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A Clarice Cliff Coral Firs pattern three piece pottery tea set, classic Art Deco design from the 1930's, comprising teapot, milk jug and sugar pot, hand painted, bears Clarice Cliff Bizarre back stamps to base of each item, the teapot is 12cm high Condition: teapot - blemishes & minor paint loss, sugar bowl - minor paint loss, milk jug - chip to spout, minor paint loss. Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.

Utagawa Kuniyoshi (Japanese, 1798-1861),'Kurahashi Zensuke Takeyuki' from the series 'Seichu gishi den' (Biographies of Loyal and Righteous Samurai), depicting a samurai lifting a scroll painting on the blade of his sword, signed Ichiyusai Kuniyoshi ga, published by Ebiya Rinnosuke with seals of Mera and Murata, woodblock print, oban,35.5 x 23cm, framedFor a similar item, see British Museum, Museum No. 2008,3037.15225.Condition ReportDid not examine outside of the frame. Frame with surface scratches and knocks, silk of mouting stretched.Paper cockled and creased. Foxing, staining and dirt marks in various locations. A 3.5cm tear to the upper right section.

VICTORIAN TORTOISESHELL & IVORY CARD CASE, sides inlaid with wild flowers and foliage, hinged cover, push latch, 10.5cms high. (GOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference ARKZ9FNG)Provenance: private collection South Wales.Comments: small ivory sliver edge missing. Export restrictions may apply.

Cites ASSORTED JEWELLERY & COLLECTABLES comprising Mughal School portrait miniature in gold plated copper frame with bar brooch mount, portrait mourning brooches and four Victorian daguerreotypes, pair of portrait earrings (7)GOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference AJWQUGF1Provenance: private collection PembrokeshireComments: worn overall particularly cases of daguerreotypes

A POWERFUL IVORY NETSUKE OF KAN'UUnsignedJapan, 18th century, Edo period (1615-1868)The ivory netsuke of triangular sankaku type, typical for early ivory netsuke, depicting the God of War standing tall, one hand pensively stroking his beard, the other holding his halberd down. Clad in a voluminous robe with gauntlets peeking through his billowing sleeves, his expression powerful and contemplative. The facial hair and the surface of the robe finely engraved and stained for texture. The back with an attractive honey-yellow patina and with good, asymmetrical himotoshi.HEIGHT 8.8 cmCondition: Excellent condition with expected age cracks and typical minor wear.Provenance: From a German private collection.Auction comparison:Compare a related large ivory netsuke of Kan'u at Zacke, Fine Netsuke & Sagemono, 25th September 2020, Vienna, lot 26 (sold for EUR 7,584).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0356).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A GOOD IVORY NETSUKE OF A DUTCHMAN WITH DOGUnsignedJapan, late 18th century to early 19th century, Edo period (1615-1868)Standing, his body twisted ever so gently as he cradles a European mutt with a turned nose against his chest, one hand supporting its hindlegs, the other held against its shoulder. Dressed in a long coat stopping well above the knees, exposing his paned breeches. The face with a stifled smile under a characteristically large hat. The back with an attractive honey patina and an asymmetrical himotoshi.HEIGHT 8.5 cmCondition: Very good condition with minor wear, commensurate with age and few age cracks.Provenance: From a German private collection.Museum comparison:Compare a closely related ivory netsuke of a Dutchman with dog in the Victoria & Albert Museum, London, Museum number FE.284-1995.Trade Certificate: The trade certificate for the sale of this lot within the EU has been grantedThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A GOOD TALL IVORY NETSUKE OF A TARTAR ARCHERUnsignedJapan, late 18th century, Edo period (1615-1868)Finely carved standing with the feet pointing in opposite directions, wearing an elaborately patterned robe with wavy collar, key-fret band, and cloud and wave designs, carrying a quiver of arrows on his back and holding a bow tightly to his side with his left hand, the right hand raised toward his shoulder, his head turned upward to the side, the face showing a fierce expression with large bulging eyes, inked pupils, a