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Click here to subscribeA beautiful study of American art that focus on presenting the landscape with expression and feeling.Biographical profiles on several artists and displaying their early works. Depth: 0.5in. 95 pages. This item has no reserve. Artist: William H. GerdtsIssued: 1982Dimensions: 8.5"W x 10.25"HEdition Number: 1st Edition Country of Origin: United StatesManufacturer: Grand central Art Galleries Art Education AssociationCondition: Age related wear.
Great looking fly reel from Scientific Anglers No 78L. This item has its original box with measurements 4.5"L x 4.5"W x 2.75"H and comes with original pamphlet. Issued: 20th CenturyDimensions: 3"L x 2.5"W x 3.75"HCountry of Origin: EnglandManufacturer: 3M Scientific AnglersCondition: Age related wear.
Fantastic example of fishing machine manufacturing history! The Airex Division of The Lionel Company was influenced in 1947 by a man named Bache Brown who was making fixed drum spinning reels in Europe in the 1930’s, they were popular and sold in Europe as well as The United States. Mr. Brown sold his company to Lionel in the 1940’s and large-scale spinning reel fishing manufacturing was born. The Airex Company began making The Bache Brown Mastereel and it quickly became the benchmark of today’s spinning reel. This item has its original papers, Airex Brake Dressing tin, extra spool, cloth bag, and box which measures 5"L x 5"W x 3.5"H. Issued: c. 1940Dimensions: 4"L x 4.5"W x 3"HCountry of Origin: New Jersey, USAManufacturer: Lionel CorporationCondition: Age related wear.
Rare pre-patent spinning reel, all metal body, rotor, and spool. Skirted metal spool with extra spare included, half bail model, anti-reverse button. Unique and cool triangular shaped silver metal badge with rainbow trout and half man/half horse Centaur. This item has its original field box which measures 7"L x 4"W x 5.5"H. Issued: c. 1950Dimensions: 5"L x 3.75"W x 6.25"HCountry of Origin: FranceManufacturer: Centaur PacificCondition: Age related wear.
The best of the line-counter reels, ideal for downriggers, diving planners, or flat line trolling. This item has its original papers and box which measures 6.75"L x 4.5"W x 4.75"H. Issued: 20th CenturyDimensions: 6.25"L x 4"W x 4.5"HCountry of Origin: JapanManufacturer: DaiwaCondition: Age related wear.
Gorgeous small casting reel with ruby red side plates and stainless hardware, stamped 330 Lurecast. This item included Langley Lakecast box for Model no. 350 with cloth dust cover, paper brochure, and box measuring 4.5"L x 2"W x 3"H. Issued: c. 1950Dimensions: 3.5"L x 2.25"W x 3"HCountry of Origin: California, USAManufacturer: Langley Corp.Condition: Age related wear.
Unique HELIX DRIVE spool oscillation for ultimate drag and casting performance. Fast-set clutch bearing anti-reverse, forged precision machined long cast spool, zero friction titanium nitride plated front spool flange, balanced rotor and wood knob handle, wear free titanium nitride plated ball bearing, light weight graphite construction, folding handle, and free spare spool. This item has its original papers, spare spool, and box which measures 5"L x 4"W x 5.25"H. Issued: late 20th or early 21st CenturyDimensions: 5"L x 3.5"W x 5"HCountry of Origin: KoreaManufacturer: MaradoCondition: Age related wear.
Attractive, tactical looking reel with a matte gunmetal finish. Fast 5.2:1 gear ratio with ball bearings and titanium drag. This item has its original papers and box which measures 4.5"L x 3.5"W x 7.25"H. Capacity: 330 yds./30 lb. Dimensions: 6"L x 3"W x 6"HCountry of Origin: JapanManufacturer: ShimanoCondition: Age related wear.
Fantastic looking reel with its rocket like base, it looks like a mid-century science fiction ray gun! This item has its original cloth dust cover and box which measures 5.75"L x 3"W x 6.25H. Capacity: 150 yds./20 lb. Issued: c. 1950Dimensions: 5.5"L x 3"W x 6"HCountry of Origin: USAManufacturer: ThommenCondition: Age related wear.
Precision spinning reel, Swedish stainless steel bearing drive, with rear drag control. Positive adjustment, multi-disc drag, sealed ball bearing drive, stainless and bronze gears, with anodized and enameled finish. This item has its original papers, spare spool, and box which measures 5.25"L x 4"W x 7.5"H. Capacity: 230 yds./12 lb. Issued: c. 1980Dimensions: 5"L x 3.75"W x 5.5"HCountry of Origin: Oklahoma USAManufacturer: ZebcoCondition: Age related wear.
