abstracted scene in red, black, blue, and white, 1930. Signed along the lower center. Signed, titled, and dated January 31, 1940 with a sketch along the verso. In a frame showcasing the verso and recto.Sight; height: 13 1/2 in x width: 16 1/2 in. Framed; height: 22 1/4 in x width: 25 1/4 in.Condition: The item is in excellent condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. The color is bold and bright. From the verso, the paper appears to be slightly toned. Framed under plexiglass; not inspected out of frame. Light wear to the frame.

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Lot 70

Richard Smith (British, 1931-2016). Color etching on two sheets of paper titled "Large Blue," each sheet depicting half of a blue rectangle, 1977. The sheets are stapled together - one staple on the top and one staple on the bottom - original to the artistic process. The work is pencil signed, dated, and numbered 42/60 along the lower left.Height: 27 1/2 in x width: 28 in.Condition: The item is in good condition with no visible tears or losses, or major creases. No visible sign of restoration under UV light. The color is bold and bright. Light creases throughout, particularly along the right margin. There is very light foxing along the upper left quadrant and to the upper left corner. Very light wear along the four margins; however, it appears that it is original to the artistic practice. Along the verso, there are a few scattered light handling marks; there is light skimming to the upper right corner; along the upper left corner, there are light brown accretions, possibly from old framer's tape.

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Lot 124

Diego Romero (Cochiti Pueblo, b. 1964). Lithograph on paper titled "Fallen Angel" depicting a winged angel sitting at a bar with a coyote, 2013. Pencil signed and dated along the lower right; titled along the lower center; numbered 28/50 along the lower left. In addition to prints, he is well-known for his pottery, having collaborated with Navajo-Hopi ceramicist Nathan Begaye. His works often address difficult issues related to Native American politics, history, identity, war, and the effects of alcoholism and addiction.Unframed; height: 20 in x width: 25 1/2 in. Framed; height: 22 1/2 in x width: 28 1/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The item is floating on the frame, showing all four margins. The paper is slightly toned, though this may be the original color of the paper. No visible sign of restoration. Framed under plexiglass; not inspected out of the frame. Very light wear to the frame.

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Lot 134

Wendy Vaughan (American, 20th/21st c.) Oil on board fantasy painting titled "French Hare" depicting a rabbit on a cushion looking out over a landscape with a bundle of carrots and radishes hanging just above its head, 2002. Signed and dated along the lower left.Sight; height: 23 in x width: 19 1/2 in. Framed; height: 34 in x width: 30 in.Condition: The item is in great condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. To the center by the hands, there are light brown accretions adhered to the surface. No visible sign of restoration under UV light. Light wear to the frame.

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Lot 144

Alfred Renaudin (French, 1866-1944). Oil on canvas painting titled "Potage et Verger au Pied des Ruines (Vegetable Garden and Orchard at the Foot of the Ruins)" depicting an orchard and garden amidst ruins, 1898. Signed and dated along the lower left. With two labels from Kurt E. Schon, Ltd. Fine Art affixed along the verso.Unframed; height: 18 1/2 in x width: 30 1/4 in. Framed; height: 23 in x width: 35 in.Condition: There are no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. To the center of the right margin, there is an area of possible restoration. When inspected under UV light, there is no visible sign of restoration. Light wear to the frame; dust collected to the frame. The verso could not be inspected due to the nature of how the item is framed. The painting has been re-stretched.

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Lot 111

Jack Portland (American, b. 1946). Acrylic on paper painting titled "Home Tonight" depicting an abstract geometric scene with vivid color composition. Signed along the right margin.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 27 1/4 in x width: 19 3/4 in. Framed; height: 30 1/4 in x width: 22 1/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The color is bold and bright. There is undulation to the upper margin. No visible sign of restoration when inspected under UV light. Framed under glass; not inspected out of frame. Very light wear to the frame.

