14th century AD. A substantial iron long sword relic with tapering two-edged blade, rounded tip, shallow fuller to each face, narrow shoulders, substantial rectangular-section tang to support a two-handed grip, oblate pommel with domed faces, narrow square-section quillons. Cf. Dufty, A.,R. European Swords and Daggers in the Tower of London, London, 1974, item 4(a"). 1.4 kg, 1.15m (45 1/4"). From an important English collection; acquired in the 1990s. Fair condition.
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1st century BC-1st century AD. A substantial iron spearhead with narrow leaf-shaped blade, with central rib and blood channel either side, long slightly flared closed socket with hole for an attachment stud; mounted on a custom-made stand. Cf. Stead, I. & Rigby, V. Iron Age Antiquities from Champagne in the British Museum. The Morel Collection, London, 1999, item 2438. 1.7 grams total, spearhead: 60cm (23 1/2"). From the family collection of a South East London collector; formerly acquired in the late 1950s. Very fine condition. Professionally cleaned and restored.
10th century AD. A bronze chape for a sword's scabbard, heater-shaped with lug to the point and scooped upper edges; to each broad face a low-relief design of a stylised animal with segmented body and limbs; tip of the iron blade and portion of the wooden scabbard remaining inside. Cf. Paulsen, P. Schwertortbänder der Wikingerzeit, Stuttgart, 1953, item 39 for type. 70 grams, 80mm (3 1/4"). From the family collection of a London gentleman; formed in the late 1940s-1950s; thence by descent. Very fine condition.
Late 3rd-early 2nd millennium BC. A large and finely polished boat-shaped axe in dark greenstone, with expanded asymmetric convex cutting edge tapering to shouldered and collared 'hammer' butt, drilled to receive handle. See Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, no.333 for general form and no.486 for an example with collared butt; also for a group of two similar examples see Christie's New York, 4 June 2015, lot 72 [US$10,000-15,000]. 1.1 kg, 20.5cm (8"). From the London collection of Aleksey Vinokurov, formed from the 1920s-1951; collection number 37, acquired in London in 1946; previously in the Yakimof collection, London, UK; accompanied by a copy of the collection inventory dated 1951; supplied with geologic report No. TL005208, by geologic consultant Dr R. L. Bonewitz. [A video of this item is available to view on TimeLine Auctions website.]Extremely fine condition. Rare.
Late 3rd-early 2nd millennium BC. A large and finely formed boat-shaped axe in a dark diorite with asymmetric convex cutting edge tapering, with pronounced 'seam' to upper surface, to shouldered and rounded 'hammer' butt, pierced to receive handle with projecting socket to underside. See Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, no.333 for general form and no.486 for an example with collared butt; also for a group of two similar examples see Christie's New York, 4 June 2015, lot 72 [US$10,000-15,000]. 868 grams, 20.5cm (8"). From the London collection of Aleksey Vinokurov, formed from the 1920s-1951; collection number 40, acquired in London in 1946; previously in the Yakimof collection, London, UK; accompanied by a copy of the collection inventory dated 1951; supplied with geologic report No. TL005209, by geologic consultant Dr R. L. Bonewitz. [A video of this item is available to view on TimeLine Auctions website.]Extremely fine condition. Rare.
Early 3rd millennium BC. A squat ceramic jar with bulbous body decorated with incised spirals and concentric-ring stamps, short neck with impressed cord detailing and similar to the chamfered rim. See Briard, J. The Bronze Age in Barbarian Europe, London, 1979 for discussion. 1.1 kg, 17.5cm (7"). From the family collection of a South East London collector; formerly acquired in the late 1950s. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition. Professionally cleaned and conserved.
1st millennium BC. A good quality slender round-section gold penannular bracelet with trumpet-shaped terminals. 34 grams, 67mm (2 1/2"). Property of a central London gallery; formerly on the London art market since at least 1999. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition.
12th-8th century BC. A substantial socketted axe with broad collar to the mouth, short blade with crescentic edge; each of the broad faces with a series of concentric chevrons; vertical internal ribs; convex cutting edge; the findspot 'Gainsborough, Lincs' inked in white on the inner socket edge. Cf. Evans, J. The Ancient Bronze Implements, Weapons and Ornaments of Great Britain and Ireland, London, 1881, item 148. 360 grams, 12.5cm (5"). From a Leicestershire, UK, collection; acquired in the UK in 1993; formerly found Gainsborough, Lincolnshire, UK; accompanied by an old collectors ticket. Fine condition.
