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A plated mounted pink glass Honey Jar in the form of a bee with engraved wings, 6in, Mappin & Webbs, Princes Plate, W11518 This item appears to be in good condition with no obvious damage, repairs or restoration. The hinge functions well, the glass body unscrews as it should, legs all appear intact.UK Postage £20 + VAT R.M. Special delivery
Judas Priest - Run of the Mill / Whisky Woman an original Reel to Reel Tape recording from Norman Hood ( Agent ) Sarm Studios this is a very rare original. It was recorded as a demo in 1973. This song would later surface in an altered form on Priest's Second Album as `Victim of Changes`. Complete with the information about the item. It was given to Norman Hood by Dave Corke the day after the recording session. British Heavy Metal band preceding the ‘New Wave of British Heavy Metal’ movement.The band was formed in Birmingham, England in 1969 by guitarist John Perry (who died shortly after and was replaced by Ernie Chataway), bassist Bruno Stapenhill, drummer John Partridge (2), and singer Al Atkins, who created a band name from Bob Dylan's song 'The Ballad Of Frankie Lee And Judas Priest'. In 1970, guitarist Kenneth K. K. Downing and bassist Ian Hill (2) joined, replacing Chataway and Stapenhill. Drummers John Ellis and Chris Campbell (30) replaced Partridge. Later, in 1973, Rob Halford and drummer John Hinch joined to replace Atkins and Campbell, respectively. A song from the last show with Atkins and Campbell and three from Halford and Hinch's first were released in 2019 on the compilation Downer-Rock Asylum. A second guitarist, Glenn Tipton, was also added to the line-up in 1974.
The Wizard of Oz - USA Vinyl LP Record High Fidelity MGM Soundtrack . Signed in person by all three signatures to cover - Signed in biro Sincerely Judy Garland, `From the Tin Man Jack Haley ` in black pen and blue pen `From the Scarecrow of OZ Ray Bolger. Lovely item - ideal for framing.It has a hologram sticker from original retailer of the autograph on the back.
ABBA - Superb fully signed vinyl LP record and personal letter from Agnetha. The vendor whos Auntie was a nanny for the band in 1978 was gifted the item. A fully signed lp Abba Greatest Hits Vol.2 - Dedicated to Maureen. The letter that was sent with the item states, `Hello Maureen didingo 28/11-79 Home again.... Its Lovely ! Hope you like the little thing we send to you and hope to hear from you again. Thank you for all the things you`ve done for me and the children. Its too much. Hope you will get a happy Christmas! Take care lots of love from Agnetha and the children.` Along with the signed lp is a swedish pressing of the album Thank you for the Music and the 1981 Best of Abba Box set. A rare set with great provenance and a personal letter.
The Italian Job A superb piece of Cinematic History . Imagine planning how and when to create iconic car chases and stunts. This is a piece of that history. After which the scene was set. The vendor recalls `My father - RALPH COOPER - was the freelance publicist on the original filming of The Italian Job in 1967/68 with Michael Caine as the main actor.The poster emanates from that time and was by the production designer for Paramount Services, Disley Jones. In a scale of 1:100, it shows the details of the ramp and scenery of the Fiat roof in Milan across which the three Mini Cooper cars jumped whilst being chased by Italian Police in an iconic scene in the film` Whilst the item whcih has been backed and preserved is faded it is a rare survivor. It measures approx 37 inches by 54 inches with linen backing.
* English playing cards. Standard pattern, J. & W. Mitchell of Birmingham, circa 1890, a complete deck (without joker?) of 52 colour printed playing cards (French suits), double-ended courts printed in four colours, decorative ace of spades with maker's details and registration number, indices, dust- and finger-soiled, toned and marked, 7S with small corner crease, rounded corners, versos ornamental design in white on brown, each card 89 x 63 mm, together with: Deakin's Political Playing Cards, Willis & Co, 1881, double-ended courts with caricatures of named political figures, ace of spades with title and maker, triplicate type indices on pip cards, dusty, few minor marks, KC with tiny edge tear, rounded corners, versos red ornate pattern on yellow, each card 89 x 64 mm, with original titled two-part box, plus: Standard type WY2, Woolley & Co, circa 1875, a complete Piquet deck of 32 colour printed playing cards (French suits), double-ended unturned courts, Woolley ace of spades type 1, no indices, square corners, dusty, versos plain blue, each card 94 x 65 mm, with five other decks by Willis: Deakin's Political Playing Cards 2nd edition, 1887; standard deck, circa 1878, double-ended unturned courts, one ways pips, no indices, square corners, ornate colourful floral pattern versos; standard deck, circa 1880, double-ended unturned courts, one way pips, no indices, slightly rounded corners, pink floral versos; standard deck, circa 1885, triplicate indices obscuring pip signs on courts, double-ended turned courts, two way pips, versos Chinese style with bird, fish and lady with fan in red on yellow; standard deck, circa 1885, triplicate indices obscuring parts of courts (eg. weapons), with suit signs opposite to usual, versos brown red & black shadows of men playing cards in a window, and three other decks by Woolley: Eureka Harrys, circa 1880, with original two-part box (defective); standard pack, circa 1887, double-ended turned, small indices, original Great Mogul Eureka wrapper; standard pack, circa 1880, courts printed in black & red, later use as a fortune-telling pack with most cards having ink manuscript 'Fortunes' added to one end, all complete, various conditions, a quantity of cards from each deck mounted with photo corners onto 11 display boards/cards, most boards encapsulated in clear plastic (none examined out of boards), the remainder in plastic bags, the boards 54.5 x 40.5 cm and similarQTY: (11)NOTE:Provenance: Collection of Dudley Ollis.First item: Plainbacks M43 & M105. An unusual manufacturer who only produced playing cards for a few years.