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Lot 64

Group of two modern Japanese woodblock prints including:Haku Maki (Japanese, 1924-2000). Cement mortar abstract woodblock print titled "Poem 71-38" depicting abstract shapes in black, red, yellow, and green. Artist seal along the bottom left. Pencil signed along the lower right; titled along the lower center; numbered 38/154 along the lower left.Ueno Nagoa (Japanese 20th c.) Woodblock print titled "Recollection of the Past" depicting layers of black, red, and white organic shapes against a blue ground, 1964. Signed and dated along the lower right; numbered 196/210 along the lower right.Recollection; image; height: 16 in x width: 12 1/4 in. Framed; height: 22 1/4 in x width: 18 1/4 in. Poem; image; 10 1/4 in x width: 17 in. Framed; height: 18 in x width: 23 3/4 in.Condition: Both items are in generally good condition with no visible tears, creases, or losses. Neither show a sign of restoration under UV light. The item with a blue background has toning and undulation along the margins; there is light foxing throughout. Although it is not inspected out of frame, it seems possibly that is has acidic burn, given that the margins of the mat is browned. The item with a white background has toning, browning, and foxing throughout. There is possible skimming to the center of the upper margin. Both items are framed under plexiglass; not inspected out of frame. Very light wear to the frame.

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Lot 412

Tiffany & Co., New York, United States. Large glass and sterling silver flask. The cut glass decorated with ferns and etched "Tiffany & Co" along the underside. The bottom sterling silver sleeve monogrammed M.H.H. With maker's marks, maker's numbers 846 and 9396, sterling silver, and 6 1/4" gills along the underside of the sterling sleeve. The lid is marked with maker's marks, Pat. 1883, and sterling.Height: 8 1/2 in x width: 5 in x depth: 2 in. Gross weight of sterling (does not include the lid that is attached to the glass bottle): 7.120 Troy oz.Condition: The item is in good condition with no visible cracks or losses, or major chips. All components are present. Light wear throughout as expected. Light oxidation to metal components, particularly along the interior of the silver case; no visible dents to the silver components. There are a few scattered minute chips along where the glass meets the silver case. Discoloration to the interior of the lid. When inspected under UV light, there is no visible sign of restoration.

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Lot 16

Chinese three platformed rosewood stand. Carved to resemble lily pads with undulating leaves underneath.Height: 7 in x width: 24 in x depth: 7 1/2 in.Condition: The item is in fair condition. Structurally stable and sturdy. Wear throughout as expected; dust collected. To the underside, there are several cracks. There are losses to the edge of the top panel; please see the listing image. There is another loss to the lower right panel. When inspected under UV light, there is no visible sign of restoration; however, there is an adhesive residue on the right side.

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Lot 31

Chinese porcelain double gourd vase, decorated with a design of bats and shou symbols in famille rose enamels. Marked along the underside with a six character Yongzheng mark in underglaze blue.Height: 12 1/2 in x diameter: 8 in.Condition: The item is in good condition with no visible cracks, chips or restoration under UV light. No visible chips to the rim; there are losses to the gilt along the rim. Throughout the exterior, there are minute losses to the painted decoration as expected from age and use. Wear to the underside, consistent with age and use. There are four small felt tabs affixed along the underside.

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Lot 42

Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "The Raft," executed in 1930, depicting a woman steering a raft through the water with a pole. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 12 3/4 in x width: 10 in. Matted; height: 20 in x width: 16 in.Condition: The item is in generally good condition with no visible tears, creases, or losses. The photograph is affixed the mat. When inspected under UV light, there is no visible sign of restoration. The emulsion appears to be smooth. There are a few areas with light surface stretches, visible at the critical angle. Along the left margin, there is adhesive visible. Along the upper margin of the mat. there is discoloration and foxing. The verso of the photograph could not be inspected due to the nature of how the photograph is attached to the mat.

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Lot 263

Ernest Trova (America, 1927-2009). Painted welded metal sculpture titled "Untitled (Canto Series- geometric black sculpture)" from the canto series in a form of geometric composition. Provenance: Distinguished Corporate Collection, Minnesota.Height: 14 3/4 in x width: 32 1/4 in x depth: 14 1/2 in.Condition: The item is in fair condition in general with no major dents, visible cracks, or visible signs of restoration under UV light. Wear throughout; dust collected to the surface. Along the edges, there are several areas with paint loss. Along the base, there is an area with two paint loss side by side, each measuring 3/4 inch. Wear to the underside, consistent with age and use.