6th century AD. A matched pair of bronze disc appliqués, each a plaque with trilinear border surrounding a pattern of La Tène whirls and tendrils reserved against a red enamel field. Cf. discoid mounts from the Lullingstone (Kent) hanging bowl in Farley, J. & Hunter, F. Celts Art and Identity London, 2015, item 162. 118 grams total, 75mm (3"). Found Leicestershire, UK, 2016 attached to the remains of a large sheet bronze bowl; accompanied by a copy of an Art Loss Register certificate. Very fine condition. [2]
10th-11th century AD. A matched pair of gold bracelets each formed of twisted rods narrowing to each end with hook-and-eye fastening. Similar to a heavier example found by Mrs. K. Creasy in 1978, Torbay, Devon, UK, and sold at Sotheby's, New Bond Street, 10 July 1979, lot 31. 30.97 grams total, 55mm each (2 1/4"). Property of a North London gentleman; previously in a private collection formed in the 1990s. [2] [A video of this item is available to view on TimeLine Auctions website.]Very fine condition.
6th-7th century AD. A gold disc plaque with three loops to the reverse, outer band of four Style II interlaced serpent motifs within a beaded border, raised panel of cells with garnet cloisons and central cell with garnet cabochon. See Arrhenius, B. Merovingian Garnet Jewellery, Stockholm, 1985 for discussion. 14.72 grams, 40mm (1 1/2"). From the property of a London gentleman; formerly in a 19th-20th century Russian collection, by descent. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition.
9th-11th century AD. A gold ring with hoop of four expanding rods plaited, looped to the reverse and the ends wound about the shank. 9.64 grams, 29.23mm overall, 21.94mm internal diameter (approximate size British S 1/2, USA 9 1/2, Europe 20.63, Japan 20) (1 1/4"). From the property of a London gentleman; formerly with Alexandra Morisova, thence by descent. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition. A large wearable size.
5th century AD. A gold finger formed as three curved serpents on a field with beaded wire borders, the heads conjoined at each end into an openwork panel extending to the tapering hoop. See Franceschi, G., Jorn, A. & Magnus, B. Fuglen, Dyret og Mennesket i Nordisk Jernalderkunst, vol.2, Borgen, 2005, item 76 for type. 7.54 grams, 26.90mm overall, 20.56mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21) (1"). Property of a North London gentleman; previously in a Russian collection formed pre 1970. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition. A large wearable size.
10th-12th century AD. A gold disc pendant with applied filigree and granule cross flory motif with central boss, integral loop above. See Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, Moscow, 1987. 3.28 grams, 27mm (1"). From a London W1, UK, collection; acquired on the German art market before 2000. [No Reserve] [A video of this item is available to view on TimeLine Auctions website.]Extremely fine condition.
10th-11th century AD. A parcel-gilt silver boar-head brooch with integral backplate; the body formed as a hollow case with upstanding ears and flat end to the muzzle; reserved raised band to the upper face separating two panels of scrolled ornament; to the sides and rear, panels of scrolled tendrils; backplate with trapezoidal slot, pin-lugs, integral catchplate. Cf. MacGregor, A. et al. A Summary Catalogue of the Continental Archaeological Collections, Oxford, 1997, items 3.17, 318. 35.3 grams, 45mm (1 3/4"). Property of a gentleman; acquired in the late 1960s-early 1970s; accompanied by a metallurgic analytical report, written by Metallurgist Dr. Brian Gilmour of the Research Laboratory for Archaeology and the History of Art, University of Oxford, report number 608/131085. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition. Very rare.
Chernyakhov Culture, 5th century AD. A silver bow brooch comprising a D-shaped headplate with concentric granulated bands, three-row spring with granulated knops, shallow bow with D-shaped ledges and granule detailing, tongue-shaped footplate with applied filigree scroll and ropework borders; catchplate to the reverse. Cf. Beck, H. et al. Fibel und Fibeltracht, Berlin, 2000, fig. 99(13"). 69.2 grams, 84mm (3 1/4"). Property of a European collector; formerly in an old European collection formed in the 1980s. [A video of this item is available to view on TimeLine Auctions website.]Fine condition.
10th-12th century AD. A silver coiled arm-ring, round in section with alternating twisted and plain segments, finial with a lentoid flange and returned finial, shallow midrib, tail finial absent. Cf. Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, Moscow, 1987, plate III, item 12 for type. 40 grams, 69mm (2 3/4"). From the family collection of a South East London collector; formerly acquired in the late 1950s. [No Reserve]Fine condition.
10th-12th century AD. A silver coiled arm-ring, round in section with alternating twisted and plain segments, Y-shaped finial to one end and the other with a lentoid flange and returned finial, the flange with midrib and punched crescent detailing. Cf. Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, Moscow, 1987, plate III, item 12 for type. 95 grams, 70mm (2 3/4"). From the family collection of a South East London collector; formerly acquired in the late 1950s. [No Reserve]Very fine condition.
