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Lot 161
A 15ct gold mounted chainmail evening bag, on a 15ct gold chain, London import mark 1913, marked 'EJ' Emanuel Joseph, original leather lining, gross item weight approx 240g, together with ephemera relating to the gold bag to its original owner Mrs Dora Jones Provenance: The bag belonged to Dora Archibald who was married to David Archibald general secretary of the North Atlantic British Liner Committee. He received an OBE in 1948 for services to the shipping industry. Mrs Archibald had the pleasure of holidaying abroad cruise liners across the Atlantic during the 1950s and 60s. There are photographs of the couple and menus of the QEII and Queen Mary which the bag may have graced Dora's arm at an evening dinner upon these cruise ships. Other ephemera insighting Mr Archibald was a very popular man within the shipping industry as there are many letters he received congratulating him on his achievement. Condition report: good, no sign of repair, some small holes to chainmail
Lot 1200
2006 Ford transit Tourneo GLX SWB nine seater minibus 2.0 Litre diesel approximately 95,000 miles on the clock with one key MOT failure ( V5C is present ) CONDITION REPORT: MOT Failure - it is the buyers responsibility to assure themselves of the MOT failures. Warrington and Northwich Auctions will not be held repsonsible for any issues with the vehilce. The item is sold as seen.
Lot 1341
Crown wind pocket watch with base metal crown and loop inscribed dust cover stamped 18K and inside of back cover has rubbed mark CONDITION REPORT: This item is working at lotting, though the hour finger is bent at the tip.Crystal and bezel do click on but are loose.Inscription reads 'CWH with best wishes and a momento of pleasant business relations JRM'Dial is good with no damage, dial diameter = 42 mm.Few minor dents and scratches to case, case diameter = 47 mm.Gross weight is 130g
Lot 163
Set of twelve silver fish knives and forks with ivory handles Sheffield 1894,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
Lot 509
THE COUNCIL OF ART UNION OF LONDON, ALBUMDESIGNED BY MISS M. LILLIAN SIMPSON, 1896Blank album in highly decorative electroplate embossed covers, over morocco or seal leather, showing an Art Nouveau fruit and floral pattern with central figures of angels to each cover, and four angels emerging from chrysalises on each cover, signed ‘Art Union of London 1896’ to covers [see Marianne Tidcombe, 'Women Bookbinders', p.89]25 x 20cmLiterature: Greensted, Mary and Carruthers, Annette 'Simplicity or Splendour', 1999, item 183, for the copy in the Cheltenham Collections.Note: An example of one of the 'prizes' distributed by the Art Union of London to its members. The nineteenth century European Art Unions would typically offer paintings and proof engravings on the basis of a lottery to their subscribers. However, The Art Union of London often chose to offer more utilitarian pieces of decorative art, such as Lilian Simpson's album. Other prizes included an illustrated copy of Tennyson's 'Idylls of the King' in 1863, an alabaster bust of Apollo in 1861 and a cast iron tazza depicting classical figures. Several copies of Simpson's album seem to have been awarded to subscribers, each album being predominantly blank inside with the title-page reading:"The cover which encloses these pages was designed and modelled by Miss M. Lilian Simpson, on a commission from the Council of Art in London, and gained…a gold medal…It was exhibited in the Royal Academy in 1896."The idea embodied in the design is that of the growth of life (represented by the flowering fruit) watched over by Spirits…whilst Love kisses the buds into bloom, and, as shown on the clasp, binds together the pages of the Book of Life."
Lot 1331
Military, an unusual autograph album (lacking covers), with 276* signatures of various soldiers visiting Rendlesham Camp, inc. many Norfolk Yeomanry (various troops), A.S.C. (Swansea), Suffolk Regt., East Lancs, R.A.M.C., Montgomeryshire Yeomanry, probably collected by local photographer Ada Mannall of Blaxhall, she photographed a lot of the troops at Rendlesham Camp , 1915-16, some of the soldiers have written the battles they fought in when in France, interesting local item
Lot 1482
Crispus, in full Flavius Julius Crispus, (born c. 305—died 326) eldest son of Constantine the Great who was executed under mysterious circumstances on his father’s orders. Crispus’s mother, Minerva (or Minervina), was divorced by Constantine in 307. Crispus received his education from the Christian writer Lactantius On March 1, 317 Constantine gave Crispus the title of caesar and made him titular ruler of Gaul. He defeated the Franks in 320 and the Alamanni in 322 and 323. In the second war between Constantine and his co-emperor Licinius (324), Crispus commanded his father’s fleet and won an important naval victory in the Hellespont. But in 326, while accompanying Constantine to Rome to celebrate the 20th anniversary of his accession, he was put to death at Pola. Shortly afterwards his stepmother, Fausta, was also executed. The item is accompanied by a signed / sworn provenance statement from the vendor. The item was discovered from his father in (year and place). The item also comes with a XRF metal analysis that does not indicate modern trace elements.
