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Lot 1328
ROSEWOOD OBLONG DRINKS CABINET By Robert Heritage for Archie Shine, the fitted interior of open shelves, small drawers and bottle racks enclosed by two panel doors, on an open base with turned legs joined by an 'H' stretcher, 107 cm wideNote: This item of furniture was purchased, by the current vendors from an Archie Shine exhibition in London in 1971.
Lot 1329
ROSEWOOD WALL UNIT by Robert Heritage for Archie Shine, the upper section with cupboards enclosed by give oanel doors, series of open recesses and cupboards below, 186 cm high, 229 cm wide along with a slender unit of similar design (2)Note: This item of furniture was purchased, by the current vendors from an Archie Shine exhibition in London in 1971.
Lot 1330
ROSEWOOD OBLONG COFFEE TABLE by Robert Heritage for Archie Shine, the smoked glass top supported by end corner brackets, with open recess below, on end supports, 142 cm long x 82 cm wideNote: This item of furniture was purchased, by the current vendors from an Archie Shine exhibition in London in 1971.
Lot 1331
ROSEWOOD OBLONG COFFEE TABLE by Robert Heritage for Archis Shine, the smoked blass top supported by end corner brackets, with open recess below, on end supports, 142 cm long x 82 cm wideNote: This item of furniture was purchased, by the current vendors from an Archie Shine exhibition in London in 1971.
Lot 1674
SCRIMSHAW SPERM WHALE TOOTH - SOUTH SEA ISLANDS probably Fijian or Samoan, carved with the word Tinatina, length 16cm *This item was acquired by the vendors Grandfather in 1934/35 while in command of HMAS Australia, which was making a tour of Australia, New Zealand, Fiji and Samoa with the Duke of Gloucester on board. The tooth was probably a gift to him by a Fijian or Samoan (Tinatina means Grandmother or Aunt) *This scrimshaw comes with a CITES Article 10 licence certificate, No 560223/01.
Lot 170
A 20th century suit of armour. Modelled after 18th century armour, the suit consists of helmet, chest plate, back plate, gauntlets, and leg armour. Many parts held together by cable ties for display purposes. Comes on a custom made mannequin and display stand. Delivery; this item can be delivered in its entirety by courier (click on the 'Shipping' tab for prices) Postage; this armour can be posted WITHOUT THE MANNEQUIN at a cost of £29.99+VAT.
Lot 195
A WWII Second World War type German Third Reich Nazi SS Officers dress dagger. With eagle motif inset to handle, and etched motto to blade. SS rune to top. The blade marked RZM M7/36. With scabbard. 38cm long. NOTE: Buyers are reminded for the need to satisfy themselves as to accuracy of the item prior to bidding.
Lot 80
A fascinating collection of local interest Kingswood items - all relating to the house called ' The Lindens ' on Kingswood High Street (still in existence). This lot comprises of items pertaining to a Mr & Mrs J. Crates the owners of The Lindens. An original photograph, titled to the verso ' The Lindens & Shops ' shows a rare Edwardian view on the house and the neighbouring shop, with children posing outside. Also comes with a small gilt edged bible notated to the rear cover, and a printed greetings card on the occasion of their Diamond Wedding. The most interesting item being a framed Post Office Telegram dated 25th December 1937 on the occasion of the Crates' Diamond Wedding anniversary, and reads thus; ' OHMS Sandringham 25th Dec 1937 The King & Queen send you hearty congratulations on your diamond wedding day and best wishes for a happy Christmas, Private Secretary '. Framed. Rare and unique items.
