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Click here to subscribeOkimono. Stehender Mann mit Kalebasse und Kleinkind. Elfenbein, 210 g. Vollplastisch geschnitzt. Ohne Bodenmarke. Japan, Meiji-Periode, Ende 19. Jh. H. 12,8 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-618 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Henkelkrug im Renaissancestil. Elfenbein, vollplastisch geschnitzt. Wandung mit Bacchanten, figürlicher Griff mit Satyr und Bekrönung in Form eines Bacchanten an Ziegenbock. Deckel l. verzogen. 19. Jh. H. ca. 17 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DK-2023-0062468-01. Bitte beachten Sie Ihre Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK..
Elfenbein-Schirmgriff. Umlaufend vollflächig mit Rosenranken in halbplastischer Reliefschnitzerei. Ende 19. Jh. L. 22,8 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-616. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Home Made Wooden Dinky Toy Display Cabinet - comprising 3 internal display shelves, glass front with REPRODUCTION Dinky Toys & Dinky Supertoys adhesive labels - generally Good but does have some damage to front right side (if viewing from the front), so will require some panel pin repairs. PLEASE NOTE WE ARE UNABLE TO SHIP THIS ITEM, IT IS SOLD FOR COLLECTION ONLY FROM OUR THORNABY OFFICE.
Dinky Toys Rear Loader Original Retailers Shop Display Cabinet - complete with 4 x glass shelves, missing the original "Dinky Toys" transfer but does have an unused replacement REPRODUCTION transfer - Good with some cream paint to the lower rear, but this can not be seen when the cabinet is positioned for display. PLEASE NOTE WE ARE UNABLE TO SHIP THIS ITEM, WHICH THIS IS SOLD FOR COLLECTION ONLY FROM OUR THORNABY OFFICE.
A GROUP OF GERMAN PORCELAIN19th and 20th century Comprising; a Meissen figure of Cupid in disguise, 19th century; a small Meissen figure of a hare, 20th century, a pair of late Nymphenburg miniature vases on integral plinths moulded with the Bavarian shield, 18cm high; a late Nymphenburg white putto musician, 15cm high; a Nymphenburg model of a pony, 12.5cm high ; also a Samson enamel rectangular snuff box and a circular enamel pill box (8)ProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCONDITION REPORTCupid in disguise- restoration to both wings. Some restoration to the baton. Restored break through right arm.Meissen hare- large chip to edge of right ear Chip to hat.Losses to gilt-metal band around basePair Nymphenburg miniature vases, green printed and impressed marks- good conditionWhite putto- item held in right hand mostly lacking.Minor chips to tips of the instrument.Donkey- good conditionSamson snuff box- small cracks to the enamel at the cornersEnamel pill box- some wear
[OO GAUGE]. A MISCELLANEOUS COLLECTION comprising a Hornby G.W.R. clerestory coach; Tri-ang B.R. (S.R.) parcels van; two plastic kit-built locomotives (non-motorized); and a small quantity of model vehicles (in various scales), lineside buildings, and accessories, all but one item unboxed; together with a cast iron wagon plate, dated 1946, 28cm wide (repainted; chipped corner).
A VINTAGE MONEY BOX AND A DUCK FIGURE.These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A small group of silver cruets and oddments including a Victorian urn-shaped pepper shakerJohn Wilmin FiggLondon, 1852Engraved with armorial and scrolling floral and foliate motifs, on a spreading circular foot, 6.5cm high. The rest of the group comprising: two sugar casters, C. S. Harris & Sons, London, 1925, of baluster form, on a stepped circular foot, 15cm high; two mustard pots, Crichton Brothers, London, 1933, of octagonal form, with blue glass liners, 7cm high; a bell, J. W. & F. Thomas, London, 1935, 10.5cm high; a condiment spoon, maker's mark rubbed, London, 1932; two Edwardian small claw sugar nips, Levi & Salaman, Birmingham, 1908, and a small item (possibly a button hook), maker's mark indistinct, Birmingham, 1900, together with three pickle forks, unmarked, weighable silver approx. 18.5ozt (a lot)Condition Report: Weight doesn't include the three pickle forks.
