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Lot 411
MANCHESTER UNITED 1968 EUROPEAN CUP WINNERS AUTOGRAPHED CANVAS Manchester United 1968 European Cup Winners part colourised canvas that's been dry mounted to board ready to pop into frame, signed by 8 of the team that defeated Benfica at Wembley, Bobby Charlton, Nobby Stiles, Alex Stepney, Tony Dunne, David Sadler, Alex Stepney, Pat Crerand & Bill Foulkes, measures 26” x 20” Inches We can arrange delivery for this item or collection can be made from Rugby
Lot 452
LIVERPOOL 2005 EUROPEAN CHAMPIONS LEAGUE WINNERS FULLY AUTOGRAPHED AND FRAMED SHIRT The shirt is hand signed by 16 players and the Manager, signatures were obtained at the team hotel on the 26th May 2005 the day after the match. Housed in a very large frame ( 52.5 x 38.5 Imches ) with photographs of the game and celebrations to each side of the shirt and a plaque giving the match details. Comes with COA Due to the size our photographs do not do this item justice, it really is a rare and outstanding item Milan were regarded as favourites before the match and took the lead within the first minute through captain Paolo Maldini. Milan striker Hernán Crespo added two more goals before half-time to make it 3–0. In the second half Liverpool launched a comeback and scored three goals in a dramatic six-minute spell to level the scores at 3–3, with goals from Steven Gerrard, Vladimír Šmicer and Xabi Alonso. The scores remained the same during extra time, and a penalty shoot-out was required to decide the champions. The score was 3–2 to Liverpool when Andriy Shevchenko's penalty was saved by Liverpool goalkeeper Jerzy Dudek. It was Liverpool's fifth European Cup, which meant they were awarded the trophy permanently and the right to wear a multiple-winner badge. Liverpool's comeback gave rise to the final being known as the Miracle of Istanbul, and is regarded as one of the greatest finals in the history of the tournament. This should be collection only, however should you require delivery this can be done by car depending on distance, please ask for a cost if this option is needed
Lot 9
ENGLAND 1966 WORLD CUP SQUAD FULLY SIGNED & FRAMED DISPLAY England 1966 World Cup winning team fully signed & framed display measuring 30” x 18 featuring a photo of the tournament programme signed by Gordon Banks, Geoff Hurst, Roger Hunt, Nobby Stiles, Martin Peters, George Cohen, Bobby Charlton, Alan Ball, Ray Wilson, Jack Charlton and Jimmy Greaves. Then you have 2 cards signed by Bobby Moore and Jimmy Armfield along with World Cup Willie cards signed by the remaining nine of the 22 man squad, Terry Paine, George Eastham, John Connelly, Gerry Byrne, Ian Callaghan, Ron Flowers, Norman Hunter, Ron Springett and Peter Bonetti. Mounted amongst the autographs are the Jules Rimet logo, World Cup mascot, brief match stats and the squad names/numbers We can arrange delivery for this item or collection can be made from Rugby
Lot 1905
Belutsch Stammesteppich antik.151 cm x 90 cm. Handgeknüpft. Wolle und Kamelhaar auf Wolle. Chorasan - Khorasan circa 120 bis 150 Jahre alt. Naturfarben. Sammlerstück. Versand kann organisiert werden.Baluch tribal rug antique. Hand knotted. Wool and camel hair on wool. Khorasan - Khorasan about 120 to 150 years old. Natural colours. Collector's item. Shipping can be organised.
Lot 1932
Kasak / Shahsavan Teppich. Kaukasus antik.313 cm x 84 cm. Handgeknüpft. Wolle auf Wolle. Wohl Naturfarbstoffe. Circa 120 - 150 Jahre alt. Musterkundlich interessantes Sammlerstück mit Tierabbildungen. Versand kann organisiert werden. Kazak / Shahsavan carpet. Caucasus antique. Hand knotted. Wool on wool. Probably natural dyes. Approximately 120 - 150 years old. An interesting collector's item with animal illustrations. Shipping can be organised.
Lot 1934
Navajo Trading Post Stammesteppich.74 cm x 64 cm. Handgewebt. Wolle und Baumwolle für das Weiß auf Wolle. Sammlerstück. USA, circa 70 - 100 Jahre alt. Versand kann organisiert werden.Navajo Trading Post Tribal Rug. Handwoven. Wool and cotton for the white on wool. Collector's item. USA, circa 70 - 100 years old. Shipping can be arranged.
