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Lot 198
A Victorian old cut diamond set brooch/pendant, consisting of a central old cut diamond of an estimated weight of 0.36ct, surrounded by old-cut diamonds with an estimated weight of 0.40ct set into petals in a circular round floral pattern on yellow metal with back pin and top loop, total item weight 5.5 grams.
Lot 217
An Edwardian diamond set scroll brooch, consisting of old cut diamonds with an estimated weight of 1.40ct set into white metal in a scroll style measuring 40x30mm approximately with pin back and safety chain, total weight of item 7.7 gramsCondition report: Three stones have been identified as cubic zirconias replacements, the carat weight stated is only based on the diamond weight.
Lot 220
A three-stone old cut diamond set bar brooch, set with three round old cut diamonds with the central stone with an estimated weight of 1.00ct flanked by two old cut diamonds with a total estimated weight of 1.00ct, onto white and yellow metal pinned brooch, the total weight of item is 4.7 gramsCondition report: The stones draw colour of faint to light yellow with estimated clarity of SI+/-The stones show some chips to girdles The overall condition of the piece is consistent with age
Lot 262
A yellow metal stamped 18ct diamond set ring, consisting of two claw set with round brilliant cut diamonds measuring 6.0mm and 5.8mm, with tapered baguette-cut diamonds set into the cross over shoulders with a total estimated diamond weight of 2.19ct, ring size L, total weight of item 3.9 grams.Condition report: H-P2Chips to girdles of main stones
Lot 320
An emerald and diamond cluster ring, set with a central oval emerald measuring 5x4.5mm, surrounded by a two-tiered round brilliant cut diamond set halo of an estimated diamond weight 0.45ct all on a white metal carved out split shoulder shank stamped PT900, ring size N, total weight of item 8.0 grams
Lot 344
A lot consisting of two brooches and two sets of earrings, the first item is an oval cabochon Amber set brooch on yellow metal with approximate overall dimensions 45 x 38mm accompanied by carved Amber leaf earrings measuring approximately 25x17mm with stamped 9ct yellow metal screw backs. Followed by A seed pearl brooch with yellow metal back pin with overall approximate dimensions of 43mm and a matching pair of seed pearl earrings with stamped silver screw backs and an approximate overall dimension of 14mm. (4)Condition report: Amber brooch tests as gold
Lot 420
A textured, gold and cultured pearl brooch and ring, consisting of a bark textured brooch measuring approximately 45x 20mm set with three round white pearls in yellow metal (tests as 15ct), accompanied by a bark textured ring set with two white pearls in yellow metal stamped 585, ring size R1/2, total weight of item 13.9 grams.
Lot 423
An Anne Cohen carbon fibre diamond three stone ring, comprising of a carbon fibre C6 flat band measuring 6x2.5mm with a slight comfort fit, sunk set with round brilliant cut diamonds of an estimated weight of 0.18ct, ring size (leading edge), total weight of item 1.3 gramsCondition report: With box and certificates.
Lot 444
An old cut diamond line bracelet, consisting of thirty-two round old cut diamonds weighing approximately 1.60ct in total, set into white metal (tests as 18ct ) articulated sections, measuring 18cm in overall length by 4mm wide, with a safety chain and figure of 8 safety catch, total weight of item 18.9 grams.
Lot 488
A Victorian lozenge form tortoiseshell vesta case with gold pique stars and cartouch decoration, together with another similar with inset faux strap hinges and double betrothal cartouch and an early Victorian silver and gold pique worked etui of canted tapering section (no accoutrements) 7.2 cm long x 3.5 cm wide x 7 mm thickness the primary item.pPrivate collectionCondition report: Old shellac repair to primary item bodyChips to the etui
Lot 523
An open face 9ct gold pocket watch, with a white enamel dial featuring roman numerals in a case measuring 40mm with a total item weight of 42.3 gramsCondition report: The watch is in need of a full service, It can be wound and does tick but only when the case is open and the movement is facing down.
