We found 151062 price guide item(s) matching your search
There are 151062 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
151062 item(s)/page
Lot 1330
Boxed Raymond Weil gents automatic wristwatch with gold plated steel case and leather deployment strap dial displays baton chapters with Roman quarters has a subsidiary seconds dial and date aperture with small amount of paperwork CONDITION REPORT: This item was working at the time of lotting up
Lot 1349
A mid 17th century gold locket pendant, probably French, sumptuously painted in polychrome enamel with flowers including tulips with gold decoration to the handles of the urn on a plinth, white enamel ground, tightly scrolled border, bifurcated suspension loop, counter enamelled in blue within fine filigree surround, 9cm high For a similar example, see The Art of the Jeweller, A Catalogue of the Hull Grundy Gift to the British Museum, Vol. II, (London: British Museum Publications Limited: 1984), item 266, pl 14, & 15. The item has a similar pendant loop but has additional scroll frame and filigree surround.
Lot 2022
A near mint 1988 issue of the Syd Barrett 'Opel' LP. The cover has 'Barrett' inscribed to the front in blue ballpoint pen. Whilst the signature is written very much in the style of how Syd was signing his name at that time there is no further provenance provided and potential buyers must satisfy themselves that they are bidding on this item with no guarantee that this is genuine. Please note that we are not experts in this field and therefore take no responsibility should this prove not to be signed by Syd. Please go to www.recordmecca.com and search for the signed deluxe edition of the Mick Rock book 'Psychedelic Renegades' for an example of the type of signature believed to have been used by Syd later in his life. Vinyl is VG+/NM.
Lot 1515
Buddy Holly and the crickets signed promotional card issued by Coral and personally owned by Buddy Holly where he would have them on his person and sign and gift them at venues. This item is signed by Buddy Holly (singer), Joe B Mauldin (Bass) and Jerry Allison (Drums). It also comes with the original UK TOUR program from the venue, signed on the 11th of March 1958 , Worcester Paramount on the back of the promo card is his set list of songs he performed during the tour also a letter comes with it from the purchaser prior where a gentleman obtained it with details. This particular item is very important as it was the day Buddy Holly meet his 'mystery girl' he wrote to up to a few months prior to his death it was a romance he had during the tour.
Lot 230
Pair of Emerald & Diamond Platinum Earrings. Comes with AIG Report. Full item description can be found in AIG report (last image). Length: 1.75 in. Total Weight: 18.7 g. Total Diamond Weight: 4.24ct Total Colored Stone Weight: 3.19ct K11E115 / ER005068 - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER or CASHIER'S CHECK, no other forms of payment will be accepted.
Lot 162
Ca. 800 - 1100 AD. Rare medieval four-plate iron helmet with face guard; formed of triangular sections; attached with iron rivets passing through this overlap to secure them in position; the rivets worked flat into the surface of the helmet, almost invisible from the outside but detectable on the inner surface; the inverted lower rim furnished with an additional series of rivets, probably to accommodate a lining; the plate-junction at the apex with loop, allowing a plume of horsehair streamer to be inserted, or a conical covering plate to be attached. Good Condition with some restoration; H:275mm/D:200mm/H:470mm(with stand) ( 10.83/7.87/18.5in); 1580g/2957g(with stand);Example found in Norway - https://thornews.com/2014/06/07/why-is-this-the-only-existing-viking-age-helmet/ Provenance: Property of a professional London art expert; obtained from an old collection formed in the 1970s. The item comes with a Professional Certificate of Authenticity, Scientific report written by Dr. Ivan Bonchev, Ph.D., University of Oxford and Art Loss Register Certificate.