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Lot 71

Jack Youngerman (American, 1926-2020). Silkscreen on paper titled "New School," depicting a geometric abstraction in red, yellow, and blue, 1969. Pencil signed along the lower right; numbered 68/144 along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 34 1/4 in x width: 24 1/2 in. Framed; height: 39 1/4 in x width: 29 1/4 in.Condition: The item is in good condition with no visible tears, creases, or losses. The color is bold and bright. The paper is floating on the frame; all four margins are visible. There is undulation along the margins. There is a minute paint loss to the lower left margin, only visible under careful scrutiny. When inspected under UV light, there is no visible sign of restoration. Framed under plexiglass; not inspected out of frame.

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Lot 60

Hiroyuki Tajima (Japanese, 1911-1984). Woodblock print titled "Impression of Small Monument," depicting an abstract scene, 1966. Pencil signed and dated along the lower right; titled along the lower left; numbered 45/50 along the lower center.Unframed; height: 19 1/4 in x width: 12 1/2 in. Image; height: 12 in x width: 9 1/2 in.Condition: The item is in good condition with no visible losses or tears, or major creases. No visible sign of restoration under UV light. The color is bold and bright. The paper is very lightly toned. There are light creases to corners and along the margins; however, the creases do not affect the center image. Along the verso, there is a few scattered areas with light handling marks; there is ink transmitted from the recto; there is light soiling, which does not affect the recto.

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Lot 125

Christo (Bulgarian/American, 1935-2020). Lithograph with pencil, cloth, masking tape, plastic, and string on paper titled "Wrapped Champagne Bottle (Project for Happy Anniversary)" depicting a bottle wrapped in cloth, 2000. Pencil signed, dated, and numbered 20/30 along the upper edge. Published and printed by Landfall Press, Chicago as part of The Landfall Press 30th Anniversary Portfolio. With a stamp from Landfall Press along the verso.Height: 21 1/2 in x width: 16 1/2 in.Condition: The item is in good condition with no visible tears or losses, or major creases. Light wear along the margins. There is a minor crease to the upper right and left corners. To the center of the right margin, there is a minute accretion. To the verso, there are a few scattered light handling marks. No visible sign of restoration when inspected under UV light.

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Lot 14

Chinese carved lapis lazuli sculpture depicting four figures including an immortal riding a ship. Attached to a wooden base and with a silk box.Lapis, with base; height: 8 3/4 in x width: 9 3/4 in x depth: 3 in. Box; height: 6 in x width: 15 in x depth: 9 1/2 in.Condition: The item is in generally good condition with no major cracks or visible losses. The sculpture is attached to the base. Light wear and natural lines throughout as expected. When inspected under UV light, there are five areas of possible restoration; one of the petals, right edge, head of a child in the middle, lower right, and hand of the person in the far left; under natural light, not visible. Wear to the base and underside, consistent with age.

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Lot 373

Russian enamel and gilt silver cream pitcher, profusely decorated with shades of blue, yellow, and red. Marked along the handle and along the underside. Maker's mark CK, Moscow city mark, along with several other marks.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 3 1/4 in x width: 5 in x depth: 2 1/2 in. Weight: 134.4 grams.Condition: The item is in good condition with no major cracks or losses to the enamel. Light wear throughout. When inspected under UV light, there is no visible sign of restoration. Light metal erosion, most noticeable to the interior side of the handle. No visible dent along the rim. There are several scattered areas with gold gilding loss; several scattered areas of loss to enamel; however, they do not significantly affect the overall appearance of the piece. Light discoloration along the underside. Discoloration to the blue enamel near the handle.

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Lot 81

Ernest Trova (American, 1927-2009). Oil on canvas titled "Canto Profile Sections," depicting an increasingly close profile in twelve segments in red on black.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 37 in x width: 52 in. Framed; height: 37 3/4 in x width: 52 1/2 in.Condition: The item is in generally good condition with no visible tears, losses, or restoration under UV light. The surface is stable, and the color is bold and bright. To the upper right corner, there is water damage as shown in the listing image. To the upper right quadrant. there is a light white line mark, measuring 4 inches. Below the line mark, there is possible liquid damage, measuring 5 inches. To the left of the lower margin, there is a very light grey mark that is only visible under careful scrutiny, measuring 1 inch. To the lower left quadrant, there is an area with minute white unidentified accretions. Wear and losses to the frame. Clean verso; some paint accretions that are transmitted from the recto.