* French costume playing cards. Fashion plate pack, Paris: Migeon, circa 1850, a complete deck of 52 hand-coloured lithographed playing cards (French suits), single-figured courts displaying contemporary fashions, KS with maker's name, dusty, some toning, scarce spotting and minor marks, some pip cards creased, AS with small corner chip, 4S soiled, versos plain pink, each card 84 x 56 mm, together with: Cartes Parisiennes, Paris: [for] Le Caméléon, ou le Propagateur des Modes, circa 1850, a complete deck of 52 hand-coloured engraved playing cards (French suits), all pip signs gilt (lightly rubbed in places), single-figured courts displaying contemporary fashions, JS with engraver's name Beyer, JH with artist's name Janet-Lange, and with address of the publisher, JD with printer's name Pierrat, aces with decorative gilt garlands around pip signs, dusty, occasional minor spots or marks (mainly to pip cards), versos plain blue, each card 86 x 55 mm, plus: Cartes françaises avec personnages anglais, Paris: O. Gibert, circa 1856, a complete deck of 52 hand-coloured engraved playing cards (French suits), single-figured courts, the kings and queens portraying named historic British characters, the jacks in historic costume, JS with maker's name, some light spotting or brown marks (mainly to pip cards), versos plain blue, each card 84 x 56 mm, with two other French costume decks: one by Avril, circa 1865, single-figured courts (using Gibert's plates), kings and queens portraying named historic French characters, 52 complete; the other by Le Bourgeois, circa 1870, historic British characters deck (as Gibert above), with scenic aces, imprint on all aces and courts, rounded corners, gilt edges, 52 complete, a quantity of cards from each deck mounted with photo corners onto 5 display boards, encapsulated in clear plastic (none examined out of boards), the remainder in plastic bags, the boards 54.5 x 40 cmQTY: (5)NOTE:Provenance: Collection of Dudley Ollis.First item: Cartorama 63 #68 (with vari-coloured suit signs); Cary, FRA 349 (the later Le Bourgeois edition); Fournier, France 249 (the later Le Bourgeois edition); Ortiz-Patiño #46 (with scenic aces).Second item: Cary, FRA 388; Tilley, p.158. Pierrat is known to have printed Cartes Parisiennes for Le Caméléon (see Verame, Sublimes Cartes á Jouer, p.108 for an example).Third item: Cartorama 58 #100 (the much later Le Bourgeois edition); Cary, FRA 346 (the later Avril edition).
* English non-standard playing cards. Shakespearean Playing Cards, Munich Lion-Brew Company, circa 1910, a complete deck of 52 + 1 colour lithographed playing cards (French suits), double-ended courts portraying characters from Shakespeare's plays, designed by Frederic Colin Tilney, with jester Touchstone as the joker, each named and with suitable quote alongside, decorative ace of spades with maker's details amidst a foliate design with two lions, indices, dusty, some minor marks, few pip cards with minor edge/corner crease, KS with strong corner crease, JS with crease affecting one suit sign, rounded corners, versos elaborate yellow and red design incorporating lions and maker's name, each card 91 x 61 mm, with original box (defective), together with: Shakespeare Playing Cards, C.W. Faulkner & Co Ltd, 1905, a complete deck of 52 + 2 chromolithographed playing cards (French suits), double-ended courts portraying characters from Shakespeare's plays, based on paintings by John H. Bacon, each named on the accompanying title card, the joker is a jester on a donkey, ace of spades with maker's details, indices, lightly dusty, few very minor marks, title card with horizontal crease below text, rounded gilt corners, versos ornamental design in shades of brown/orange, each card 92 x 60 mm, with original two-part box stating C.W. Faulkner & Co Ltd, plus: Chinese Euchre deck, Bijou Stationary (ie. Mullord Brothers), circa 1880, a complete (though probably mixed) deck of 32 Oriental-themed playing cards, lithographed with metallic inks, plus instruction card and two blank thick packing cards, non-standard suits: frogs/toads (copper/bronze), dragons (silver), cats (pale gold) and birds (yellow gold), full length courts depicting comic Chinese characters with a 3-line rhyme beneath (relating to the appropriate suit animal), probably a mixed deck as 7 of frogs is silver (not copper) and 7 of cats is silver (not pale gold), strangely there is an additional 6 of dragons card (no 6s normally in a Euchre deck), generally rubbed (especially king of birds), frog courts each with horizontal crease (faintly to jack), square corners, versos plain black, each card approximately 103 x 68 mm, with original decorative titled box, stating 'Bijou Stationary', and with: Royal Geographical Whist, Nash, Waters & Nash of Bournemouth & Poole (?), circa 1880, the complete deck of 52 colour lithographed playing cards, each suit representing a continent and printed in a single colour: Europe (blue), Asia (purple), America (red) & Africa (black), the numbered pip cards with views from suitable countries, courts with portraits of relevant named people, aces show a globe with an outline of the continent, toned and