KAZUTOMO: AN IVORY OKIMONO OF MUSICIANSBy Kazutomo, signed Kazutomo and with kakihanJapan, Meiji period (1868-1912)Finely carved and stained depicting a group of musicians, three playing drums and a flute, the fourth hiding under a Shishimai lion dance costume. The pouch of one musician with a silver inlay. The base signed KAZUTOMO and with kakihan.HEIGHT 5.2 cmCondition: Very good condition, minor wear.Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
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A SMALL IVORY NETSUKE OF TOBOSAKU SENNINJapan, 19th centuryThe peach sennin standing and holding a fruiting peach branch in one hand and a basket in the other, wearing a neatly incised robe, the features carved with fine detail. Small himotoshi to the back.HEIGHT 4.8 cmCondition: Very good condition, expected age cracks and wear, fine patina. Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
AN IVORY NETSUKE DEPICTING THREE MONKEYS CLIMBING ON A SCREENJapan, Meiji period (1868-1912)The finely carved ivory netsuke depicting three monkeys with neatly incised fur and inlaid eyes climbing on top of a screen showcasing figural sceneries. With natural himotoshi.HEIGHT 5.3 cmCondition: Good condition with usual traces of wear and age. Provenance: East German private collection, assembled in the 1970s and 1980s.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
KAIGYOKUSAI MASATSUGU: A SUPERB IVORY OJIME OF TWO TURTLESBy Kaigyokusai Masatsugu (1813-1892), signed Masatsugu 正次Japan, Osaka, mid-19th century, Edo period (1615-1868)Carved from a choice piece of lightly stained tokata ivory as two turtles embracing one another, the cord channel between them. The details are masterfully worked, especially when considering the size, the eyes are inlaid in pale, translucent horn. Signed MASATSUGU. HEIGHT 1.7 cm Condition: Good condition, tiny nicks.Provenance: From the Melvin Jahss Collection. Notable European collection, acquired from the above. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0242).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A LEATHER TABAKO-IRE (TOBACCO POUCH) AND ENSEMBLE WITH SILVER-FITTED KAGAMIBUTA NETSUKE DEPICTING A TIGER AND YOUNGUnsigned Japan, late 19th centuryThe pipecase and pouch in tooled brown leather, the pouch applied with a shibuichi kanamono with silver and gold highlights depicting a tiger and dragon, fitted with a kagamibuta netsuke, the shibuichi plate with gilt and silvered decoration of a tiger and cub amid crashing waves, set into an ivory bowl, the components joined with a silver chain and fittings.LENGTH 19.5 cm (the pipecase) and 12 cm (the pouch), DIAMETER 5.5 cm (the netsuke)Condition: Good condition with some wear and traces of use, particularly to leather, the ivory bowl with light surface scratches and good patina.Provenance: European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.ificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.
DOSHO: AN IVORY OJIME WITH BRANCHES AND FLOWERSBy Dosho (1828-1884), signed Dosho 道笑 Japan, 19th centuryThe finely caved ivory ojime of ovoid form with silver lacquered inlays, depicting a beautiful composition of branches and blossoming flowers, with mother of pearl and carnelian inlays, and the engraved signature DOSHO. The top and bottom encircled by a tortoise shell inlaid collar.HEIGHT 2.2 cmCondition: Overall fine condition with a tiny chip and some inlays missing.Provenance: Notable European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
MUNEYOSHI: AN IVORY OKIMONO OF DARUMABy Muneyoshi, signed Muneyoshi sakuJapan, Meiji period (1868-1912)The Zen patriarch standing atop a single reed - after an unsuccessful encounter with the Chinese Liang-dynasty Emperor Wu, Bodhidharma is said to have sailed up the Yangtze River on a single reed to continue his journey to promote Zen - and holding a hossu in one hand, his characteristic cowl neatly incised with Ho-o birds amid swirling clouds. His face is well detailed with a bushy beard and brows as well as large eyes and a prominent cleft chin. Signed to the underside above the feet MUNEYOSHI saku [made by Muneyoshi]. Note the variety of textures creating a striking contrast and appealing feel to the okimono.HEIGHT 16.5 cmCondition: Very good condition with minor surface wear and few natural age cracks.Provenance: French private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A LARGE INLAID EBONY WOOD NETSUKE OF PUPPIES ON A STRAW HATJapan, second half of 19th centuryThe ebony wood netsuke depicting two puppies on a finely carved straw hat (kasa). One puppy has three inlaid ivory spots on its fur. The underside of the straw hat depicting a delicately engraved design of a dragon ascending Mount Fuji. The natural himotoshi through the legs of the spotted puppy and an inlaid ivory signature underneath the straw hat - TOMOTADA.LENGTH 7.4 cmCondition: Good condition with minor associated wear and a small chip to the rim of the straw hat. Provenance: German private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
