Château Les Grands Maréchaux, Blaye Cotes de Bordeaux 2016, 12 bottles in original carton.This wine is in bonded storage at LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
We found 151062 price guide item(s) matching your search
There are 151062 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
151062 item(s)/page
Penfolds RWT Shiraz 2013, 6 bottles in owc.This wine is in bonded storage at LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
Château Haut-Brion, Pessac-Leognan Graves 1er Cru Classe 2009, 6 bottles in owc.This wine is in bonded storage at LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
Château Marsau, Francs Cotes de Bordeaux 2016, 12 bottles in original carton.This wine is in bonded storage at LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
Felton Road Calvert Pinot Noir, Central Otago 2015, 6 bottles in original carton.This wine is in bonded storage at LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
Cote Rotie La Landonne, Guigal 2009, 3 bottles in owcThis wine is in bonded storage at LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
Cote Rotie La Landonne, Guigal 2011, 6 bottles in owc.This wine is in bonded storage at LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
Penfolds Grange 2013, 6 bottles in owc.This wine is in bonded storage at LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
Toro Albala Montilla Moriles Don PX Gran Reserva 1946, 2 numbered 75cl bottles in individual wooden boxes (Note: one of a few sherries to have a Robert Parker score of 100 points).This wine is in bonded storage with LCB near Cambridge. It is offered in bond only, but will be available duty paid. The buyer has a choice of taking the item in bond (with the sale being made in bond) or taking the item duty paid. The auction bidding is at 'in bond' prices, and as such this is treated as a normal margin scheme sale with the buyer paying the buyer's premium at 21% on the hammer price. If taken duty paid, as well as being charged the buyer's premium, the buyer will also be invoiced for the additional duty at the current rate and import VAT at the standard rate (currently 20%) on the hammer price plus duty. Buyers taking their wine 'in bond' must at their expense arrange collection of their purchases either by a shipper with a bond movement guarantee or by a registered tax warehouse. If the buyer subsequently wishes to remove the wine from bond, they will need to pay duty at the current rate, plus VAT at 20% on the total price including the purchase cost. There may also be other charges including delivery and handling.
A Victorian silver coffee pot, Hawkesworth, Eyre & Co, Sheffield 1856, of baluster form with engraved floral and scroll decoration, floral finial and ivory spacers to the handle, all raised on four scroll bracket feet, 28cm high, weight approx 29.8ozNote: Registration of an ivory item. Submission reference:NKMQSW7P
A Victorian Hunt & Roskell Victorian silver coffee pot, John Hunt & Robert Roskell, London 1877, of baluster form with reeded decoration and engraved crest, the scroll handle with two ivory dividers, raised on circular foot with beaded rim, 26.5cm high, weight approx 27ozNote: Registration of an ivory item. Submission reference: J6KVAZ5HHallmarks clear, base stamped 'Hunt & Roskell Late Storr & Mortimer 7353', compression to the finial, large dent to the base of the spout, hinge to the cover slightly loose, dings to the body, general wear, refer to images
Baroness Margaret Thatcher: A Chaumet shagreen handbagOf envelope design in simulated ray skin with dark grey leather trim and interior, the clasp with 18ct gold fitting set with a cabochon sapphire, with 18ct gold fancy chain shoulder strap and original maker's azure leather-bound case, bearing lettering in Baroness Thatcher's hand 'Grey dress bag', French assay marks to clasp and chain, 22cm wide x 16cm high.Christie's: Mrs Thatcher - Property From The Collection Of The Right Honourable The Baroness Thatcher Of Kesteven, 15 December 2015, lot 38.Purchased by the Daily Mail Newspaper, thence by competition entry to the present vendor.In December 2015, the Daily Mail newspaper purchased eight lots from Christie's auction Mrs Thatcher - Property From The Collection Of The Right Honourable The Baroness Thatcher Of Kesteven, including five handbags and three head scarves, totalling some £50,000. Each item then became a prize in reader competitions held in the following months. The present lot was one of the five handbags and was won by the vendor in March 2016. The inscription in black ink on the side of the maker's box which reads 'Grey "dress" bag', compares with handwriting on record, indicating that it was written by Margaret Thatcher herself and suggesting the bag was reserved for a formal evening occasion.According to Christie's lot essay, this bag was examined by a specialist at the Natural History Museum, London, who confirmed that it is made of simulated ray skin.Bag: Negligible signs of use.Box: Some minor cosmetic marks.