Lot 1987
Ersari Beschir Teppich. Turkmenistan. Antik.302 (300) cm x 151 cm. Handgeknüpft. Wolle auf Wolle. Naturfarben. Stammesteppich. Circa 170 bis 220 Jahre alt.Sammlerstück. Versand kann organisiert werden.Ersari Beschir carpet. Turkmenistan. Antique. Hand knotted. Wool on wool. Natural colours. Tribal rug. Circa 170 to 220 years old.Collector's item. Shipping can be organised.
Lot 1001
19th century mahogany framed bookcase on stand, fitted with two astragal glazed doors enclosing two shelves over three drawers, raised on square tapering supports with spade feet. This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 145cm Length/Width: 93cm Depth/Diameter: 35cmCondition Report:Ivory act - submission reference: SPQ9RUF6
Lot 779
A .22 Calibre Under Lever Air Rifle, by Original, blue steel barrel, 19ins, with blue steel action, hard wood stock and fore end with chequered grips, composite butt pad, 44ins overall, fitted with BSA 4 x 20 telescopic sight, and one other .22 calibre break action air rifle Note: You must be over 18 years old to purchase this item Note: We cannot post this item
Lot 780
A .22 Calibre Air Rifle by Haenel, model 303, blue steel barrel, 19ins, blue steel action, light wood stock and fore end, steel butt plate, break action, fitted with Tasco 9 x 40 wide angle telescopic sight, and a 4.5mm break action Chinese air pistol in original box Note: You must be over 18 years old to purchase this item Note: We cannot post this item
Lot 526
Werner Stötzer (Sonneberg 1931 – 2010 Altlangsow). „Große Stürzende“. 1970Bronze mit grünschwarzer Patina, auf Steinsockel montiert. 58,5 × 11,5 × 9 cm (23 × 4 ½ × 3 ½ in.). Auf der Oberseite des Steinsockels das Monogramm WS.Vgl. Volpert/Zimmermann/Kirkmann 094 (https://private-kuenstlernachlaesse-brandenburg.de/item/6335).–[3110] Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 11
AN IVORY FIGURE OF SHOULAO, MING DYNASTYChina, 16th-17th century. The standing Immortal carved from the curved tusk holding a peach and wearing long robes falling to the ground in soft pleats, depicted with a long beard and a characteristic bald head, his serene face with heavy-lidded eyes and a calm smile. The top with a hardwood plug, the ivory with a naturally grown golden-brown patina overall.Inscriptions: To interior at the base, 'Yi Qian Lu' ('one thousand and six').Provenance: From a notable private collector in Mayfair, London, United Kingdom.Condition: Very good condition with some wear, expected natural age cracks, few small chips to base. The foot rim possibly smoothened. A small old repair to base.Weight: 681.7 g Dimensions: Height 31.2 cmTrade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0438).Auction result comparison: Type: Closely related Auction: Christie's London, 3 April 2012, lot 527 Price: GBP 10,625 or approx. EUR 16,500 converted and adjusted for inflation at the time of writing Description: A Chinese ivory carving of Shoulao, late Ming dynasty, 17th century Expert remark: Compare the closely related subject and manner of carving, also from the curved tusk and with Shoulao holding a peach. Note the smaller size (23 cm).Auction result comparison: Type: Closely related Auction: Sotheby's Hong Kong, 29 May 2019, lot 553 Price: HKD 162,500 or approx. EUR 20,500 converted and adjusted for inflation at the time of writing Description: An ivory figure of Shoulao, Ming dynasty Expert remark: Compare the closely related subject and manner of carving, also from the curved tusk. Note the darker patina in the upper area, the similar hardwood plug and the size (29 cm).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.明代象牙壽老像中國，十六至十七世紀。象牙隨形而雕，壽老身著長袍，手握壽桃，長鬚，面容沉靜，雙眼微垂。頂部帶有硬木塞子。整體包漿呈金棕色光澤。 款識：象牙内壁可見“一千六”字樣 來源：倫敦梅費爾知名私人收藏。 品相：品相非常好，有一些磨損，預期的自然老化裂縫，底部有少量小磕損。足緣平滑，底部有小修補。 重量：681.7 克 尺寸：高31.2 厘米象牙交易證書：附有此拍品在歐盟範圍內的交易證書複本(編號 AT 22-B-0438)。 拍賣結果比較： 形制：非常相近 拍賣：倫敦佳士得，2012年4月3日，lot 527 價格：GBP 10,625（相當於今日EUR 16,500） 描述：十七世紀明末象牙壽老像 專家評論：比較非常相近的主題、雕刻風格，以及隨形而雕的壽老手捧壽桃。請注意尺寸稍小(23 厘米)。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2019年5月29日，lot 553 價格：HKD 162,500（相當於今日EUR 20,500） 描述：明代象牙壽老像 專家評論：比較非常相近的主題、雕刻風格，以及隨形而雕。請注意此像上半部有較深的包漿，頂部有相似的硬木塞，尺寸也相近(29 厘米)。