Lot 373
Charles F. Zimpel (Prussian/American, 1801-1879), "Topographical Map of New Orleans and its Vicinity, Embracing a distance of twelve miles up and eight and three quarter miles down the Mississippi River and Part of Lake Pontchartrain, representing all Public Improvements existing and projected and important Establishments, accompanied by A Statistical Table, containing the most accurate Illustrations; prefaced by A Splendid View of New Orleans, & Compiled from actual surveys and the best authorities, by Chas. F. Ximpel, Deputy City Surveyor of New Orleans, Chief Engineer of the New Orleans & Carrollton Rail Road Company and late Engineer in the Prussian Service, Scale six inches to the mile, New Orleans March 1834", lithograph, on six sheets, original folio, vignettes showing: Orleans Cotton Press Co., City Hotel, Levee Steam Cotton Press, City Hall (Cabildo), St. Louis Cathedral, Presbytere, Bank of the Canal and Banking Co., City House and Market of the City of Lafayette, Bank of New Orleans, Union Bank, American Theater, Sugar Refinery, Charity Hospital, State House, "Defeat of the British Army...", "Plan of the Banks of the Mississippi and Adjacent Country...", and "Mouth of the Mississippi at the South West Pass", six sheets (combined) 63 in. x 64 in. Note: Zimpel, Charles F. (Karl Frederick Zimpel) and the subject map are best summarized in Ellen Merrill’s Germans of Louisiana. Pelican Publishing Company, Inc. 2005: “Zimpel was a young Prussian aristocrat who soon established a lucrative career in the city as a surveyor, engineer, and architect. His tastes were mainly classical, in keeping with the style in vogue in both Europe and America. He was highly successful in those areas in which he was trained and, for a short time, became deputy surveyor and chief engineer for the city. In 1833 he laid out and developed the City of Carrollton. Perhaps his most important achievement was the detailed map of New Orleans he produced in 1834. Dissatisfied with the quality produced by the lithographers in New Orleans, he sent his original drawing back to Germany. On the return trip the lithographic stone and reproductions were lost at sea, making the Zimpel map a collector’s item. As chief engineer of the New Orleans and Carrollton Railway, which ran from Canal Street to Carrollton Avenue along Nayades Street (now St. Charles Avenue), he got involved in land speculation. Having little experience in this area, he soon fell into debt and fled the city. After only seven years of working in New Orleans, he returned to his native Prussia.” Zimpel also designed and oversaw construction of several important buildings in New Orleans during his tenure here, three of which are shown in vignettes above his map: the Bank of New Orleans, City Hotel, and the Orleans Cotton Press. Only six copies of the Zimpel map have been located, five of which are housed in institutional collections.
Lot 457
**Please note - this item is not available for online bidding. Please contact our gallery for additional information. Chinese/Tibetan "Gem" Embellished Parcel-Gilt Bronze Figure Parcel-Gilt Bronze Figure of Amitayus, modeled seated in dhyanasana on a double lotus base with hands held in dhyanamudra, wearing a dhoti chased with foliate borders, a gem-inset five-pronged tiara, necklaces, arm bands and anklets, interior walls set with prayer scrolls, h. 16 1/2 in
Lot 381
A Modest Group of Continental-style Set-piece Scenic Accoutrements by Faller and Noch, including boxed Faller House Nr 219, G-VG, some paint loss to curved end, with unboxed sawmill Nr 229 with powered mill wheel and light, Flower Shop and Greenhouse Nr 220, with slight damages, a Noch pond with trees surrounding item Nr 772, and a small partially-completed house, mostly G-VG (5)
Lot 76
1970 Jaguar E-Type Series III 4.2 2+2 - Chassis Number One and Body Number One- The first left-hand drive Series III 2+2-seater made and the only example fitted with a 4.2-litre XK engine- Referred to by Jaguar Enthusiast magazine as 'A Ghost of an E-Type' and 'the one missing link' (August 2017 issue)- Offered from the collection of music producer Pete Waterman and in his care since the late 1980s.Although conceived to power a new generation of saloons (starting with the MK VII), Jaguar's first 'clean sheet' engine design debuted aboard the XK120 Roadster. Sir William Lyons' reasoning being that it was less risky to prove / develop the straight-six DOHC XK unit in a low volume sportscar than a high volume 'tin top'. The same thought process applied to the Coventry manufacturer's second 'clean sheet' powerplant. Hence, its much vaunted 5.3 litre SOHC V12 was 'debugged' in the Series 3 E-Type before appearing in the XJ12 Saloon.Reconfiguring the E-Type to house the 60-degree V12 was no easy feat. As well as a new bulkhead and front subframe, the