AN IVORY NETSUKE OF A KYOGEN ACTOR WITH FOX MASKJapan, 19th century, Meiji period (1868-1912)The finely carved and stained netsuke depicting a kyogen actor, wearing a kitsune (fox) mask and a richly patterned ceremonial attire, holding an open fan in his left hand behind his head, and suzu bells in the other. Below the actor's raised foot is a closed mask box. The two symmetrical himotoshi at the backside.LENGTH 5.4 cmCondition: Fine condition with usual traces of wear and age. Provenance: Notable European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A FINE IVORY NETSUKE OF SEVEN HUNGRY MONKEYS BY HOICHIBy Hoichi, signed Hoichi 芳一 saku 作Japan, Tokyo, late 19th century, Meiji period (1868-1912)A very fine and dense carving of a large monkey with six young monkeys portrayed in various attitudes. The large monkey is biting into a peach, while a young monkey in front of her is trying to reach the fruit. The other monkeys are climbing on top of the large one, clambering and pushing and pulling on each other. Another smaller monkey on top has managed to find another peach and is heartily biting into it. The hairwork is masterfully incised and all the eyes are minutely inlaid with pale translucent horn. The style of the carving, as well as the finish and the unstained ivory, is reminiscent of Kaigyokusai Masatsugu. The signature is found on the underside in a rectangular reserve, HOICHI saku. The carver probably comes from the school of Hojitsu in Tokyo. Kaigyokusai Masatsugu was also known to have opened a school in Tokyo during the Meiji period.HEIGHT 5.1 cmCondition: Very good condition, minor discoloration to the ivory in limited areas and some imperfections such as plugged nerve channels.Provenance: European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A FINE IVORY NETSUKE OF NITTA NO SHIROJapan, 19th centuryWearing the distinctive straw hat of a Japanese hunter, a sword on his back, the hero sits astride the overthrown boar, pinioning it and immobilising it by holding a foreleg, the animal's fur finely engraved. Natural himotoshi.HEIGHT 3.9 cmCondition: Very good condition with expected wear and some age cracks. Light honey-yellow patina to the underside. Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A THREE-TIERED MOMO CORAL BEAD NECKLACEJapan for the Tibetan market, mid-20th century. The necklace with three strings, composed of 359 red-orange coral beads, each separated by a small knot, joined by a 14-karat gold closure with coral inlays.Provenance: Austrian private collection.Condition: Overall very good condition, one bead missing, some beads with natural inclusions and fissures.Weight: 146 gDimensions: Length 59 cm, Diameter 0.9 cm (largest bead), Diameter 0.6 cm (smallest bead)This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
YOSHIMASA: A RARE IVORY NETSUKE OF A DRUNKARDBy Yoshimasa, signed YoshimasaJapan, Kyoto, late 18th century, Edo period (1615-1868)Finely carved as a peasant seated and looking upwards, laughing, holding a sake-bottle in one hand and a sakazuki (sake cup), with a carved key fret border on the rim, in the other. His expression is amusing and conveys his drunkenness very well. Excellent honey patina and the himotoshi through the back. Signed YOSHIMASA 吉正 to the side of the sake-bottle.HEIGHT 3.6 cmCondition: Good condition with minor age cracks.Provenance: European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
TOMOTSUGU: AN IVORY NETSUKE OF A SMOKING MANBy Tomotsugu, signed Tomotsugu Japan, around 1850, Edo period (1615-1868)The ivory netsuke depicting a seated man, wearing traditional Japanese garment and headdress, smoking his pipe with an amusing facial expression, while holding an inscribed Tonkotsu in his left hand. Two himotoshi at the backside and the engraved signature TOMOTSUGU inside a lobed cartouche on the underside.HEIGHT 4.5 cmCondition: Good condition with minor traces of wear and age, restoration to left foot. Provenance: Notable European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A MINIATURE IVORY OKIMONO OF FATHER AND CHILDJapan, Meiji period (1868-1912)The charming ivory okimono depicting a father and a child with a toolbox next to them. The small child is holding a tool in his right hand, showing it to the father, and the father appears to explain the tool to the curious child. The artist's signature underneath the father's right leg.HEIGHT 3.4 cmCondition: Good condition with traces of wear and age. Provenance: French private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