Lot 157
A THANKGA OF GREEN TARA OF THE SANDALWOOD FOREST, YURLOD KURPA, TIBET, 18TH - 19TH CENTURY Gold and distemper on canvas. Depicting the Green Tara in her Pure Land, seated on a white and green cushion at the center of her palace in the Sandalwood Forest, bestowing the gestures of teaching and wish-granting, holding in her left hand a lotus flower, flanked by the blue-black Ekajati and the yellow Marichi, with celestial musicians and dancers performing in the foreground, and other deities and mythical creatures in the sky.Inscriptions: To reverse, several verses of 'Om ma hum'Provenance: British trade. Condition: Very good condition with minor wear to the pigments and little creasing and flaking. The mount with some tears, loose threads, and minor soiling. The scroll handles lost. Dimensions: Size incl. mounting 126.5 x 79 cm, image size 61 x 42.5 cmThe pure land of Green Tara, also known as Yurlod Kurpa, is part of Amothaba's Sukhavati or Western Pure Land.The silk brocade mounting is of Chinese origin, 19th century, and depicts an Imperial confronting dragon with five claws, amid flames and scrolling clouds, chasing the flaming pearl.Literature comparison:Compare a related thangka of White Tara, 19th century, in the Rubin Museum of Art, object number F1996.32.5. Compare a related thangka of Green Tara in the Pure Land, 19th century, in the Rubin Museum of Art, object number P1996.8.1, illustrated on Himalayan Art Resources, item no. 239.Auction result comparison:Type: RelatedAuction: Bonhams New York, 12 March 2021, lot 376Price: USD 8,925 or approx. EUR 9,300 converted and adjusted for inflation at the time of writingDescription: A thangka of Green Tara of the sandalwood forest, Tibet, 18th/19th centuryExpert remark: Compare the related motif and colors. Note the slightly smaller size (120 x 72.7 cm, the mount).十八至十九世紀西藏綠度母淨土布面膠彩描金。綠度母於檀香林宮中，坐姿，左手執蓮花，兩側為藍黑色的一髻佛母和黃色的 摩利支，前景是天上的樂者和舞者，天空中還有其他神靈和神話生物。 款識：背面可見“唵嘛呢叭咪吽” 來源：英國古玩交易。 品相：狀況極好，輕微顏料磨損、摺痕和剝落。裝裱有一些撕裂、鬆動的螺紋和輕微的污漬。手柄丟失。 尺寸：總126.5 x 79 厘米，畫面 61 x 42.5 厘米 綠度母的淨土，也被稱為 Yurlod Kurpa，是阿彌陀佛極樂世界的一部分。 絲綢錦緞裝裱源自中國，十九世紀，五爪龍雲中戲珠紋。 文獻比較： 比較一件相近的十九世紀白度母唐卡，收藏於Rubin Museum of Art，館藏編號 F1996.32.5。比較一件相近的十九世紀綠度母淨土，收藏於Rubin Museum of Art，館藏編號 P1996.8.1，見《Himalayan Art Resources》，編號239。 拍賣結果比較： 形制：相近 拍賣：紐約邦瀚斯，2021年3月12日，lot 376 價格：USD 8,925（相當於今日EUR 9,300） 描述：西藏十八/十九世紀綠度母唐卡 專家評論：比較相近的主題和顏色。請注意尺寸稍小 (總120 x 72.7 厘米)。
Lot 78
AN EXCEEDINGLY RARE PAIR OF INCISED YELLOW-GLAZED 'FLORAL MEDALLION' BOWLS, KANGXI MARKS AND PERIOD China, 1662-1722. Each bowl is incised on the exterior with four floral roundels divided by cloud scrolls above petal lappets around the foot, the interior with another floral medallion in the center enclosed within a double circle, covered inside and out with an egg-yolk yellow glaze, save for white base. Each bowl with an underglaze-blue six-character mark within a double circle da Qing Kangxi nianzhi and of the period. (2)Provenance: The VWS Collection, acquired by the previous owner's father (1890-1977) in China during the 1930s and thence by descent within the family. Each bowl with an old collection label, 'VWS'. One bowl with an old label, '62'. French trade, acquired from the above. The VWS collection tells the extraordinary story of a family fleeing the Tsarist Empire in Russia. Their journey began in 1903 as the Chinese Eastern Railway, the