broad nose with flaring nostrils, and a wide-open mouth, two asymmetrical himotoshi to the back. The ivory bearing a fine patina.HEIGHT 11.4 cmCondition: Very good condition with only minor surface wear and expected natural age cracks.Provenance: Zacke, Fine Netsuke & Sagemono, 16 April 2021, Vienna, lot 23. German private collection, acquired from the above.The Tartars were a race of Mongolian nomads, occupying areas in Northern China. They tended to drive south in the winter and invaded China and Japan in the 13th century, finally founding the Yuan dynasty (1279-1368) in China under Kublai Khan, a grandson of Genghis Khan.Auction comparison:Compare a closely related netsuke at Bonhams, Fine Japanese Art, 12 May 2016, lot 245 (part lot, sold for GBP 4,375). Another was sold at Zacke, Fine Netsuke & Sagemono, 28 April 2023, Vienna, lot 19 (sold for EUR 4,940).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0359).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A GOOD TALL IVORY NETSUKE OF A SARUMAWASHI (MONKEY TRAINER)UnsignedJapan, 18th century, Edo period (1615-1868)Superbly carved as a monkey trainer wearing a cloud-patterned robe, a food basket tied to his waste, holding a long taming stick in one hand, the other hand handing a peach to the monkey clambering on his shoulder. The foreigner-esque face of the sarumawashi is carved expressively with large eyes and a wide grin baring teeth. The ivory bearing a deep-yellowish patina, turning honey-colored in the back, the back with large and asymmetrical himotoshi placed at an angle to each other.HEIGHT 9.7 cmCondition: Very good condition with wear and traces of use consistent with age and handling. Several natural age cracks. A tiny old chip to the edge of the monkey trainer's hat.Provenance: Sotheby's, 25 October 1994, Amsterdam, lot 663. Ex-collection Dr Anton C. R. Dreesmann (1923-2000), old inventory no. E-41 pasted to the back. Sold at Christie's, The Dr Anton C. R. Dreesmann Collection: Dutch Pictures & Works of Art, 16 April 2002, London, lot 1330.Dr Anton C. R. Dreesmann (1923-2000), third-generation member of the founding family of the biggest Dutch department store, Vroom & Dreesmann, was a passionate collector, amassing over 1,300 works of art, barely ever selling any of his beloved acquisitions. Among his collection were famous works by French impressionist and post-impressionist painters such as Claude Monet and Georges Seurat, but he also formed a small collection of netsuke mostly depicting foreigners and Dutchmen.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307507150-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE IVORY NETSUKE OF ROSHI ON AN OXUnsignedJapan, 18th century, Edo period (1615-1868)The ox meekly standing foursquare, its nose pierced and roped, controlled by Roshi seated atop the cattle holding on to the incised rope. The old master clad in a voluminous robe with billowing sleeves, his face carved with a flowing beard, his hair tied into a topknot. The animal with its head bowed, its tail and fur finely detailed, all supported on thick strong hooves. The ivory bearing an attractive patina with a superb golden-yellow hue.HEIGHT 6.7 cmCondition: Very good condition with minor wear and few natural age cracks.Provenance: Sharen Chappell, September 1995. Ex-collection Guy de Lasteyrie, acquired from the above. De Lasteyrie is a member of the Lasteyrie du Saillant family and is considered among the leading French collectors of netsuke. Roshi, the ancient philosopher, the venerable Prince, is the founder of the Taoist system of philosophy. According to legend, Roshi's mother conceived at the sight of a falling star and carried Roshi for eighty-one years in her body. He was born with a grey beard, with a white and yellow face. He had large eyes, fine eyebrows, ragged teeth in a square mouth, a double ridge to his nose, ten toes on each foot, and ten lines in each hand, and his enormous ears had three passages each. Artistic representations, however, do not adhere to this depiction and Roshi is usually shown as an old Chinese man, seated upon an ox on which he is miraculously carried to paradise.Literature comparison:Compare a closely related ivory netsuke, depicting Laotse seated on a bullock, illustrated in Lazarnick, George (1981) Netsuke & Inro Artists, and How to Read Their Signatures (LNIA), Vol. 1, p. 84.