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Lot 1579
Mac allister COD3500s 1/2 sheet sander in a carrying case. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133 Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Lot 1588
Assorted power tools to include a Power Devil jigsaw (untested). Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133 Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Lot 1589
Cased Black and Decker jigsaw and a cased 18v Black and Decker cordless drill. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133 Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Lot 1593
Cased Black and Decker electric drill with selection of drill bits. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133 Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Lot 1646
Evolution electric bench saw and a wet and dry canister 12 volt vacuum. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133 Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Lot 160
Harry Davis (British 1910-1986), a Crowan Pottery Coffee Set c.1955, impressed pottery seal to each item A tenmoku glazed stoneware coffee set consisting of a lidded coffee pot and a lidded hot water jug, milk jug, sugar bowl, six cups and six saucers Coffee pot 16cm high to finial (ARR) Please refer to department for condition report
Lot 346
John Piper, The High Fall (Ffrwd Fawr), signed, pen and ink and chalk on paper, 36cm x 49cm; offered with a signed copy of the Gadsby Gallery exhibition catalogue, 1973.Footnote: Exhibited: John Piper, Gadbsy Gallery, Leicester, 10 April - 12 May 1973, item 18. The accompanying exhibition catalogue is signed by the artist, and is one of an edition of 450.
Lot 1007
Nanna Ditzel (1923-2005)/A Danish writing desk in rosewood and oak, designed 1958 for Soren Willadsen, model number 12478, the four frieze drawers with recessed handles, 167cm wide, 75cm deep, 73cm high CONDITION REPORT: Surface veneer in very good condition. Drawer fronts good. Second drawer from right has minor chip to lower corner. One drawer has split to a knot of wood on the underside, not visible from above. Minor scuff marks to lower right corner of table. Polish abrasions to rear right corner. Very minor dents and bruises to legs and stretchers. Lock plates stamped Elzen/Made in Hungary - no keys. Overall in very good condition. (An Article 10 permit has been granted by CITES, allowing us to sell this item.)
Lot 89
An Edwardian pendant chandelier with leaf and ribbon border, hung forty-eight trails of tapered prismatic beads and with triple crown, 92cm high CONDITION REPORT: The condition is very good but 1950's and not Edwardian. It has been tested and working but Pat testing would not cover the wiring in a static electrical item.
Lot 45
WATKINS COPICAT (HILTON VALENTINE USED). A WEM Watkins Solid State 'Copicat' tape delay machine. According to vendor testimony, this example was previously owned and used by Hilton Valentine of The Animals. Powers up and appears in some working order. The item is sold with a signed letter of provenance from 'roadie to the stars' Tappy Wright who details how he was given this example by Hilton Valentine in 1985. Tappy Wright was the Animals tour manager in both the 1960s and for the '83 reunion.
Lot 494
ROLLING STONES RADIO PROMOTIONAL ALBUM FULLY SIGNED. A fantastic Rolling Stones item here, this being an original and highly sought after copy of The Rolling Stones – A Special Radio Promotion Album (Decca – RSM.1, 1969) with signatures to reverse of cover in various inks to include Keith Richards, Mick Jagger, Bill Wyman, Charlie Watts and Mick Taylor. The record itself is in strong VG+ condition with a few hairline scuffs across each playing side, nothing too heavy. The sleeve is in need of a repair, having split almost completely down both edges. Please review the pictures. Provenance: From the collection of anImmediate Records excecutive who worked for them in the 1960s and 1970s. The story of the album can be read about in detail via the following excellent page https://www.stonesondecca.com/the-60s-decca/rolling-stones-aka-the-promotional-album/There are thought to be 20 signed copies in existence and this a newly found copy making there now 18 documented exampels. As per discussions online it it thought that Bill Wyman has signed for Charlie.
Lot 361
A Greek terracotta head of Apollo, 1st century, 6cm high, on a turned wooden base under a glass dome, 27cm high overallProvenance: Sir George Mounsey, thence by descent.Condition report: Later affixed possibly with wax to the stand and dome, light chips and patina to the head particularly areas of high relief. Complete with various paperwork detailing the history of the item, various expert opinions, and historic valuations.