A matched three piece silver tea service, comprising; a William IV melon form teapot, Jonathan Hayne, London 1834, with stylised seed finial, ivory spacers to handle and raised on four bracket feet, 15.5cm high, together with a matching two handled sugar bowl and cream jug, Samuel Hayne & Dudley Cater, London 1839 & 1840, total weight approx 46oz (3)Note: Registration of an ivory item. Submission reference: J6KVAZ5HHallmarks clear, some dents to the body of the teapot, handle of the teapot slightly loose, some general overal wear in keeping with age to all pieces but no significant visible damage, refer to images
A frame containing approximately 54 cameos, eleven in gilt metal settings, including the three graces, and many fine carved shell cameosCondition Report: Frame is damaged and has been knocked quite a bit, it is also missing its glass. the item cannot be stood vertically as some of the cameos are not attached to the back board, so has to remain horizontal. The cameos are well preserved
An early coloured map depicting the manor at Ketlebars in the town of Cretingham in the County of Suffolk, 46cm x 40cm overallNB The item may contain manorial documents, which are subject to the Manorial Documents Rules 1959,1962 and 1967, administered by The Historical Manuscripts Commission at the National Archives on behalf of the Master of the Rolls
Wooden cross with silver colored metal embellished with 13 turquoise stones. Illegibly signed along the lower right along the metal.Height: 18 in x width: 13 in x depth: 1 in.Condition: The item is in good condition with no major losses. When inspected under UV light, there is no visible sign of restoration. All parts are presents; turquoise stones are firmly attached, although there are several cracks. Heavy wear throughout. Light erosion to metal components as expected. Several cracks to wooden components as shown in the listing image, most noticeably from the back. From the back, there are several minute losses to the extreme edge of the cross, which do not alter the overall appearance significantly; there are scattered white accretions and along the top, there is a red inscription.
A Russian silver champleve enamel and silver cigarette case style. Enameled in shades of red, sky blue, and Persian blue along the exterior. Hallmarked along the interior with illegible maker's mark and 88. Possibly from Moscow. With a chain and spot for striking a match.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 4 in x width: 2 1/2 in x depth: 3/4 in. Total weight: 196.5 gramsCondition: The item is in good condition in general with no visible dents, cracks, or losses. Light wear, scratches, and oxidation throughout. There is light discoloration throughout due to oxidation, most noticeably along the interior corners. No visible loss to enamel. No visible sign of restoration. One of the sides is discolored brown; see the listing image.
Carved and pierced African wooden basket or vessel, possibly created in Cameroon. With repeating figures and lizards along the sides.Provenance: From the Estate of Horst Rechelbacher, Osceola, Wisconsin; Private Collection, Minnesota.Height: 9 in x width: 24 in x depth: 16 in.Condition: The item is in fair condition. All pieces are present and there are no major losses. There is a major crack or split to the wood of the base, visible in the lot listing. There is evidence along the underside of a possible attempt to repair the split. Dirt and dust collected along the recessed areas. Wear and discoloration to the wood consistent with age and use.
Warren Mackenzie (American, 1924-2018). Studio pottery ceramic bowl. Stoneware with a partial green glaze. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 7 in.Condition: The item is in great condition with no visible cracks, chips, or losses. No visible chips along the rim. Original firing and glazing flaws visible. Light creasing throughout. When inspected under UV light, there is no visible sign of restoration. Wear along the underside, consistent with age and use.
Antonio Grediaga Kieff (Canadian/Spanish, b. 1936). Abstract bronze sculpture of an abstract form on a slate base. Signed and numbered 1/5 along the base of the bronze.Antonio Grediaga Kieff was born in Madrid, and has been an educator and maker around the globe since the mid-20th century. Kieff is renowned worldwide for his biomorphic, organic, and flowing sculptures made from wide arrays of materials. Outside of works like these, Kieff's work shows similar forms to this work in bronze through painting, illustration, and jewelry. Here, like in many of the works in the artist's oeuvre, we see Kieff's legendary abstract swirling form create several modes of optical excitement.Height: 31 in x width: 10 in x depth: 10 in.Condition: The item is in generally good condition with no visible cracks, dents, or losses to the sculpture. No visible sign of restoration under UV light. Light wear throughout; dust collected as expected. The sculpture is firmly attached to the base. Along one of the edges, there is an unevenness to the surface towards the base. Throughout the sculpture, there are handling marks that are etched into the work, possibly from a previous polishing. The base has a minute loss to the side, which does not affect the sculpture. There are very light cracks to the base.