dusty, spotting, finger-soiling to edges, light wear to few corners, Asia 5 with short vertical crease, Europe 2 with corner crease, slightly rounded corners, versos mottled pink, each card 95 x 65 mm, with a photocopy of the original rules leaflet, a quantity of cards from each deck mounted with photo corners onto 4 display boards, encapsulated in clear plastic (none examined out of boards), the remainder in plastic bags, each board 54.5 x 40.5 cm and similarQTY: (4)NOTE:Provenance: Collection of Dudley Ollis.First item: Berry, The Playing-Cards of the World, [457]; Cartorama 62 #189.This pack, like that published by Swan Sonnenschein, was printed by Bemrose & Sons Ltd, as stated on the ace of spades.Second item: Darbyshire, Bargains! The History & Games of C.W. Faulkner & Co., pp.26-29.This pack was printed by Dondorf and is virtually identical to their own Shakespeare pack (Braun, Die Spielkarten B. Dondorf, BD 1895/1). C.W. Faulkner became a Limited Company in 1905.Third item: British Museum 1896,0501.1079 (Schreiber, American 9). This deck, advertised as both Chinese and Japanese Euchre, seems to be most uncommon. We have found only two other examples: the British Museum (BM) incomplete deck (incorrectly attributed to America), and that described in Neil Darbyshire's Comical Card Games by The Mullord Brothers (pp.42-43). Like ours, his deck is also mixed. Interestingly, his suit colours and those of the BM copy are different to our pack, supporting his theory that the game was reprinted with different allocation of colour. The BM copy also has additional 6s, not used for Euchre.Last item: The Playing Card, vol.XXVII no.4 (Jan/Feb 1999), p.121. This is the only mention of this unusual geographical whist pack we have found. The photocopy rules give the name of the printers Nash, Waters & Nash at the foot. They were in business under this name in 1881, and it is certainly possible that they not only printed the leaflet but also the cards, perhaps experimenting with playing card production. The rules explains that the rank order of the courts is full-figure, then half-figure, with the busts being the lowest rank. The leaflet also describes how the pack can be used to play Snap and a Geography game in addition to whist.
Albertus Magnus. De secretis mulierum libellus, scholiis auctus, & àmendis repurgatus. Eiusdem de virtutibus herbarum, lapidum, & animalium quorundam libellus. Item de mirabilibus mundi, ac de quibusdam effectibus causatis à quibusdam animalibus, & c. Adiecimus et ob materiae similitudinem Michaelis Scoti philosophi, De secretis naturae opusculum, Lyon: Joannes Martinus, 1584, 381, [11] pp., woodcut head- and tail-pieces and initials, some spotting and browning, occasional old ink underscoring and scattered ink stains with a few inscriptions and pen trials at front and rear, ownership name of Thomas Cocks and further ink inscriptions to additional blank leaves inserted in index at rear, closely trimmed (mostly affecting upper margin running heads and page numbers), armorial bookplate of John Somers, Lord Somers, 17th-century calf, rubbed and some edge wear, upper cover detached, 16moQTY: (1)
London. Mogg (Edward), Mogg's Strangers Guide to London, exhibiting all the various alterations & improvements complete to the present time, January 1st. 1837, engraved map with contemporary outline colouring, sectionalised and laid on linen, with 'A List of 500 of the Principal Places with References to their Situation on the Above Plan' below the map, very slight dust soiling, 500 x 570 mm, card endpapers with a contemporary manuscript ownership inscription, contained in a later card slipcase with a contemporary label to the upper cover, together with Cruchley (George Frederick). Cruchley's New Plan of London Shewing All the New and Intended Improvements to the Present Time, 1830, engraved map with contemporary outline colouring, sectionalised and laid on linen, table of references to both vertical margins and the lower horizontal margin, marbled endpapers, one with a publisher's advertisement, 425 x 595 mm, contained in a contemporary marbled card slipcase with a publisher's yellow printed label to the upper cover, slipcase wornQTY: (2)NOTE:The first described item. J. Howgego. The Printed Maps of London, number 238, state 9. The second item, number 307, state 4.
* Pressed Algae. Specimens of Algae, or Submersed Plants, Prepared by Eliza A. Jordan, Brooklyn L[ong] I[sland], 1848, pen & ink and watercolour with pressed algae decorations as title page, 28 leaves with mounted algae specimens (4 leaves with 2 specimens), a few with Latin names identified in pencil, pasted to rectos of a contemporary album, ownership pencil signature of Amelia Powys to front pastedown, original blind-embossed roan boards with gilt-decorated spine and title design to upper cover, heavily rubbed with some wear, upper cover detached, 4toQTY: (1)NOTE:Provenance: Lucy Amelia Penny (née Powys), sister of John Cowper Powys, of Mappowder, Dorset.The Brooklyn Museum Library have a similar item, also produced by Eliza A. Jordan in 1848 (call number QK567 Se1). The title page is illustrated on the Wikipedia entry for 'seaweed collecting'.