9th-10th century AD. A silver-gilt discoid pendant with integral loop, pelletted border enclosing a low-relief image of a male face between two birds, grasped by arms at the necks, small loop above. Cf. Hammond B. M. British Artefacts Volume 2 - Middle Saxon and Viking, p.57, item 1.5.3-f. 2.2 grams, 21mm (3/4"). From a London W1, UK, collection; acquired on the German art market before 2000. [No Reserve]Very fine condition.
10th century AD. A flat-section silver-gilt bifacial plaque depicting a standing female in profile in pleated skirt and ornate headdress holding a drinking horn in her extended hands, pierced lug to the reverse. Cf. Graham-Campbell, J. Viking Art, London, 2013, item 34; Enright, M.J. Lady With a Mead Cup, Dublin, 2013; Swedish History Museum, item 108864. 4.08 grams, 26mm (1"). From a London W1, UK, collection; acquired on the German art market before 2000. Representations of female figures holding drinking horns have often been referred to as Valkyries. Although it is impossible to verify this identification securely, it is highly tempting to make the connection between Valkyries and serving of a magical drink in myths. Drinking horns, popular in modern pictures of Vikings, were probably used only during special occasions, such as greeting important guests, celebrations or seasonal holidays. They were closely connected to the aristocracy, not only by virtue of their material value, but also as a result of their social and ritual roles. As M.J. Enright points out, it is probable that Germanic tribes adapted the concept of the military group, which played an important role in strengthening the bond between a king/chief and warriors from Celts in the age of Roman expansion. In a Germanic environment, this concept was slightly modified, and the serving of a drink by a noble/spiritual woman under the supervision of king/chief was viewed as a cultic act to strengthen the bond in that specific group, with the god Woden (Odin) as a patron (see Lady with a Mead Cup: Ritual, Prophecy and Lordship in the European Warband from La Tène to the Viking Age"). In later sources, especially the IcelandicEddas, we can find several examples of goddesses serving or preparing a drink. Hel is waiting for Balder with mead in her realm of death, the giantess Gunnloð is the guardian of the magic mead (later stolen by Odin) or Freyr's bride-to-be Gerð serving a drink to Skirnir as an act of welcome and also reconciliation. The connection between a giantess and a magic drink is strong, as the goddess Freya asks another giantess, Hyndlja, to serve a magic beer to her protégée Ottar. We can also find a reference to a minor goddess Beyla, servant of god Freyr, whose name can be a reference to a 'bee' thus connecting her to preparation of an 'ordinary mead'. In Asgard (the realm of the gods) goddesses Sif and Freya served the drink as an act of peace and conciliation, but it had no magical attributes. Women with drinking horns are also depicted on the famous Gotland picture stones either greeting a rider on a horse, approaching a bounded figure in a snake (?) pit (possibly Gunnarr or Ragnar Lodbrok) or serving a drink to a hero (possibly Sigurd"). The connection with rider scenes is one of the main reasons for identifying them as Valkyries, the servants of Odin choosing the one who will die on a battlefield and go to Valhalla. It is possible that we observe the same ritual 'bonding' between fallen warrior and his king, Odin. An alternative identification for these female figures might be lesser deities. As R.Simek pointed out, the majority of small female figures have no drinking horn, but are richly adorned, and most likely represent minor fertility goddesses. These goddesses are named in the Eddas as servants of Frigg and Freya, but originate in the much older tradition of the so-called matrones, known from the late Roman period. Whether fertility goddess or Valkyrie, the image of a noble 'lady with a drinking horn' had a special meaning developed through centuries, making it one of the most distinctive and mysterious features of Viking culture. [No Reserve]Fine condition, cleaned and conserved.
11th century AD. A bronze stirrup mount with openwork ovoid body and wolf in profile with head thrown back and tail raised above the back, pierced trefoil suspension lobe, shallow ledge below with two attachment holes, one rivet in situ; Williams's Class A, Type 11. Cf. Williams, D. Late Saxon Stirrup-Strap Mounts, York, 1997, item 220. 22.3 grams, 49mm (2"). Found Hampshire, UK. Very fine condition.
11th century AD. A bronze stirrup mount of Williams's Class A Type 4, a tongue-shaped plaque with volute scrolled top, high-relief palmette to the centre with facing bear's mask, angled ledge to the lower edge and two rivets above. Cf. Williams, D. Late Saxon Stirrup-Strap Mounts, York, 1997, item 81. 31 grams, 56mm (2 1/4"). Property of a gentleman; acquired in the 1970s. Very fine condition.
6th century AD. A bronze patrix die with raised rim and central void, band of running scrolls within borders; intended to create blanks for saucer brooches, Cf. saucer brooches in Ashmolean Museum, Oxford in MacGregor, A. & Bolick, E. A Summary Catalogue of the Anglo-Saxon Collections (Non-Ferrous Metals), Oxford, 1993, esp. item 2.3. 26 grams, 47mm (1 3/4"). Property of a lady living in Kent, UK; formerly part of her grandfather's collection; acquired in Germany after WWII; thence by descent 2006. [No Reserve]Fine condition, small casting flaw.
