A RICHARD HORNBY MID CENTURY TEAK WRITING DESK, the upright upper section with a fall front panel opening to reveal a fitted interior, and a single frieze drawer on tapered legs united by an H-form stretcher, 106cm high x 92cm wide x 60cm deep Condition Report: The filled holes from the construction of the item are visible and can be seen clearly on the images online, has ink stains to side and inside the desk, split on the desk top. general wear as per age.
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A ROBERT "MOUSEMAN" THOMPSON OF KILBURN DINING TABLE AND CHAIRS, the dining table having adzed top on octagonal supports connected with single floor stretcher on shaped sledge feet and signature mouse to one leg, 74cm high x 183cm wide x 87cm deep with six dining chairs with carved lattice back, octagonal legs joined with stretchers and carved mouse with tan leather seats (7) Condition Report: Table is in good overall condition with signs of wear as per age and use. One chair has had something spilled on it leaving marks on the lattice back and leather seat. leather seats have some minor splits and damage and signs of wear as per age.One chair has a scratch, all visible on images.Late 20th Century item.Each item of furniture has signature mouse.
* Cricket Bat. A reproduction of an early 1750s' cricket bat, probably English, (?)20th century, made from solid willow with no shoulders, blade has one curved edge and one straight with slight off-centre bevel to back of blade, indistinct name stamp stencilled to back with only beginning or end letters 'T' or 'LL' now visible, twine grooves etched on handle, 84cm (33ins) longQty: (1)NOTESThe earliest surviving cricket bats resemble a broad and curved hockey stick. Around 1750, with the advent of bowlers pitching the ball up, the straight blade was generally adopted, initially with one straight and one curved edge, as offered here. The first laws of cricket were written in 1774 and around this time the cricket bat took the shape that we recognise today, with two straight edges and shoulders below the handle.The bat offered here would appear to be a reproduction based on the early bat and possibly specially made for a mock tournament or exhibition. The clearest evidence that this is not an 18th-century bat is its short size. As the early bats were held at an angle to the body, much like a hockey stick, the early bats were approximately 109cm (43 inches) with even bats for junior players measuring approximately 96cm (38ins). The maker of this bat has, (perhaps mistakenly), made it to be held in the upright stance as the modern cricket bat, and its shorter size is indeed similar to the standard modern bat. An interesting and unusual item, nonetheless!
A ROSEWOOD VENEERED COFFEE TABLE, 1970s, of square X form with inset smoke glass top, raised on four square legs with steel edge trim and joined by an undershelf, 35 1/4" x 35 1/4" x 15 3/4" (Brazilian Rosewood (Dalbergia Negra) CITES regulations on post 1947 furniture requires this rosewood item to have an Article 10 certificate. This is available for inspection particularly for those buying for commercial purposes) (Est. plus 21% premium inc. VAT)good, minor scratching/scuffing to legs
NIELS OTTO MOLLER FOR J.L. MOLLER MOBELFABRIK, a set of six teak framed "75 Edition" dining chairs with arched open back, paper cord seats and tapering legs, 19 1/2" x 16" x 29 1/2", ensuite with a D ended extending dining table with two separate leaves and cruciform supports, 86 1/2" x 46 3/4" x 28", table only stamped (7) This item may not comply with the Furniture & Furnishings (Fire) Regulations 1988 and for this reason it should not be used in a private dwelling (Est. plus 21% premium inc. VAT)Chairs all structurally sound and joints very firm, minor scuffing/staining of timber commensurate with age and use, all cord firm, some staining and also some lighter colour areas to some seats possibly where previous staining has been cleanedTable generally good, mild ring stain to centre of top when closed, some scratching and veneer losses to edges of both leaves, the latter confined to the corners