Lot 889
Art Nouveau French silver cigarette case - has a Designer's name on the front which I cannot read. On the side of the item there are tiny French marks which have the initials "CM" with two Boars' heads. We believe these marks stand for 800silver and Charles Murat (who operated in Paris in 1897). weight 3oz (approx).
Lot 24
Roanoid for Roxon, a Dunlop bakelite tennis ball ashtray, black with green marbling, circa 1930, 8.5cm high/Note: designed in the 1930s as a promotional item for Dunlop's sporting division Condition Report: This ashtray has been used and the cigarette rests have some flaky debris on them. No visible cracks. Overall condition fair.
Lot 185
20TH CENTURY RUSSIAN ARTISTFallen Soldier, oil on canvas70.7 x 50.6 cm (27 7/8 x 19 7/8 in.) PROVENANCE INFORMATIONThis work comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
Lot 195
OLGA KONSTANTINOVNA DEINEKO (RUSSIAN 1897-1970)View from a Window, 1920watercolor on paper36 x 27 cm (14 1/8 x 10 5/8 in)initialed and dated lower right LOT NOTESDeineko was a well-known Ukrainian and Russian Soviet Avant-garde painter and graphic artist; poster and book designer. She was born in 1897 in the Chernigov Region (Ukraine), and then lived in Petrograd and Moscow. In 1919-1923 Deineko worked as an assistant professor in VKhUTEMAS. She is also known for her collaborations with her husband Nikolai Troshin, the artist-in-chief of the magazine "USSR in Construction". Exhibited in 1934 (Moscow) with Gustav Klutsis; in 1937 (Moscow) with Ivan Kliun, Aristarkh Lentulov, Nadezhda Udaltsova, et al.PROVENANCE INFORMATIONThis work comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
Lot 257
VASILY IVANOVICH EFREMOV (RUSSIAN 1894-1976)Portrait of Klava, 1935oil on panel55.5 x 39.5 cm (21 7/8 x 15 1/2 in.)signed and dated lower right PROVENANCE INFORMATIONThis work comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
Lot 258
20TH CENTURY RUSSIAN ARTISTWheat Harvest, oil on canvas43 x 70.9 cm (16 7/8 x 27 7/8 in.) PROVENANCE INFORMATIONThis work comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
Lot 259
ALEKSANDRA IOSIFOVNA LIGACHEVA (RUSSIAN 1915-19?)Baker, oil on board49.8 x 57 cm (19 5/8 x 22 1/2 in.)signed and inscribed on verso: Etude for the "In the Bakery" painting - "Moscow kalach" PROVENANCE INFORMATIONThis work comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
Lot 260
ELENA KONSTANTINOVNA MELNIKOVA (RUSSIAN 1902-1980)Donbass, Gorlovka, Mine no. 5, oil on canvas63.5 x 79 cm (25 x 31 1/8 in.)signed and titled on verso PROVENANCE INFORMATIONThis work comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
Lot 261
ELENA KONSTANTINOVNA MELNIKOVA (RUSSIAN 1902-1980)Mine no. 5, oil on canvas59.2 x 78.7 cm (23 1/4 x 31 in.) PROVENANCE INFORMATIONThis work comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
Lot 591
Stamps - Boxer Rebellion 1900 Imperial Chinese Post Pre Paid 1 cent postcard from Newchwang Northern China to 80 Dalsingh-sarai, India with 1c and 2c Chinese Imperial Post 'Dragon' stamps added with numerous transit cancels and French 10c (type A) Peace and Commerce 'Chine' surcharge. Interesting script and scarce item of postal history
Lot 2545
Collection in six 'Windsor Sovereign' albums from QV to around 2000, early issues very sparse and mostly used but good mint range (perhaps 60% of spaces filled) from 1970s to 2000 with reasonable postage content, also a few odds of CIs and IOM plus ten vols of mostly Commonwealth with odd better item (Hundreds)
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151070 item(s)/page