Lot 1252
Biblia germanica. - Das gantz New Testament: so durch den hochgelerten L. Hieronymum Emser verteütscht, mitt sampt seinen zu[o]gefügten Summarien und Annotationen uber yegtliche[n] capitel angezeigt, wie Martinus Lutther dem rechten Text (dem Huschischen Exemplar nach) seins gefallens ... verendert hab. Item ein new Register verordent ... (Köln: H. Fuchs für P. Quentel) 1529. 30 x 20,7 cm. Mit grossem Wappenholzschnitt der Stadt Köln auf dem Titel, 31 Textholzschnitten von Anton Woensam und Druckermarke am Schluss. 6, CCIV Bll., S. CCV-CCXXVII. Blindgepr. Schweinsldr. über Holzdeckeln mit Messingschließen. (Altersfleckig, Schabstellen. Rücken restauriert. Vorsätze erneuert. Gebrauchs- und altersfleckig; wurmstichig. Kleiner Besitzstempel am unteren Rand des Titelblatts verso.)VD16 B 4391 - Darlow/Moule 4193. - Die zweite Kölner Ausgabe Übersetzung des NT von Emser, erstmals 1527 als kritische Revision von Luthers Übersetzung erschienen und gegenüber der ursprünglichen Edition um die Stellen aus dem Alten Testament ergänzt, die während des Kirchenjahrs als Lesungen in der Messe vorkommen. Mit einem Vorwort Herzog Georgs von Sachsen.
Lot 238
Silver manicure items in a fitted case missing some items; another case with silver handled button hook, shoe horn and glove stretchers, Birmingham 1905, missing one item; a plain silver 25mm pill box, Birmingham 1921; a 35mm daisy shape silver patch box with turquoise guilloche enamel hinged cover, Birmingham 1920, small down puff inside; two silver nail buffers, Birmingham 1920/1921; a 75mm steel case with clasp holding a travelling syringe set, initials LS on cover.
Lot 50
The Gordon Highlanders Officers' Waist Belt Plates Regular & Volunteer Battalions,The first with rectangular gilt back plate and plated mount (Bloomer p86), retailed by Kirkwoods Edinburgh; the second with a plated rectangular back plate and similar mount, 'Bydand' Stag's head and coronet (Bloomer p86), both 'D' ends lacking. No gilt remains on the back plate of the first item, otherwise good condition. (2)For further information on this lot please visit Bonhams.com
Lot 232
Thomas Henry Kendall: an important large carved oak figure of a maidenModelled standing and wearing flowing diaphanous robes, she wears a beaded headdress and carries an urn, set on a plain block base130cm high.Footnote: Exhib: Sotheby's Chester, 1983, item 6.Footnote: Not thought to have been made as a specific commission, the figure remained in the Kendall studios in Chapel Street, Warwick, until its sale and dispersal in 1957. It is illustrated in The Connoisseur magazine, 1956, in a feature on the studio written by Denys Hinton and described as 'Figure bearing an urn'. When exhibited by Sotheby's in 1983 it was described as 'An Eastern Slave Girl'. Although part of the same collection, it was not submitted for auction the following year but retained by the owner, remaining unseen until now.Condition report: Minor/negligible signs of age. Please refer to images.
Lot 8
A 1993 Jaguar XJ-S Sports Coupe, registration K777 MEG, currently on SORN, last MOT expired 3rd July 2019, unlocked without keys, known mileage 125,803, no V5. The item is sold as part of a deceased estate. The vehicle was located in the garage and the full house has now been cleared but we have been unable to locate any keys.
Lot 156
An Austrian porcelain figure soldier on horseback, marked Augerten Austria and with blue printed mark "Piaffe Spanische Reitschule". Height 24 cm (see illustration). CONDITION REPORT: There are no visible losses, cracks or hairline cracks to this item. There are small areas of wear to the decoration but otherwise the item is in fair condition.
Lot 217
A Capodimonte figure group "Il Fico" modelled by Tiziano Galli. Height 30 cm. CONDITION REPORT: The structure is sound with no significant cracks or hairline cracks. There are small losses to the ceramic group in places throughout the work. These extend specifically to finger tips and small parts of foliage. Some areas of wear to the decoration where the item as been handled.
Lot 4000
Football: A black granite cast maquette depicting Dave Mackay holding a football coming out of a rock. This maquette is a smaller version of the statue of Mackay which is stood outside the players entrance at Derby County's Pride Park Stadium. This item was originally cast by Garry McBride and sculpted by Andy Edwards. The maquette is upon a wooden base which has been signed by ten of Mackay's former Derby County teammates comprising: Steve Powell, Charlie George, Kevin Hector, David Nish, Bruce Rioch, Roy McFarland, Alan Hinton, Peter Daniel, Henry Newton, and Ron Thomas. Total height of item approx. 63cm. To be sold on behalf of charity.