A group of silver tea waresVarious dates and makersEarly 20th century The group comprising: a matched three piece coffee set by Elkington & Co., London and Birmingham, 1907-1912, comprising coffee pot, sugar bowl and milk jug of similar rounded design, the coffee pot with twisted ovoid finial, each item engraved with lion passant crest and the motto 'Esperance en Dieu', coffee pot 19.5cm high, sugar bowl 10.4cm dia., milk jug 9cm high, together with a (different) teapot and twin handled sugar bowl with the same crest and motto, the teapot C. S. Harris & Sons, London, 1907, 22cm wide, the sugar bowl Elkington & Co., London, 1911, 13.5cm wide, approx. weight 29.5ozt (5)
LOTS 9-18: PROPERTY OF THE TAPPENDEN CHARITABLE TRUSTAn Elizabeth I silver communion cup and patenMaker's mark: C or O enclosing W or M, possibly William Cawdell London, 1587The tapering cup raised on a stepped pedestal foot to a knopped stem, the cup engraved with a band of linear dashes to spaced figure-of-eight motifs, the shallow domed paten engraved with the initials WB over D*I over WT to flat knop handle, approx. 18.2cm high, approx. weight 7.4ozt Provenance: Property of the Tappenden Charitable TrustFootnotes: If this example is by William Cawdell (Free 1583), it is an interesting and unusual example of his work. Cawdell was a specialist spoonmaker and probably the major trade spoon supplier of his day. Records indicate that he had close ties to his home parish church of St Vedast in Foster Lane, London, and that he was appointed Churchwarden of St Vedast from 1605 to 1608. This communion cup is hallmarked for 1587, the same year in which Cawdell married Elizabeth Cottrell. Cawdell retained his close ties with St Vedast for life, and in his will, dated 18th June 1625, he expressed a wish to be buried in his parish church “neare to the seate where I usually use to sit”.Further note: After Henry VIII broke with the Church of Rome and established himself as the Head of a new Church of England in 1534, liturgical silver developed new forms to signal the move away from Roman Catholic traditions. The Reformation (c.1534-1590) saw a return to a simpler, more direct form of worship. The order for communion to be taken by the laity as well as the priest was made in 1548, but it was not until the reign of Elizabeth I (1558-1603) that the Protestant authorities in England instructed that all remaining chalices should be changed into communion cups. A large amount of Medieval church plate was destroyed and some churches were left with no silver at all. From c.1560, the church authorities launched a programme to replace the ‘old massing chalices’ with ‘decent’ communion cups of a prescribed design, similar to this example. The Archbishop of Canterbury led the campaign and it was implemented by the Goldsmiths' Company in conjunction with local goldsmiths. Each region interpreted the newly desired design according to local traditions, but in form the communion cup now resembled a large domestic cup rather than the shallow bowl of the pre-Reformation chalice. This was intended to demonstrate - on a symbolic and practical level - that the consecrated wine was for use by the congregation as well as the priest. Sacred imagery was considered 'superstitious', hence the simple engraved patterns seen on this and other examples. For similar examples see:The Victoria & Albert Museum, Metalwork Collection, Accession no. LOAN:BLETCHINGLEY.1 (https://collections.vam.ac.uk/item/O118310/communion-cup-unknown/)The Victoria & Albert Museum, Metalwork Collection, Accession no. LOAN:MUMBY.1&A (https://collections.vam.ac.uk/item/O113518/communion-cup-and-morley-john/) (Ref: Adapted from information taken from the V&A website)
A Regency four piece silver tea set Solomon Royes London, 1819 and 1820Of half-lobed, oval form, the coffee pot raised on an oval foot and designed with foliate tipped handle and a hinged cover with oval flowerhead finial, each item raised on four paw and bracket feet and decorated with a gadrooned border, the heart-shaped cartouches vacant, the sugar and milk with gilded interiors, ivory insulators to the handles of the tea and coffee pots, coffee pot 20cm high, teapot 15cm high, total weight approx. 81.1ozt (4)Ivory submission reference: UQ7JE5VT
Louis Chalon, 1687 Amsterdam – 1741 ebendaDIE VIER JAHRESZEITENÖl auf Elfenbein.Je 7 x 12 cm.Eine rechts unten signiert und datiert „Chalon 1720“.In cremefarbenem mit Blattfries dekoriertem Rahmen.Beigegeben ein nur auf dem Gebiet der Europäischen Union für kommerzielle Zwecke gültiges Zertifikat, Rom 06.09.2023 Raggruppamento Carabinieri Cites Nucleo Cites di Roma.Die vier Platten zeigen jeweils eine weite, teils hügelige Flusslandschaft mit reicher Figurenstaffage, wobei besonders die Winterlandschaft mit ihren Schlittschuhläufern ins Auge fällt. Eine weitere etwas größere Winterlandschaft aus seiner Hand, die 1740 datiert ist, wird im RKD in Den Haag unter Nummer 213677 geführt. (1381633) (2) (13))This item is not legal to sell in the UK.