Lot 172
Ca. 400 BC. Very Rare Greek Chalcidian type Helmet with cheek-guards; embossed with geometric pattern; Similar helmets were worn by the Greek Hoplites during the time of Alexander the Great. Museum Quality helmet with fanatastic patina; Intact; on custom stand; H:300mm/L:225mm/H:430mm; 11.81in/8.86in/16.93in (with stand); 544g/744g(with stand);Provenance: from a Private British collection, formed in the 1980s-90s on the UK and European art market; The item comes with Professional Certificate of Authenticity, Scientific report written by Dr. Ivan Bonchev, Ph.D., University of Oxford.
Lot 342
1910/11 Central London Railway miniature, fold-out MAP with CALENDAR & RULER. Printed on card, opens out to 4 panels with a diagram of the line in the centre, calendar for May 1910 - April 1911 on each side and a 12" (30cm) ruler on the reverse. A fascinating item which we have not seen before and examples of which are unlikely to have survived use in any great number. In excellent condition. [1]
Lot 416
Full set of London Underground WALL TILES reading 'Way Out' and produced for the refurbishment of the Piccadilly Line stations. An exact match of the original, classic Leslie Green designs featured on the early Tube stations. This set was surplus after completion of the refurbishment work. Each tile is numbered for assembly according with an accompanying plan. Most come with the original manufacturer's wrapping and all appear to be undamaged. The whole assembly measures 22.5" x 36" (57cm x 92cm). A most unusual item. [1 set]
Lot 2265
Weihrauch Theoben .177cal Gas Ram HW90 air rifle, with Simmons 4-12x40 scope No.1647966, L116cm in hard carry case: as a post 1939 air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item Condition Report Click here for further images, condition, auction times & delivery costs
Lot 2271
Dan Wesson Model 715 6'' .177cal CO2 revolver No.16A65896, in box, with speedloader and instructions, with twenty five Walther 12g CO2 capsules and a part tin of pellets: As a post 1939 air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item Condition Report Click here for further images, condition, auction times & delivery costs
Lot 2266
'Original' Model 50 .22cal lever action top load air rifle, with Simmonds 3-9x40 scope No.110296 L114cm, in hard carry case: As a post 1939 air weapon the restrictions of the Crime Reduction Act apply to the sale and delivery of this item Condition Report Click here for further images, condition, auction times & delivery costs
Lot 1343
Gilt metal strut timepiece attributed to Thomas Cole junior, circa 1875, with a silvered dial signed for Dent 34 Cockspur St., the fusee and chain watch type movement with lever escapement and plain steel balance, the case with scrolled outline and engraved with cornucopias and leaves, the strut numbered 13, 6" high *This timepiece is illustrated in J.B. Hawkins - Thomas Cole & Victorian Clockmaking, item 31, page 94
Lot 1344
Victorian engraved gilt-brass desk timepiece in the form of a cheval mirror, Thomas Cole, London, no. 931, circa 1860, the oval silvered dial engraved with foliage and centred by a cartouche flanked by cornucopias of flowers and a putti, the chapter ring with painted Roman numerals and delicate blued steel Fleur de Lys hands, the movement signed Thos Cole, London on the front plate, going barrel, lever escapement and gold three armed balance, the case finely engraved with further foliage and flowerheads, the reverse signed designed and made by Thos Cole, No. 931, further numbered 931 beneath the rear cover and again to the underside of the stand, 6.75" high *A very similar clock is illustrated in J.B. Hawkins - Thomas Cole & Victorian Clockmaking, page 117, item 41 *This timepiece was purchased from Christie's on 2/7/2004 for £5500 (lot 35)
Lot 1340
Rare Victorian gilt metal month timepiece attributed to Thomas Cole, with an enamel dial and Fleur de Lys hands, the large two-tier movement signed Dee 123, with tapered plates, seven wheels in the train, ratchet tooth lever escapement and plain gold balance, the multi-section lyre shaped case engraved overall with leaves and arabesques, with strut support, 9.75" high *This timepiece is illustrated in J.B. Hawkins - Thomas Cole & Victorian Clockmaking, item 30, page 93, where it is incorrectly described as having an eight day movement with a compensated balance; the stated height is also incorrect