Marc Chagall (Russian/French, 1887-1985). Lithograph on paper titled "Spring" from "The Daphnis & Chloe" portfolio, depicting scenes of love and birth synonymous with springtime, 1977. Pencil signed along the lower right. Printed by Teriade Editeur, Paris. Inspired by his long honeymoon with his second wife, travelling from Rome to Athens. With a certificate of authenticity from Edward Weston Fine Art affixed to the verso.Sight; height: 13 in x width: 18 in. Framed; height: 24 in x width: 30 in.Condition: The item is in good condition with no visible teas, rips, or losses. When inspected under UV light, there is no visible sign of restoration. The color is bold and bright. Along the center, there is a folded crease; however, it is only visible under careful inspection. Framed under plexiglass; not inspected out of frame. Wear to the frame.
Kellypellik Kimikpik (Cape Dorset Inuit), 20th c). Large Native American Inuit carving in green stone titled "Seamaid & Whale," depicting a whale swimming over a mermaid, 1982. With a certificate from the government of Canada.Height: 12 in x width: 18 in x depth: 4 1/4 in.Condition: The carving is in generally good condition with no major dents, cracks, or visible losses. Wear throughout. Hairline cracks throughout; however, they do not alter the overall appearance of the item. No visible sign of restoration under UV light. Along the base part, there are a few areas that appear to have dents; however, it is difficult to discern whether theses are dents or original to the piece. Wear to the underside, consistent with age and use.
Richard Haas (American, b. 1936). Photomontage proposal with the original photo of the Chicago Arcade, 1978. Pencil signed along the lower right; titled along the lower center; pencil numbered 8/15 along the lower left. With an affixed slip of paper reading "Proposal: Corner Hubbard and State Streets in Chicago. Facade of Chicago Arcade, 1978."Height: 28 in x width: 22 in.Condition: The item is in great condition with no visible tears, creases, or losses. Both images are glued to the board. The emulsion appears to be smooth and great. The lower image has black spots in the upper right quadrant; however, they appear to be original to the photo-developing process. When inspected under UV light, there is no visible sign of restoration.
Wiener Kunstkeramische Werkstatte Busch & Ludescher (Vienna Ceramic Workshop), Vienna, Austria. Porcelain perfume lamp in the form of two white embracing monkeys on a blue plinth. Marked along the interior and with the numbers 285, 25, and 4 and the workshop stamp.Height: 12 in x width: 6 1/2 in x depth: 5 in.Condition: The item is in good condition with no major dents, losses, or visible cracks. Wear and crazing throughout. Dust collected to recessed areas, as expected. Throughout the piece, there are several scattered areas of minute loss to the glaze. Unevenness to the back of the monkey; it does not seem to be a restoration. Along the body of the bigger monkey, there are scattered minute light brown dots. The eyes appear to be restored with glue, visible under UV light. Wear to the underside, consistent with age and use.
NASA Apollo-Soyuz Test Project cloth beta crew patch issued to Deke Slayton in 1975. With a certificate of authenticity.Donald K. "Deke" Slayton was selected as one of the original Mercury Seven Astronauts in 1959. He was slated to fly the second orbital mission but was grounded with an irregular heartbeat. He stayed with NASA and became Chief of the Astronaut Office and later Director of Flight Crew Operations. He was restored to flight status in 1972 and finally made it into space on July 15, 1975 as part of the Apollo-Soyuz Test Project. His next assignment was as Manager of the Space Shuttle Approach and Landing Tests at Edwards AFB and from there he was named Manager of Orbital Flight Test. He retired from NASA in 1982 and died on June 13, 1993 after a battle with cancer.Height: 5 1/2 in x width: 5 3/4 in.Condition: The item is in good condition with no visible tears, creases, or losses. The item is slightly toned; however, the color is still bold and bright. When inspected under UV light, there is no visible sign of restoration. There is very light fraying along the edges, as expected, which does not affect the center patch.