AN IVORY NETSUKE OF A MONKEY TEACHING HIS YOUNG BY SEIGYOKUBy Seigyoku, signed SeigyokuJapan, late 19th century, Meiji period (1868-1912)A beautifully carved study of a father monkey holding down a sparrow and showing his offspring how to kill it. The young monkey looks on enthusiastically and is holding another smaller sparrow by the wing. Sensitive details in the facial expressions and overall a very charming netsuke. Natural himotoshi and signature SEIGYOKU on the underside. Compare also to the netsuke by Gyokumin no. 104 in this catalog.HEIGHT 3.2 cmCondition: Very good condition, fine patina, minor areas of discolorationProvenance: European private collectionAuction comparison: A similar netsuke as sold at Bonhams, Fine Japanese Art including two masterpieces by Kitaoji Rosanjin (1883-1959), London, 7 November 2013, lot 43 (sold for 1,625 GBP).Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
AN IVORY OKIMONO OF MONJU BOSATSUJapan, Meiji period (1868-1912)Finely carved and stained depicting the bodhisattva seated on a shishi, reading the scroll he is holding in his hands, dressed in long robes with a billowing scarf, and adorned with jewelry.HEIGHT 5.5 cmCondition: Good condition, few small age-related cracks, a chip to one side of the scroll with associated material loss.Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
MUNENARI: AN IVORY OKIMONO OF RAKAN HANDAKA SONJABy Munenari, signed MunenariJapan, Meiji period (1868-1912)Finely carved, depicting the rakan standing, his right hand raised while holding an alms bowl, a cane in his left, dressed in long robes, and with a wrathful dragon wrapped round his arm. The necklace and eyes of the dragon with inlays. The base signed MUNENARI within an oval reserve.HEIGHT 20.2 cmCondition: Good condition, minor chips to exposed areas, age-related cracks.Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
RANICHI: AN IVORY NETSUKE OF A PUPPY WITH AWABIBy Ranichi, signed Ranichi 蘭一Japan, Kyoto, early 19th century, Edo period (1615-1868)The ivory netsuke with neatly incised fur and stained patches, depicting a piebald puppy pressing one paw down on an awabi shell. The canine's expression is quite amusing - its mouth is opened, baring a row of oddly large teeth, and the double-inlaid eyes are placed wide apart. Natural himotoshi and signed within an elliptic reserve RANICHI - a pupil of Rantei.LENGTH 3.1 cmCondition: Very good condition, minor wear, some age cracks.Provenance: German private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A FINE IVORY NETSUKE OF A GROUP OF SHISHIUnsignedJapan, Tokyo, second half of 19th centuryFinely carved as a lively group of a mother Shishi with her three cubs, the entire composition set on a circular base. The mother is snarling, while the three young Shishi have their heads lifted to the sky. Fine details, the underside with himotoshi. The manner of carving and stain is very much reminiscent of Ishikawa Rensai of Asakusa, Tokyo.HEIGHT 2 cm, DIAMETER 3.3 cmCondition: Excellent condition.Provenance: British collection.Auction comparison: Compare the manner of carving and stain to a netsuke sold by Zacke, Fine Netsuke, Sagemono & Okimono, 24 November 2018, Vienna, lot 144.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
ICHIEISAI KOMIN: AN IVORY MANJU NETSUKE DEPICTING SHOKI AND KOINOBORI (CARP STREAMER)By Ichieisai Komin, signed Ichieisai Komin 一永齋孝民 with kakihanJapan, Edo (Tokyo), c. 1830, Edo period (1615-1868)Of thick, circular form with a central himotoshi peg, carved in relief with a grim-looking Shoki looking toward a large koinobori (carp streamer) fluttering in the wind (presumably an oni hides within), the reverse incised with a hut as well as the signature ICHIEISAI KOMIN with kakihan.DIAMETER 5.3 cmCondition: Good condition with some surface wear, expected age cracks, a small chip to the himotoshi peg. Fine, smooth, honey-yellow patina.Provenance: European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A French late 18th century paste necklace,with a series of paste set cluster plaque links. Graduated modified rose/step cut foil backed paste, with hoop ends. Marks indistinct, possibly Paris 1774-1788,together with a late Georgian paste set slide and two paste set foliate necklace ends,all with dome back settings. Tested as silver (4)The main necklace has loops at the ends, and would be fastened by a ribbon. This is how it would have been worn originally.The additional three sections could be joined together to form a centrepiece and worn as above, but were not made to go together. They are from two different necklaces. The slide section can be worn on its own on a ribbon or velvet band.Principal item: facet edge wear to the larger pastes, less to the smaller stones. Wear and surface marks commensurate with its age.