Series 3 gained revised steering, brake and suspension assemblies plus a host of bodywork and interior changes. With the V12 representing a relative leap into the unknown and the XK unit having a loyal following courtesy of its five Le Mans 24-hours victories, Jaguar engineered the Series 3 to accept both powerplants.Early brochures thus mentioned 'A new Jaguar Engine - the 5.3 litre V12 to supplement the 4.2 litre six cylinder XK engine' and even featured pictures of the latter but in reality derivatives equipped with the smaller powerplant were never made available to the general public. Marque authorities have suggested that a mere six or seven cars were factory-fitted with XK DOHC 4.2 litre engines during the development and production of the Series 3 (though, some of those were heavily modified Series 2/3 hybrids). As such, the Series 3 4.2 litre is rarer than any other E-Type variant including the fabled 'Lightweight'.Presumed lost for many years and so referred to as 'A Ghost of an E-Type' and 'the one missing link' by Jaguar Enthusiast magazine (August 2017 issue), this particular example is wrongly listed on various websites as chassis number 1S70001 or 1W700001. In fact, the number clearly stamped into the 2+2-seater's original chassis plate reads '1W70001', while its body and engine numbers are recorded as '4W50001' and '7R39503-9' respectively.Although Jaguar Heritage quote the first left-hand drive Series 3 2+2-seater as being chassis number 1S70001 with body number 4S50001, '1W70001' would most likely have been identified as such many moons ago had it not formed part of music producer Pete Waterman's private collection since the late 1980s. A long-term Jaguar enthusiast whose stable has included C- and D-Types as well as other significant E-Types, Mr Waterman acquired the unique Series 3 via marque specialist Lynx.Published in the December 1980 issue of Jaguar Driver magazine, a letter from the 2+2-seater's then owner James Johnson of Brooklyn, New York outlines its early history:'The car is in all original concours condition save the new paint job, carpeting and exhaust system I have had to restore. I have won second and third prizes in Empire Division Jaguar Club Concours which I have entered. The only work needed on the car is to have the engine paintwork detailed. After purchasing the car I became interested in its history and wanted to confirm my suspicions that it was extremely rare. I wrote to Mr Bob Lewis at Jaguar Service, Radford who responded to me through Cindt Greico at Jaguar Rover Triumph in Leonia, New Jersey. It seems that this response had crossed the desk of Mr Graham W Gardener, Manager - Engineering Liaison of JRT in Leonia and he wrote to me personally. To begin with Mr Lewis confirmed for me that the car is what I thought it to be. Mr Gardener tells me that this is the Series 3 E-Type 6-cylinder imported by JRT Leonia into the US. He further informed me that this car was used to obtain certification for the 4.2 litre engine for the 1971 model year. In addition he says that the York air conditioning compressor installed in my car is unique as Delco-Air compressors were normally used. In my quest for information about the car I phoned Mr Gardener. He stated that at approximately 10,000 miles he sold the car to a used car dealership in Queens, New York City. From there a man bought the car, ran it an additional 17,000 miles and died, willing the car to his wife. His wife being completely un-automobile orientated, wrapped the car in plastic and stored it in her garage for five years. She had met a gentleman in the interim and when he proposed and asked her to move out of the state with him she went about selling the car to me. Unfortunately, she wrapped it in plastic so the paint discoloured, mottled and peeled off with the plastic when she unwrapped it'.Prior to being sold to the used car dealership in Queens, New York, chassis 1W70001 is rumoured to have been driven by a female member of the Whitehead family. Graham W. Whitehead was President of Jaguar Cars North America for several decades and his involvement might well explain why the E-Type was issued with the distinctive New Jersey registration plate 'JAG UR'. Acquired from James Johnson by marque enthusiast (and former owner of the Works D-Type 'OKV 2') Godfrey Miller, the Series 3 is understood to have retained its original tyres at the time! Mr Miller still has fond memories of the car and only reluctantly sold it to Guy Black of Lynx. A sticker affixed to the 2+2-seater's windscreen suggests that it was enjoyed on The Garden State's roads until at least 1986 and although not warranted its present odometer reading of 53,800 miles is highly credible...PLEASE NOTE: The Jaguar Heritage Trust Production Record Trace Certificate for this lot states that it was initially sent to