This lure is a large piece of fishing lumber. This giant wooden, painted eye, antique fishing lure was given a model series number 7500. The lure has a heavy-duty wire through construction with two treble hooks. Painted to look like scales on its back with light cream-colored belly and red mouth. This item has its original box with dimensions 8.5"L x 3.25"W x 1.5"H. Box label reads No. 7518-4 oz. Dimensions: 7.25"LCountry of Origin: Indiana, USAManufacturer: Creek Chub Bait Co.Condition: Age related wear.
Numbered and signed. Lure and box in great shape, never fished. One of the most famous musky lures made. This item has its original box with measurements 8"L x 3"W x 1.5"H. Issued: 1998Dimensions: 6.25"LEdition Number: 156/1000 Country of Origin: Wisconsin, USAManufacturer: Mouldy'sCondition: Age related wear.
Numbered and signed. Lure and box in great shape, never fished. One of the most famous musky lures made. This item has its original box with measurements 8"L x 3"W x 1.5"H. Issued: c. 1998Dimensions: 6.25"LEdition Number: 157/1000 Country of Origin: Wisconsin, USAManufacturer: Mouldy'sCondition: Age related wear.
Buck Perry Spoonplug 5 Pack in the Original Box with 3 extra lures. Believed un-fished in. Mixed Patterns as Seen. his item has its original box with measurements 6?L x 5"W x 1.25"H. Longest lure measures almost 4"L. Country of Origin: North Carolina, USAManufacturer: Buck's BaitsCondition: Age related wear.
This vintage folding hunter knife was made in USA, it has sturdy wood handles and brass bolsters for a hefty weight. The stainless clip blade measures 3.75"L and has lockback. This item comes with a brown leather belt sheath with snap closure. Issued: c. 1980'sDimensions: 5"L x 0.5"W x 1.25"HCondition: Age related wear.
A George III silver dessert standPaul Storr, London 1809, rim stamped 'RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS ET PRINCIPIS WALLIAE LONDINI', incuse stamped 355, the swags with addition marks for Richard Sibley, and with lion passant, one with date letter for 1843Circular form, the whole on an incurved triangular base with chamfered corners, to the top a detachable concave circular basket with open basket-weave and a pierced grapevine border, resting within a circular holder featuring an embossed classical frieze, the central supporting column beneath created by three classical maidens, the figures standing outwards and sculptured in the round, their downward stretched arms forming a criss-cross pattern with the thyrsi which are crossed and tied near the top with bows of ribbon, the base centred by a round floral boss, the whole resting on three cast mask feet, each corner featuring an open-mouthed bearded man with ram's horns, all connected by foliage and flower cast swags, atop three ball feet, height total 30cm, diameter basket 26cm, weight 101oz.Footnotes:Stands to elevate foods were particularly popular in the early 19th century. Lavish spending on table silver at the time led to more elaborate layouts for each course, including dessert. Stands were used in the second course to display sweet jellies, and in the dessert course they supported pyramids of fresh and preserved fruit. From about 1810, this design of dessert stand was one of the most popular models sold by the Royal Goldsmiths, 'Rundell, Bridge and Rundell'. It is typically eclectic in style, drawing on classical elements but creating an object that would appeal to early 19th century taste. Sources such as Thomas Hope's 'Household Furniture and Decoration' of 1807 may have provided the inspiration for the basket. However the interpretation for the caryatid figures, ultimately derived from the Erechtheum on the Athenian Acropolis, may owe more to contemporary models in Percier and Fontaine's 'Recueil de Decorations Interieures' of 1801. Two Paul Storr silver-gilt versions of this dessert stand can be seen at The Wellington Museum, at Apsley House in London. They were purchased by the first Duke of Wellington as part of an Ambassadorial service. In addition, a silver version is currently on display at the Victoria and Albert Museum (Silver, Room 67, The Whiteley Galleries) and a silver-gilt version is at the Metropolitan Museum of Art in New York.LiteratureN. M. Penzer, 'Paul Storr - the last of the Goldsmiths', (London: B. T. Batsford Ltd, 1954), p. 144V&A Explore The Collections,'Dessert Stand / Paul Storr', accessed via https://collections.vam.ac.uk/item/O94826/dessert-stand-paul-storr/This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A large Swiss silver and parcel-gilt standing cup Marquard Zehender I, Bern 1651 Baroque goblet form, with a tapering hexagonal upper bowl, an engraved