eastern branch of the Trans-Siberian Railway, was completed. Fleeing, like others, a climate of political persecution and anti-Semitism, the family settled in Harbin, the most northerly city in China and started to develop its businesses from 1906 onwards. Like many others, they were attracted to this cosmopolitan place, then a major economic and cultural center in Manchuria, because of its large Jewish community. In Harbin, the father, a cultured, open-minded and multilingual man, felt at home and his early successes in business earned him respect. By 1932, he and his family were forced to flee again, following the Japanese invasion of Manchuria, and found a new home in Shanghai. From there, his businesses took him to Hong Kong, North America, and other Asian countries, where the family would remain for many years. They began collecting art in China during the 1930s and these artworks have remained with the family heirs ever since.Condition: Superb condition with only minor wear and firing irregularities: The first bowl with a faint glaze line to the rim, the second bowl with three faint glaze lines to the rim, all of which are inherent to the manufacture. None of these glaze lines are visible to the naked eye, or even under the strongest blue light. Also, they are not noticeable to the touch.Weight: 162.1 g and 147.6 g Dimensions: Diameter 12 cm (each)Literature comparison: Compare a closely related yellow-glazed incised bowl, 12 cm high, also with a Kangxi mark and of the period, sold at Christie's London, 13 December 1976, lot 55, and illustrated by Regina Krahl, Chinese Ceramics from the Gulexuan Collection, p. 128, no. 97. A bowl of this design from the Elphinstone collection in the Percival David Foundation, London, is listed in the Foundation's Illustrated Catalogue of Ming and Qing Monochrome Wares, London, 1989, no. A599. Another bowl of this design from the Kostolany collection was included in the exhibition Monochrome Porcelain of the Ming and Manchu Dynasties, Oriental Ceramic Society, London, 1948, cat. no. 188.Auction result comparison: Type: Near identical Auction: Christie's Hong Kong, 26 November 2014, lot 3291 Price: HKD 325,000 or approx. EUR 46,000 converted and adjusted for inflation at the time of writing Description: An incised yellow-enameled 'floral medallion' bowl, Kangxi six-character mark in underglaze blue within a double circle and of the periodExpert remark: Compare the closely related form, decoration, Kangxi mark, and size (11.8 cm). Note that the lot comprises only one bowl.Auction result comparison:Type: Near identicalAuction: Christie's New York, 23 March 2023, lot 901Price: USD 21,420 or approx. EUR 19,885 converted and adjusted for inflation at the time of writingDescription: A yellow-glazed 'Medallions' bowlExpert Remark: Please note that unlike the present lot this item has suffered significant damage and was subsequently restored康熙款及年代一對黃釉暗刻團花碗中國，1662-1722年。碗直口，深腹，圈足略高，器型規整。內外滿施黃釉為地。口沿外及足牆均飾兩道弦紋，外壁以暗刻技法飾四朵團花，間以如意雲紋，近底足刻變體蓮花瓣紋，紋飾簡潔生動。圈足內白地青花雙圈“大清康熙年製”款。 (2) 來源：VWS 收藏，前主人的父親 (1890-1977)於上世紀三十年代在中國購得，保存在同一家族至今。每個碗上都有一個收藏舊標籤 'VWS'；一個碗上有標籤 '62'；法國古玩交易，購於上述收藏。The VWS collection收藏講述了一個家庭逃離沙皇俄羅斯帝國的非凡故事。他們的旅程始於 1903 年，當時西伯利亞大鐵路東部支線中東鐵路竣工。和其他人一樣，為了逃離政治迫害和反猶太主義的環境，全家定居在中國最北端的城市哈爾濱，並從 1906 年開始發展業務。像許多其他人一樣，他們被這個國際化的城市吸引，因為這裡有龐大的猶太社區，當時這裡是滿洲的主要經濟和文化中心。 在哈爾濱，父親是一個有教養、思想開放、會說多種語言的人，他早年在商業上的成功為他贏得了尊重。1932 年，日本入侵滿洲後，他和家人再次被迫逃離，並在上海找到了新家。 從那裡開始，他的生意將他帶到了香港、北美和其他亞洲國家，他的家人在那裡待了很多年。他們於 1930 年代開始在中國收藏藝術品，這些藝術品自此一直由家族繼承人保管。 品相：品相極佳，只有輕微磨損和燒製不規則：一個碗的邊緣有一條微弱的釉裂，第二個碗的邊緣有三條輕微的釉裂，這些釉紋沒有一條是肉眼可見的，甚至在最強烈的藍光下也是如此。此外，它們觸摸起來並不明顯。 重量：分別爲162.1克與147.6克 尺寸：直徑12 厘米 (每個) 文獻比較： 比較一件非常相近的康熙款及年代黃釉暗刻碗，售於倫敦佳士得，1976年12月13日，lot 55，也見Regina Krahl，《Chinese Ceramics from the Gulexuan Collection》，頁128，編號97。一件相同設計的碗，來自 Elphinstone collection in the Percival David Foundation，倫敦，被列在基金會的圖錄《Catalogue of Ming and Qing Monochrome Wares》，倫敦，1989年，編號A599。另一件相同設計的碗，來自Kostolany collection，展覽於《Porcelain of the Ming and Manchu Dynasties》，東方陶瓷學會，倫敦，1948年，圖錄編號188。 拍賣結果比較： 形制：幾乎相同 拍賣：香港佳士得，2014年11月26日，lot 3291 價格：HKD 325,000（相當於今日EUR 46,000） 描述：康熙款及年代一對黃釉暗刻團花碗 專家評論：比較非常相近的外形、裝飾、康熙款和尺寸(11.8 厘米)。請注意此僅有一個碗。 #byimperialcommand