A GEORGE III MAHOGANY AND INLAID STEPPED FRONT SIDEBOARDThe top with line inlay border above frieze drawer with cupboard below, flanked by two deep drawers on turned reeded and fluted supports, with ivory escutcheon, 182cm wide x 75cm deep x 91cm high, (71 1/2in wide x 29 1/2in deep x 35 1/2in high)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.FMF3VB5L.This lot is subject to the following lot symbols: TP Y ФTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A GEORGE III MAHOGANY AND SATINWOOD-BANDED SECRETAIRE BOOKCASELate 18th centuryThe rectangular moulded dentil cornice over a pair of lancet and balloon glazed doors enclosing shelves, the secretaire drawer over three satinwood crossbanded long drawers, shaped apron and splayed bracket feet, ivory drawer pulls and escutcheons, labelled 'Geo. Speer, The Seven Stars, No. 2 Great Tower Street, London', 118cm wide x 59cm deep x 239cm high, (46in wide x 23in deep x 94in high)Footnotes:Provenance: Acquired from W. R. Harvey & Co. (Antiques) Ltd.The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref 54DKA1B5.This lot is subject to the following lot symbols: TP Y ФTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A COLLECTION OF VICTORIAN DEVONSHIRE SPECIMEN MARBLE DESK FURNITUREComprising a desk thermometer; a deskstand; a circular inkwell; candlestick; stationary stand; paperknife; a paperweight inscribed 'IN'; and other items, the candlestick, 50cm wide, 28cm high (20in wide, 11in high) (10)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.81R83246.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A COLLECTION OF VICTORIAN TORQUAY MARLACHITE AND MARBLE DESK FURNITUREIncluding a circular desk thermometer, a set of letter scales by Gordon of Torquay, a circular inkwell, on bun feet, 7.5cm high, a circular tray, 20.5cm diameter, a pen tray, a pair of candle stands, 7cm high, a short banded cylindrical vase and a pair of circular candlesticks, engraved 'Easter 1877' to the base, 17cm (7.5 inches) high (10)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.K518CU3K.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A COLLECTION OF DERBYSHIRE BLACK MARBLE PIETRA DURAComprising three ornamental thermometers, a pair of slender baluster ewers, an oval desk stand with glass inkwell on bun feet, and two garniture vases, largest 41cm high, (16in high) (8)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.1J2BH47R.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Late Victorian silver mounted hand mirror of circular form, with integral handle and decorated on the reverse with raised images of Irises in a pond (Registered no 14520) Hallmarked London, no date letter William Comyns. 14.5cm diameter.Please note this item is hallmarked London 1904 on the side of the mirror frame.
PROPERTY FROM THE F.G. COLLECTION OF JADE CARVINGS A RARE AND IMPORTANT WHITE JADE ‘MELON AND BUTTERFLY - 瓜瓞綿綿’ LINKED BOX AND COVER CHINA, QING DYNASTY, LIKELY QIANLONG PERIOD This lidded box has been carved out of a single piece / boulder of milky white jade, has been naturalistically shaped as a melon together with a butterfly and with entwined gnarled branches linking the box to its cover ( the stalk linked with a loop handle). It has been carved on all sides with details, tendrils and leaves. The skilful carver has cleverly used the jade boulder’s orange skin to complete the iconography with russets left on leaves and on the butterfly. H: 3 cm – L: 8 cm – w: 5,5 cm Weight: 138,34 grams Provenance: From an Irish Estate, the F.G. Collection of Jades offered at public auction - but for that box - at Bonham’s London, UK, Sale no 16022, 2008-11-06. The successful bidder will be provided with a catalog of that sale as well as with a video of the jade carvings in the house. Of notable interest in that auction was lot #202, a jade bowl dated to the Qianlong period. 1. This box and cover may demonstrate the remarkable skill and craftsmanship practiced in the jade workshops reaching its peak during the Qianlong reign. The two perfectly fitting halves of the melon and interlocking loose loop-handle joining them together are all carved from a single block of jade, which would have required consummate skill and precision. 2. The melon and butterfly form the rebus ‘guadie mianmian’ (瓜瓞綿綿), which is a wish for numerous descendants. This was a popular motif during the Qing dynasty, and there are several white jade bottles with this motif illustrated in Chang Lin-sheng, Snuff Bottles in the Collection of the National Palace Museum, Taipei, 1991, nos. 142, 143, 145, 146 and 153. 3. See a related Qianlong period jade ‘bitter-melon’ linked box and cover sold at Bonham’s Hong Kong, China, 2017-11-28, lot 26, for € 91,170. See another related Qianlong period ‘peach-form’ box and cover sold at Christie’s New York, USA, 2011-09-15, lot 1020, for USD 120,100. 