Lot 1194
A mixed lot of silver flatware, various dates and makers, comprising: four Victorian Apostle spoons, a pair of Trefid spoons, two pairs of sauce ladles, four tablespoons, two pairs of sugar tongs, six butter knives, a toddy ladle, a pair of jam spoons, a caddy spoon, a sugar spoon, nine various forks, a George Hart thistle spoon, three dessert spoons, ten various other spoons and other item, approx. weighable 70oz. (qty)
Lot 116
Chinese Art A sandstone stele with MaitreyaChina, Qi dynasty, 5th - 6th century . . Cm 39,00 x 51,50 x 17,50. Sandstone sculpture, presumably portraying the future Buddha sitting in meditation on an altar depicting two lions facing each other, next to a fire, and two offerings bearing figures on the sides. The serene face of the character is enriched by a crown and encircled by a circular halo, and the whole scene is framed by two dragon flower trees characterized by dragons coiled around the trunks.Maitreya, in the bodhisattva form, is one of the most represented themes of the period, since it was deemed that the influence of Buddha Sankyamuni, the Gautama Buddha, would have soon been over. Maitreya is portrayed here as a young prince, sitting between two dragon flowers trees, symbolizing paradise. For a similar item refer to the stele depicting a similar subject, at the Asian Art Museum of San Francisco (object number B60S279).
Lot 220
Himalayan Art A bronze figure of Buddha Shakyamuni Tibet, 13th century . . Cm 13,50 x 16,50. Significant bronze casting depicting the historic Shakyamuni Buddha portrayed in the cross-legged Padmasana position on a broad base consisting of a double lotus flower with large petals. The left hand rests on the lap in the Avakasamudra relaxation gesture, while the right gently touches the earth, testifying to the truthfulness of his words with the Bhumisparsamudra gesture. The hieratic facial features are enriched with silver and gold inlays and show traces of ancient gilding. An Indian stylistic influence is evident throughout the work, mainly in the slender waist, the facial features and the overall shape of the lean head. On the back of the base is an engraving made up of two characters.Provenance: Private collection Milan, Italy.Previously Chiarito Collection.Published in:Himalayan Art Resource, item no. 61732.Bonhams, “Images of Devotion”, 2 October 2018, Hong Kong, Admiralty, Lot 35.
Lot 139
A REPRODUCTION CALENDAR CARRIAGE CLOCK with moon phase, the striking and repeating movement with lever platform, white enamel dial signed 'Angelus' with subsidiary dials for date, day and alarm setting, the centre with rolling moon aperture, in a gilt brass gorge case, measuring 17cm high including the handle (Condition Report:- item appears to be in good overall condition, glass and casing all good, some very minor surface marks to brass casing, item chimes and ticks, but we cannot guarantee if in full working order), together with key
Lot 1324
An 18th century Chinese Export blue and white helmet-shaped cream jug and sundry ceramics, including an blue and white ovoid vase, a famille verte plate painted with figures and birds in reserves on a floral and foliate ground, a red and white bowl painted stylised flowers with seal mark to base and a cup and saucer decorated with quails (faults to most items), tallest item Chinese vase 25cm
Lot 639
A COLLECTION OF THREE MONOTYPES BY MIKHAIL TARKHANOV (RUSSIAN 1888-1962), 1920s, print each 30 x 41 cm (11 3/4 x 16 1/8 in.) PROVENANCECollection of Viktor Kholodkov LOT NOTESThis lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.CONDITION Unframed, the prints are in overall good condition. Minor signs of wear around the perimeter. Minor crease to the corner of one. A small tear to the corner of another. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 333