Lot 1119
A Georgian portrait miniature watercolour on ivory pendant/clasp, unmarked rose gold closed-back settings with hand painted portrait of a gentleman with powdered wig wearing a blue coat with buttons and a frilled cravat, attributed to George Engleheart, pendant height 49.1mm, 20.2g. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres, ivory declaration submission reference RQHBFV5RIvory panel has a small overpainted section along bottom edge of coat, and a horizontal surface abrasion from left side of mouth to edge, no other splits or damage, pendant loop is a later attachment, clasp thumbpiece is broken but still just about removeable, settings unmarked
Lot 1
David Hockney (British, born 1937)Olympische Spiele München 1972, 1970 affiche lithographique en couleurs102 x 64cm (40 3/16 x 25 3/16in).sans cadrelithographic poster printed in coloursThis work is from the edition of an unknown size, printed by Kennedy Graphics Inc., published by Edition Olympia 1972 GmbH, Munich.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 10
Steven Arnold (American, 1943-1994)Tripletstirage argentique; signé, titré, et numéroté '4/12' au crayon (au revers)image 35.9 x 35.9cm (14 1/8 x 14 1/8in).feuille 47.9 x 40.6cm (18 7/8 x 16in).gelatin silver print; signed, titled, and editioned in pencil (on verso)Footnotes:ProvenancePrivate Collection, Pennsylvania.ExhibitedNew York, Wessel + O'Connor Fine Art, 1994.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 11
Baron Wilhelm von Gloeden (German, 1856-1931)Nu debout, 1908tirage albuminé; signé, daté, et annoté 'Taormina' au crayon dans l'imagefeuille 40.3 x 31.4cm (15 7/8 x 12 3/8in).albumen print; signed, dated, and annotated in pencil on the imageFootnotes:ProvenanceSale, Auctionata, Inc., New York, August 27, 2015, lot 86. Acquired at the above sale by the present owner.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU.TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 13
John Dugdale (American, born 1960)João à genoux / João Kneeling, Morton St., N.Y.C., 1997tirage au cyanotype; signé, daté, titré, et numéroté '2/3' au crayon (au revers)feuille 25.2 x 20.2cm (10 x 8in).cyanotype; signed, titled, dated and numbered in pencil (on verso)Footnotes:ProvenancePrivate Collection, Pennsylvania.ExhibitedNew York, Wessel + O'Connor Fine Art, 1994.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU.TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 14
John Dugdale (American, born 1960)Autoportrait avec jeunes hommes, Morton St., N.Y.C., 1993tirage au cyanotype; signé, daté, titré, et numéroté '4/6' au crayon (au revers)feuille 25.2 x 20.2cm (10 x 8in).cyanotype; signed, titled, dated and editioned in pencil (on verso)Footnotes:ProvenancePrivate Collection, Pennsylvania.ExhibitedNew York, Wessel + O'Connor Fine Art, 1994.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 15
Raymond Voinquel (French, 1912-1994)Torse de Michel Augue, 1941tirage argentique postérieur; signé à l'encre dans la marge en bas à droite; titré, daté et avec des initiales au crayon (au revers); cachet au dosimage 38.1 x 49.9cm (15 x 19 5/8in).feuille 50.2 x 60.6cm (19 3/4 x 23 7/8in).gelatin silver print, printed later; signed in ink in the margin, initialed, titled and dated in pencil and the photographer's copyright stamp (on verso)Footnotes:ProvenancePrivate Collection, Pennsylvania.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 17