Anna Silver (American, 20th/21st c). Large whiteware ceramic vessel titled "Fish Vessel," decorated along either side with figurative fish, 1985.Provenance: Distinguished Corporate Collection, Minnesota.Height: 20 in x width: 19 in x depth: 19 in.Condition: The item is in generally good condition with no major cracks, dents, or losses that affect the overall appearance. When inspected under UV light, there is no visible sign of restoration. The color is bold and bright. Light wear throughout. Throughout the item, there are several scattered areas with minute glaze losses, most noticeably to the footrim. Along the area where the handles meet the vase, there are several light cracks to the glaze. Wear to the underside, consistent with age and use.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic vase. Stoneware with tri-color glaze and a narrow neck. Unmarked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 10 in x diameter: 6 in.Condition: The item is in great condition with no visible chips, cracks, or losses. Original firing and glazing flaws visible in the lot listing. When inspected under UV light, there is no visible sign of restoration. There is an adhesive residue near the neck. Wear to the underside, consistent with age and use.
Group of nine sterling silver serving ware including:Two French salt and pepper shakers, each marked with a Minerva.Two Gorham Manufacturing Co., United States, salt and pepper shakers, marked and numbered 35 along the underside.Two Rogers, Lunt, & Bowlen, United States, salt and pepper shakers, marked and numbered 1100 along the underside.One handled cup, one creamer, and one glass vessel with sterling rims.Height ranges from 3 1/4 in to 5 1/2 in; diameter ranges from 1 1/2 in to 2 3/4 in. Gross weight of sterling (not including the glass item): 22.6 Troy oz.Condition: The items are in good condition with no visible cracks or losses, or major dents. Light wear and light oxidation throughout, particularly to the underside, as expected from age and use. When inspected under UV light, none of the items show a sign of restoration. All lids open and close smoothly. The footrims of the two French salt and pepper shakers have uneven area due to dents; however, it does not change the overall appearance of the item. One of the Gorham shakers has a minute dent to the underside. The unmarked handled cup has an uneven surface to its underside and along the rim. The unmarked glass vessel with sterling rim has no visible chip to the glass component.
Susanne G. Stephenson (American, b. 1935). Ceramic, terra cotta, and clay slip vase titled "Cut Edge Vase." Inscribed in pencil along the underside "V-29."Provenance: Distinguished Corporate Collection, Minnesota.Height: 18 in x width: 10 in x depth: 10 in.Condition: The item is in good condition with no visible chips, cracks, or losses. Original glazing and firing flaws. No visible sign of restoration under UV light. Under UV light, there is a sticker mark visible to the interior of the top. Wear to the underside, consistent with age and use.
Kurt Markus (American, 1947-2022). Silver gelatin print photograph depicting a young dapper man. Pencil signed along the lower right. Markus photographed portraits and filmed music videos for celebrities such as Tori Amos, Meryl Streep, John Mellencamp, Christy Turlington, and Mike Tyson.Sight; height: 17 3/4 in x width: 14 in. Framed; height: 24 1/2 in x width: 20 3/4 in.Condition: The item is in great condition with no visible tears, losses, or creases. The emulsion appears to be smooth. Framed under plexiglass; not inspected out of frame. No visible sign of restoration. Light wear to the frame.
Madison Fred Mitchell (American 1923-2013). Watercolor on Arches paper titled "Waiting Ship," ca. 1975, depicting several ships in a harbor. Signed and titled in blue pencil along the lower center. With a label from Philip Douglas Fine Art affixed along the verso.Provenance: Philip Douglas Fine Art, New York; Private Minnesota Collection.Sight; height: 12 1/4 in x width: 16 in. Framed; height: 20 in x width: 24 in.Condition: The item is in good condition with no visible tears, creases, or losses. When inspected under UV light, there is no visible sign of restoration. The paper is floating on the mat; all four margins are visible. Along the margins, there are black line marks, which appear to be original. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Tom Philabaum (American, b. 1947). Reptilian blown glass vase in pink and black, 1983. Signed and dated along the underside.Provenance: Distinguished Corporate Collection, Minnesota.Height: 14 in x width: 10 3/4 in x depth: 6 in.Condition: The item is in good condition in general with no major cracks or chips. When inspected under UV light, there is no visible sign of restoration. To the interior, there is a circular glaze loss, diameter approx. 1/4 inch, No visible chips along the rim. Residue, possibly sticker, to the interior of the bottom. Uneven surface along the underside, as shown in the listing image. Light wear to the underside, consistent with age and use. Wear to the pontil mark.