5th century AD. A parcel-gilt silver buckle comprising: a crescent loop with bird-head finials, punched-point detailing and cloison eyes; tongue with beast-head finial; plaque with separate square panel of raised ornament with garnet cloison to each corner, larger central cloison surrounded by eight smaller, profile bird-head to the rear with garnet cloison eye. Cf. Menghin, W. The Merovingian Period. Europe Without Borders, Berlin, 2007, item I.7. 190 grams, 18cm (7"). From an old European collection; acquired in Munich in the 1970s. Very fine condition.
6th century AD. A silver-gilt buckle set comprising: broad loop with scroll detailing to the upper face, four inset garnet cabochons; triangular-section tongue with curved beast-head finial, four garnet cabochons; rectangular plate with raised lip, repoussé scroll detailing and applied garnet cabochons in silver cells. Cf. Menghin, W. The Merovingian Period. Europe Without Borders, Berlin, 2007, item I.16.1 for type. 115 grams, 11.5cm (4 1/2"). From the collection of a European gentleman living in South London; acquired 1970-1980. Very fine condition.
5th century AD. A silver-gilt 'eagle' buckle and plate comprising: a domed D-shaped loop with stepped outer edge and running scrolls, each finial a profile eagle head with inset garnet cabochon eyes; the tongue D-shaped in section with ribbed butt and beast-head finials, garnet cabochon eyes; the hinged plates square with central void, running scrolls to the frame and inset garnet cabochon to each corner; two opposed profile bird-heads to the trailing edge, each with an inset garnet cabochon eye; six fixing holes. Cf. Menghin, W. The Merovingian Period. Europe Without Borders, Berlin, 2007, item I.8.11. 75.5 grams, 10.8cm (4 1/4"). Property of a gentleman; acquired in the late 1960s-early 1970s. 'Eagle' buckles are typical of the period of Gothic dominance of the Black Sea region from the 3rd century onwards. Political control by the Goths was broken after their disastrous defeat by the Huns in the 5th century, but the area surrounding Crimea remained culturally distinct for centuries afterwards. Fine condition.
6th century AD. A matched pair of silver-gilt bow brooches, each with rectangular headplate and geometric detailing, short bow, long lozenge footplate with raised border and midrib, beast-head finial with garnet cabochon eyes, pin-lug and catch to the reverse. Cf. Beck, H. et al. Fibel und Fibeltracht, Berlin, 2000, item 154(3) for type. 53.65 grams total, 92mm (3 1/2"). From an old European collection; acquired in Munich in the 1970s. [2, No Reserve]Fine condition.
5th-6th century AD. A bronze vessel with slightly waisted profile, flared rim, two D-shaped plaques pierced to accept the returned ends of a square-section drop handle; incised circumferential lines to the outer face. See Truc, M.C. et al, Trois riches tombes du VIe siècle sur le site de « La Tuilerie » à Saint-Dizier (Haute-Marne), grave 11, item 19. 1.1 kg, 21cm (8 1/4"). From an important English collection; acquired in the 1990s; formerly in the private collection of John Moore; found Bedfordshire, UK. Very fine condition, accretion to the underside.
16th century AD. A slender gold finger ring with scrolled detailing to the shoulders, pyramidal bezel with crescent detailing and inset diamond to the centre. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 677. 4.31 grams, 25.70mm overall, 16.82mm internal diameter (approximate size British K, USA 5 1/4, Europe 9.95, Japan 10) (1"). Property of a UK gentleman; acquired from a London gallery in the late 1980s; formerly from a private European collection, formed in the 1960s and 1970s; supplied with geologic report No. TL005195, by geologic consultant Dr R. L. Bonewitz. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition.
16th century AD. A gold finger ring with discoid bezel, pelleted border around a heater shield with crossed keys motif, Lombardic script legend '+S. W. DVBLE CLE[F]. 23.07 grams, 25.10mm overall, 20.80mm internal diameter (approximate size British V, USA 10 3/4, Europe 23.77, Japan 23) (1"). Property of a UK gentleman; acquired from a London gallery in the late 1980s; formerly from a private European collection, formed in the 1960s and 1970s. Malcolm Jones, Sheffield University, Dept. English Language & Linguistics, Senior Lecturer 1994-2009 and advisor to the British Museum and Portable Antiquities Scheme, says: 'St. Peter’s crossed keys are sometimes termed the double cle(f) de Saint Pierre in French, making this the signet of a certain S.W. who uses the crossed keys as his personal device [perhaps trading at the sign of La Double Clef /The Crossed Keys?], but the device is also often used emblematically to signify the Papacy.' [A video of this item is available to view on TimeLine Auctions website.]Very fine condition.