* English playing cards. Standard pattern type I, Brotherton, circa 1816, a complete deck of 52 stencil coloured woodblock playing cards (French suits), single figure courts, Garter type A4 ace of spades (die no.19, 2nd recut), ace of clubs with Extra Superfine stamp, dust-soiled and toned, some brown stains and minor marks, AS and JS with a couple of tiny edge tears, versos plain white, each card 92 x 63 mm, together with: Standard pattern type BW3, Perry & Co, circa 1865, a complete deck of 52 colour lithographed playing cards (French suits), double-ended courts, many with red lips, AS (Perry type 1) with maker's details, each card with two pencilled indices, browned and dust-soiled, very lightly bowed, some (generally minor) marks, few cards with tiny edge wear, QH with short closed edge tear, slightly rounded corners, versos plain blue, each card 92 x 64 mm, plus: Standard pattern type BW2 varient, Whitaker (?), circa 1855, 51 (of 52, without ace of spades) colour lithographed (with some stencil colouring?) playing cards (French suits), full length courts, decorative overlay to all courts and pip signs, soiled and marked, occasional minor wear or surface abrasion, 3C slightly dented, square corners, versos elaborate ornamental in red, gold and blue, each card 95 x 64 mm, with: two mid 19th century Patience sets, both double-pack sets, each presented in a flat hinged-lid box with hidden brass catch, each with label (rubbed) of E.C. Spurin, London on the box underside, the first set with imitation woodblock full length courts, a garden spade ace of spades and one ordinary ace of spades, versos peach with gold zigzags for one pack and blue with a gold stars trellis pattern (3 pip cards soiled, one 8H & one 4D creased), the blue pack appears to have 2 additional kings of diamonds (one with E.C. Spurin label on recto), box covered in maroon morocco, simple embossed design on lid, patterned paper interior, each card 56 x 40 mm, the second set with type BW4 full length courts, two garden spade aces of spades, versos white with gold dots, lines and diamonds, and pink with gold floral pattern (two pip cards with faint blue finger-soiling), box covered in maroon morocco, lid with simple gilt design and gilt-lettered Patience, gilt lines to sides, blue watered silk interior, each card 57 x 40 mm, and another Standard type BW3 deck, Perry & Co, circa 1868, 51 of 52 (without 9 of clubs), colourful Perry ace of spades type 2, soiled and toned (mostly affecting pip cards), much surface wear to 10S (with some black ink re-colouring), square corners, versos green and red ornamental pattern, each card 92 x 64 mm, a quantity of cards from each deck mounted with photo corners onto 5 display boards/cards, encapsulated in clear plastic (not examined out of boards), the remainder in plastic bags, the boards 54.5 x 41 cm and similarQTY: (6)NOTE:Provenance: Collection of Dudley Ollis.First item: Plainbacks B28.Second item: Plainbacks M6. It is believed that Perry's cards were made by Steer, who produced packs that were identical except for the wording on the ace of spades.Third item: Plainbacks F67. Without the ace of spades it is difficult to be certain this is not a later pack imported by Benda. However, our back design is identical to that of Ken Lodge's pack 780, illustrated on the World of Playing Cards website: Brotherton, Whitaker, Benda, Perry & Willis. This verso was also used elsewhere including in Turnhout, and it is likely these cards were actually produced in Belgium and imported by Whitaker. Fourth items: See World of Playing Cards website, 36: Minor Makers of the 19th Century, for a patience pack identical to our set with BW4 courts, attributed to Whitaker. These card makers or suppliers all seem to be linked, using several of the same designs. Whitaker joined and then took over from Brotherton, but the exact relationship between them and Perry/Steer & Benda is unclear.
British Isles. Ortelius (Abraham), Angliae, Scotiae et Hiberniae sive Britannicar: Insularum Descriptio [1610 - 12], engraved map with contemporary hand colouring and some later enhancement, orientated to the east, large strapwork cartouche and a panel of descriptive text, occasional repaired marginal closed tears, some oxidisation causing cracking and splitting, repaired on verso, the whole backed with archival tissue, 345 x 500 mm, Italian text on verso, together with Ortelius (Abraham & Lhuyd Humphrey). Angliae Regni florentissimi nova descriptio auctore Humfredo Lhuyd Denbygiense, [1580], hand-coloured engraved map, large strapwork cartouche and mileage scale, some cracking and splitting affecting the printed surface, repaired on verso, 375 x 470 mm, German text on versoQTY: (2)NOTE:The first described item: Marcel van den Broecke, Ortelius Atlas Maps, number 16. R. W. Shirley, Early Printed Maps of the British Isles 1477 - 1650, number 86.The second item: Marcel Van den Broecke, Ortelius Atlas Maps no.19. State 1 with the uncorrected mileage scale. R.W.Tooley, Early Printed Maps of the British Isles 1477 - 1650, number 109.