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207506627-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A TALL IVORY NETSUKE OF A SENNINUnsignedJapan, 18th century, Edo period (1615-1868)A powerful, tall ivory netsuke depicting a sennin-immortal holding an unravelling scroll before him and securing his large hat in the back. The balding immortal is depicted with long hair falling against his shoulders and with a long, pointed beard, his loosely fitted artemisia leaf robe opening at the chest, the himotoshi in the back formed by one hole above the waist, the cord channel running through an opening of the draping sleeve. The sennin's expression is boldly crafted, the mouth agape dramatically, the glaring eyes inlaid with dark horn pupils. The ivory bearing a superb, honey-yellow patina.HEIGHT 9.7 cmCondition: Excellent condition with minor wear and only very few light age cracks.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207512278-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A GOOD IVORY NETSUKE OF ROSEI'S DREAMUnsignedJapan, early 18th century, Edo period (1615-1868)Rosei is depicted as a reclining figure resting on his side, one hand supporting the head, the other wrapped around the handle of the uchiwa, wearing a floral scroll and karakusa detailed robe cinched at the waist with a hyotan to the back. The face lost in a daydream with a gentle smile across the face. Excellent himotoshi through the underside, the larger oval hole generously excavated.LENGTH 7.4 cmCondition: Very good condition with natural age cracks and a few natural imperfections.In the original 8th century Chinese tale, Rosei (Lu Sheng) leaves his village in search of an illustrious career in the civil service. This tale inspired the 15th Century Japanese Noh play 'Kantan,' and was modified to reflect the Buddhist philosophy of Noh Theatre's elite warrior audience. In the Noh drama, Rosei falls asleep at an inn while waiting for his meal and dreams that he is visited by a grand entourage that invites him to become the emperor. When the innkeeper awakens him, Rosei immediately realizes that his fifty-year reign as emperor was only a vain dream. Rosei's awakening is comparable to a spiritual awakening or enlightenment that recognizes the transience of human life and the vanity of human ambition. Rosei abandons his dream of self-advancement and returns to his village.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207512942-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A RARE TALL IVORY NETSUKE OF THE PRAWN SENNIN KENSUUnsignedJapan, 18th century, Edo period (1615-1868)Published: OEstasiatiska Museet (1999) Netsuke, p. 63.Exhibited: OEstasiatiska Museet, Sweden, Stockholm, 16 October 1999 – 9 January 2000.Kensu (in Chinese Xianzi), also known as the Ebi (prawn) Sennin or shrimp eater, was a Zen monk famous for breaking the Vinaya code on eating meat, and thus paradoxically gaining enlightenment. He was rumored to wander riverbanks and fish only for lobster and clams. The tall ivory netsuke shows him holding a lobster slung over his shoulder with an ecstatic expression, signifying his enlightenment. He wears only a straw skirt, shoes and shin guards, his body slightly emaciated, the rib cage and spine in the back vividly expressed. The backside shows a fine honey patina and the asymmetrical, generously excavated himotoshi.HEIGHT 12.2 cmCondition: Very good condition with minor expected wear and few natural age cracks.Provenance: Ex collection Mrs. Gunvor Bjorkman. Zacke, Fine Netsuke & Sagemono, 27 March 2020, Vienna, lot 13. German private collection, acquired from the above.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0358).