Ernest Trova (America, 1927-2009). Cor-Ten steel abstract sculpture. Signed in pen along the base and numbered in white paint #26 along the underside, 1977.Provenance: Distinguished Corporate Collection, Minnesota.Height: 13 3/4 in x width: 5 in x depth: 12 in.Condition: The item is in fair condition with no visible cracks. All components are present. Wear and oxidation throughout as shown in the listing image. Along the edges, there are minute dents that do not alter the overall appearance. Metal erosion as expected. Throughout the exterior, there are several areas that lost surface layer; please see the listing image. No visible sign of restoration when inspected under UV light. Under UV light, there is an adhesive residue visible to the exterior. Wear to the underside.
Chinese porcelain plaque depicting a procession of individuals flanked by a dragon. In an ornately carved and pierced wooden frame.Sight; height: 17 in x width: 11 1/2 in. Framed; height: 24 in x width: 18 1/2 in.Condition: The item is in generally good condition with no visible cracks, chips, or losses. Light wear throughout; there are several scattered areas of light brown discoloration as shown in the listing image. When inspected under UV light, there is no visible sign of restoration; however, there is an area with possible adhesive residue to the lower right quadrant. Wear to the wooden frame; dust collected.
Poster reading "Get Licked October 1" with the iconic tongue and lips for the band The Rolling Stones, signed by all four band members including Mick Jagger, Keith Richards, Ron Woods and Charlie Watts. A certificate of authenticity from Art of Music Management is included.Sight; height: 35 in x width: 23 1/2 in. Framed; height: 39 1/2 in x width: 27 1/2 in.Condition: The item is in good condition with no visible tears, creases, or losses. The paper appears to be very lightly toned. The color is bold and bright. When inspected under UV light, there is no visible sign of restoration. No inspected out of frame; framed under plexiglass. There are several scratches to the plexiglass. Wear to the frame.
Daniel Lotton (American, 20th/21st c.) for Lotton Art Glass, United States. Art glass boudoir lamp decorated with floral and foliate motifs, 1993. With a wooden base wired with a light. Incised signature "Daniel Lotton" and date.Height: 6 1/2 in x diameter: 7 1/4 in.Condition: The item is in good condition in general with no visible chips or losses, or major cracks. Light wear throughout as expected. Along the interior of the glass shade, there is a crease to the glaze. No visible chips along the edge of the shade. Light oxidation to the metal components. To the side of the body, there is an inner crack that measures 2 inches. Light wear to the base. Wear along the underside, consistent with age and use. When inspected under UV light, there is no visible sign of restoration.
Dieter Roth (Swiss, 1930-1998). Neo-dada intaglio print on paper titled "Calm Life," depicting a still life of two bouqets of flowers in front of a window, 1970. Faintly pencil signed and dated along the lower right; numbered 18/25 along the lower center.Unframed; height: 30 1/2 in x width: 36 in. Image; height: 19 in x width: 24 3/4 in.Condition: The item is in good condition with no major creases, losses, or tears. No visible sign of restoration under UV light. Light wear along the margins, most likely original to the artistic practice. Along the margins, there are light creases along the margins, which do not affect the center image. Along the upper left quadrant, there is a light blue mark. To the center of the right margin, there is a light grey mark. To the lower left corner, there is a light skimming. Along the verso, there is light soiling and a few light tears to the left margin, which do not affect the overall appearance. Along the upper margin of the verso, there is an old framer's tape.
Johann Henrik Carl Berthelsen (Danish/American, 1883-1972). Oil on canvas painting titled "Winter in Washington Square, New York" depicting a peaceful snowy day in the city, 1952. Signed along the lower right. Dated along the verso along the stretcher.His wintry paintings depicting New York City were among Berthelsen's most popular works, being collected by prominent figures including William Randolph Hearst, Richard E. Berlin, Frank Sinatra, Ethel Merman, and Dinah Shore. However, he did not begin as a painter. For much of his life, he was a professional singer and voice teacher who was essentially a self-taught artist. Though he worked in pastels for most of his life, he began painting in oils after losing many of his voice students during the Great Depression. He had a lifelong friendship with Wayman Adams, who had studied with William Merritt Chase and Robert Henri.The artwork perfectly captures the beauty and atmosphere of wintertime snowfall at Washington Square in New York City. While bluntly depicting figures in the street and the city landscape under blinding flurries, Berthelsen emphasizes the peaceful yet cold atmosphere of winter snowfall, which attests that he was heavily influenced by the European Impressionists. The blue and grey-toned monochrome palette in the painting supports his focus on delivering the atmosphere rather than the detail of the scene.Sight; height: 16 in x width: 19 1/2 in. Framed; height: 21 1/2 in x width: 25 1/4 in.Condition: The item is in good condition with no visible tears or losses. The surface is stable. There is a minute dent to the center of the sky as shown in the listing image. Along the lower margin, there is foxing started to form. To the lower right margin, there are light cracks to the paint. When inspected under UV light, there is no visible sign of restoration. Clean verso. Wear to the frame.