Environs of London. Faden (William), The Country Twenty-Five Miles Round London planned from a scale of one mile to an Inch, 3rd edition, 1802, engraved map on four sheets, contemporary outline colouring, sectionalised and laid on linen, each sheet approximately 515 x 620 mm, printed publisher's labels to the verso of each sheet, contained within a waxed card chemise and a contemporary blue card slipcase with printed label to the upper cover, slipcase worn and frayed, together with Mogg (Edward). Mogg's Twenty-Four Miles round London, 1812, circular engraved map with contemporary wash colouring, sectionalised and laid on linen, some staining and offsetting, small holes where old folds cross, 610 x 555 mm, some later pencil and ink annotations to the verso, contained in a contemporary card slipcase with orange and black publisher's label to the upper cover, slipcase heavily worn and frayed, with Andrews (John & Dury Andrew). A New Travelling Map of the Country round London, Extending from North to South 190 Miles and East to West 150 Miles..., September 30th, 1776, large scale engraved map with contemporary outline colouring, slight dust soiling, split and separated along an old fold, crude tape repairs to verso, 1010 x 1250 mm, contained in a modern marbled card slipcase with old publisher's label to the upper cover, plus another four later folding maps of the environs of London, including examples by or after Gall & Inglis and G. W. Bacon, various sizes and condition QTY: (7)NOTE:The first item described. J. Howgego, The Printed Maps of London, number 188, state 6.
London. Cary (G. & J.), Cary's Map of the Country Twelve Miles round London, 1829, engraved map with contemporary outline colouring, sectionalised and laid on later linen, slight dust soiling to the margins, 575 x 695 mm, old library stamp to verso, bound in modern cloth gilt boards with ink library stamp to the front pastedown and a library blind stamp to the upper cover, together with Froggett (John Walter). Froggett's Survey of the Country Thirty Miles round London, G. F. Cruchley, circa 1840, engraved map with contemporary outline colouring, sectionalised and laid on linen, slight dust soiling to the margins, tartan endpapers, 1110 x 1360 mm, contained in a contemporary cloth slipcase with publisher's printed label to the upper cover, heavily worn and frayed, with Davies (B. R.). Davies's Map of the Environs of London, 1855, engraved map with contemporary outline colouring, sectionalised and laid on linen, very slight staining, marbled endpapers, 745 x 1070 mm, contained in a contemporary cloth slipcase with publisher's printed label to the upper cover, heavily worn and frayed, plus Cruchley (G. F.). Cruchley's Environs of London Extending Thirty Miles from the Metropolis, 1829, engraved map with contemporary outline colouring, sectionalised and laid on linen, the linen has split along the old folds and the map sheets are now separated, if conjoined, 920 x 920, contained in a contemporary marbled card slipcase with publisher's printed label to the upper cover, heavily worn and frayed, and Mogg (Edward). Mogg's Forty-Five Miles round London, June 1st. 1829, engraved map with contemporary outline colouring, sectionalised and laid on linen, slight staining, occasional splits along linen folds, old ink library stamp to lower margin, 970 x 1160 mm, contained in a contemporary marbled card slipcase, the slipcase is split and heavily worn and frayedQTY: (5)NOTE:J. Howgego. The Printed Maps of London. The first described item, number 359a, is an earlier state than Howgego's first entry of 1837. The second item, number 333, is an indeterminate state between states 3 & 4. The third item falls outside the date span for Howgego. The fourth item number 299, state 5. The fifth item, number 297, indeterminate state between states 2 & 3.
* French transformation playing cards. Cartes á Rire, Jeu des Journaux, Paris: Grandebes, circa 1819, 48 (of 52, without QC, A & 4 & KS) hand coloured engraved and captioned playing cards (French suits), designs attributed to Baron Louis Athalin, full-length courts representing Parisian newspapers, pip cards with humerous scenes, 7D probably added from another deck, dusty, somewhat soiled and marked, some stains, few (mainly corner) creases, 5D with closed 1cm ege tear, versos plain white, each card 90 x 61 mm, with original (very damaged) two-part box, label of A. Giroux & Cie, Paris to inner lip, together with: Belgian Animal Tarot, Ghent: J. De Porre, circa 1795, a shortened deck of 52 stencil coloured woodcut playing cards (French suits), comprising 12 courts (without caveliers) and 40 pip cards only (without trumps), single figure court cards, JS holding an armorial, JH with armorial and banner giving maker's details, some toning and spotting (mainly to pips), JH darkened and dusty, versos red dots and dotted flowers, each card 110 x 60 mm, plus: Spanish Archaic Pattern, Bayonne: Bernain (Antoine Joseph?), circa 1812, 36 (of 48, without 3, 4 & 5 of each suit) stencil coloured woodcut playing cards (Spanish suits), single figure courts, each stamped with 'France' and 'Bernain', some toning, courts and aces each with faint impression of a previous ownership signature, 7 of swords with some pale brown staining, versos plain white, each card 87 x 58 mm, and with another part pack: Theatrical playing cards, Strasbourg: Pflüger, circa 1850, 12 (of 52) hand coloured wood engraved playing cards (French suits), comprising all courts except QH and only one ace (diamonds), double-ended courts portraying named characters from theatre plays, each with central bar containing 'France Pflüger Strasbourg', the ace showing two scenes from 'Don Quichotte', lightly toned, corner chips and wear, JC with small stained surface abrasion to blank area, versos pale pink dotted swirls, each card 87 x 61 mm, a quantity of cards from each pack mounted with photo corners onto 5 display boards, encapsulated in clear plastic (none examined out of boards), the remainder in plastic bags, the boards 59 x 42 cm and similarQTY: (4)NOTE:Provenance: Collection of Dudley Ollis.First item: D'Allemagne, Les Cartes á Jouer... I, pp.260-264; Berry, Playing-Cards of the World [71] & [659]; British Museum 1896,0501.731.1-52 (Schreiber, French 97); Cary, FRA 325; Field #27; Morley pp.120-122; WWPCM00582.Second item: Mann, All Cards on the Table #221.