珍稀白玉“瓜瓞綿綿” 中国，清代，似乾隆时期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A GILT BRONZE FIGURE OF MAHAKALA WITH HIS CONSORT IN YAB-YUM TIBETO CHINESE / SINO-TIBETAN Heavy cast in two separate parts, the base with one lotus rank, and the sculpture itself. Gilded and with remains of polychromy. All over a lotus base with a beaded rim. Sealed with a likely later plaque centered by a vajra. H: 13,5 cm Weight: 980 grams Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). XXXX COMPARE TO PRINTED CATALOG, SUBJECT CHANGED TO MAHAKALA XXXXX 手持金刚杵的金刚力士鎏金铜像 中国西藏 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF JUAN CARLOS KATZENSTEIN (1925-2018): A PROMINENT ARGENTINIAN DIPLOMAT (BY REPUTE) A GILT-BRONZE FIGURE OF YAMĀNTAKA OR VAJRABHAIRAVA WITH CONSORT IN YAB-YUM TIBETO CHINESE / SINO-TIBETAN Heavy cast, all gilted, with remains of polychromy. It consists of two parts, the base with two lotus bands and a frieze of pearls, and the sculpture itself. The seven-headed deity standing in alidhasana in yab-yum with Vajravetali, both trampling an array of prostate figures, his primary arms clasped around his consort, clad in a pendant belt and separately cast elephant skin on his back, further adorned with jewelry, his wrathful faces centered by a bull-head with open mouth, bared fangs, tongue and tall horns surmounted by a crown of skulls, she holding the vajra and skull cup, wearing a pendant belt and various jewels, her face with ferocious expression and long red hair surmounted with a tiara of skulls, all over a lotus base with beaded rim. H: 20,7 cm Weight: 2436 grams Provenance: - a private collection; - Juan Carlos Katzenstein (1925-2018), an Argentinian Diplomat, who was an Ambassador in Beijing, China, from December 6, 1975 to January 2, 1978, and later to the Holy See (Vatican) and to the Sovereign Order of Malta from 1989 to 1991 (by repute). Note: Yamāntaka is the ‘destroyer of death’ deity of Vajrayana Buddhism. Sometimes he is conceptualized as ‘conqueror of the lord of death’. Of the several deities in the Buddhist pantheon named 'Yamāntaka', the most well known, also called as 'Vajrabhairava' belongs to the Anuttarayoga Tantra class of deities popular within the Gelug school of Tibetan Buddhism. 铜鎏金佛教造像 中国西藏 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A STONE EMBELLISHED GILT COPPER ALLOY SCULPTURE OF A DEITY, POSSIBLY ACHALA OR VAJRAPANI TIBET OR TIBETO-CHINESE / SINO-TIBETAN, MAYBE 18TH TO 19TH CENTURY The deity striding in pratyalidhasana atop two snake demons on a double-rank lotus-petal base, the right arm raised and holding a krodha or sword, the left hand loosely grasping a pasha or lariat (a later replacement), the ferocious expression accentuated with glaring eyes and bared fangs, below a skull tiara or headdress, the corpulent body clad in a short pinwheel-patterned dhoti and adorned with a necklace, the figure with snakes or cobras knotted around the hair, and stomach, the wrists and ankles similarly coiled with a snake.The base is sealed with a plaque centered by a vajra design. H: 16,5 cm Weight: 1155 grams *****HEIGHT MIGHT BE READ AS 16,5CM***** 鎏金铜造像 中国西藏 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A GILT BRONZE FIGURE OF AN ATTENDANT TIBETO CHINESE, POSSIBLY 16TH TO 17TH CENTURY Heavy cast and mercury gilded. The attendant is depicted standing on his two feet, his hands joined in añjali mudrā. He wears loose robes with floating ribbons. It is very finely detailed with engravings, e.g. for the brocades of the loose robes. It is affixed to a lately replaced metal stand. H (stand excluded): 18,7 cm H (stand included): 15,5 cm Gross weight: 1075 grams *****MEASUREMENTS SHOULD READ: WITH STAND 18,7CM - WITHOUT STAND 15,5CM***** 青铜鎏金侍者像 中国西藏 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
PROPERTIES FROM A NOTED COLLECTION OF JADES AND SNUFFBOTTLES *AN AGATE SNUFF BOTTLE CHINA, LATE QING DYNASTY The stone of brown, red and beige tones. Resting on a short ring foot, with a flattened body flanked by two carved ‘beast’ handles and loose ring imitation handles, and round shoulders surmounted by a short cylindrical neck. The inner part is well hollowed. H (stopper excluded): 6 cm IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 玛瑙鼻烟壶 中国，晚清，19世纪晚期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