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Lot 299

Group of three Native American Inuit carved bone masks. Two dark brown or black masks with white inlaid bone eyes.Height ranges from 2 in to 3 1/2 in; width ranges from 4 3/4 in to 6 in; depth ranges from 7 in to 7 1/2 in.Condition: The items are in good condition in general. Due to the original design of items, it is difficult to discern whether there are minute chips. However, all components are present and it does not seem there is a loss that alters the overall appearance. The item captured lower right in the listing image has several areas, along the side, that suggest that the item was originally attached to something else; please see the listing image. To the left side of the item, there are two holes. No visible sign of restoration when inspected under UV light.

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Lot 258

Charles Anfrie (French, 1833-1905). Bronze statue titled "Quana Vous Voudrez (Whenever You Want)" depicting a Chasseurs d'Afrique officer standing with his arms crossed with a map reading "France" unfurling at his feet, 1886. Titled, signed, dated, and inscribed "Salon Des Beaux-Arts" along the base.Height: 24 in x width: 8 in x depth: 6 1/2 in.Condition: The item is in generally good condition with no visible cracks or losses. Due to the original design of the item, it is difficult to discern whether there are dents or not; however, there is no visible dents that altar the overall appearance. Dust collected to the surface. No visible sign of restoration. When inspected under UV light, there is a sign of possible liquid exposure throughout. Wear to the underside, consistent with age and use.

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Lot 382

Moritz Hacker, Austrian. Silver plated three-section serving tray. With Art Nouveau Jugendstil decoration along each plate depicting a woman in profile. Marked along the underside.Height: 2 1/2 in x diameter: 14 in. Total weight: 1,206.1 grams.Condition: The item is in generally good condition. There are scratches throughout, mostly light though there are a few deeper scratches - most notable along the surface of one of the plates. There is tarnish throughout, particularly along the recessed areas and along the underside. The knob appears to have lost some of the finer details due to repeated handling, likely wearing it down slightly.

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Lot 38

Yongzheng period Chinese export porcelain undertray for a teapot, profusely decorated in famille rose enamels. In a hexagonal form with a scalloped rim, decorated with a central reserve of flowers surrounded by an elaborate border in blue, pink, and yellow, with three small reserves depicting floral scenes.Height: 1 in x diameter: 5 1/2 in.Condition: The item is generally in good condition with no visible chips, cracks, or losses. When inspected under UV light, there is no visible sign of restoration. No visible chips along the rim. Wear throughout. Losses to the painted decoration. Wear to the underside, consistent with age and use.

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Lot 135

Aaron Fink (American, b. 1955). Oil on linen painting titled "Korean Bonsai" depicting an abstracted bonsai tree, 2007. Signed, titled, and dated along the verso. With a label from Alpha Gallery in Boston, Massachusetts along the verso.Height: 40 in x width: 30 in.Condition: The item is in excellent condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. The surface is stable, and the color is bold and bright. Along the verso, there is an area with paint accretion, which does not affect the recto.

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Revere Auctions
Lot 29

Chinese blue and white porcelain pilgrim flask. This moon or pilgrim flask (bianhu) decorated along either side with clouds and a dragon. With a circular body with a flat base, a narrow cylindrical neck and two arched side handles which join the neck to the body. The underside with an apocryphal six-character Qianlong mark in underglaze blue.Height: 14 in x width: 10 1/2 in x depth: 5 1/2 in.Condition: The item is in good condition with no visible chips, cracks, or losses. There is a minute chip towards the underside. Light wear and light crazing throughout, as shown in the listing image. There are several areas with a network of black dots, possibly an original firing flaw, which does not affect the overall appearance. No visible sign of restoration when inspected under UV light. Light wear to the underside.

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Lot 330

NASA Apollo-Soyuz Test Project cloth crew patch issued To Deke Slayton in 1975. With a certificate of authenticity.Donald K. "Deke" Slayton was selected as one of the original Mercury Seven Astronauts in 1959. He was slated to fly the second orbital mission but was grounded with an irregular heartbeat. He stayed with NASA and became Chief of the Astronaut Office and later Director of Flight Crew Operations. He was restored to flight status in 1972 and finally made it into space on July 15, 1975 as part of the Apollo-Soyuz Test Project. His next assignment was as Manager of the Space Shuttle Approach and Landing Tests at Edwards AFB and from there he was named Manager of Orbital Flight Test. He retired from NASA in 1982 and died on June 13, 1993 after a battle with cancer.Diameter: 4 in.Condition: The item is in good condition with no visible tears, losses, or rips. The color is bold and bright. When inspected under UV light, there is no visible sign of restoration.