Lot 125
Liam Belton RHA (b.1947)Congo Gong and Herb CutterOil on canvas, 50 x 76cm (19¾ x 30)Signed; also signed, inscribed and dated 2016 versoLiam Belton is a well-known and popular figure in Irish art circles. Given the ineffable calm and stillness of his paintings it is somewhat surprising that he first came to attention for political activism as a student in the National College of Art in the late 1960s and early ‘70s, fighting for the reforms that culminated in the college’s re-organisation into the National College of Art and Design in 1971. His political leanings led to attempts to establish free art education for all in Ballymun and Ballyfermot and he spent over twenty years teaching art to people with visual impairments but little of his Beuysian principles are visible in his paintings.Instead his signature still-life paintings represent a distillation of all that is calm, considered and, above all, constructed, rather than overtly representative of social life or ideology. While still-life paintings make up the dominant trope in his work, Belton travelled the country to compile a series of paintings of megalithic monuments in the early 2000s that show his capabilities as a landscape artist, yet retaining essential features of the still-life genre. This can be seen in Carrowmore, Co. Sligo - Dolmen (ca. 2003).However his annual entries to the RHA annual exhibition and other shows tended to be still-life paintings, generally executed in a cool, muted, palette, ranging from creamy white to chocolate, and rendered with a quite extraordinary attention to precision, balance and detail. The content changes only a little. Generally they contain domestic utensils, some of which have an antique quality, and exotic ceramic figures or references to art history in the form of pictures or postcards of work by the great masters; for a time in the past decade, they have included quite garishly coloured items from popular culture such as Disneyland figurines and toy cars, and almost always there is at least one egg, quiet, still and shadow-casting. Most still-life artists love to display their skill at capturing texture. In Liam Belton’s very classical approach, texture is a superficial quality, easily set aside in favour of colour and composition.Pewter and Eggs (2015) and Congo Gong and Herb Cutter (2016) mark a turn away from that brief flirtation with strong colour and pop and, like Carrowmore, they epitomise Belton’s love of clarity, precision and austere colours. What they all have in common is his absorption with space and with the past. The past, represented by the squat stones of the dolmen or the tribal objects and reproductions of artworks, has been reduced to stillness but the careful distancing of one item from another in the still-lifes, or viewer from dolmen in Carrowmore and his other paintings from that series, evokes a space for the stillness to work. Just as the megalithic monuments are weighed down with a sense of time and mortality, the still-life objects also recall art historical memento mori (premonitions of death) as for example in the work of Caravaggio or Dutch 17th century painters. The pervasive presence of an egg in Belton’s still-life paintings may be intended to counter-act that with a suggestion of new life and re-birth, but they also read like a reference to the myth of Giotto’s perfect circle - the test of a great artist. In this case the egg becomes a direct reference to that other perfectly-observed egg in art, the one that dangles, enigmatically, above the Madonna and saints in Piero Della Francesco’s The Virgin and Child Enthroned (c. 1475) in Milan. These are paintings about art first, pondered on, arranged, adjusted, and only about life as a secondary consideration. Even the inclusion of a reproduction of a painting by William Scott in Congo Gong and Herb Cutter, has been chosen less to impress with the artist’s knowledge of the Moderns, but rather because Scott’s emphatic shapes form a perfect co-relative for the shapes of Belton’s chosen objects.A dedicated member of the RHA since 1991, Keeper of the RHA from 1995 -2001 and a former member of the Board of the National Gallery of Ireland, Liam Belton is represented by the Peppercanister Gallery. His work is to be found in major Irish art collections.Catherine MarshallAugust 2019