§ A FINE SEMI-PRECIOUS STONES AND JADE EMBELLISHED TIBETAN BUDDHIST RITUAL COVERED CONTAINER, POSSIBLY A ‘DRU PO’ HIMALAYA OR POSSIBLY EASTERN TIBET, LATE QING DYNASTY, 19TH CENTURY Resting on a conical spread foot, with a globular body, a waisted neck, a stepped rim and a dome-shaped lid. Very finely and deeply chiseled, notably with coiled dragon beasts (possibly chi dragons) to the neck, double scrolls amidst clouds. Further embellished with stone beads of various colors, notably red and green, imitating lotus lapets around the spread foot. Most important are even the white jade plaques, five in totals, four around the body and one topping the lid. They are deeply carved in a desirable stone with various flowers and leaves to the body, and with the wheel on dharma to the top of the lid. H: 21,5 cm Weight: 1528,9 grams Notes: 1. Tibetan Buddhism ritual objects are of various shapes and sizes. Along ‘dru po’, one can mention ‘torma’ (‘lha gya tor chig’), long-life vases (‘tshe-bum’), oboes (‘gyaling’), long horns (‘dung chen’), skull cup kapalas (‘tod-pa’, peacock vases (‘bumpa’), cylindrical containers (‘dug drab dze sum gyi nod) etc. Full sets of ritual implements would have been used throughout the year and were often offered to teachers from wealthy patrons and disciples. 2. The fine craftsmanship and lavish use and silver and jade indicate an important commission typically that may be associated with the craftsmen of Eastern Tibet in Derge. 精美半宝石和翡翠藏传佛教宝器 喜马拉雅时期，晚清，19世纪 Bidders should be advised that importation regulations of several countries, including the US, prohibits the importation of ivory and that of coral, or any goods containing same. Therefore Adams advises prospective purchasers who intend to ship lots containing either ivory or other specimen that fall under CITES regulation, to another country to familiarize themselves with the relevant importation regulations prior to bidding. Adams will not be responsible for shipping items herein and the onus will be on the buyer to organize shipping at their own behest. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A THANGKA OF BUDDHA SHAKYAMUNI OR GAUTAMA BUDDHA TIBET, CHINA, TIBETO-CHINESE, 18TH TO 19TH CENTURY Distemper on cloth. Shakyamuni is depicted seated in padmasana on a lotus base, he holds his right hand downward in the earth-touching gesture (bhumisparsha mudra) with which he calls the earth goddess to affirm that he is entitled to attain enlightenment following his triumph over Mara, the destroyer. He is encircled by a mandorla and surrounded by numerous deities. The tones are predominantly red, green and orange. Dimensions (the sole painted part): 65 x 56 cm Note: Gautama Buddha was an ascetic and spiritual teacher of South Asia who lived during the latter half of the first millennium BCE. He was the founder of Buddhism and is revered by Buddhists as an Enlightened being whose teachings sought a path to freedom from ignorance, craving, rebirth and suffering. 释迦牟尼或乔达摩佛陀唐卡 中国西藏，18-19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A DEHUA / BLANC DE CHINE PORCELAINE ‘PLUM BLOSSOMS’ VASE CHINA, QING DYNASTY With rounded shoulders applied with pierced lion mask-form handles, the front is applied with upright prunus branches. The glaze is a cool, white tone. H: 14,5 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). Note: Compare with a nearly identical vase, though taller, sold at CHRISTIE’S New York, USA. ‘Blanc de Chine: Dehua Porcelain from the Galster-Ireland Collection’, 2013-07-09/23, lot 10, for USD 3,500. 德化白瓷梅纹花瓶 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A THINLY POTTED DEHUA / BLANC DE CHINE PORCELAIN VASE CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD The pear-shaped body is incised by a raised keyfret band, and the tapering neck flanked by ear-shaped handles suspending loose rings. The base bears an old handwritten collector label: ‘XVIIe K’ang - Hsi 1662 -1723’. H: 15 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). Note: Compare with a related vase, formerly in the the George de Menasce (1891-1967) collection, sold at CHRISTIE’S New York, USA, ‘Sacred and Imperial: The James and Marilynn Alsdorf Collection’, 2020-09-04/29, lot 49, for USD 3,250. 德化薄瓷花瓶 中国，清期，可能为康熙年间 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A COBALT BLUE GLAZED PORCELAIN INCENSE BURNER OR CENSER CHINA, QING DYNASTY It rests on a ring foot and has a globular compressed body with a slightly everted rim. The shoulder is applied with two handles molded as mythical beasts. The outer part and the inner part are covered with a dark cobalt blue glaze, with the exception of the top of the rim and the footrim. The base bears several old collector labels: #4, ‘Par K’Hang - Hsi’, ‘1662-1723’ and ‘XVIIe K’ang- Hsi 1662-1723’. H: 5,4 cm - width (with handles): 12,5 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 钴蓝釉香炉 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A TURQUOISE GLAZED BISCUIT PORCELAIN STAND OF HEXAGONAL SHAPE CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD It imitates a piece of furniture and rests on six legs linked together by an hexagonal base and a waived apron. It is all covered with a light turquoise enamel, at the exception of the base, which is left unglazed. The base bears several old collector labels: ‘Ep. Kien-Long 1736-1796’, ‘Chien-Lung Localo Verde’ and #105. H: 6,2 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 六角形绿松石釉瓷架 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A TURQUOISE GLAZED BISCUIT PORCELAIN DOME SHAPE ‘CHI DRAGON’ WATER POT, TAIBAIZUN CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD Of ribbed dome shape, it rests on a short recessed foot and is applied with a climbing chi dragon. The outer part is enameled in turquoise and aubergine blue, thereby creating a contrast between the dragon and the pot itself. H: 5 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 绿松石釉螭龙太白尊 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) TURQUOISE GLAZED BISCUIT PORCELAIN ‘MYTHICAL BEAST’ JOYSTICK HOLDER CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD It is molded as a crouching mythical beast and is all covered with a turquoise glaze, at the exception of the base. The base bears several collector labels: ‘#93 par leges acostados’, ‘Kang-Hsi 1662-1727’ and ‘Verde-Turquesa’. L: 9 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). *****LENGTH SHOULD READ 9 CM***** 绿松石瑞兽摆件 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A TURQUOISE GLAZED BISCUIT PORCELAIN ‘QILIN’ JOYSTICK HOLDER CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD It is molded as a crouching Qilin or Chinese unicorn resting on an octofoil flat base. It is all covered with a turquoise glaze, at the exception of the base. The base bears several handwritten old collector labels: ‘XVIIe K’ang Hsi 1667-1723’, ‘#93 par legues acostados’, ‘Kang-Hsi 1662 1723’ and ‘Verde-Turquesa’. H: 4,1 cm - width: 6,5 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). Note: The qilin (麒 麟) or Chinese unicorn represents good luck , prosperity, goodwill and benevolence. 绿松石釉麒麟摆件 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A PAIR OF RETICULATED TURQUOISE GLAZED PORCELAIN ‘THREE FRIENDS OF WINTER’ BRUSHPOTS, BITONG CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD Of circular shape, with a flat foot, the body is reticulated with the theme of the ‘Three Friends of Winter’. The outer and the inner parts are all covered with a desirable turquoise glaze. The foot is left unglazed with a paste of orange color. The bases bear identical handwritten collector labels, three (3) on each: ‘XVIIe K’ang - Hsi 1662 -1723’ and #53. H: 9,5 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). Note: Because they all can flourish during the winter, the pine, plum tree and bamboo are known as the Three Friends in Winter. Compare with a related pair of reticulated brushpot, though of slightly bigger size, sold at AGUTTES Paris, France, 2022-05-31, lot 82, for €5,200. 一对绿松石釉岁寒三友笔筒 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST A YELLOW-GLAZED ‘LOTUS’ BISCUIT PORCELAIN STEM CUP CHINA, LATE QING DYNASTY, KANGXI STYLE It rests on a tall gradient foot and has a round body. It is engraved with lotus flowers and scrolls. The inner part is engraved with a lingzhi fungus. It is all covered with a yellow glaze. H: 5,5 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). Note: Because the Buddha is often depicted as seated on a lotus, the lotus is considered a sacred Buddhist symbol (one of Eight Auspicious Symbols) representing purity and detachment from worldly cares 黄釉莲纹杯 中国，晚清 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A PAIR OF APPLE-GREEN GLAZED SHALLOW CUPS CHINA, QING DYNASTY Of circular shape, they rest on a short ring foot and have round bodies with slightly everted rims. They are all covered with a desirable apple-green glaze. The bases are engraved with an identical gift or wish mark: ‘录’ (Lù - record). They also bear several identical old collector labels: ‘#1 - par platos verdes Kang-Hsi’ and ‘XVII Din.’. D: 14,9 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 一对苹果绿釉浅杯 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A FAMILLE VERTE BISCUIT PORCELAIN LIBATION CUP CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD It is adorned with applied climbing chi dragons around the handle as well as below the spout. It is finely painted in yellow, green and aubergine enamels to depict, amidst others, taotié masks. H: 4 cm - width: 9,8 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 祭祀用酒杯 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A GROUP OF TWO (2) MINIATURE PORCELAIN VASES CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD It consists of: - one vase resting on a ring foot and having a globular body surmounted by a long tubular neck with an everted rim, all covered with an apple-green glaze; - one turquoise-enameled biscuit porcelain vase of bottle shape. H (the tallest, the blue one): 9,5 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 一组（2）个微型瓷花瓶 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF OTTO GURGEN: A PROMINENT GERMAN ARGENTINIAN INDUSTRIALIST (BY REPUTE) A FAMILLE ROSE PORCELAIN ‘LOTUS’ CUP CHINA, QING DYNASTY, POSSIBLY QIANLONG PERIOD The cup is thinly and naturalistically potted as a lotus flower standing on a lotus branch. H: 3,6 cm - D: 6,7 cm ****HEIGHT SHOULD BE MORE 3,* CM**** Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). Note: Because the Buddha is often depicted as seated on a lotus, the lotus is considered a sacred Buddhist symbol (one of Eight Auspicious Symbols) representing purity and detachment from worldly cares. 