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Revere Auctions
Lot 314

One pair of Native American Inuit carved wooden snow googles.Length: 5 in x width: 1 1/2 in.Condition: The item is in fair condition with no major cracks or losses that would alter the overall appearance significantly. No visible sign of restoration under UV light. Wear and discoloration throughout; however, it is not brittle. A few minute losses throughout, most noticeably to the thread holes.

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Revere Auctions
Lot 261

Large Brutalist abstract metal sculpture. Reminiscent of the styles of Michel Guino, Harry Balmer, and James Bearden.Height: 39 in x width: 20 in x depth: 7 in.Condition: The sculpture is in good condition with no visible losses or dents. There is an area with a possible crack, measuring approx. 1 inch, to the right edge of the sculpture; however, given the design of the item, it appears to be original. Oxidation to the metal throughout. When inspected under UV light, there is no visible sign of restoration. Wear to the underside, consistent with age.

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Revere Auctions
Lot 141

Peter Hurd (American, 1904-1984). Color lithograph titled "Night Visitor," depicting a ranch house with a rising mountain in the background. Pencil signed along the lower right; numbered 35/260 along the lower left.Provenance: Distinguished Corporate Collection, Ohio.Sight; height: 15 1/2 in x width: 21 in. Framed; height: 25 in x width: 30 in.Condition: The item is in good condition with no visible tears, creases, or losses. When inspected under UV light, there is no visible sign of restoration. The paper has light toning. Framed under plexiglass; not inspected out of frame. Light wear to the frame.

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Revere Auctions
Lot 114

Per Kirkeby (Danish, 1938-2018). Linocut on paper titled "Untitled (Figur)," from the portfolio "Erste Konzentration," 1982. Pencil signed and dated along the lower right; numbered 8/50 and inscribed I along the lower left. Published by Sabine Knust, Munich.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 39 1/2 in x width: 31 1/2 in. Framed; height: 44 3/4 in x width: 36 3/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The color is bold and bright. The paper is floating on the matte; all four margins are visible. No visible sign of restoration when inspected under UV light. Framed under plexiglass; not inspected out of frame. Light wear to the frame.

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Lot 259

After Charles Marion Russell (American, 1864-1926). Small bronze titled "Indian Head" depicting a small bust of a head. On a pyramidal base and with brown patination. With Russell's signature, title, and birth and death dates along the base.Height: 4 in x width: 1 1/4 in x depth: 1 1/4 in.Condition: The item is in good condition with no visible cracks or losses. There are several scattered minute dents throughout; however, none of the dents alters the overall appearance of the item. No visible sign of restoration under UV light. Wear to the underside, consistent with age and use.

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Revere Auctions
Lot 93

Jim Dine (American, b. 1935). Lithograph on paper titled "Cincinnati II" depicting a black field with names in blue-white scrawled throughout, 1969. This print is based on the Name Painting (1968-69) in the collection of the National Gallery of Art in Washington, D.C. The names are of everyone with whom he had a relationship with in the first 28 years of his life.Height: 28 x width: 40 1/4 in.Condition: The item is in good condition with no visible tears, creases, or losses. Light wear along the margins, most likely original to the artistic practice. Light crease to the upper left corner. From the recto there is a pencil inscription to the lower right corner; there are light creases to the upper corners. Along the upper margin, there is a line of paint residue. There is skimming to the upper left quadrant. There are paint marks to the lower right quadrant. No visible sign of restoration when inspected under UV light.

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Revere Auctions
Lot 69

Werner Pfeiffer (American, b. 1937). Mixed media collage on paper artwork depicting an abstract composition. With a tissue paper sleeve with a printed message reading "Happy Holidays And A Good 1978, Werner, Maletta, Jan-Stephan, and Micha Pfeiffer." The sheet is pencil signed and dated 1976 along the lower margin.Height: 10 in x width: 7 1/4 in.Condition: The item is in excellent condition with no visible tears or losses, or major creases. The color is bold and bright. There is a light crease to the lower right corner and to the lower left corner. There is very light wear to the light blue triangle to the center; however, it does not alter the overall appearance. The tissue paper is lightly toned and has light wear throughout as expected; there is folded crease to the front upper and lower corners as shown in the listing image. Along the back of the tissue paper, there are creases to the upper and lower corner; along the left margin, there is a folded vertical line. No visible sign of restoration under UV light.