13th-14th century AD. A gold ring comprising a cusped D-section hoop, flared shoulders and lozengiform plaque, band of enamel-filled(?) scallop motifs to each face of the shank, beaded border to the plaque surrounding a capital 'A' above a ring. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 561 for type. 6.04 grams, 14mm overall, 10.95mm internal diameter (approximate size British -, USA -, Europe -, Japan -) (1/2"). Property of a Dutch lady; acquired on the continental art market. The capital 'AO' may stand for Amor [vincit omnia] (Love conquers all), or it may represent the alpha-omega emblems of Christ. Fine condition.
14th-15th century AD. A Burmese hollow-formed gold ring with D-section bezel, to each shoulder a pair of birds holding a bunch of grapes in their beaks, ribbed lateral edges, inset cabochon amethyst. 16.1 grams, 30.03mm overall, 18.84mm internal diameter (approximate size British O 1/2, USA 7 1/4, Europe 15.61, Japan 15) (1 1/4"). Property of a North London gentleman; previously in a UK collection formed in the 1980s. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition.
Dated 1802 AD. A flat-section gold memorial ring with three black enamel bands, the median with reserved text in capitals ':: John Enys Esq: Ob: 11 Oct:1802:Æt:31', hallmarked to the inner face with 'WH' symbol, lion and 'G'. 7.81 grams, 20.46mm overall, 18.03mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15) (3/4"). From the Whitehead family collection; acquired on the UK art market; accompanied by copies of various research papers on John Enys (High Sheriff of Cornwall) and the Enys family. The Enys family estate has its roots in the 13th century and at its height owned property in over thirty parishes in Cornwall. John Enys was the son of Samuel Enys and Sarah Penrose, born in 1772. He was made High Sheriff of Cornwall in 1796. He married Jane Maria, the second daughter of William Villebois of Feltham Place, Middlesex, but the marriage produced no children. After his accidental death in 1802 at the age of 30, the estate passed into the hands of his uncle, Francis Enys. The son of Francis Enys, John Samuel, improved the large gardens and rebuilt the burnt down Tudor house. His eldest son continued improving the gardens by adding new plants sent by his brothers from New Zealand. His younger brother inherited the estate and established a New Zealand garden in the grounds. Today the holding of land is much reduced consisting of about 1000 acres of farmland and woodland and is open for public during the summer months. [A video of this item is available to view on TimeLine Auctions website.]Fine condition.
3rd century BC-2nd century AD. A terracotta rhyton with flanged and stepped rim, tapering curved body, figural finial of the goddess Anahita with diadem; bands of red and cream geometric detail to the rim and upper body, red wave patterns to the inner face; the goddess modelled with carefully dressed hair and floral diadem, ringlets cascading to her collar bone, alert facial expression with almond-shaped eyes and prominent nose, with C-shaped billetted collar and chiton, cupping her left breast in her right hand; mounted on a custom-made stand. 2.4 kg, 30cm including stand (11 3/4"). Private collection, London, UK; formed 1970s-1980s. Aredvi Sura Anahita (Aredvi, mighty and pure) is the Avestan name of a female cosmological figure associated with fertility, healing, wisdom and flowing waters. After the 4th century BC, Anahita became strongly associated with the Semitic goddess Ishtar, and her remit began to cover warfare and the worship of the planet Venus. Her name entered Greek consciousness as Anaitis. Her cult was promoted by the Achaemenid rulers and became further associated with Greek Aphrodite. Into modern times, Aredvi Sura Anahita has been of significance to the Zoroastrian religion, because she is the divinity towards whom the Yasna service ritual is directed. [A video of this item is available to view on TimeLine Auctions website.]Fine condition, chipped. Rare.