A carved ivory seated emperor, China, Guangxu (1875-1908), ca. 1910, signed on the bottom, weight 745 grams, h 21.5 cm (including base) (with expert statement and EU certificate for trading within the European Union) Please note Please note: This lot contains ivory and is therefore subject to relevant tracking restrictions in accordance with CITES regulations. Customers should familiarize themselves with the relevant CITES regulations before bidding. More information is available from the auction house/Please note; this lot contains ivory and is therefore subject to the relevant trace restrictions in accordance with CITES regulations. Customers should comply with the relevant CITES regulations before bidding. More information can be obtained through the saleroom. Certificates are available.This item is not legal to sell in the UK
A collection of classically-inspired items, 18th and 19th centuryIncluding a buckle with two blue jasper plaques, on a rich blue guilloche ground, a small ivory panel with woven hair in between, gold-mounted with gilt plated backing, 9.7cm wide, a Wedgwood & Bentley oval plaque and three Wedgwood circular plaques with winged putti, a blue jasper scent bottle and stopper, two silver fob seals, one with a fouled anchor, the other with monogram, with lions passant and maker's marks, a silver and hardstone swivel fob seal, unmarked, four Wedgwood black basalt intaglios, two memento mori slides with a skeleton and skull and crossbones over woven hair, together with three shell cameos, one mounted as a brooch in 9ct gold, 2.9cm high (Qty)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref. NNVDPUV7.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
An antique 'Corpus Christi', sculptured ivory, mounted in a gilt wood frame, 19th century. CITES certificate: 2023/BE04026/CEDimensions for the corpus. Total dimensions: 49 x 27 cm. Dimensions: (L:2 x W:8,5 x H:19 cm)Please Note: This item has a valid CITES certificate and can be sold within the European Union only. Please inform yourself about the local regulations before your bids.
An antique sculpture of Madonna with a Child, Ivory, France. 19th century. Circa 1860-1880. Total gross weight: 5,049kg. Certified by CITES with the document number 2023/BE04027/CEDimensions without the base. Total height: 72 cm. Dimensions: (L:10,5 x W:14 x H:59 cm)Please Note: This item has a valid CITES certificate and can be sold within the European Union only. Please inform yourself about the local regulations before your bids.
Two sealed theca with relics, True Cross and a multi theca with 14 relics. - True CrossEx ossibus: - Saint Huberti Episcopi- Saint Remigii- Saint Liborii Episcopi- Saint Victorini- Saint Mansueti- Saint Calestini- Saint Victoris- Saint Theophili- Saint Simplicii- Saint Abundastii Martyr- Sancta Theodorae Virgin, Martyr.- Ex Veste Ignatii Layola. Note: The document with this lot is incorrect for the theca with the 'True Cross'. We have found the correct document for this theca, which will be delivered with this item. The document visible in the pictures will not be delivered.
An antique ivory sculpture of Queen Elisabeth 1st, Dieppe, France, 19th century. Certifiied by CITES with the document 2023/BE03378/CEDimensinos without the base. Total height: 25 cm. Dimensions: (H:20,3 x D:6 cm)Please Note: This item has a valid CITES certificate and can be sold within the European Union only. Please inform yourself about the local regulations before your bids.