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Lot 44

Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a woman carrying water along a rocky bank, with tree branches extending up in the foreground. Silver gelatin print. Hand signed along the backing.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 14 3/8 in x width: 10 in. Matted; height: 20 in x width: 16 in.Condition: The item is in generally good condition with no visible tears, creases, or losses. The photograph is affixed to the mat; there is some adhesive visible along the margins. The photograph is slightly toned and the margins are discolored as shown in the listing image. To the upper left quadrant, there is a network of minute light brown accretions. Throughout, there are a few scattered areas of light surface stretches, visible at a critical angle, most noticeably to the center of the left margin. Light handling marks to the board; there are a few creases along the edges of the board, particularly to the upper margin. Along the back of the board, there is light brown accretion along the left margin, which does not affect the photograph. The verso of the photograph could not be inspected due to the nature of how the item is attached to the board. When inspected under UV light, there is no visible sign of restoration.

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Lot 43

Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Spring Fantasia," executed in 1945, depicting a boat floating through mist behind the dramatic silhouette of branches. Silver gelatin print. Signed in ink along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 1/2 in x width: 10 1/8 in. Matted; height: 20 in x width: 16 in.Condition: The item is in generally good condition with no visible tears, creases, or losses. The photograph is affixed the mat. The emulsion appears to be smooth. To the lower right quadrant, there are two minute dents to the surface. No visible sign of restoration when inspected under UV light. Scattered areas with light brown accretions to the mat, as shown in the listing image. The verso of the photograph could not be inspected due to the nature of how the sheet is affixed to the mat.

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Lot 59

Yuse Yoshinori (Japanese, b. 1947). Lithograph on paper titled "Tantopia Port" depicting a row of boats in a harbor. Pencil signed along the lower right; titled and numbered 52/60 along the lower left.Yoshinori has had several solo exhibitions in Tokyo, Japan in 1980, 1982, and 1984. He was also a part of the CWAK Traveling Show to Australia and New Zealand in 1992-93. His works are in the collections of the British Museum, the Ibiza Museum of Contemporary Art, the Krakow National Museum, and the Gallery of New South Wales.Sight; height: 23 in x width: 29 in. Framed; height: 31 1/2 in x width: 36 1/2 in.Condition: The item is in great condition with no visible tears, creases, or losses. The color is bold and bright. No visible sign of restoration when inspected under UV light. Framed under plexiglass; not inspected out of frame.

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Lot 184

Malcolm Haynie Myers (American, 1917-2002). Lithograph on paper with hand coloring titled "Geronimo," depicting a battle. Pencil signed along the lower center.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 19 1/2 in x width: 28 in. Framed; height: 26 3/4 in x width: 35 1/2 in.Condition: The item is in good condition with no visible tears, creases, or losses. The paper seems slightly toned; however, the color is bold and bright. No visible foxing or soiling. When inspected under UV light, there is no visible sign of restoration. The artwork is not inspected out of frame; framed under plexiglass. Wear to the frame.

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Lot 82

Ernest Trova (American, 1927-2009). Liquitex on canvas painting titled "Study / Falling Manscape" depicting an abstract composition of white, red, and blue, 1967.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 18 in x width: 18 in. Framed; height: 18 1/2 in x width: 18 1/2 in.Condition: The item is in good condition with no visible tears, losses, or creases. The surface is stable, and the color is bold and bright. To the lower left corner, there is a red paint mark, which appears to be original. To the lower left quadrant, there is an area with unidentified residue as shown in the listing image; however, when inspected under UV light, it did not appear to be a restoration. There is a minor undulation to the upper left corner. To the left along the upper margin, there is an area that shows the underlying canvas; it is difficult to discern if it is original or a paint loss. Along the verso, there are pencil marks that do not affect the verso. Very light wear to the frame. No visible sign of restoration under UV light.

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Lot 286

Warren MacKenzie (American, 1924-2018). Studio pottery ceramic lobed vase with a lid. Glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height (including lid): 11 3/4 in x diameter: 9 3/4 in.Condition: The item is in great condition with no visible chips, cracks, or losses. Light crazing started to form. Original firing and glazing flaws visible. There is an accretion near the rim, which is only visible under UV light and can be cleaned easily. When inspected under UV light, there is no visible sign of restoration. Light wear to the underside.