* French playing cards. Lyon pattern, France: unknown maker, circa 1740, 31 (of 32, without 9D, and probably 7S added from another deck) stencil coloured woodblock playing cards (French suits), some light toning, 10C toned, 9C with small brown spot, versos plain white, each card 83 x 55 mm, together with: Languedoc pattern, Toulouse: Jacques (probably) Lamarque, circa 1750, a complete deck of 52 stencil coloured woodblock playing cards (French suits), JC with maker's name Lamarque, all cards sometime folded horizontally and stapled (staples since removed), dusty, some toning, occasional spotting or minor marks, some cards with fleur-de-lis watermark, versos plain white, each card 76 x 50, 16 cards from each deck mounted with photo corners onto 2 display boards, encapsulated in clear plastic (none examined out of boards), the remainder in plastic bags, the boards 54.5 x 42 cm and similarQTY: (2)NOTE:Provenance: Collection of Dudley Ollis.Second item: Cary, FRA 79.
* English playing cards. Standard pattern type I, Henry Hart, circa 1780, a complete deck of 52 stencil coloured woodblock playing cards (French suits), single figure courts, KH with faint initials HC to axe-haft, Exportation Garter type A8 ace of spades with QVI (die no.44, 1st recut), one way pips, browned, rubbed and soiled, 3 pip cards & JC with worming centrally (that to JC not full thickness), 2 pip cards & KC with single worm hole centrally, 2 pip cards & KS with small surface loss (from single worm graze), some slight delaminating (interestingly revealing 4 layers, not the 3 expected), versos plain white, each card 94 x 64 mm, together with: Standard pattern type II, Josiah Stone, circa 1812, 51 (of 52, without 10 of diamonds) stencil coloured woodblock playing cards (French suits), single figure courts, KH with initials HM to axe-haft, Garter type A5 ace of spades (die no.9, not recut), browned, soiled and worn, some creases and corner losses, larger loss to 5S (one suit sign lost), additional 5D (from another similar pack), versos plain white, each card 93 x 64 mm, with contemporary two-piece box covered in patterned paper, plus: Standard pack extension cards, unknown makers, circa 1810?, three sets of 24 woodblock playing cards, each apparently made to extend a standard pack for an as yet unknown game, each set with 3 suits of 8 (French suits), comprising pip cards 11-18 in hearts, clubs and diamonds only, the first set with the usual layout of pip signs and an additional central X to each card (ie. 10 + a number of pips from one to 8), one set with a single pip sign to each card and the Arabic numerals 11-18 beneath, and the final set similar to the second but cards 11 & 12 each with 11 or 12 pip signs instead of a numeral, the first set browned and soiled, second set with very scarce minor spots, third set lightly toned, a little dusty, very scarce minor spots, versos plain white, each card 93 x 64 mm (1st set) or 92 x 63 mm (2nd & 3rd sets), with: Standard pattern pack, James English, circa 1880, a complete deck of 52 colour lithographed playing cards (French suits), double-figure type E2 courts, English type E2.2 ace of spades, indices, toned, soiled and worn, some tears and losses, rounded corners, versos with portrait of a Victorian army general (possibly Wolseley) within decorative border, in pale burgundy, each card 88 x 63 mm, and with a pack from the Peerless Card Co., circa 1885, 48 (of 52, without K & JC, Q & 10D), poor condition, plus a deck by Hunt's Card Manufacturing Company Ltd, circa 1875, 52 complete, type H1 courts, soiled, a quantity of cards from each deck mounted with photo corners onto 6 display boards/cards, encapsulated in clear plastic (not examined out of boards), the remainder in plastic bags, the boards 54.5 x 42 cm and similarQTY: (8)NOTE:Provenance: Collection of Dudley Ollis.First item: Plainbacks A30. Hart aces of spades can often be found with cards made by other (sometimes American) makers. However this appears to be a genuine Hart deck and therefore an relatively uncommon survival from this 18th century card maker. Second item: Fournier, British 107; Plainbacks B7.Third item(s): These cards apparently were produced for an unknown card game in which the spades and court cards would be discarded from a standard pack, and the remaining suits extended to 18 by using these cards.