A ROLF BENZ BLUE LEATHER SWIVEL ARMCHAIR, the tapering back with straight top rail, downswept arms, zip on cushion, on down curved tubular aluminium(?) legs, 27" x 21 1/2" x 38 1/2", ensuite with ottoman his item may not comply with the Furniture & Furnishings (Fire) Regulations 1988 and for this reason it should not be used in a private dwelling (2) (Est. plus 21% premium inc. VAT)generally good for its type and age, no tears to leather or wear/scuffing, some wear to sewing seam on both lower arms at/below seat level, also some scratching on right arm and to the side below, ottoman very good
Leipzig, 1920–30er Jahre. Silber, gehämmert, 4-teilig. Gemarkt Ernst Treusch. Rundform über eingezogenem Fuss, Korpus mit vertikalen Faltenzügen, Fuss und Deckel mit Godronenbordüre. Deckelknauf und Ohrenhenkel aus Elfenbein. Bestand: Kaffee-, Teekanne, Cremier, Sucrier. Halbmond/Krone, Schriftmarke. Feingehalt 925. H (KK) 24,5 cm, ca. 2200 g. - Gebrauchsspuren.Ein Teil dieses Objekts wurde aus Material einer geschützten Art gefertigt und unterliegt bestimmten Handelsrestriktionen, weshalb es nicht über die Plattform liveauctioneers.com versteigert werden kann. Falls Sie dieses Stück erwerben möchten, erkundigen Sie sich bitte vor der Auktion über die Einfuhr-Bestimmungen des Ziellandes.This item contains material from endangered species and cannot be auctioned on liveauctioneers.com. Prospective buyers are advised to inquire about relevant custom regulations prior to bidding, if they intend to import this lot into another country.
A Chinese bronze brush rest, modelled as kylin, 13cm long, four carved Hediao nuts, a Chinese compass and various sundries CONDITION REPORT: One nut has two splits.Boat shaped nut has some small chips to carved detail.Standing wood figure has some small chips and wear.Desk seal is worn.Enamel pendant has serious losses to enamel script.The item with clear handle is incomplete.
McLoughlin Bros (NY) A Frog he Would a Wooing Go, and other Nursery Rhymes, boxed puzzles, circa 1900/see illustration CONDITION REPORT: Cover of box a little worn and scuffed in line with age and usage, it slides cleanly on and off. The book has a Sellotape repair up the spine, a small tear to the edge of the cover and various creases, grubby marks and a few pen marks within. The jigsaws are complete and have a few dirty marks and some wear to edges and corners. A charming item with reasonable wear and tear.
A Worcester fluted creamboat, circa 1752-53, the thin angular handle with a pronounced thumb rest, the finely moulded cartouche panels enamelled in colours with Chinese riverscapes, one with a figure fishing, the interior with four Precious Objects, 5cm high/Provenance: The Wallace Elliott Collection (item 144), sold Sotheby's 25th May 1938; The Nina Weil Collection (item 100), sold Sotheby's New York 26th October 1988; Acquired from Albert Amor Ltd. January 1989 CONDITION REPORT: A fine example. No damage, repairs or restoration. Crisp moulding, a little bit of sanding, minimal wear to enamels and glaze.
PAUL MCCARTNEY 'WATERSPOUT' DEMO CASSETTE. A Maxell UDII cassette with handwritten labels on cassette and case containing an unreleased demo version of Paul McCartney performing 'Waterspout'. The version heard on this cassette is four minutes 59 seconds and features an extended outro. Provenance: this piece has come from the family of Bush Hollyhead. Bush was an acclaimed and experienced graphic designer, working throughout his career with some of the biggest names in both music and design primarily with NTA studios including Led Zeppelin, Paul McCartney, Pink Floyd, Undertones, Flamin' Groovies, design studio Hipgnosis and others. This cassette was likely give to Bush to inspire him whilst working on projects for Paul McCartney likely circa 1978. This item is sold as an artefact only, without copyright. Any reproduction is strictly prohibited.