13th-15th century AD. A bifacial bronze seal matrix with integral loop; a sword with crescent and star to each side with legend '+S' ROIERI DE WINTERBVRNEI' for 'Seal of Roger of Winterbourne' to the border, it looks as if the matrix-engraver has botched the inscription, cutting 'I' instead of 'G'; a crowned facing bust with legend 'PENSET DE MOI MA DVCE AMIE' for ' Think of me, my gentle love' to the border. 15.57 grams, 41mm (1 1/2"). Property of a Dorchester gentleman; found Dorset, UK. Malcolm Jones, Sheffield University, Dept. English Language & Linguistics, Senior Lecturer 1994-2009 and advisor to the British Museum and Portable Antiquities Scheme, says: 'Seals of this period often bear amatory messages in the language of courtly love, i.e. Anglo-French. One of the conventions of amour courtois is that both lovers are referred to as (literally) ‘friends’ – AMI (m) and AMIE (f"). It is a mistake to translate the word as ‘friend’, however -- in this context it means ‘lover, beloved’, and because we are in French we always know whether the lover in question is male or female from the spelling of the word (as above"). 'douce amie' as on the present seal is a well-attested collocation in the literature of courtly love, though curiously I cannot find evidence of the expression on any other seal or item of jewellery. On a linguistic note, from the evidence of seal-matrices such as this, Anglo-French could spell the final letters of the 2nd person plural imperative either -EZ (as predominantly in Continental French), or -ET, as here – which may perhaps be a diagnostically Anglo-French spelling. Penset de moi, ma douce amie - Note that the entire phrase is metrical and breaks as arranged round the oval perimeter of the matrix at the point where the caesura falls in the verse line. It sounds very like the title or opening of some courtly-love poem. In similar vein, the counter-seal of Patrick de Dunbar (1292), bears a shield suspended from a large tree between two smaller trees and is inscribed with what sounds like just such another courtly-love lyric: parmi cev havt bois condvray mamie [I shall lead my love among the tall woods]. The seal of an unknown signatory on the Ragman Roll yields another metrical inscription: tenet mon chapelete mamovr [Hold/take my chaplet, my love – i.e. the chaplet that I have made for you] – another well-represented iconographic motif of amour courtois. A finger-ring found recently in Dordrecht is inscribed enamer a douce vie [in loving he has a sweet life], the title of a ballade by Machaut, which can be dated a.1342. On a somewhat less courtly note – and note the class-sneer – is this couplet put into the mouth of a 13th century English lady’s brooch: ieo svi fermail pur garder sein/ ke nvs vilein ni mette mein [I am a brooch to guard the breast, so that no peasant may put his hand there]. It is in this context of courtly love that the present seal belongs – it is clearly a ‘personal seal’ in the true sense of the phrase, personal to Roger de Winterburne. His love-letters were ‘sealed with a kiss’.' Very fine condition. Extremely rare.
16th century AD. A mottled salt-glazed stoneware jug of bartmannskrug type with bulbous body, narrow tiered base, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and heraldic shield panel below. See Klinge, E. Duits Steengoed, Amsterdam, 1996, item 2 for type. 793 grams, 21.5cm (8 1/2"). From an important English collection; acquired in the 1990s. Fine condition, some restoration.
1st-2nd century AD. A bronze figure of the river god Orontes swimming in his element with arms outstretched before and behind his muscular body, head erect and gaze turned slightly upwards, locks of curled hair forming a frame to the face; rectangular tiered base with flared feet. 323 grams, 17.5cm (7"). Property of a North London gentleman; previously from a London collection; acquired on the London art market before 1990. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition.
2nd century AD. The head of Emperor Antoninus Pius captured in marble; the stern features framed by a full head of curly tousled hair covering the ears and a neat beard and moustache; the brow slightly furrowed with arched eyebrows and small lentoid eyes, short nose with broad nostrils, small mouth; the rear of the head with drilled sockets and lateral ledge to accept fixing pegs or clamps; possibly from North Africa; mounted on a custom-made stand. Emperor Titus Aelius Hadrianus Antoninus Augustus Pius (known to history as Antoninus Pius) was Roman emperor from 138 to 161 AD. Of senatorial-ranking stock, Antoninus served under the Emperor Hadrian in a variety of important roles; Hadrian so favoured him that he adopted Antoninus shortly before his death. Antoninus was a prudent ruler who created a large fiscal surplus which he was able to leave to his successors, and was known for charitable acts such as commuting death sentences and freeing slaves. The cognomen 'Pius' (pious, conforming to religious custom) was applied to him after he took the purple - possibly because he forced the Senate to accept the posthumous deification of Hadrian. His tenure as Emperor is known for the peaceful state of the Empire, without major revolts or military campaigns. He managed to rule the Empire without ever leaving Italy. Under his guidance, a successful military campaign in Britain resulted in the construction of the eponymous Antonine Wall. 13 kg, 37cm including stand (14 1/2 including stand"). Property of a central London gallery; acquired from a private English collection in 1977; previously in the Thompson family collection, January 1971; formerly with Samuel Josefowitz 1964-1971; acquired from the Adler family collection, Lausanne, Switzerland acquired before 1952; supplied with geologic report No. TL005196, by geologic consultant Dr R. L. Bonewitz.. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition.
1st-2nd century AD. A monumental head of Asclepius or Jupiter (Greek Zeus), carved much larger than life-size in high quality marble, with a full head of curls in tiers with deep undercutting around the brow; the beard similar well defined with tiered curls; the face stern with furrowed brow and high cheek-bones, lentoid eyes with heavy lids and restored nose; mounted on a custom-made stand. Depictions of bearded gods frequently represented either Asclepius, god of healing, or Zeus. The monumental proportions suggest that it may have come from a large cult statue frequently situated within a temple. 48.5 kg, 61cm (24"). Property of a central London gallery; acquired from Brok S.L. auctions, Barcelona, Spain, November 1984, lot 586; formerly in the private collection of L.B. Godó, Barcelona, Spain; accompanied by a copy of the 1984 catalogue listing and auction invoice; supplied with geologic report No. TL005200, by geologic consultant Dr R. L. Bonewitz. [A video of this item is available to view on TimeLine Auctions website.]Fine condition. Rare in this monumental size.