coat-of-arms for 'Bern' to one panel and a family crest to the adjoining, interspersed by embossed fruits, leading to a waisted baluster teardrop-lobed lower bowl, each panel between embossed with flowers and foliage, such as iris and dwarf carnation, high polished gilt against a matt ground, an ornamental silver calyx with tendrils mounted to the bowl base, a pierced stem beneath resembling angels wings with a trio of cast gilt angels heads inserted around the knop, a silver calyx repeated beneath, transitioning into a waisted lobed pedestal base on a domed circular foot, height 32cm, weight 17oz. Footnotes: Property of a Private Collector The maker's marks can be located in Rosenburg, 'Der Goldschmiede Merkzeichen - IV Band', (Berlin: Frankfurter Verlags-Ansalt, 1928), p.524, item 8834. This appears to be an important piece, the ownership of which may have considerable historical relevance. These are the arms of the CHAMBRIER family of Neuchâtel Switzerland. The family were prominent in the same provincial area from at least the beginning of the 17th century, and notably Pierre de CHAMBRIER (1604-1668) who had married Esther PURY, is likely to have commissioned this item. His son and heir was Josué de CHAMBRIER (1639-1700) who married Judith TRIBOLET (1640-1701) and his subsequent son and heir was Pierre CHAMBRIER (1659-1744), who married Marguerite de MONTMOLIN (1662-1735). At the base of the armorial the initials 'JC' are engraved in European script. This appears to relate to Josué de CHAMBRIER (1639-1700). Clearly in 1651, the date of the item, Josué would have been only 11 or 12 years old so it is unlikely that he personally commissioned this piece, but it was awarded to him. It is possible that the item was commissioned by his parents as a gift for him. Of considerable note is a later descendant Jean Pierre CHAMBRIER (1753-1822) of Neuchâtel, son of Charles Louis CHAMBRIER and Madeleine BRUN only daughter of John Pierre BRUN d'Oleyres. He inherited his maternal grandfather's title as Baron d'Oleyres and established Neuchâtel as a Barony. Later, acting on behalf of King Frederick II of Prussia, he was also responsible for the restoration of Neuchâtel after the Napoleonic invasion. For further information on this lot please visit Bonhams.com
An early 20th century Egyptian revival solid walnut, ivory, bone, ebony, purplewood and fruitwood inlaid window seat or long stool1900-1915Inlaid with assorted geometric tesserae, fluting, circles, chequered featherbanding and chequered inlay, one end comprising two 'Anubis' god monopodiae terminating in human feet, flanking a central curved triple vertical splat, the toprail and opposing end comprised of two partly adjoined 'Anubis' god tails, the corresponding legs terminating in human feet, approximately: 106cm wide x 55cm deep x 92cm high, (41 1/2in wide x 21 1/2in deep x 36in high)Footnotes:Related Egyptian revival stools (or window seats) sold at auction include; an inlaid stool in the form of an ibis, Christie's, London, 12 June 2002, English and Continental Furniture, lot 330; a pair of inlaid stools each in the form of a leopard, Christie's, New York, 15 June 2005, Decor: European Furniture, lot 325; an inlaid stool formed as two dogs, Christie's, New York, 16 April 2009, European Furniture, lot 191; and an inlaid stool in the form of two panthers, Christie's, London, 22 September 2009, Style and Spirit, lot 101.Also, a pair of comparable late 19th/early 20th century lion-form stools, described as Egyptian, are illustrated in B.M. Newman, Fantasy Furniture, 1989, New York, p. 34.The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref GJU8Q83TThis lot is subject to the following lot symbols: TP Y ФTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A George II silver kettle on standElizabeth Godfrey, London 1752, date letter only distinct on the stand Shaped-globular melon form with lobed sides, engraved upper band of rococo scrolls and shell cartouches and panels, one side engraved with shield armorial and crest within an acanthus surround, the lift-off flush cover with acanthus scrolls, bell-shaped finial and raffia covered swing-handle, fluted spout, on a tripartite stand, with upright scroll supports, the incurved sides with acanthus cartouches flanking water-effect panels, centred with a removable unmarked burner cover, height 32cm, weight 43.6oz.Footnotes:These are the arms of Lieutenant General William STYLE (1719-1786) of Wateringbury Place, Kent the fourth son of Sir Thomas STYLE (1685-1769) 4th Baronet of Wateringbury by Elizabeth HOTHAM (1694-1786) and Catharine BATEMAN heiress of the BATEMAN family whose origin is at Middleton by Youlgreave, Derbyshire. They married in 1754 and this item is expected to be a marriage piece. Notably the PCC will of 1786 contains a number of bequests of silver items.For further information on this lot please visit Bonhams.com