Tombleson, (William & Fearnside William Gray). Tombleson's Thames, London: Tombleson & Co. circa 1850, decorative title, dedication and preface, 79 (complete) uncoloured engraved plates, with tissue guards, lacking the folding map, some spotting throughout, marbled endpapers, contemporary half calf, gilt decorated spine, worn at extremities, 4to, together with Britton (J. & Brayley E. W.). Devonshire & Cornwall Illustrated from Original Drawings by Thomas Allom, 2 volumes bound in 1, W. H. Bartlett &c. H. Fisher, R. Fisher & P. Jackson, 1832, additional decorative half-titles, and additional title, two uncoloured engraved maps of Devon and Cornwall, 136 engraved views on 68 sheets, each with tissue guard, all edges gilt, contemporary gilt decorated calf, slight wear to extremities, 4to, with Allen (Thomas). Lancashire Illustrated from Original Drawings by S. Austin, J. Harwood and G. & C. Pyne &c. &c. London: H. Fisher, R. Fisher and P. Jackson, 1832, bound with The Midland-Counties Tourist. Seventy-three views in the Counties of Derby, Chester, Leicester, Lincoln, Nottingham and Rutland, Fisher Son & Co. 1837, additional decorative half-titles to each volume, 176 views of 84 sheets, each with tissue guard, all edges gilt, contemporary gilt decorated calf, slight wear to extremities, 4to, uniform with the previous item, with another copy similar bound in 2 volumes in contemporary half morocco gilt, worn at extremities, 4to, plus Bartlett (W. H. Harding J. D. T. Creswick and others). The Ports, Harbours, Watering Places and Picturesque Scenery of Great Britain, 2 volumes, Virtue & Co. circa 1840, additional decorative title to each volume, 140 uncoloured engraved plates, some spotting and slight water staining throughout, marbled endpapers, all edges gilt, contemporary half morocco gilt, heavily worn, 4to, and Leighton (John M.). Strath-Clutha or the Beauties of Clyde..., Glasgow, Joseph Swan, circa 1840, decorative calligraphic title, preface and dedication, 80 uncoloured engraved plates on India wove, on 39 sheets, contemporary half calf with gilt decorated spine, upper board detached, and Orr (William S. publishers). The Land We Live In..., 3 volumes, circa 1865, engraved map of the British Isles, numerous wood and steel engravings, some spotting and staining throughout, contemporary half morocco gilt, heavily worn, 4to, QTY: (11)
Victorian 18K yellow gold tiger's-claw brooch with diamond. Antique tiger claw set in gold and set with four rose cut diamonds and a blue stone. Victorian period from around 1870-1880. This type of jewelry was often made in India as a souvenir of a hunting trip. In good condition. Hallmarks: 750 Dutch assay mark. L x W: 5.4 x 1.4 cm. Weight: 5.75 grams. For export outside the European Union, a CITES pre-convention certificate may be required. Obtaining the necessary certificates and/or export permits are the responsibility of the buyer.This item is not legal to sell in the UK.
Hallmarked silver mounted items comprising wine bottle coaster Birmingham 1995, maker W I Broadway & Co, diameter 13cm, silver lidded dressing table pot, silver mounted glass item, candlestick and two silver handled dressing table items, together with a likely Italian novelty miniature silver ewer, height 10.5cm
A cast metal money box.Note:- These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Dazzling clear crystal figural with amber eyes playing with blue crystal ball. Swarovski backstamp. 7619 000 011. This item has its original box: 2.5"H x 3"dia. Certificate of Authenticity included. Issued: 20th centuryDimensions: 2"L x 1.25"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lovely amber and brown enamel over metal clock housing. Swarovski crystals surround face of clock and around the perimeter of the clock. Jay Strongwater impressed mark on base. This item has its original box: 5.25"L x 5.25"W x 5"H. Issued: 20th centuryDimensions: 2"L x 1.50"W x 3"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear.
Crystal clear figure with jet crystal eyes, nose, spots on back and ears. Swarovski backstamp. 7619 000 008. This item has its original box: 5"H x 3"dia. Certificate of Authenticity included. Artist: Edith MairIssued: 2004 - 2008Dimensions: 1.75"L x 1.5"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Handmade enameled metal clock adorned with birds and flowers and accented with rhinestones throughout design. Jay Strongwater impressed name on base. This item has its original box: 5.5"L x 5.5"W x 3.75"H. Issued: 20th centuryDimensions: 2"L x 2"W x 3"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear.
Clear faceted crystal figure of a sweet little deer laying down resting. Swarovski mark. Item number 7608NR000001. Part of the Woodland Friends collection. This item has its original box: 4"H x 3.25"dia. Certificate of Authenticity included. Dimensions: 1.5"L x 1"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
This adorable young glazed figural with wings sitting among large petaled flowers colored in pink, yellow and cream in a decorated pot is very whimsical. Lladro backstamp. This item has a base included 1"H x 4" dia. Artist: Juan Ignacio AlienaIssued: 1999 - 2002Dimensions: 8"H x 4"WManufacturer: LladroCountry of Origin: SpainCondition: Age related wear. As found, Small chip on flower petal.
Exquisite book-like frame, exterior adorned in sleek black with a striking orange flower and butterfly on the cover, embellished with Swarovski crystals for added brilliance. The interior showcases a lovely sage green hue framed in a gold tone. Sight size: 1.25"L x 1.75"H. This item has its original box which measures 4"L x 4"W x 2.25"H. Jay Strongwater backstamp. Dimensions: 2"L x 0.5"W x 2.5"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear.
A clear crystal figure of a shark with melon-colored eyes that is swimming over some rocks. Swarovski backstamp. This item has its original box. Dimensions of the original box: 4.75"H x 6" dia. Artist: Anton HirzingerIssued: 2001-2004Dimensions: 4.5"L x 2.75"W x 2.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Stunning small box with bronze-colored enamel and adorned with an array of multicolored crystals. This item has its original box which measures 4"L x 4"W x 2.25"H. Jay Strongwater backstamp. Dimensions: 3"L x 2.5"W x 1.5"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear.