the Jaguar Cars Ltd Experimental Department. The manufacturer's Car Record Book further confirms that the E-Type was originally finished in Warwick Grey with Red interior trim and quotes its chassis, engine and body numbers as: '1W 70001 BW', '7R39503-9' and '4W 50001' respectively. The chassis plate currently fitted to the car appears to be a factory installed item but lists the chassis number as '1W 70001'. Furthermore, the 2+2-seater is equipped with four-speed manual rather than Borg Warner (hence BW) automatic transmission. We queried this anomaly with the Jaguar Heritage Trust and they replied as follows: 'It is entirely possible that during its time as an experimental vehicle a variety of gearboxes were fitted'. They also commented: 'Jaguar did build chassis 1S 70001, but not with the body number you suggest. We would describe chassis 1W 70001 BW as the first and only LHD Series 3 with a 4.2 litre six-cylinder engine'. So there you have it, this historic E-Type is 1 of 1. PLEASE NOTE: All estimates are subject to a buyer's premium of 16.2% incl. VAT
Lot 247
A Middle Eastern curved dagger, 18th/19th century, rhino horn handle with inlaid decoration, blade length 21cm, original leather scabbard. Please note: According to CITES regulations this item dates to pre-1947 and is a worked item, therefore no license is required to sell it, but it cannot be exported outside the EU as all exports of rhino horn are banned.
Lot 230
Bronze Medals: A fine circular bronze Medal inscribed "La Republica di San Marino ad Alessandro Manzoni - 1873 - 1973," by S. Johnson, with portrait on obverse and boating on reverse; a larger ditto inscribed "L'Accdemia delle Arti del Disegno - Giacomo Manzu 1978 - 1979," approx. 9cms (3 1/2") diameter; and another Dante item, "L'Alto Passo / Centro Dante / Co. Ravenna 1992," by A. Praxmayer, signed. As a lot. (3)
Lot 631
The Original "Mosada" Portrait Yeats (John Butler). A fine pen-and-ink Portrait of his son W.B. Yeats, signed 'J.B. Yeats fecit', dated 1886, circa 9 ins x 9 ½ ins, on light card, mounted, slightly shaded where previously framed. * This is the original 'Mosada' portrait, reproduced with the narrative poem of that name in W.B. Yeats' legendary first publication, essentially an offprint from the Dublin University Review. When J.B. Yeats proposed adding the portrait, W.B.Y. initially demurred, saying it might seem pretentious for a young poet to include a portrait with his first publication, but JBY was not to be denied. It is a fine and sensitive portrait, hinting both at WBY's determination and at his vulnerability. [For those who lack a copy of Mosada for comparison, the portrait is reproduced as frontispiece to Wade's bibliography]. A truly iconic item. Published in an edition of probably 100 copies, Mosada has for many years been all but unobtainable. Provenance: The Yeats Family Collection.
Lot 644
Order of the Golden Dawn A Ceremonial Robe with tall hood, dark green silk edged in white, lined in white silk, in excellent condition.A very unusual item, which we believe may relate to the internal rituals of the Order of the Golden Dawn, of which both W.B. Yeats and his (future) wife George Hyde-Lees were members in the 1890s and later. It is difficult to confirm this view, as members of the Order were forbidden to communicate its secrets to outsiders.Possibly a unique example.Sold w.a.f., S.N.S.R.Provenance: The Yeats Family Collection.
Lot 656
With a Crown of FlowersO'Hegarty (Mrs. P.S., nee Wilhelmina Rebecca Smyth). A very attractive Child's Dress, velvet, sack-cloth, silk and embroidery, height circa 32 ins, with a note in the hand of her daughter Gráinne (who married Michael Yeats). 'Dhein Mamór é seo do Ghráinne c. 1933 mar fancy dress (gáirdín). Bhí mé féin & Máire mar gharradóir is gáirdín. Bhí coróin bláthanna orm, agus cat ar mo ghualainn clé'. [Our mother made this for Grainne c. 1933 as a fancy dress for a garden party. I and my sister Máire went as a gardener and garden. I wore a crown of flowers, with a cat on my left shoulder.] Evidently this was the costume representing the 'garden'. * Wilhelmina Smyth, known as 'Mina', was a daughter of a Presbyterian minister from Coleraine. She was one of the first women admitted to study science at London University, where she secured a first class honours degree in chemistry. Against family opposition, she married the Fenian activist and historian P.S. O'Hegarty. They had a son and two daughters, of whom one (Gráinne) married Michael Yeats, son of the poet. After P.S. O'Hegarty became Secretary of the Dept. of Posts and Telegraphs in 1922, they had a house in Rathgar with a large garden, where Mina held occasional garden parties for charitable purposes. Evidently she was a talented seamstress.A charming item, in excellent condition.Provenance: The Yeats Family Collection.