A pair of George II silver-gilt candlesticksElizabeth Godfrey, London 1752 Traditional rococo form, the whole gilded, with ornate gadroon and scroll decoration, with unmarked shaped-circular removable drip pans, engraved armorial and crest to the drip-pans and sconces, part gadrooned and vertical beaded sconces, atop a double knopped tapering square stem with cast shell motif, the base stepped and shaped-circular with scroll and gadrooned rims, height 23cm, weight 50oz. (2)Footnotes:These heraldic elements mark the complete armorial of James BRYDGES (1731-1789) and his first wife Margaret NICOL (1736-1768), daughter and heir of John NICOL of Colney Hatch and Minchenden House, by his wife Winifred KECK. They were married 22 March 1753. Notably at the time of the engraving James BRYDGES was the Marquis of Carnarvon and the assay date of 1752 suggests that the item was most likely to be a marriage piece.They set up a London home at 39 Upper Grosvenor Street and later at Chandos House, 2 Queen Anne Street Marylebone. James BRYDGES was the only son of Henry BRYDGES (1708-1771), 2nd Duke of Chandos, and Lady Mary BRUCE (1710-1738), daughter of Charles BRUCE (1682-1747), 3rd Earl of Ailesbury. From 1744 James BRYDGES assumed the courtesy title Marquess of Carnarvon and on the death of his father in 1771 he succeeded him as 3rd Duke of Chandos. He was MP for Winchester (1754-1761) and Radnorshire (1761-1768) as well as Gentleman of the Bedchamber to George, Prince of Wales from (1760-1764). Notably his wife Margaret NICOL inherited a large fortune on the death of her grandfather Sir Anthony KECK and her future spending included the purchase of the portrait of Shakespeare, since known as the Chandos Portrait. In 1777 James BRYDGES, then 3rd Duke of Chandos, married secondly Anne Eliza GAMMON (1737-1813) daughter of Sir Richard GAMMON (1714-1787) 1st Baronet of Datchworth Bury. Aged 57 The 3rd Duke died without issue, his titles becoming extinct. He was buried in St Lawrence Whitchurch in Canons Park, London.His widow The Dowager Duchess was declared a lunatic and was made a ward of court during her widowhood and confined at Chandos House. The lengthy legal proceedings in Ireland regarding the Duke's estate were the cause of a scandal.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
18 kt. Gouden Grand Tour micromozaïek collier en esclavage, vroeg 19e eeuw. met Arcadische landschappen tegen een achtergrond van malachiet. (Mozaïek en malachiet licht besch.) Met Frans importkeur. Een vergelijkbaar collier bevindt zich in de collectie van het Victoria & Albert Museum, zie https://collections.vam.ac.uk/item/O157741/necklace/necklace-antonio-aguatti/ bruto 39,2 gr., l. 40 cm [1] 18 k. Gold Grand Tour micro mosaic necklace 'en esclavage', early 19th century. with Arcadian landscapes against a background of malachite. (Mosaic and malachite slightly damaged) With French import hallmark. A similar necklace is in the collection of the Victoria & Albert Museum, see https://collections.vam.ac.uk/item/O157741/necklace/necklace-antonio-aguatti/
A GEORGE III SILVER SHAPED CIRCULAR SALVERJ. E. TERRY & CO., LONDON 1817With a raised gadrooned and foliate border, chased with floral sprays and C-scrolls, engraved with an armorial and on three shell and scroll bracket feet31cm (12 1/4in) diameter1272g (40.9 oz) These are the arms of the BERTIE family Condition Report: Marks are clearStands well, does not wobbleEngraving crisp, no signs of erased engravingCentre is firmDecoration good and contemporary to the piece4cm (1 1/2in) highLight scratches and wear commensurate with age and useThese are the arms of the BERTIE family, Earls of Abingdon. On this occasion the usual indicators that would tell us the owner of the arms are earls are not present (supporters and coronets). Similarly there are no marks cadency indicated in the arms (indicating sons of a noble family). It is suspected as a result this is an item of the household of the BERTIE family, who where of Westbury, Wiltshire. The family were at this time heavily in debt and were selling off their estate at Westbury in order to remain solvent. The holder of the arms at the time of assay (1817) was Montagu BERTIE (1784-1854) 5th Earl of Abingdon, who was the third son of Willoughby BERTIE (1740-1799) 4th Earl of Abingdon by Charlotte WARREN (1744-1794). He married: Firstly in 1807 Emily GAGE (1776-1836) daughter of Thomas GAGE by Margaret KEMBLE. Secondly in 1841 Lady Fredrica Augusta KERR (186-1864). The 5th Earl had only one surviving male sibling in 1817 and this was Hon. Revd. Frederic BERTIE (1793-1868), clearly he was also a candidate for ownership Condition Report Disclaimer