Tom of Finland (Finnish, 1920-1991)Sans titre (Roger) signé et daté 'Tom -79' (en bas à droite)mine de plomb sur papier29.1 x 21.1cm (11 7/16 x 8 5/16in).Exécuté en 1979.signed and dated (lower right)graphite on paperFootnotes:ProvenancePrivate collection, Amsterdam, Netherlands.Acquired from the above by the present owner, late 1980s.The present work is recorded by the Tom of Finland Foundation as Tom of Finland Foundation Archiving Number 79.27.This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU.TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 18
George Platt Lynes (American, 1907-1955)Jonathan Tichenor, Fire Island, vers 1948tirage argentique; annoté d'une signature 'J.T. by GPL' au crayon et avec cachet de 'Collection of Jon Anderson' (au revers)17.8 x 17.8cm (7 x 7in).gelatin silver print; inscribed in an unidentified hand in pencil and with stamp (on verso)Footnotes:ProvenancePaul Cadmus (1904-1999), Weston, Connecticut.Jon F. Anderson (1937-2018), Weston, Connecticut, by descent from the above, 1999.Estate of the above, 2018.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 19
PaJaMaJared French, années 1940tirage argentique; annoté d'une signature 'JF by M.F.' à l'encre et avec cachets de 'Collection of Jon Anderson' et 'Collection of Paul Cadmus' (au revers)14.6 x 9.5cm (5 3/4 x 3 3/4in).gelatin silver print; inscribed in ink in an unidentified hand and collection stamps (on verso)Footnotes:ProvenancePaul Cadmus (1904-1999), Weston, Connecticut.Jon F. Anderson (1937-2018), Weston, Connecticut, by descent from the above, 1999.Estate of the above, 2018.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 20
PaJaMaSans titre (Portrait d'un modèle, pris par Jared French), années 1940tirage argentique; cachet de 'Collection of Jon Anderson' (au revers)16.2 x 10.5cm (6 3/8 x 4 1/8in).gelatin silver print; stamp (on verso)Footnotes:ProvenancePaul Cadmus (1904-1999), Weston, Connecticut.Jon F. Anderson (1937-2018), Weston, Connecticut, by descent from the above, 1999.Estate of the above, 2018.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 22
Robert Mapplethorpe (American, 1946-1989)Charles, 1985épreuve au platine, 1985; signé et daté au crayon par Michael Ward Stout, exécuteur testamentaire de la succession de l'artiste, et avec l'édition '3/3' au crayon d'une main non identifiée (au revers)feuille 48.9 x 49.5cm (19 1/4 x 19 1/2in).platinum print, 1985; signed and dated in pencil by Michael Ward Stout, Executor of the artist's estate, and with edition '3/3' in pencil in an unidentified hand (on verso)Footnotes:ProvenanceSale, Swann Auction Galleries, New York, February 19, 2002, lot 98.LiteratureR. Marshall, Robert Mapplethorpe, New York, 1988, p. 143, illustrated.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 23
Horst P. Horst (American, 1906-1999)Nu masculin allongé, 1952tirage argentique postérieur; signé, titré, daté et beaucoup annoté au crayon et avec deux tampons (au revers)image 19.1 x 24.1cm (7 1/2 x 9 1/2in).feuille 20.3 x 25.4cm (8 x 10in).gelatin silver print, printed later; signed, titled, dated, and annotated extensively in pencil and stamped twice in ink (on verso)Footnotes:ProvenanceRichard Tardiff.Wessel + O'Connor Fine Art, Pennsylvania.Private Collection, Pennsylvania, acquired from the above.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 27
Tom of Finland (Finnish, 1920-1991)Sans titre (homme assis) signé et daté 'Tom -89' (en bas à droite)mine de plomb sur papier31.1 x 23.2cm (12 1/4 x 9 1/8in).Exécuté en 1989.signed and dated (lower right)graphite on paperFootnotes:ProvenanceR. Vance Martin, San Francisco, California.Acquired from the above by the present owner.The present work is recorded by the Tom of Finland Foundation as Tom of Finland Foundation Archiving Number 89.06.This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 28