Phyllis Wiener (American, 1921-2013). Oil on canvas painting titled "Airbourne," depicting a landscape in cool blues and greens. Signed along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 44 in x width: 48 in. Framed; height: 45 in x width: 48 3/4 in.Condition: The item is in good condition with no visible tears, creases, or major losses. The surface is stable, and the color is bold and bright. There is a paint accretion to the upper center, which appears to be original. There is a stretcher bar mark along the margins. There are minute paint losses along the extreme edges, possibly against the previous frame. Along the verso, there is light soiling and pen inscriptions along the upper margin; to the lower right quadrant, there is minor fraying, which does not affect the recto. Wear to frame. No visible sign of restoration under UV light.
After Alfred Montgomery (American, 1857-1922). Oil on canvas painting depicting a basket with ears of corn spilling out.This work is very similar to work by Alfred Montgomery. A "farmer-painter" for most of his life, ears of corn were a staple in Montgomery's work from early on. He boasted that if he was crossing a street a horse would try to reach out and eat the corn that his paintings depicted. It took him nearly nine years to learn his unique technique of layering paint to produce a textured and raised effect for each kernel that adds both depth and realism.Sight; height: 19 in x width: 26 1/2 in. Framed; height: 22 1/2 in x width: 30 1/4 in.Condition: The painting is in good condition with no visible tears, creases, or losses. To the upper left corner, there is a minute paint loss. Throughout the painting, there are minute white paint accretions, which do not significantly alter the overall appearance of the item. There is a minute paint loss to the lower right quadrant. No visible sign of restoration under UV light. Light wear to the frame.
Jean Dubuffet (French, 1901-1985) Original Psycho-Sites jigsaw puzzle announcement and exhibition catalog from the Pace Gallery, New York, for the Partitions / Psycho-Sites exhibit which ran from December 3, 1982 - January 8, 1983. The puzzle is in the original shrink wrap.Height: 10 in x width: 8 1/4 in.Condition: The item is in good condition with no visible tears or losses, or major creases. The cover paper of the catalog is lightly toned; there are a few creases to the cover as expected. Along the cover of the catalog, there are several scattered accretions that do not affect the inner pages. The puzzle is plastic wrapped and kept intact. No visible sign of restoration.
Chinese silk embroidered robe fragment on blue silk depicting a five-clawed golden dragon chasing a flaming pearl. The dragon is surrounded by soaring bats and swirling clouds in the five imperial colors. Below the dragon are rolling waves from which a tri-peaked landmass rises. In many dynasties, a dragon with five claws was a symbol of the emperor. In the Qing dynasty, the dragon was colored yellow or gold, depicted flying amongst clouds above a rolling waves. The blue coloration suggests that this may have been a robe for a minor prince or nobleman as this was the Qing dynasty's official color. This is an exceptionally well-done embroidery with lustrous golden silk and details.Literature: Many similar examples can be seen in Linda Wrigglesworth & Gary Dickinson, "Imperial Wardrobe," (Berkely, California: Ten Speed Press, 2000), pg. 76-96.Sight; diameter: 19 1/2 in. Framed; height: 26 in x width: 24 in.Condition: The item is in great condition with no visible tears, rips, or losses. When inspected under UV light, there is no visible sign of restoration under UV light. Very light wear to the frame. Framed under plexiglass; not inspected out of frame.
Japanese Edo period shingen style jingasa samurai helmet, likely 18th-19th century. Lacquered wood with a gold overlay mon (crest) in a circular cartouche. The interior with red and gold lacquer with cloth straps.Height: 4 1/2 in x diameter: 13 1/4 in.Condition: The item is in good condition in general with no visible cracks or major losses. Wear throughout. There is a minute dent to the front. Along the exterior and around the edge of the hat, there are several lacquer losses. Heavy wear to the cloth components. No visible sign of restoration under UV light.