Three vintage Robertsons Jam golly band figures and a pin badge.These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Taylor and Barrett "Golly Jazz Band (SIC)" with Bass Drum (one drumstick missing), Side Drum, Trombone, Clarinet, Saxophone and Banjo with six chairs (Condition Good-Fair, one chair leg damaged and one chair leg missing) (12)These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A 1930s European composite doll with straw filled body, sleeping brown eyes and open mouth. Very well loved with some age related marks and flaws.Provenance: Belonging to the vendor's late wife, gifted to her in 1944. Her Father, Charles Herbert Cutforth, served in the REME in the North African and Italian campaigns of WWII. He was in the vicinity of Rome when the city fell and had a one day pass to visit a dentist in Rome. On his way back, he spotted the doll in the window of a small toy shop. It was the last item on display and the proprieter was very relucatant to part with it. Charles eventually persuaded him to sell it and he had it with him when he supported the Polish troops in the attack on Monte Cassino. The doll is dressed in the Cutforth family Christening robe, last worn by the vendor's wife in 1941.Lenth approximately: 40cm
H&R Daniel - A 'C'-scroll porcelain part tea service, circa 1827-8, pattern 4369, 'Shrewsbury' green ground with reserves of enamelled floral sprays in panels and to the centre, raised on three 'Daisy-wheel' feet, comprising three teacups, three coffee cups, five saucers, a cream jug, a teapot and cover, sucrier and cover and a pair of bread and butter plates, numbered in gilt (16) (damages) (3) Condition:Coffee cups - Two cups have broken handles (but these are present with the lot). The third has numerous descending cracks. One of the cups with a broken handle is also quite stained and has significant crazing to the interior. Teacups - One cup has some spots of dark brown to the exterior (just below the green ground). The interior of this cup is also slightly yellowed. The second teacup has a broken and re-stuck handle. The third teacup has wear to the gilt on the inner rim and a few spots of light staining to the interior, but no damages. Saucers - One has no damages or repairs. Two saucers have hairlines. The final two have broken and re-stuck sections to the rim. Cream jug - Firing crack and slight hairline to the interior. Some slight spots of brown discolouration. Pair of plates - One has a crack to the centre. Both plates have scratches to the green ground. Teapot - This item is the most damaged. The handle has a re-glued break which has now dissolved, and the handle is currently separated from the teapot. The body and rim of the teapot have numerous cracks, and the gilding on the inner rim is worn. There is one crack along the top centre of the spout, but otherwise, the spout and feet are generally undamaged. Likewise, the cover is badly cracked and also slightly discoloured. There are some chips to the relief work on the cover, but the finial does not appear to have been off. Sucrier - A T-shaped crack and several smaller hairlines to the cover. Sucirer base - Two cracks to rim, one extending right into and through the body. There are several other smaller hairlines. Some scratches to the green ground. All pieces generally with varying degrees of glaze crazing.
A George IV silver teapot, makers mark rubbed, London 1828, of compressed melon form with embossed floral decoration, the acanthus leaf capped scroll handle with ivory spacers, the hinged cover with cast floral finial, all rasied on four shell and scroll bracket feet, 12cm high, weight approx 18.3oz (at fault)Note: Registration of an ivory item. Submission reference: TBHLLCRJ Condition:Hallmarks clear other than the makers mark which is rubbed, large solder repair to the the body and some smaller repairs, general wear, refer to images
An early 20th century British lithographed tinplate perambulator biscuit tin, the light blue and mid blue striped body with two large and two printed spoked wheels, the lid with a baby holding a rattle and Golly lying on the covers —7in. (18cm.) long (some wear and fading, scratching and speckling loss to lid); and a painted bisque dolls’ house doll chef These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A British lucky black Cat mascot, similar to a solider cat, with black mohair, orange and black glass eyes, pink horizontal stitched nose, whiskers and pink ribbon --2 3/4in. (7cm.) high; and an early British Golly with googly glass eyes (cat missing an ear, Golly thinning to hair) - from The Susan Collard Collection (2) These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Four framed Florence K Upton Golly book pages, —15 1/2in. (39cm.) wide These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Four cast-metal black men money banks, a cast-iron Jolly N***** Bank with mechanical arm —6 3/4in. (17cm.) high; another similar impressed Made in England (two pieces chipped from bottom edge); a cast-iron Uncle Tom with moving tongue and rolling eyes; and a small aluminium example (worn and rusty) These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
An Alpha Farnell Toys 1930s soft toy Monkey, with brown mohair, clear and black glass eyes with remains of painted backs, felt face, ears, hands and feet, swivel head with jointed wired limbs and label to inside leg --11 1/2in. (29cm.) high seated; a Deans Rag Book Co Golly and a dog with integral velvet trousers (wear and thinning, monkey's hands and feet in need of attention) - from The Susan Collard Collection (3) These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
PAUL MCCARTNEY; a copy of the sheet music for 'Yesterday', signed and dedicated to the inner page, 'To Julie all the best Paul McCartney', with lyrics inscribed to the reverse 'Enjoy!!!'.Condition Report: - We have not authenticated this signature, please satisfy yourself as to the veracity of the item prior to bidding.
LIVERPOOL FOOTBALL CLUB; various autographs and other football related signatures, three on first edition stamp envelopes, the other on a Ty-phoo Tea promotional poster.Condition Report: - We have not authenticated these signatures, please satisfy yourself as to the veracity of the item prior to bidding.
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![[OO GAUGE]. A MISCELLANEOUS COLLECTION comprising a Hornby G.W.R. clerestory coach; Tri-ang B.R. (S.R.) parcels van; two pla](https://cdn.globalauctionplatform.com/6f93f93e-e5a7-42c2-aef0-b0b200eea045/1b27aee0-75e7-4380-a93a-b0cf00ec0ca0/468x382.jpg)