Lot 8
A FOLIO OF OLD MASTER DRAWINGS INCLUDING A COPY AFTER DOMENICHINO'S DESIGN FOR THE FRESCO OF THE ORATORIA DI SANT'ANDRE AL CELIO, ROME (cover lot)sold together with works variously in the Manner of Pietro de Angelis, the manner of Filippo Lauri, and by the Roman School (18th Century) Cover lot: pen & ink with sepia washCover lot: 26.0 x 42.5cm / 10 1/4 x 16 3/4in Item (ii) - Italian School (18th Century) - Martyrdom of a Female Saint - pen & sepia ink, with sepia wash on paper - 17.5 x 25.2cm - bears inscription verso, Giulio RomanoItem (iii) Manner of Pietro di Angelis - A Sketch of or Design for and Altarpiece - numbered l.r. 75 - pencil on paper - with Angouleme Watermark of Fleur de Lys with paper-maker's initials - 23.2 x 15.3cm Item (iv) Manner of Pietro di Angelis - A Startled Traveller in a Wood -numbered l.r. 30 - pen & ink with wash - with paper-marker's initials countemarle watermark - 17.3 x 20.3cmItem (v) Roman School or possibly English Hand in Rome (18th century) - Apollo and Dapne - numbered l.r. 16 - pencil on paper - 22.1 x 26.6cmItem (vi) Manner of Filippo Lauri - Triumph of Bacchus - indistinctly numbered l.r. 25[?] - pen & ink with sepia wash - with paper-marker's initials countemarle watermark - 24.0 x 37.0cmItem (vii) Manner of Pietro di Angelis - The Pantheon - numbered l.r. 15 - pen & ink with grey wash - with Britannia watermark - 26.1 x 33.5 All unframed (7)
Lot 317
CONTINENTAL SCHOOL ARTS & CRAFTS PAINTED WALL CLOCK, CIRCA 1900 painted with opposed pelicans (Dimensions: dial 39cm wide, 45.5cm tall)(dial 39cm wide, 45.5cm tall)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.
Lot 371
FREDERICK ALFRED RHEAD (1856–1933) FOR WILEMAN & CO. FOLEY 'INTARSIO' TABLE CLOCK, CIRCA 1900 printed and painted decoration, inscribed with motto PRITHEE WHATS O'CLOCK, printed and painted maker's marks 3115 (Dimensions: 34cm high)(34cm high)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.
Lot 210
ENGLISH SCHOOL ARTS & CRAFTS COPPER MANTEL CLOCK, DATED 1900 the single train movement with enamelled dial within case repoussé-decorated with a ship at sea and fruiting vines and bearing inscription TIME AND TIDE WAIT FOR NO MAN/ 1900, bears maker's stamp CBH (Dimensions: 28.5cm high)(28.5cm high)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.
Lot 280
MARGARET GILMOUR (1860-1942) GLASGOW STYLE BRASS WALL CLOCK, CIRCA 1900 with repoussé Celtic entrelac design with inset enamelled panel, includes decorated weights and pendulum, stamped monogram mark MG (Dimensions: dial 44cm square)(dial 44cm square)Footnote: Literature: Burkhauser, Jude (ed.) The Glasgow Girls; Women in Art and Design 1880-1920 , Edinburgh, 1990, p. 164, fig. 213 where a similar example is illustratedCondition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.
Lot 623
NEXTIME, THE NETHERLANDS POSTMODERN STANDING CLOCK, CIRCA 1990 the twin train movement with glass case and etched chapters inscribed NEXTIME raised on a steel stand with brass sphere feet (Dimensions: 37cm wide at base, 179cm high, 28cm deep at base)(37cm wide at base, 179cm high, 28cm deep at base)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.
Lot 369
FREDERICK ALFRED RHEAD (1856–1933) FOR WILEMAN & CO. FOLEY 'INTARSIO' TABLE CLOCK, CIRCA 1900 the later dial and movement within a canted and arched case, printed and painted with Art Nouveau maidens and flowers, and bearing inscription CARPE DIEM/ DIES NOX, printed and painted maker's marks, Rd. no. 342574 (Dimensions: 29.5cm high)(29.5cm high)Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.
Loading...-
151062 item(s)/page