Thom "Tex" Wheeler (American, b. 1946). Mixed metal wall mirror decorated with a combination of Christian and Native American symbols. Inset with large stones throughout.Height: 26 1/2 in x width: 22 1/4 in x depth: 1 in.Condition: The item is in good condition with no visible dents, cracks, or losses. All parts are present. Very light wear throughout. As expected from the material, there are several minute areas of metal erosion throughout. When inspected under UV light, there is no visible sign of restoration.
Carved Chinese jade flower pot with prunus flowers and magpies. Carved from a single piece of jade following its natural shape and with russet inclusions.Height: 3 in x width: 4 1/4 in x depth: 2 1/4 in.Condition: The item is in generally good condition with no major losses or visible chips. Light wear throughout as expected. Towards the underside of the exterior, there is a crack, approximately 5 inches long. There is a loss to one of the leaves near the rim. Natural lines, as expected. No visible sign of restoration when inspected under UV light.
Doug Ballard (American, 1922-2001). Watercolor on paper painting titled "Old Zuni Mission," depicting a Zuni Mission with some light snow along the rooftops. Signed along the left quadrant; titled along the verso; the artist's business card affixed along the verso.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 16 in x width: 22 1/2 in. Framed; height: 25 in x width: 31 in.Condition: The item is in good condition with no visible tears, creases, or losses. When inspected under UV light, there is no visible sign of restoration. The paper is toned. Given that the mat is browned, it seems reasonable to predict that the paper has an acidic burn. Framed under plexiglass; not inspected out of frame. Light wear to the frame.
Jil Evans (American, b. 1958). Oil on canvas painting depicting an abstract composition in red, green, yellow, and black, 1989. With a label from Thomson Gallery in Minneapolis, Minnesota along the verso.Sight; height: 24 1/2 in x width: 24 in. Framed; height: 29 1/4 in x width: 29 1/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. No visible sign of restoration under UV light. The verso could not be inspected due to the nature of how the painting is framed. Light wear to the frame.
Russian paperweight in the form of a gilt bronze sleigh carrying a large chunk of quartz "ice." Mounted to a malachite base.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 2 1/2 in x width: 5 1/4 in x depth: 3 1/2 in.Condition: The item is in fair condition. As shown in the listing image, there are possibly small losses and cracks to the ice which may be original to the artistic process. Metal oxidation to the sled. Chips to the base. Wear throughout. Wear to the underside, consistent with age and use. There is an adhesive sticker residue and glue residue to the underside. No visible sign of restoration under UV light.
Jeanette Pasin Sloan (American, b. 1946). Gouache and watercolor painting titled "Untitled (Optical)" depicting a still life of a silver cup stacked atop a colorful piece of glass, 2002. Pencil signed along the lower right.Height: 20 1/4 in x width: 18 1/2 in.Condition: The item is in good condition with no visible losses or tears, or major creases. No visible sign of restoration under UV light. The color is bold and bright. Along the right and left margins, the paper is painted white; however, it does not appear to be restored. Along the white margins, there are scattered areas with light minute paint accretions, which do not affect the center image. To the lower left quadrant, there is a minute pencil inscription. There is a minor crease to the upper right and corners and to the lower left corner. Along the upper margin, there is a horizontal line mark, possibly original to the paper. Along the verso, there is light soiling and paint accretions throughout, which do not affect the recto.
John Monks (British, b. 1954). Oil on canvas painting titled "Chaise Lounge No. 2" depicting an abstract interior scene, 2003. Signed and dated along the verso.Height: 18 1/2 in x width: 15 1/2 in.Condition: The item is in good condition with no visible tears, losses, or cracks to paint. The surface is stable, and the color is bold and bright. No visible sign of restoration. Along the verso, there is possible water damage along the upper margin; however, it does not affect the recto.
Large Native American Inuit bone mask. Dark and carved with a heavy brown and inset with whiter bone eyes.Height: 6 1/2 in x width: 8 1/2 in x depth: 12 1/2 in.Condition: The item is in fair condition with no major losses, cracks, or visible signs of restoration under UV light. All facial components are present. Wear throughout as expected. Due to the original design, it is difficult to discern whether there are minute chips to the surface; however, there is no major loss that altar the overall appearance of the item. To the left cheek, there is discoloration as shown in the listing image. To the head, there is an area that shows color difference from the rest of the face; there are a few cracks in the area; however, it does not appear to be a restoration under UV light. To the right side of the face, there is a line of white accretion. There is a loss, measuring 1 1/4 in, to the lower left. Along the underside, there is a drill hole; please see the listing image; along the edges, there are a few cracks.