MARK FIRTH (b.1952) 'Relic', aluminium and stainless steel, approximately 214cm wide x 335cm high Mark Firth was commissioned by the Directors of Eagle Star to produce this sculpture commemorating the company's move to their offices at 60, St Mary Axe in 1988, the tablet makes references to eagles and Eagle Star with the drilled holes representing the stars in the constellation 'Aquila' (The Eagle) and with further such references including plans of the new offices, picture of a mountain range in reference to Edward Mountain who founded the company in 1904. Eagle Star continued trading under that name until acquired by Zurich Financial Services in 1999 Condition: the sculpture with some very minor oxidisation otherwise in good condition overall, some minor marks due to bomb damage following the bombing of the Baltic Exchange in 1992 Artists Resale Rights will apply to this lot, please see our Terms & Conditions for full details. This item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
A CAST RECONSTITUTED STONE RECTANGULAR GARDEN TABLE the end supports decorated with pairs of winged rams and with egg and dart moulding to the edge of the table, together with a pair of matching rectangular benches, the table 156cm x 78cm x 71cm, each bench 120cm x 40cm x 50cm Condition: weathered condition overall, some cracks particularly to the top of one bench and deterioration to the cast concrete surface This item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
A CAST RECONSTITUTED STONE RECTANGULAR GARDEN TABLE the end supports in the form of winged rams and the moulded edge of the table decorated with egg and dart ornament, together with a pair of matching benches, the table 155cm x 78cm x 72cm, each bench 117cm x 39cm x 49cm Condition: the table and benches in weathered condition overall, one bench weathered but seemingly stable, the other bench with loss to one support , losses to one corner and deterioration and weathering with cracks etc and in need of some restoration This item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
MALCOLM WEST (b.1957) Flora, bronzed resin, 178cm high x 43cm wide, signed At present, there is no condition report prepared for this lot This in no way indicates a good condition Please contact the saleroom for a full condition report Artists Resale Rights will apply to this lot, please see our Terms & Conditions for full detail. This item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
AN ART DECO STYLE CAST COMPOSITE STONE TABLE AND SEATS the oval topped table with fruiting tree and putti support, together with a set of eight seats with scrolling ornament and acanthus leaf cast supports, the table 136cm x 96cm x 73cm, each seat approximately 58cm wide x 66cm high Condition; six of the seats in weathered condition with minor marks, two seats with a number of cracks particularly to the back This item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
AN ARTS AND CRAFTS STYLE LEAD SUNDIAL with square top and bronze gnomen, on a column support and spreading base, with motto to the top 'Go and come every day but thou shalt go without return', the spreading base decorated with eight classical figures in relief, 62cm wide x 62cm deep x 117cm high not including the gnomen Condition: splits to the joints particularly around the top, further splits to joints at the support and the base, in need of some restoration overallThis item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
A PAIR OF LARGE ART NOUVEAU CARVED LIMESTONE PLANTERS with square and circle motifs to each side, the planters of rectangular section and with spreading bases, each 80cm wide x 63cm deep x 59cm high Condition: weathered overall, some signs of old repair, wear to the plinth bases particularly corners etc This item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
AN OCTAGONAL GARDEN TABLE with reconstituted stone top and scrolling wrought iron base, the top 135cm wide x 73cm high Condition: the top with weathering and lichen overall, the base previously painted but now with losses to the paintwork, otherwise structurally sound This item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
A PAIR OF CARVED MARBLE LION SCULPTURES approximately 103cm long x 28cm wide x 84cm high Condition: in weathered condition, with lichen to the surface, some natural cracks within the stone This item is in store away from the saleroom. Please contact the saleroom regarding access for collection.