Lot 306
Vintage rectangular gold cased lighter, with a woven textured stripes design, in white and yellow gold, in a stamped 18 ct gold caseCondition Report: Gross weight 46 grams Lighter is gold cased and has a base metal insert Worn condition, gold is scratched and worn Hinge opens and snaps shut Lighter does not work at time of testingEwbanks does not guarantee the working condition of this item
Lot 7089
Papers from the archive of Nathaniel Bacon of Stiffkey, Norfolk, 1546-1622. Manuscript containing separate examinations of Henry Hopkins, Edmund Nicholson, Stephen Nicholls and Edward Warde. On 3 sides 4to paper, small portion of paper missing from spine fold. They are entitled that they are, 'Taken before Rice Gwyne Esq the xxvi th of May in the ffyth yere of the Raigne of our Soveraigne Lord King James [1607]'. These examinations seem to be Constable reports from which Nathaniel Bacon prepared the related item see No.31 (page 88) in 'Elizabethan Handwriting 1500-1650' by Giles E. Dawson & Laetitia Kennedy-Skipton. This manuscript is signed 4 times by Gwynne at the foot of each examination. The text here is considerably more detailed than in Bacon's printed text, interestingly recorded here Hopkins states he went to the house of Thomas Applegate where he tooke a pipe of Tobacco.Nathaniel Bacon (?1546-1622), was the second son of Lord Keeper Sir Nicholas Bacon and his first wife Jane, daughter of Thomas Fernely, a Suffolk merchant. Nathaniel Bacon took up residence at Stiffkey Hall with his wife Anne (daughter of Sir Thomas Gresham and Mistress Dutton) in 1578, just two years after building commenced. Through his family Nathaniel close conections with leading figures at Court, especially through his father, Lord Keeper to Elizabeth I, and his father in law Sir Thomas Gresham, who was the Queen's principal financial agent. In 1574, he was appointed a J.P. in Norfolk, an office he held for almost 50 years and which he discharged assiduously. A zealous puritan in religion, he was dedicated to establsighing the puritan ethic in North Norfolk, and through his methodical and meticulous writings amassed a superbly rich archive which reveals politics and religion in action.The Stiffkey archive and other collections, which, together, contain the papers of Nicholas Bacon and his five sons, have provided a unique glimpse into the extended relationships of an important sixteenth-century family. The collection as a whole has long been recognised as one of the main sources for our knowledge of local administration in the late-Tudor and early-Stuart periods. They illuminate the activities of an important county gentleman within a variety of overlapping and interacting communities, ranging from his household and parish to the national scene. (A. Hassell Smith et al: 'The Papers of Nathaniel Bacon of Stiffkey, NRS vol 46', 1979) Provenance: collected by Percy Milligan (died 1969), for over 30 years editor of the Norfolk Record Society; then purchased by Rosalind Brewer, historian and trader/collector of rare books, manuscripts & documents, of Winfarthing and later Eye; then by descent
Lot 7224
(Fashion) A collection of eight books showcasing fabrics used by fashion designers, three issued by fashion houses themselves, the remaining five being trade catalogues. Each item comprises a series of photos or drawings of models with, on the facing page, samples of the fabrics employed in their dress. Most published in Italy, various dates. Typically large 4to.'Valentino. Atelier. Collezione Autunno Inverno 1985-86'. Pp 40.; 'Emanuel Ungaro. Paris. Collezione Autunno-Inverno 2007/08'. Pp 44.; 'Ungaro. Collezione Primavera Estate 1990'. Pp 45.; 'Gratacos (Barcelona). Primavera-Verano 2009'. Pp 87.; 'Grelin. Primavera-estate 2009'. (Ring binder) Pp 58.; 'Tissus Renel. Collezione Primavera Estate '89. Pp 109.; 'Carnet de Mode. Automne-Hiver 2008/2009'. Pp 82.; 'Carnet de Mode. Autunno-Inverno 2007/08'. Pp 72. (8)
Lot 7330
A Carte de Visite of Charlotte Bronte (1816-1855), circa 1860's, after the portrait by George Richmond, 1850, 10 X 6.3 cms, inkstamp verso "G. A. Millar, Keighley". Scarce image produced as souvenir item for literary tourists who started arriving in Haworth and surrounding area after reading Mrs. Gaskell's The Life of Charlotte Bronte published in 1857
Lot 7338