Tom of Finland (Finnish, 1920-1991)Sans titre (Dessin préparatoire pour #83.29) mine de plomb sur papier41.9 x 29.5cm (16 1/2 x 11 5/8in).Exécuté en 1983.graphite on paperFootnotes:ProvenanceTom of Finland Foundation, Los Angeles, California.Acquired from the above by the present owner, June 2, 2013.The present work is recorded by the Tom of Finland Foundation as Tom of Finland Foundation Archiving Number 1114. The present work is accompanied by a copy of the certificate of authenticity issued by the Tom of Finland Foundation and signed by Durk Dehner, President and Cofounder, dated June 6, 2013.The present work is a preparatory drawing for the finished drawing #83.29. The finished drawing is part of Tom of Finland's Slave Market series.This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 33
Louis Fratino (American, born 1993)Sans titre mine de plomb sur papier30.5 x 22.9cm (12 x 9in).Exécuté en 2018.graphite on paperFootnotes:ProvenanceGalerie Antoine Levi, Paris. Acquired from the above by the present owner, May 4, 2019.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 34
Luis Caballero (Colombian, 1943-1995)Ecstasy signé 'L. Caballero' (en bas à droite)fusain sur papier38 x 28cm (14 15/16 x 11in).signed (lower right) charcoal on paperThis lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 36
Mark Beard (American, born 1956)Attacher un nœud / Tying the Knot signé avec pseudonyme 'BRUCE SARGENT' (en haut à gauche)huile sur toile, montée sur masonite121.9 x 92.1cm (48 x 36 1/4in).Peint en 2010.signed (upper left)oil on canvas, mounted on masoniteFootnotes:The present work was painted in 2010 for Abercrombie & Fitch's flagship store in Paris. The fast fashion brand commissioned Mark Beard to paint a series of monumental murals, as well as larger than life bronze sculptures for their flagship stores in New York, Paris, Tokyo, and Milan.This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 37
Mark Beard (American, born 1956)Fumeurs sur les roches signé avec pseudonyme 'BRUCE SARGENT' (en haut à droite)huile sur toile137.2 x 198.1cm (54 x 78in).Peint en 2010.signed (upper right)oil on canvasFootnotes:The present work was painted in 2010 for Abercrombie & Fitch's flagship store in Paris. The fast fashion brand commissioned Mark Beard to paint a series of monumental murals, as well as larger than life bronze sculptures for their flagship stores in New York, Paris, Tokyo, and Milan.This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 38
Mark Beard (American, born 1956)Deux hommes sous la douche signé avec pseudonyme 'BRUCE SARGENT' (en haut à gauche)huile sur toile, montée sur masonite213.4 x 108cm (84 x 42 1/2in).Peint en 2010.signed (upper left)oil on canvas, mounted on masoniteFootnotes:The present work was painted in 2010 for Abercrombie & Fitch's flagship store in Paris. The fast fashion brand commissioned Mark Beard to paint a series of monumental murals, as well as larger than life bronze sculptures for their flagship stores in New York, Paris, Tokyo, and Milan.This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 39