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Lot 372

Russian gilt silver and enameled cigarette case. Marked with an 84 Kokoshnik and a maker's mark along two sides. Engraved along the interior of the case in Cyrillic.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 3 1/2 in x width: 2 1/2 in x depth: 3/4 in. Weight: 137.1g.Condition: The item is in good condition in general with no major losses, cracks, or visible dents. Light wear throughout. Throughout the piece, there are scattered areas of enamel loss. There are several white enamels that are discolored light yellow. Light oxidation as expected. Along the interior, there is adhesive residue as shown in the listing image. No visible sign of restoration when inspected under UV light. The case opens smoothly and clasps well. The case stays shut when clasped.

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Lot 118

Fritz William Scholder V (La Jolla Band of Luiseno Indian, 1937-2005). Lithograph on paper titled "Monster Love, Dream C" depicting an abstract scene, 1982. Pencil signed along the lower right; numbered 119/150 along the lower left. These works were distributed via the book "Fritz Scholder" published by Rizzoli, New York, in 1982.Scholder spent much of his early life moving throughout the Midwest, living in Minnesota, South Dakota, and Wisconsin. At seventeen, he attended the Mid-West Art and Music Camp at the University of Kansas where he studied with Robert B. Green. As a freshman at Wisconsin State University he studied with Arthur Kruk, James Grittner, and Michael Gorski. In 1957 he followed his family to Sacramento, California where he studied with Wayne Thiebaud. He has met and worked with numerous designers and artists including Lloyd Kiva New, Charles Loloma, Max Cole, John Heric, and Bruce McGrew.His works often show the harsh, realistic side of Native Americans' lives and deaths including the effects of alcohol. His unique experience as a figure who never lived on or around other Native Americans allowed for a fresh perspective on Native American art, though it was sometimes controversial. He fused together Expressionism, Color Field, and Pop art to convey his perspective on his subjects.Unframed; height: 19 1/4 in x width: 14 3/4 in. Image; height: 11 1/2 in x width: 9 3/4 in. Framed; height: 25 1/2 in x width: 20 1/2 in.Condition: The item is in good condition with no visible tears, creases, or restoration under UV light. The color is bold and bright. Very light wear to the frame, not inspected out of frame.

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Lot 25

Group of five 18th c. Chinese teadust glaze vases or pots. Three marked along the underside. Cha ye mo, or "teadust" glaze, was used as early as the Tang dynasty produced at the Yaozhou kilns, but it was not until the early 18th century that the glaze was widely produced. It was ideal for reproductions of bronze originals due to the subdued color of the glaze.Height ranges from 3 1/2 in to 3 3/4 in; diameter ranges from 3 in to 4 1/2 in.Condition: The items are in good condition with no visible cracks or losses, or major chips. Light wear throughout as expected from age and use. Chips along the footrim, which do not significantly alter the overall appearance of pieces. Original firing and glazing flaws visible. The item, captured lower far left in the listing image, has a minute dent to the exterior and two white accretions along the underside. The item, upper left, has a minute dent to the exterior and a small area with overspray to the exterior. The item, lower far right, has a line of scratch to the exterior, measuring 2 1/4 in; there is an original firing flaw, which measures 1 1/4 in, towards the underside. All items show wear to the underside, consistent with age and use.

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Lot 47

Japanese mixed metal vase depicting a flower. Marked along the underside, possibly from the city of Kofu, Japan.Height: 9 3/4 in x diameter: 3 1/4 in.Condition: The item is in good condition with no visible dents, cracks, or losses. Light wear throughout. No visible dents to the rim and footrim. Light metal erosion throughout, as expected. Wear to the underside, consistent with age and use. No visible sign of restoration when inspected under UV light.

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Loddon Auctions Ltd
Lot 963

Cigarette cards, Ogden's Tabs, a collection of 500+ cards from Ogden's reference book item nos 89, 90, 91-1, 91-2 & 91-3 which includes approx. 140 sports cards with approx. 40 cricket issues, no duplicates (mixed condition, poor/gd)

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Loddon Auctions Ltd
Lot 971

Cigarette cards, Wills, Japanese Series, 9 cards, Wills ref. book item 23, pictures nos 12, 14, 17, 24, 25, 30, 37, 40 & 48 (a few slight marks, gen gd) (9)

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