Lot 666
Cuala Press. "St. Patrick's Breastplate," Irish Hymn, early 5th century, sometimes called 'The Deer's Cry', attributed to St. Patrick. Translated by Cecil Francis Alexander, picture by The Lady Glenavy. Printed and published by the Cuala Press. Single folio sheet, unfolded, with hand coloured device at end, numbered 246; also with a small sheet containing a single verse of the same, with hand coloured initial by Elizabeth Corbet Yeats. An attractive item. (1)Provenance: The Yeats Family Collection.
Lot 677
Yeats (Jack B.) THE BROADSHEET Number 2. Two copies of what appears to be a trial format for 'A Broadsheet', which Jack published monthly through Elkin Mathews for two years in 1902-03. On flimsy paper, circa 15 x 13 ins, with three illustrations (apparently stencilled) in two colours, one copy with pencilled notes in Jack Yeats' hand, clarifying obscure parts of the printed titles ('Under the Clinking Stars', with some lines of poetry, 'A Tomb' and 'The Broads / Hearts Ace').* A most interesting item. In the published Broadsheets, Jack did not pursue the stencilled format, which apparently was difficult to control; the Elkin Mathews Broadsheets are hand-coloured within printed outlines.Fascinating examples of an artist feeling his way towards a new format. (2)Provenance: The Yeats Family Collection.
Lot 685
Yeats (Jack B.). A quarried block of green Connemara Marble, polished on upper faces, one face engraved with Jack Yeats' monogram 'JB'.We cannot say whether this was engraved by Jack Yeats himself, or on his instructions, or as a present from a friend, but it is an attractive and desirable item, from the artist's own collection. It may relate to one of his visits to Lady Gregory's home at Coole Park in the 1920s and 30s, or indeed his earlier journeys in Connemara with J.M. Synge.Provenance: The Yeats Family Collection.
Lot 687
Oskar Kokoschka and Jack Yeats A large Print, 30 ins x 20 ins, of the Austrian painter. Kokoscha's well-known drawing showing Christ on the cross leaning down to a group of children, titled in memory of 'the children of Vienna who will die of want this year 1946', signed in plate, inscribed in Kokoschka's hand under the printed signature, 'To Jack B. Yeats, with admiration and in comradeship for the sake of art / yours, Oskar Kokoschka'. Inscribed rear in Yeats' hand, 'Kokoschka'.* A superb association item. Jack Yeats met Kokoscha at least three times from the 1920s onwards, in Ireland and perhaps elsewhere (see Bruce Arnold's biography), and it seems the two shared a similar approach to life and to art.Provenance: The Yeats Family Collection.