1969 Lotus Seven Series 3Registration no. H3299BBD (Spanish Historic Registration)Chassis no. LSB 2454Frame no. BL2162Odometer reading: 9,878 miles* Matching numbers car * Two private owners from new* Lotus Classic Certificate of Vehicle ProvenanceWhen the Lotus Seven was launched in 1957, designed by the legendary Colin Chapman, it was far ahead of any other sports racing cars of the era. The car was so right first time, it is still in production today, as the Caterham. It is the second most copied car on the planet. Lotus produced the classic Seven through until 1970, the Series 3 benefiting from a strengthened chassis, wider wheels and tyres, slightly wider and strengthened Ford Escort Mexico back axle, exterior fuel filler, and even a fuel guage!This Lotus is a genuine factory built Seven that was released from Lotus Components in Hethel on the 18th April 1969, and shipped to the Lotus distributor in Canada. The optional extras were stated to be mag/alloy wheels and a heater. It was part of the very last batch of approximately 70 LHD now classic Lotus 7s assembled by the factory. It was purchased by an enthusiast in Calgary, who had a small car collection, and used it mainly for the local car club events. The last recorded competition event was on the 11th September 1979, although it is said to have participated in hill climbs in the early 80s, after which the car was put in to dry storage.The Lotus changed hands for the first and only time in 2012 at 8238 miles, when the present owner shipped the car to Spain, via the UK. Whilst in the UK it was inspected by the Lotus Seven Registrar, who confirmed that it is a genuine, original Lotus. It still had the original tyres, so it was refitted with Pirelli Cinturatos, so that it could be driven safely, and pass the Spanish ITV. It had all of the original equipment, the hood and seat belts pretty much unused.The aluminium body bore the scars of a few competition mishaps, and after 42 years was too brittle to restore properly, the chassis had been oversprayed in silver with a rattle can, in an effort to enhance the appearance. It had also been modernised with Caterham wings and rear lights, which have now been replaced with the correct items.The chassis was sent to Xtra Special Sevens, checked to be rust free, and in perfect alignment. It was powder coated in Lotus grey, and a beautiful new aluminium skin hand formed around the chassis, by a skilled craftsman. Wherever possible the original parts and components were cosmetically restored, the bolts re plated/re chromed, the mag alloy wheels re finished to concours standard.When you sit in this car, you are sitting on the original seat fabric, holding the original Springall steering wheel, and looking at the original dashboard. Even the carpet over the transmission tunnel, is the original item. Compare the black and white picture of the engine bay taken from the Series 3 section of the Lotus Seven Register, with the colour picture, it is identical, right down to the Barnacle suction rear view mirror. Even the exhaust silencer and tail pipe were remanufactured to the original pattern and it has the correct Thorpe PT 675 brake/stop/side lights. It must surely be one of the most correct Lotus Seven Series 3s.The sidescreens are original, although the old opaque plastic windows have been replaced, and the hood, frame and fittings are totally original.This lightweight Lotus is powered by the original Ford Cortina GT crossflow engine, with the Weber 32 DFM twin choke downdraught carburettor. During the rebuild the ignition was upgraded to an electronic distributor head, which combined with a new coil gives a much improved and reliable spark.Whilst the chassis was being refinished, as a matter of house keeping, the gearbox was stripped and checked and rebuilt, and later the rear axle was also rebuilt with a new crown wheel and pinion, to the correct standard ratio of 3.77:1. The clutch plate was renewed whilst the engine and gearbox were out of the car. All of the serviceable bolts and fixings were retained, re plated and reused. The front brake calipers were serviced and replated, new discs and pads fitted, and the rear brakes received new cylinders and brake shoes. The brake and clutch master cylinders were also serviced.The front suspension components were media blasted and re finished in Lotus Grey, the cast components were ceramic coated to keep the surface good for many years. The Spax shock absorbers were repainted, and new logos applied. The 4 branch header and exhaust system were also ceramic coated in a period silver, for a durable and attractive finish.During the present owner's tenure, the Lotus twice entered the annual Classics and Legends event at the Ricardo Tormo Circuit in Valencia, and had an outing with the South of France Lotus Seven group, for a blast up Mont Ventoux. It also won a concours trophy immediately after restoration at the Marina Alta Classic Car Club. The really great news about a Lotus Seven as a classic car, is that