A 9ct. gold, ruby and seed pearl set ring, (1.0g), together with a carved jadeite crucifix pendant, height 5cm, with Hong Kong Gems Laboratory Certificate, together with a Chinese export silver matchbox holder, pierced and engraved as bamboo to long sides, stamped makers mark and "silver", an antique precious yellow metal mounted bar brooch, (yellow metal assessed as 9ct. rose gold), length 40mm, an amber bead necklace, and another item. (5)
Lot 329
A RARE AND IMPORTANT ARCHAIC BRONZE SNAKE LAMP, WARRING STATES/EARLY WESTERN HAN DYNASTY, the sinuous snake gliding effortlessly up, his body bending six times as his wide jaws engulf one side of the three-lobed channelled oil tray with three prickets, all counterbalanced perfectly by his lower body loosely and naturalistically coiled along the ground forming the base, his lightly cast 'D' shaped scales expanding at the apex of the bend and shrinking on the opposite side, the overall surface covered in a green patina with light patches of malachite and cuprite encrustation. 52cm highProvenance:Sotheby's New York, March 31 - April 1, 2005, Lot 162 Gallery J J Lally, New York Note:Cast in the form of a snake, the simple design of this lamp suggests that it may have been influenced by the art of the Chu State. Snake form lamps are exceptionally rare; one other known example is a Zhou dynasty bronze ornament in the shape of a coiled snake in the Musee Guimet, Paris and illustrated in Alain Thote's 'Aspects of the Serpent on Eastern Zhou Bronzes and Lacquerware', Colloquies on Art and Archaeolgoy in Asian, no 15: The Problem and Meaning in Early Chinese Ritual Bronzes, London 1990, p152, pl 3. Far more common for the Han Dynasty were goose foot lamps; examples of which can be seen in the Metropolitan Museum of Art, New York and Shanghai Museum, China. Here, the body of the snake bends six times as it winds upwards, its jaws engulfing one side of the three-lobed channelled oil tray, whilst its tail coils at the base in perfect counterbalance. The body has lightly cast 'D' shaped scales; the surface covered in a green patina with patches of malachite and cuprite encrustation. The Bronze Age of China began in 1700 BC and declined after the Han Dynasty (206BC - 220AD). During the Han Dynasty lamps became the main source of lighting and an important household item. Lamps also provided light for the soul's path to the afterlife and most lamps in existence today have been excavated from tombs. The dating of this lot is consistent with the results of the thermoluminescence test, Oxford Authentication, Ltd, no. C204c75.
Lot 90
THREE WALL HANGING SHIELDS: The Gordon Highlanders post 1952 x 2, Clan Gordon and a targe shaped example Gordons ACF. (3) The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.All three items in with no damage to paintwork or timber, the last item with two small nicks to material covering.
Lot 142
BANKSY X LOVE WELCOMES: WELCOME MAT, item number #1654, a Gross Domestic Product made by refugees using fabric from life vests abandoned on the beaches of the Mediterranean, in original box with card, 42 x 62cms Provenance: one owner consigned via our Carmarthen office, email receipt available on request Condition Report: unused, minor fraying to materials as expected, box with a couple of scuffs to edges
Lot 147
TWO 19TH CENTURY SAMPLERS, one George III by Emma VIncent Sprud Churchill, 1814 in needlework with 12-line religious verse entitled 'The Dying Christian to his Soul', between flowering urns and vine border, 31 x 32cms; the other Victorian by Elizabeth Morris, aged 12, 1892, in woolwork, 31 x 25.5cm (2) Condition Report: 1st item linen stained, colours faded; 2nd item material blotchy, colour still fresh.
Lot 1506
•JOHN QUINLAN TERRY, CBE, FRIBA (b.1937) KINGSWALDEN BURY Linocut, 1986 (from a block cut in 1972), published by the Judd Street Gallery, signed 44.5 x 134.5cm.; with `Frog Meadow, Dedham, Essex`, 1980, two subjects, each signed, each on four or five joined sheets, 30 x 161cm. (3) Exhibited: London, The Royal Academy, c.1980, no.1311 (the former `Frog Meadow` linocut, another impression exhibited) ++ The principal item with some foxing; each laid down
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151070 item(s)/page