1st-2nd century AD. A bronze figure fragment of a leaping hound with forepaws extended, harness to the shoulders, tail flat along the hindlegs with curled tip; possibly a skillet handle. Cf. zoomorphic jug handle in Roberts, P. Life and Death in Pompeii and Herculaneum, London, 2013, item 295 (wine jug"). 198 grams, 14.5cm (5 3/4"). From the collection of a European gentleman living in South London; acquired 1970-1980. Fine condition.
1st-2nd century AD. A bronze balsamarium in the form of the bust of an African boy, bands of curly hair to the head; youthful features with inlaid eyes; bare chested with an acanthus leaf border to the bottom; hole to top of head with hinge to the rim, loop to the side for separate chain; small pedestal foot to the base. 194 grams, 10cm (4"). From a private collection, formed 1965-1975. [A video of this item is available to view on TimeLine Auctions website.]Fair condition.
2nd century AD. A bronze oil lamp with piriform body and D-shaped nozzle, conical base, handle formed as a D-section bar with floral finial and leaping panther to the centre. Cf. Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965, item 400 for panther. 490 grams, 18cm (7"). Property of a London gentleman; acquired London art market, 1970-1980. Very fine condition.
2nd century AD. A carnelian cloison with intaglio seated Victory with spear, shield and helmet, frond by the foot, miniature Victory with wreath in her hand; mounted in a later gold ring. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 199. 12.28 grams, 24.58mm overall, 18.33mm internal diameter (approximate size British Q 1/2, USA 8 1/4, Europe 18.12, Japan 17) (1"). Property of a London gentleman; acquired London art market, 1970-1980. Very fine condition. A large wearable size.
2nd-3rd century AD. A gold finger ring comprising a slender hoop, ellipsoid bezel with inset carnelian intaglio amphora. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 199. 5.29 grams, 24.13mm overall, 20.10x17.71mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18) (1"). Property of a gentleman; acquired in the late 1960s-early 1970s. Very fine condition.
2nd century AD. A carnelian intaglio of a leaping stag set in a slender D-section gold hoop with ellipsoid bezel. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 278. 6.64 grams, 22.56mm overall, 19.25mm internal diameter (approximate size British S, USA 9 1/4, Europe 20.38, Japan 19) (1"). From a Home Counties collection, formed 1970-1980. Very fine condition.
2nd century AD. A gold finger ring comprising an octagonal D-section hoop, flared bezel with inset carnelian cloison, intaglio Cupid with vineleaf. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 277 for type. 7.66 grams, 25.29mm overall, 18.70mm internal diameter (approximate size British R, USA 8 1/2, Europe 18.75, Japan 18) (1"). Property of a South London collector; acquired before 1980. Very fine condition.
2nd-3rd century AD. A gold ring comprising a flat-section hoop with open scrolls to the shoulders, octagonal bezel with central ellipsoid cell and inset onyx cameo of a wolf's head in profile. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 184 for type. 11.45 grams, 24mm overall, 21.67mm internal diameter (approximate size British Y, USA 12, Europe 28.05, Japan 27) (1"). From an East London collector; previously in a collection formed between 1990-2000. Very fine condition.
2nd-3rd century AD. A gold finger ring comprising a D-section hoop, bezel with applied fluted rim, cell with inset carnelian intaglio bust of Serapis, bearded with modius. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 187 for type. 11.8 grams, 19.92mm overall, 11.94x15.42mm internal diameter (approximate size British E, USA 2 1/4, Europe 2.41, Japan 2) (3/4"). Property of a Surrey collector; acquired in the early 1970s. Very fine condition.
2nd-3rd century AD. A large terracotta oil lamp with discus and shoulder formed as a solar(?) mask with radiating panels to the edges, filler hole at the junction with pelta-shaped handle, stub nozzle below the beard. Cf. Bémont, C. Lampes en Terre Cuite, Paris, 2007, item FX6(12498) for type. 180 grams, 16cm (6 1/2"). From a private Belgian collection; previously part of a private collection formed in Germany in the 1990s. [No Reserve]Fine condition.
Ptolemaic Period, 332-30 BC. A D-section coiled gold hoop with punched scale detailing, broad lozenge-shaped head with lentoid eyes, double-looped tail wound about the shank. Cf. Taylor, G. & Scarisbrick, D. Finger Rings from Ancient Egypt to the Present Day, Oxford, 1978, item 79. 6.73 grams, 22.25mm overall, 18.80mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15) (3/4"). Property of a Scandinavian collector; formerly the property of a North London gentleman; previously in a London, UK, collection, formed before 1980. Very fine condition.