A FIRST HALF OF THE 19TH CENTURY CITRINE FOB SEAL The cushion shaped polished citrine carved with a crest and the motto OMNE BONUM DESUPER, in a scroll and shell fob settingSize/dimensions: 4.2cm high, seal 2.7cm x 2.1cmGross weight: 34.6 gramsThis fob shows the complete armorial of Charles Parr BURNEY DD (1785-1864) and his wife Frances Bentley YOUNG (1791-1878). In 1810 they married in London.Charles Parr BURNEY was born at Chiswick the son of Revd. Charles BURNEY (1757-1817) incumbent at Sible Heding, Essex and later Wickam Bishops, Essex by Sarah ROSE (1759-1821). He was was educated at Merton College Oxford, then entered the clergy and finally became firstly Archdeacon Colchester and later St Albans. Frances Bentley YOUNG was the daughter of George YOUNG (1760-1833), born in Borrowstounness, West Lothian, Scotland, by Ann BENTLEY (1753-1819). They later settled in London.As the fob includes a crest we would expect that this would be an item belonging to and used by Charles Parr BURNEY. The BURNEY arms were granted in London in 1806. The item would have been produced in the period 1810-1864. Condition Report: There are some small chips to the carving mostly to the centre of the crest under the arms elbow, there is rubbing to the setting from use, base metal is coming through around the seam edgeThe blazon: azure, two bars counter-embattled erminois, on a canton argent a cross patee fitche sable (Burney) - impaling - argent, three piles gules, on a chief azure three annulets or (Young)Crest: out of a maunch gules, charged with an ancient lyre or stringed argent, a hand proper holding a cross patee fitche erect as in the arms (Burney)Condition Report Disclaimer
A GEORGE III SILVER SHAPED CIRCULAR SALVERJOHN PARKER I & EDWARD WAKELIN, LONDON 1771With a gadrooned border, engraved with an armorial and on three scroll feet33cm (13in) diameter1157g (37.2 oz)The family arms being that of spouse or daughter of a male member of the BOURCHIER family.The engraving as seen represents the shield associated with the arms of the BOURCHIER family and has medieval origin. Earliest records show them to be of Essex, where notable members of the family were Barons Bourchier and Earls of Ewe and Essex, both titles becoming extinct by the early 17th century. Later family members settled in Kent and it is likely to be that family who are owners of the item at the time of assay. A number of strands of this family exist and the ownership would lie with a wife or daughter, as indicated by the lack of crest and the shape of shield. Condition Report: Maker's mark is partially obscuredStands wellEngraving is crispSome spots of corrosionLight scratches and wear commensurate with age and useCondition Report Disclaimer
AN EARLY 20TH CENTURY DIAMOND PENDANT CIRCA 1920The pierced shaped knot like millegrained pendant set throughout with old cut diamonds, with two old cut diamond drops, approximately 2.37 carats total, and a central pear cut diamond drop, weighing 1.78 carats, with an opening diamond set bale, on a later 9 carat gold curb link chain, in an associated boxSize/dimensions: pendant 4.9cm long, chain 45cm long Gross weight: 7.4 gramsCondition Report: The pear cut diamond colour estimated H, VS1, a bright and lively stone. It is possible that the pendant was part of a larger item, there are a couple of patches of yellow solder and some marks where another fitting may have subtly been removed. All diamonds present and correct. The bale hinges open so it could be put onto a strand of pearls of an item with a broader suspension. The setting is unmarked but is in our opinion platinum. The chain is modern, the clasp loop has been slightly crushed and so it is slightly tight on the ring bolt loop. Condition Report Disclaimer
Queen, The Complete Works (QB1) - 1985 UK box set containing 14 LPs to include Queen, Queen II, Sheer Heart Attack, A Night At The Opera, A Day At The Races, News of The World, Jazz, Live Killers (Volume 1), Live Killers (Volume 2), The Game, Flash Gordon, Hot Space, The Works and Complete Vision. Includes The Complete Works Booklet, Tour Itinerary The World 1971-1985 Booklet and Queen World Map. All records are overall Excellent (and appear unplayed) other than Complete Vision which is only Good Plus to Very Good in Excellent embossed carded outer sleeves, outer presentation box is generally Very Good Plus (with remainder of original price sticker to one corner). A superb item.