Len Deighton: 'Only When I Larf', London, privately printed by the author, 1967, limited edition, one of only 150 copies (unnumbered out of series), signed and inscribed "To Reg best wishes Len Deighton" at head of title, foolscap, original ring bound pictorial card wraps, enlarged £5 note design on covers (slightly worn). Original typescript produced for copyright purposes during negotiations over the film deal with Paramount. A very scarce Deighton item
Lot 87
Anti-Slavery: a creamware cylindrical tankard printed in black with a scene of a cudgelling (stick fighting) match between two Negros together with attendant figures within a border of exotic fruits, plants, a snake, an umbrella and centred by a figure wearing a fleur-de-lys crown, circa 1790, 145mm, the body cracked but away from the print* The scene depicted is a copy of the engraving by A. Brunias entitled ‘A Cudgelling Match between English and French Negros in the Island of Dominica’, published February 1779. See slaveryimages.org item number 1024. The Society for Effecting the Abolition of the Slave Trade held its inaugural meeting on 22nd May 1787 and adopted, two months later, as a seal, an oval depiction of a chained slave entitled ‘Am I not a man and a brother’.Similar medallions widely produced by Josiah Wedgwood became quite probably the first piece of anti-slavery memorabilia.See Victoria & Albert Museum number WE.7825-2014.This mug, drawing its inspiration from the engraving published some eight years earlier must also rank amongst the earliest of memorabilia produced to widen the understanding of and create support for anti-slavery. Agostino Brunias was born in Italy in 1730 and came to England in 1758. A painter, he became acquainted with and subsequently personal artist to William Young who had been appointed to a government post in the West Indian territories. Following the end of the Seven Years War in 1763 Dominica was acquired by Britain from France. Brunias arrived in the islands in 1765 where he remained until about 1775 when he returned to England and where, in the late 1770s, he exhibited some of his paintings and also visited Europe. Returning to the West Indies in 1784 there he remained until his death on the island of Dominica in 1796. Although Brunias primarily resided in Dominica he also spent time in St. Vincent, and visited other islands, including Barbados, Grenada, St. Kitts, and Tobago. His romanticized and idyllic painting of West Indian scenes and slave life is regarded today as some of the most informative imagery to be found.# commemorative, commemorate, slavery, anti-slavery
Lot 3
1966 Vespa 180 Super Sport - Genuine un-restored classic scooter- Registration GFX 335D- Frame number VSC1TSRU3435 - Engine number VSC1M0019899.Successor to the 160 GS, the Vespa 180 Super Sport brought a new style (and ccs) to the GS foundation. The 180 SS had a 4-Speed, grip-shift, constant mesh transmission making it a perfect urban pocket rocket. This sixties icon was sold in smaller numbers compared to the GS and is often referenced as the Top Dog when compared between the two and only came in three different colours; white, blue and red. The 180s look was very distinctive with its clamshell speedometer and CM trapezoidal headlight being the centre piece to its beauty. Most of the front end in fact differs from previous 180s and rally editions - offering a unique but clean style to the viewer.Its owner Bill Drake, renowned Vespa Guru within the scene has kept the bike in dry storage for several years along with some of the parts and bikes within the auction. According to our specialist consultant, Bill built this scooter from new old Piaggio stock from his collection. The chassis designation SRU is reference to the fact that it is a Douglas factory exchange item. Dealers (completely legally) during the 1960s exchanged chassis when damaged for replacements in factory painted colours. Bill registered the built-up machine in 2011 for use on the road and covered 1024km before retiring it in 2014. The 180 SS continues to be extremely desirable within the scooter community, this retro classic will complement any collection and offers an exciting collectable which continues to rise in price.
Lot 400
An ivory netsuke,Meiji period (1868-1912), Japanese, carved with Shoki standing with a sword in his right hand, grasping an oni in his left, with another oni by his feet, signed,7.3cm highIMPORTANT NOTEThis lot contains ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.If you are a UK buyer, we request that you collect your purchase as soon as possible following the sale due to ongoing changes to ivory regulations.
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