2nd-3rd century AD. A parcel-gilt silver pyxis with band of gilt discs to the sidewall depicting deities and their symbols (Dionysus, Apollo, Venus, Abundantia(?) with baskets of fruit and amphorae) between bands of niello-inlaid scrolled tendrils; the pyxis drum-shaped with flared rims, the lid with central knop handle and similar niello-inlaid decorative band. 190 grams, 65mm (2 1/2"). From an old European collection; acquired in Munich in the 1970s; accompanied by a metallurgic analytical report, written by Metallurgist Dr. Brian Gilmour of the Research Laboratory for Archaeology and the History of Art, University of Oxford, report number 133698. [A video of this item is available to view on TimeLine Auctions website.] Very fine condition.
1st century AD. A substantial aqua glass pitcher or jug with slightly eccentric bulbous body, flared base, broad neck with applied trail collar, pinched trefoil mouth with applied trail to the underside, applied folded strap handle with folded thumb-pad; some iridescence remaining. Cf. Whitehouse, D. Roman Glass in the Corning Museum of Glass, vol.1, New York, 1997, item 332 for type. 440 grams, 22cm (8 1/2"). From a private Belgian collection; previously part of a private collection formed in Germany in the 1990s. [A video of this item is available to view on TimeLine Auctions website.]Very fine condition.
1st century BC-1st century AD. A slender alabastron of marbled polychrome glass, with conical base and tapering body; mounted on a custom-made stand. Cf. Lightfoot, C.S. Ancient Glass in National Museums Scotland, Edinburgh, 2007, item 27 for type. 163 grams total, 17.5cm including stand (6 3/4"). Property of a London gentleman; acquired London art market, 1970-1980. Fine condition, chipped.
10th-12th century AD. A large bronze enkolpion reliquary cross pendant comprising two hinged plates and an articulated suspension loop with vertical rib; obverse with robed nimbate figure in orans pose, legend 'HOANHC' (St John) above; reverse with Mary Theotokos and infant Jesus with legend above 'MP X0' and flanking 'HC XC'. Cf. Wamser, L. Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, item 269 for type. 114 grams, 11.5cm (4 1/2"). Property of a gentleman; acquired in the late 1960s-early 1970s. Very fine condition.
New Kingdom, 1550-1070 BC. A bronze figurine of a squatting frog with extended forelegs. Cf. Andrews, C. Amulets of Ancient Egypt, London, 1994, item 28(h"). 133 grams, 70mm (2 3/4"). From the Aldred family private collection; acquired by the vendor's father before 1950. The frog was sacred to the goddess Heqet and associated with the fertility brought by the flooding of the River Nile. [No Reserve]Fine condition.
10th-12th century AD. A large bronze enkolpion reliquary cross pendant comprising two hinged plates and an articulated suspension loop with vertical rib; obverse with Corpus Christi and small flanking figures; reverse with Mary Theotokos in orans posture and four nimbate busts. Cf. Wamser, L. Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, item 261. 83 grams, 10.3cm (4 1/4"). Property of a gentleman; acquired in the late 1960s-early 1970s. Very fine condition.
10th-12th century AD. A large bronze enkolpion reliquary cross pendant comprising two hinged plates and an articulated suspension loop with vertical ribbed collar; obverse with Corpus Christi and small flanking figures; reverse with Mary Theotokos in orans posture and four nimbate busts. Cf. Wamser, L. Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, item 261 for type. 120 grams, 11.5cm (4 1/2"). Property of a gentleman; acquired in the late 1960s-early 1970s. Very fine condition.
10th-12th century AD. A large bronze enkolpion reliquary cross pendant with rounded finials comprising two hinged plates and an articulated suspension loop with vertical rib; obverse with bust of Christ holding a book and four flanking nimbate busts; reverse with Mary Theotokos and four nimbate busts. Cf. Wamser, L. Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, item 259. 135 grams, 11.5cm (4 1/2"). Property of a gentleman; acquired in the late 1960s-early 1970s. Fine condition.
10th-12th century AD. A large bronze enkolpion reliquary cross pendant comprising two hinged plates and an articulated suspension loop with vertical rib; obverse with facing nimbate figure in orans pose with feathers, legend 'AO ?EOP?HOC' (St George); reverse with hatched panels and five inset glass cloisons. Cf. Wamser, L. Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, item 270. 130 grams, 12cm (4 3/4"). Property of a gentleman; acquired in the late 1960s-early 1970s. Very fine condition.
4th-7th century AD. A matched pair of gold earrings, each a wire hoop and band of hollow spheres with filigree cordon to the inner border, undulating filigree to the outer with granule detailing. See Wamser, L. Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, item 616 for type. 7.59 grams total, 41mm (1 3/4"). From a London collection; previously acquired on the UK art market in the 1980s. [2]Very fine condition.

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