David Dornan (American, b. 1954). Oil on canvas painting titled "Velvet" depicting a photorealistic red velvet cupcake, 2009. Signed along the lower left. Signed, dated, and titled along the verso. With a certificate of authenticity from Coda Gallery.Unframed; height: 22 1/2 in x width: 24 in. Framed; height: 24 in x width: 25 3/4 in.Condition: The item is in excellent condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. To the upper left corner, there is a surface scratch, measuring 1 inch. Clean verso. When inspected under UV light, there is no visible sign of restoration. Along the verso, there are pen inscriptions to the upper center; there are light paint accretions to the center right; however, the pen inscriptions and paint accretions do not affect the recto. Very light wear to the frame.
Ronald "Ron" King (Brazilian/British, b. 1932). Group of three lithographs including:"Knight" depicting a cross; pencil initialed along the lower right; titled along the lower left."Ninth Song," depicting an abstract composition in blue, red, and yellow. Pencil signed along the lower right; titled and numbered 20/30 along the lower left."Pardoner," inspired by Chaucer's "Canterbury Tales"; pencil initialed along the lower right; titled along the lower left.Height ranges from 9 1/4 in to 19 1/4 in; width ranges from 6 1/2 in to 13 1/4 in.Condition: The items are in good condition with no visible tears or losses, or major creases. The color is bold and bright. There is light wear to the deckled edges. The item, captured left in the listing image, has light creases throughout; along the verso of the right margin, there is skimming which does not affect the image. When inspected under UV light, none of them show a visible sign of restoration. Clean verso.
Jack Roth (American, 1927-2004) also known as "Rodney Jack Roth." Mixed media painting on paper depicting an abstract scene. Pencil signed and dated along the lower right. Pencil inscribed "LA468" along the lower right quadrant. With a sticker from M. Knoedler & Co., Inc affixed along the verso.Unframed; height: 50 in x width: 38 in. Framed; height: 51 1/2 in x width: 39 1/4 in.Condition: The item is in good condition with no visible tears, creases or losses. All margins are visible under the plexiglass. No visible sign of restoration under UV light. The color is bold and bright. To all four corners, there are several pinholes, most likely original to the artistic practice. To the upper right and left quadrants, there are horizontal marks. Light handling marks. Not inspected out of frame; verso is not inspected. Very light wear to the frame.
Collection of three flown film fragments from the lunar surface, filmed during the Apollo 13 mission. Affixed to a certificate of authenticity; numbered 6/30.These fragments are from the collection of Dick Underwood and are from film magazines II, JJ, and R. Dick Underwood, a NASA Supervisory Aerospace Technologist, assisted in acquiring camera equipment including the Hasselblad 70mm camera used for many early missions. He processed the films and salvaged the leaders and tails from each roll of flown film. The segments are from film used to document the mission including serious damage to the service module, the improvised adaption of the LiOH canister in the LM, the flyby of the moon, and the jettisoning of the Lunar Module (lifeboat).Each film; height: 1/2 in x width: 1/2 in.Condition: The item is in great condition with no visible tears, creases, or losses. The film fragments are kept intact under the transparent tape. There are no tears or other visible damage to the paper. When inspected under UV light, there is no visible sign of restoration.
Large Native American Inuit jade carving depicting a man holding a pelt. With a Canada igloo sticker affixed along the underside and numbered 811-1004.Height: 13 in x width: 8 in x depth: 4 in.Condition: The item is in fair condition with no major losses or dents that would alter the overall appearance of the item. Heavy wear throughout as shown in the listing image. Multiple cracks visible throughout, as expected from age and use, most significantly towards the base. No visible sign of restoration under UV light. Wear along the underside.
Richard Haas (b. 1936). A photograph and screenprint proposal of the Boston architectural center mural. Pencil signed along the lower right; numbered 8/15 along the lower left. With an affixed slip of paper reading "Project: Boston Architectural Center - completed 1977 with funds from National Paint and Coatings Association and private donors."Height: 18 in x width: 32 in.Condition: The item is in good condition, with no visible tears, losses, or major creases. The emulsion appears to be smooth and great. In the upper right corner of the right image, there is a minor crease that does not affect the overall appearance. When inspected under UV light, there is no visible sign of restoration. Both images are affixed on the board; therefore, the verso of each image was not inspected.
Loading...-
151062 item(s)/page