although 50 years old, it keeps up with and will even out perform many modern cars, and has an aluminium body that will not rust. With the Caterham versions still in production today, outwardly unchanged, this car still looks perfectly at home on the roads of the 21st Century as it did in the 60s.. As an added bonus, it is a real head turner.During the research of the car's provenance, a gentleman from Calgary was in touch. In 1973 he actually viewed the car as a possible purchase. Sadly the car was well over his budget at the time, and he settled for a cheaper more used model, which he still owned at the time of the correspondence. Interestingly he was reunited with our car in 2012 as it was being prepared for shipping, and confirmed that it was the same car he viewed in '73. There is a signed document from him to support this history.This car comes with a NOVA certificate, so that it has cleared customs and can be registered in the UK, and the Spanish registration papers which should enable registration world wide.This Lotus would sit well in any collection, but is no 'trailer queen', and could equally be enjoyed for fun days out.Footnotes:Vendor Score Total: 93/100Bidders should note that the automated 100-point Seller's Assessment is provided by each Seller at the point of consignment using the guidelines below, and is not provided, assessed or verified by Bonhams MPH. Accordingly Customers (Bidders) are on notice that each vehicle is offered 'as is / as seen' subject to the Conditions of Sale for the auction, and Customers (Bidders) are strongly recommended to view the Lot(s) being offered, before bidding, in order to satisfy themselves as to their condition; Bonhams MPH will not entertain disputes over Sellers' Assessments. Key for sellers' assessments:1/5 POOR. A project vehicle | Requires urgent attention | Damaged | Parts missing2/5 AVERAGE. Useable condition | Requires some attention | Light damage3/5 GOOD. Drive away | Presents well | Good history file | Drives well4/5 VERY GOOD. Well restored | Running and driving with no noticeable faults | Sound throughout5/5 EXCELLENT. Concours condition | Beautifully presented | Driving very wellEXTERIOR TOTAL: 23/25Body Work: 5Chrome/Plastics/Trim: 5Glass: 4Paint: 4Wheels/Tyres: 5INTERIOR TOTAL: 16/20Dashboard/Door cards/Carpets: 4Headlining: 4Seats: 4Trim: 4ENGINE TOTAL: 19/20Mechanical components: 5Running: 5Starting: 5Under Bonnet: 4RUNNING GEAR TOTAL: 20/20Axles: 5Brakes: 5Gearbox/Clutch: 5Suspension: 5ELECTRICAL TOTAL: 10/10Ancillary components: 5Main components: 5Car History File: 5... For further information on this lot please visit Bonhams.com
Doulton Lambeth Faience vase with a floral design, initialled MW- Minnie Webb, 48cm tall. The item had age related crazing present all over and there are also a few little glaze flecks/ issues as photographed. There is also some evidence of light scratching. There is no obvious damage or restoration.
A Welsh oak (subsequently found to be 'grained' and NOT ACTUALLY OAK) Bardic Eisteddfod throne inscribed Derwenlas (near Machynlleth) Eisteddfod 1912Condition Report: There are some scuffs and markings mostly to the left arm (viewed from the front) but could be remedied, also a scuff to the moulding on the right hand arm and scuffs to the back legs at the bottom. The Auctioneer confirms that in his opinion the item is NOT oak but it is grained to look like oak. Overall in reasonable condition overall generally.
Six varying sized hand-decorated Staffordshire figure models of Napoleon (the tallest (with hole to green rockwork in front) 21cm)Condition Report: The tallest figure with his right leg on rock work there is a small 1cm firing crack to underside of foot and small hole in rockwork base and item in his hand has been broken at the top. The 2nd tallest has two hairline cracks has two hairlines to the right-hand side of the support (6cm and 4cm long) visible, also a small firing crack to the inside. The 3rd tallest figure has some discolouration and has a collector's paper label to the inside 'Dr S J Howard' - it is noted that this is en-suite to one of the other figures in the lot (which is Wellington rather than Napoleon) these make a pair and both have these labels. The Wellington figure also has some discolouration at the base. The figure with the lot number attached appears in good order although the underside of the base exhibits a hole which may (but probably not) have been there during the manufacture. The smallest figure although dirty appears in good general condition.
An Art Deco oak elbow chair, having green floral upholstered arched back, the panelled seat with removable cushion to curved arm rests, w.62.5cmCondition report: Very slight wobble to one arm, otherwise appears sturdy.Some watermarks, light rubbing and scratching to the frame – nothing significant.The upholstery is possibly slightly faded but generally good.Slight watermark to upper back.A perfectly useable item.

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