A glossy figure of a seat young man in his graduation cap and gown, holding his diploma. Lladro backstamp. This item has its original box: 12.5"L x 7.5"W x 6"H. Artist: Francisco CatalaIssued: 1984-2008Dimensions: 5.5"L x 5.25"W x 11"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
Gilt square enameled frame with pink and cream wavey design. Corners of frame are adorned with Swarovski crystals. Jay Strongwater raised mark. This item has its original box: 4"L x 4"W x 2.25"H. Issued: 20th centuryDimensions: 2.75"L x 0.25"W x 3"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear. As found, missing crystals on corners.
Exquisite folding frame, embellished with sage green enamel, features a crystal-encrusted heart adorned with two champagne-colored lilies at its center. The interior frame reveals a captivating deep orange hue, elegantly complemented by a gold frame. Sight size: 1.25"L x 1.75"H. This item has its original box which measures 4"L x 4"W x 2.25"H. Jay Strongwater backstamp. Dimensions: 2"L x 0.5"W x 2.5"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear.
Clear crystal detail representation of a buggy. Swarovski backstamp. 7473 000 005. This item has its original box: 3"H x 4"dia. Certificate of Authenticity included. Artist: Gabriel StameyIssued: 20th centuryDimensions: 1.75"L x 1"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Clear faceted crystal figural with satin crystal face and hands. Swarovski backstamp. 7475 000 060. This item has its original box: 5"H x 6"dia. Certificate of Authenticity included. Issued: 1995 - 2006Dimensions: 4"H x 2.5"dia.Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Slue Foot Sue, a cowgirl from the 1948 film Melody Time, is known for wrangling giant catfish. This sculpture depicts Sue riding a catfish. She was part of the American Folk Heroes Annual Edition and limited to 6,000 pieces. This item has its original box which measures 14"L x 11"W x 15"H. Certificate of Authenticity included. Issued: 1995Dimensions: 9.5"L x 6.75"W x 10.5"HManufacturer: Walt Disney ClassicsCountry of Origin: United StatesCondition: Age related wear. As is.
Adorable figural designed in clear crystal faceted body with olivine eyes playing with blue crystal ball. Swarovski backstamp.7619 000 012. This item has its original box: 2.5"H x 3"dia. Certificate of Authenticity included. Artist: Heinz TabertshoferIssued: 2004 - 2011Dimensions: 2"L x 1"W x 0.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Clear faceted crystal figure of a butterfly resting on a frosted crystal leaf. Swarovski mark. Item number 7615NR000003. Part of the South Sea collection. This item has its original box: 4"H x 5"dia. Certificate of Authenticity included. Dimensions: 3"L x 2"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Clear crystal string instrument with a rhodium metal stand. Swarovski backstamp. 7447 000 004. This item has its original box: 6.5"H x 3"dia. Certificate of Authenticity included. Artist: Martin ZendronIssued: 1992 - 1997Dimensions: 1.25"L x 1"W x 3.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Lovlots City Park Collection. Dark bronze lead crystal figural standing staring with wide eyes. Swarovski backstamp. 995010. This item has its original box: 5"H x 3"dia. Certificate of Authenticity included. This item has a round mirrored base included: 2"dia. Issued: 20th centuryDimensions: 1"L x 2"W x 1.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Sage green enameled double frame has a lovely raised floral design that is enhanced with crystal appointments. Interior frame is brown enamel. Jay Strongwater impressed mark on back. This item has its original box: 4"L x 4"W x 2.25"H. Issued: 20th centuryDimensions: 2"W x 2.5"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear. As found, missing one crystal on leaf.
A clear crystal figure of an old-fashioned airplane that has a front propeller. Swarovski backstamp. This item has its original box. Dimensions of the original box: 4.75"H x 4" dia. Artist: Adi StockerIssued: 1990Dimensions: 3.25"L x 3"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Porcelain figurine from the Enchanted Places Collection. This sculpture is part of the Alice in Wonderland series and includes a hand-engraved serial number and an engraved brass nameplate. This item has its original box which measures 11"L x 10"W x 9.5"H. This item has a base included which measures 8"L x 8"W x 1"H. Dimensions: 7"L x 8.5"W x 5"HEdition Number: DR123 Manufacturer: Walt Disney ClassicsCountry of Origin: United StatesCondition: Age related wear. As is. Damage to trees by the garden.
Part of the Lovlots Collection. Adorable purple figural wearing silver hat, bugged eyes and disco ball. Swarovski backstamp. 5003403. This item has its original box: 5"H x 3"dia. This item has a round mirrored base included: 2"dia. Issued: 2013Dimensions: 1.25"L x 2"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Horses on Parade collection. Clear crystal body with a frosted crystal tail and mane and jet eyes. Swarovski backstamp. 7612 000 001. This item has its original box: 5"H x 6"dia. Certificate of Authenticity included. Artist: Martin ZendronIssued: 20th centuryDimensions: 3.5"L x 1.25"W x 4.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

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