A 19thc Honiton lace bertha, mounted on a piece of black card. With associated provenance linking this item to Queen Victoria. *This was reputably one of many items removed from the Royal Residence following her death by Mrs Tuck dresser to the Queen, and given to Sir Alfred Rice Oxley MD MRCP, Physician to HRH Princess Beatrice and the Household. This comes with a photocopied list which notes 'A Honiton Lace 'Bertha' about 2 1/4 yards long'. *Condition: There are a few small holes in places but as would expect for a garment of that age.
Each of sack form, and with a partial green drip effect glaze on a stoneware body. Each with impressed marks for the Muchelney Pottery, two by John Leach and one by Mark Melbourne, two dated 1998. 23cms, 22cms, and 21.5cms high. (3) *These were commissioned by Dillington House in Somerset. *The hammer price on this item includes VAT at 20%, this item is sold outside of the Auctioneers margin scheme as this is sold by a VAT registered business. *Condition: All in good condition.
Three black burnished vases including a large vase of waisted form (25cms high), a small vase with incised line to each side (15cms high), and a vase of globular shape with lug handles (16cms high). Each with impressed marks, two by John Leach and one by Mark Melbourne, two dated 1998. (3) *These were commissioned by Dillington House in Somerset. *The hammer price on this item includes VAT at 20%, this item is sold outside of the Auctioneers margin scheme as this is sold by a VAT registered business. *Condition: All seem in good condition.
Four various stoneware vases with a black burnished glaze, one of waisted form (17.5cms high), two of flattened form (14.5cms and 13.5cms high), and one of globular form (15cms high). Three by John Leach and one by Mark Melbourne, two dated 1998, one 1999, one undated. (4) *These were commissioned by Dillington House in Somerset. *The hammer price on this item includes VAT at 20%, this item is sold outside of the Auctioneers margin scheme as this is sold by a VAT registered business. *Condition: One of flattened form has a small nick to the side of the rim, otherwise they all seem fine.
A mixed lot including a bottle shaped vase with criss cross design to each side (20cms high), a pedestal bowl with spiral design (14.5cms high), another bowl (16.5cms diameter), and two yunomi (8.5cms and 8cms high). Each with impressed marks, four by John Leach (all dated 98) and one by Mark Melbourne. (5) *These were commissioned by Dillington House in Somerset. *The hammer price on this item includes VAT at 20%, this item is sold outside of the Auctioneers margin scheme as this is sold by a VAT registered business. *Condition: All seem in good condition.
A William IV Sheffield plate three-piece tea set of lobed squat circular form with foliate capped scroll handles, comprising teapot, milk jug and sugar bowl, height of teapot 12.5cm. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian silver teapot of plain oval form with ivory finial and handle, London 1875 by Francis Boone Thomas, weight 588.8g, length 23cm. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George IV silver teapot of lobed squat circular form, decorated with repoussé flowers and scrolls, London 1828 by Rebecca Emes & Edward Barnard, weight 803.8g, height 14cm, together with a similarly decorated two-handled sugar bowl, Dublin 1834 by James Le Bas, weight 416.2g, and a milk jug, London 1824 by J.E. Terrey & Co, weight 360.7g. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A William IV silver hot water pot of baluster form with hinged lid and flower finial above a scroll handle, on anthemion moulded feet, London 1833 by Edward, Edward Jnr, John & William Barnard, weight 859.3g, height 24cm. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Sale Item: WALL HANGING APPROX 157x160 CMS Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: 2 SCROLL MAPS OF THE WORLD (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: 2 W C PAINTINGS INGLIS WEIR Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: 4 POTTERY JUGS (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: LTD EDT SIGNED PRINT DON BRECKON -MUCH WENLOCH Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: ORIGINAL LITHOGRAPH 91/200 FANCH LES BALOONS SUR VEZALEY Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: BOOK- SCOTT & AMUNDSEN ROLAND HUNTFORD Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: BOOK-THE GREAT CIVIL WAR CATTERMOLE (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Sale Item: BOOK-THE HEART OF THE ANTARTIC SHACKLETON (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
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