粉彩瓷莲花杯 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A PAIR OF AUBERGINE AND YELLOW GLAZED BISCUIT PORCELAIN BEAKER VASES OF ARCHAISTIC GU SHAPE CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD It rests on a base imitating a stand with ruyi scrolls, enameled in egg yellow tones. The body, in three parts, is either carved or molded with archaistic patterns such as stylized cicadas and taotie masks. It is all covered in aubergine and yellow enamels. The base is left unglazed. H: 26 cm Note: This vase reveals the taste for antique bronzes and archaic shapes during the Qing Dynasty. For example, Emperor Qianlong had amassed enormous ancient bronzes, which decorated halls and became a scenery in the Qing palaces like his other precious collections and sustained research effort - spanned sixty years during the Qianlong reign - resulted in three catalogues of imperial bronze collection. 仿古一对黄紫色瓷杯 中国，清代，可能为康熙年间 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
AN EGG AND SPINACH MOLDED BISCUIT PORCELAIN FIGURE OF A GUANYIN CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD The Goddess of Mercy is depicted seated in rajalalisana, wearing loose robes and a necklace as well as a veil covering the hair-bun which topped her head. She is also holding a fly whisk in her right hand as well as a holy water vase in her left hand. The piece is covered with an egg and spinach (also known as arlequin, i.e. yellow and aubergine enamels) glaze. Offered at auction together with an old and desirable matching wooden collector stand with lotus bands. H (stand excluded): 19,2 cm H (stand included): 25,5 cm Note: An identical figure of Guanyin is visible in the archived sold lots of Galerie Nicolas Fournery, Paris, France. Click HERE to see the related item. A related figure is illustrated by Luisa Vinhais and Jorge Welsh in Biscuit: Refined Chinese Famille Verte Wares, Jorge Welsh Books, London and Lisbon, October, 2012, pp. 206-210. 黄绿釉观音瓷像 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
PROPERTIES FROM THE P. COLLECTION OF BISCUIT PORCELAIN WARES PAIR OF EGG AND SPINACH / ARLEQUIN ENAMELED BISCUIT FOO DOGS JOYSTICK HOLDERS China, Qing Dynasty The female has a cub climbing its right foreleg. The male has its left leg on a ball. H: 16,5 cm Provenance: The P. Collection: a private collection of Chinese 18th century biscuit porcelain wares inherited by descent. *****HEIGHT SHOULD READ 16,5CM***** 一对瓷宠物狗摆件 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
PROPERTIES FROM THE P. COLLECTION OF BISCUIT PORCELAIN WARES A NEAR PAIR OF FAMILLE ROSE ENAMELED BISCUIT FOO DOGS JOYSTICK HOLDERS China, Qing Dynasty Two male figures with similar enamels but for the bases, i.e. not a real pair. H: 22,4 cm Provenance: The P. Collection: a private collection of Chinese 18th century biscuit porcelain wares inherited by descent. 近一对粉彩宠物狗摆件 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
PROPERTIES FROM THE P. COLLECTION OF BISCUIT PORCELAIN WARES A MIRROR PAIR OF FAMILLE ROSE BISCUIT ENAMELED HEHE / HOHO / ERXIAN China, Qing Dynasty Each is grasping a ruyi scepter and a lingzhi fungus of immortality / longevity. H: 18,5 cm Provenance: The P. Collection: a private collection of Chinese 18th century biscuit porcelain wares inherited by descent. “和合二仙”瓷摆件一对 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
PROPERTIES FROM THE P. COLLECTION OF BISCUIT PORCELAIN WARES A PAIR OF ‘WOMAN AND MAN’ FAMILLE ROSE ENAMELED BISCUIT WALL / HANGING JOYSTICK HOLDERS China, Qing Dynasty L (the biggest): 17,5 cm Provenance: The P. Collection: a private collection of Chinese 18th century biscuit porcelain wares inherited by descent. 一对粉彩人物摆件 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
PROPERTIES FROM THE P. COLLECTION OF BISCUIT PORCELAIN WARES A GREEN ENAMELED BISCUIT FIGURE OF STANDING LUXING China, Qing Dynasty The start god is depicted standing and holding a baby in his left hand. One of a suite of three, together with Fuxing (Happiness Star) and Shouxing (Longevity Star). H: 20,5 cm Provenance: The P. Collection: a private collection of Chinese 18th century biscuit porcelain wares inherited by descent. *****HEIGHT SHOULD READ 20,5 CM***** 绿珐琅“禄星”瓷像 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A LIGHTLY CRACKLE CELADON GLAZED RETICULATED PORCELAIN NIGHT LAMP OR CENSER CHINA, POSSIBLY MING DYNASTY OR LATER It rests on a spread foot, not glazed and with a paste of orange tone visible, and has a bell-shaped body parcel open-worked. It is all covered with a lightly crackle celadon glaze. The base bears an old collector label. It is offered at auction together with a matching wooden stand. H (stand excluded): 9,6 cm 小开片青瓷夜灯或香炉 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
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