Eugene Jansson (Swedish, 1862-1915)Vid dörren (À la porte)signé, inscrit, et daté 'Eugene Jansson/Knut Nyman 20/1907' (en bas à droite)huile sur toile200 x 90.2cm (78 3/4 x 35 1/2in).signed, inscribed and dated (lower right)oil on canvas Footnotes:ProvenanceWith Julian Hartnoll, London.Eugene Jansson was born in 1862 in Stockholm, where he lived most of his life. After his studies at the Swedish Royal Academy, Jansson set up his studio in the south of the city, overlooking lakes Mälaren and Riddarfjärden. Inspired by the environment around him, he painted mainly urban cityscapes, and developed a particular interest for night-time scenes.At the turn of the century, Jansson started to experiment in figurative painting with his first series of male subjects. The naturist movement emerging in Sweden inspired the artist to start painting nudes. Jansson had more of a philosophical approach to the nudity of his models, differing from the over idealised Greek nude and focused more on the crude reality of their bodies. In 1907, Jansson moved to the island of Skeppsholmen, where he painted several volunteer models from the Swedish Navy's bath house. The subjects of his paintings are often dynamic, training with weights, performing aerobics or swimming. These subjects illustrate the beginning of a new era of modern creation, not only for Janssen but for many Swedish artists.With this particular painting, Jansson demonstrates his mastery of physical expression. His favourite model, Knut Nyam, is standing by a door without clothes and without complex. Jansson's signature colour which is seen in the background highlights perfectly the skin tones and brushstrokes. The controversial artist affirms his art and pioneering vision with this work.Tor Hedburg wrote about Jansson's painting in the 1927 Minnesgestalter Stockholm: 'The male form, boldly and supremely, has made its entry into Swedish painting, not as a more or less academic study from models, deprived of real life, in an artificial pose, with neither exertion or repose, surrounded by atmospheric lights, using all the contemporary advantages in colour, model arrangement and gesture; they are products of an utterly creative, original art and at least within Swedish Art I know of nothing to match it.'This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 41
Un groupe de coupes de fertilité en poterie en forme de phallus Moyen-Orient, peut-être la Perse, XIIe siècle ou plus tardchacun rendu naturaliste comme un récipient ouvert, à plusieurs reprises décoré de glaçures turquoise, bleu cobalt et blancle plus long 23,5 cm. longA group of pottery fertility cups in the form of phallusesMiddle East, possibly Persia, 12th Century or latereach naturalistically rendered as an open vessel, variously decorated in turquoise, cobalt blue and white glazesthe longest 23.5 cm. long(5) Footnotes:For a comparable example, see Sotheby's, Arts of the Islamic World & India including Fine Rugs & Carpets, 27 October 2021, lot 192.This lot is subject to the following lot symbols: * R* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Lot 6
Andy Warhol (American, 1928-1987)Sans titre (nu masculin), vers 1977impression unique Polaroid Polacolor Type 108; le crédit de l'artiste/le cachet sec du droit d'auteur dans la marge, les timbres 'The Estate of Andy Warhol' et 'Andy Warhol Foundation for the Visual Arts, Inc.', paraphés 'T.J.H.' par Timothy J. Hunt de la Fondation Andy Warhol (au revers)image 9.5 x 7.3cm (3 3/4 x 2 7/8in).feuille 10.8 x 8.6cm (4 1/4 x 3 3/8in).unique Polaroid Polacolor Type 108 print; the artist's credit/copyright blindstamp in the margin, 'The Estate of Andy Warhol' and the 'Andy Warhol Foundation for the Visual Arts, Inc.' stamps, initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation (on verso) Footnotes:ProvenanceEstate of the artist, 1987.Andy Warhol Foundation for the Visual Arts, Inc., New York, by descent from the above.Sale, Christie's, Andy Warhol @ Christie's: Andy's Eye Candy, New York, May 29-June 10, 2014, lot 81, sold by the above.Private collection, Pennsylvania, United States of America, acquired at the above sale.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
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