Lot 740
Roger Nellens (Belgium, b. 1937), Machine I, II & III, a set of three, each signed and dated in pencil 'Nellens 72, 67/75, 71/75 & 66/75' (in lower margin), screenprint, 39 x 69.5cm, 47 x 71cm & 57 x 45cm (3)May be subject to ARRPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 745
Adrian Ryan (British 1920-1998), A view of houses in a landscape, signed and dated 'Ryan' (lower right) and '76' (lower left), watercolour, 19 x 27cm, together with another watercolour by the same hand of a figure on a path in a landscape, unsigned, 18.5 x 27cm (2)May be subject to ARRPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 746
Adrian Ryan (British, 1920-1998), A French harbour town, indistinctly inscribed and dated (lower left and upper right), watercolour, 19 x 27cm, together with another watercolour by the same hand of a French street scene, unsigned, 19 x 27cm (2)May be subject to ARRPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 747
Charlotte Verity (British, b. 1954), Untitled VIII, signed and dated 'Verity Sept-Oct 4th 89' (lower right) and bears Anne Berthoud Gallery label (verso), watercolour, 30.5 x 41cmMay be subject to ARRPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 749
Follower of William Adolphus Knell (British, 1801-1875), Herring boats setting out at sunset with Beachy Head in the distance, bears signature 'W A Knell' (lower right), watercolour, 24.5 x 44.5cm.Please note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 735
Barry Flanagan (British, 1941-2009), Yacht II, signed, titled numbered and dated in pencil '23/48, 83' (lower right), linocut, 38 x 57cm. May be subject to ARR.IllustratedPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 736
Barry Flanagan (British, 1941-2009), Study of a horse, initialled and numbered '21/30' (lower right), linocut, 36 x 25cm, together with another linocut by the same hand titled 'Atlantic Moon' initialled, titled and numbered '29/45' (lower centre), 20 x 14.5cm. (2)May be subject to ARRPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 737
Alistair Grant (British, 1925-1997), D 'Artagnon; Aramis; Athos; Porthos, a set of four, each signed and numbered in pencil from an edition of 20, screenprints, each 30.5 x 30.5cm (4)May be subject to ARRPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 738
Gordon House (British, 1932-2004), Gothic Green, signed, titled, numbered and dated in pencil '14/40, 78/79', (in lower margin), etching, 41 x 30,5cm, together with another etching by the same hand 'Manx Yellow' (2)May be subject to ARRPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 739
Jens Lausen (German, b. 1937), Landkarte NR3, Ariadnes Faden, signed, titled and numbered in pencil 44/70 (in lower margin), screenprint, 74 x 53cm, together with another screen print by the same hand, Landkarte NR4, Vor Und Nach Mitag; Hommage A, C D Friedrich, signed, titled and numbered in pencil '44/70' (in lower margin), 94 x 53cm (2)May be subject to ARRPlease note that VAT is payable by the purchaser at the standard rate on the hammer price (item 5. of our terms and conditions of business for buyers refers).
Lot 297
1960's black satin and velvet evening gown, bearing label 'Marcel Fenez, designed by Roland Klein', a Frank Usher long-sleeved beaded and sequinned evening top, an Escada knitted jacket with suede and beaded applique, a Jaeger silk blouse, a Louis Feraud 1980's bright blue and black wool jacket, skirt and matching satin blouse and one other item (8)
Lot 1203
Sunderland Football Club memorabilia,including an extremely early item being a printed invitation from F J Trewhitt, Hon. Sec. of Sunderland Foot Ball Club, Woodside, inviting a Mr G E Gales to an evening event & dance at the Garrison Hall, Sunderland, 16th November 1882, laid down on a Victorian scrapbook page; sold together with a group of three telegrams sent to the Sunderland's Frank Cuggy on F.A. Cup Final Day 19th April 1913, the first two sent in the morning:i) "Sunderland team congratulations, expect to see you win today, Walker North Shields"ii) "Wish you success, Conroy"the other sent after the match:iii) "Hard luck, great disappointment to cafe staff canny lasses" (4)The club was formed 17th October 1879 as 'Sunderland and District Teachers AFC' by schoolmaster James Allan. Sunderland AFC joined the Football League in season 1890-91.Having won the League Championship in 1912-13, Sunderland narrowly lost out on securing 'the double' through a 78tth minute Tommy Barber goal for Aston Villa.
Lot 271
Lennox Lewis boxing ring wear poncho,by Pony with red towelling interior with black satin exterior inscribed LENNOX LEWIS; sold together with a Caesar's Palace merchandise bomber jacket for the Holyfield v Holmes "Class of Champions" fight 19th June 1992 (2)The Lennox Lewis item was bought at a charity auction but it is not known which fight it was worn at.
Lot 272
Anthony Joshua signed boxing glove and trunks,a gold left-hand V.I.P glove signed in black marker pen and inscribed A.J, WORLD CHAMPION; together with limited edition boxing trunks, white with Union Jack flanks and waistband lettered JOSHUA, signed in black marker pen; sold with a COA for each item issued by montage-moments.com and Select Memorabilia Ltd respectively (4)
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151062 item(s)/page