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A SUPERB AND RARE IVORY NETSUKE OF A TENNIN (BUDDHIST ANGEL)UnsignedJapan, 18th century, Edo period (1615-1868)Published: Joly, Henri (1908) Legend in Japanese Art, p. 521.Joly, Henri L. (1912) The W. L. Behrens Collection, Part 1, Netsuke, no. 274 and illustrated on pl. V.The Buddhist angel (apsara in sanskrit) depicted in mid-flight, her celestial scarf and the tail feathers of her hagoromo (feather dress) swaying gracefully in the wind. Her hair is tied in a high chignon mounted by a chrysanthemum-tiara and she holds a lotus flower with both hands before her. Her facial features reflect her beauty and divineness as she smiles gracefully. The ivory bearing a lovely, warm, and lustrous patina. Good asymmetrical himotoshi through the underside, the larger oval hole generously excavated to accommodate the knot.LENGTH 7.2 cmCondition: Good condition with minor wear and few age cracks. Some old, non-distracting chips here and there.Provenance: Ex-collection W. L. Behrens (1861-1913). Sold at Sotheby's, 19 June 1996, London, lot 170. Ex-collection Guy de Lasteyrie, acquired from the above. De Lasteyrie is a member of the Lasteyrie du Saillant family and is considered among the leading French collectors of netsuke.Auction comparison:Compare a closely related ivory netsuke of a tennin, of slightly larger size (7.9 cm), at Zacke, Fine Netsuke & Sagemono, 29 October 2021, Vienna, lot 23 (sold for EUR 15,168).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR220750619-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A GOOD IVORY NETSUKE OF A FOX PRIEST (HAKUZOSU)UnsignedJapan, 18th century, Edo period (1615-1868)Standing enveloped in a long robe, a large cowl draped over its head, the two ears visible through the cloth at the top, the face with a sly expression, the mouth slightly agape. The attractive pose, standing on one leg with the head turned to the right looking down, draws the eye and captures the balance of the composition. Generously excavated, perfectly functional himotoshi to the back.HEIGHT 9 cmCondition: Expected age cracks, natural fissures, minor losses, the staff likely lost. The ivory has a rich yellow patina darkening along the back.Provenance: Kunsthandel Klefisch, 30 June 1982. Collection Caliari, Milan, acquired from the above. Kunsthandel Klefisch, 27 April 2013, Cologne, lot 180 (sold for EUR 2,750). German private collection, acquired from the above.Hakuzosu is the name of a popular kitsune character who shapeshifted into a priest in the Kyogen play Tsurigitsune. Kitsune are creatures imbued with magical powers and are known to have the ability to shapeshift. They are also believed to be animated by the devils.Auction comparisonCompare a related ivory netsuke of a fox priest, 9.5 cm high, at Zacke, Fine Netsuke & Sagemono, 4 November 2022, lot 6 (sold for EUR 7,150).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0366).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

MASANAO: A SUPERB IVORY NETSUKE OF HOTEI WITH A TREASURE BAGBy Masanao, signed Masanao 正直Japan, Kyoto, late 18th century, Edo period (1615-1868)The pot-bellied God of Luck, dressed in a voluminous robe finely engraved with karakusa and flowers across the various pleats and folds, smiling a toothy grin as one hand supports the linen bag on his head in which he stows away the Precious Things, Takaramono, while the other lifts his hem off the floor in preparation to ford a stream. The sack detailed with foliate designs and tied to one side with a finely incised braided rope issuing tassels. The back with generously excavated and angled himotoshi and the neatly engraved signature MASANAO.HEIGHT 6.2 cmCondition: Some age cracks, repairs to the legs and to the tassels of the treasure bag, otherwise in good condition. Fine natural patina overall. The decorations to the robe and bag likely added later by a talented engraver such as Hidemasa of Osaka. Provenance: Bonhams, Fine Japanese Art, 10 November 2016, London, lot 217. French private collection, acquired from the above.Masanao's place as one of the greatest of all netsuke carvers is justified by the outstanding genius displayed in his work. His netsuke, from their daring originality, bold design, beautiful modeling and living spirit stand in a class of their own. Such is the outstanding character of an exceptional Masanao netsuke that it immediately attracts the eye. Combined with a free and bold style it has a fine and delicate finish. Perhaps to a greater degree than with any other netsuke carver, Masanao's netsuke strike one instantly as the creation of an inspired master and with the power of direct expression. Notably, Masanao is listed in the Soken Kisho, the first publication on netsuke published in 1781.Literature comparison:Compare a closely related wood netsuke illustrated in Sagemonoya (2004) Ninety-Nine Netsuke & One Inro, p. 10-11, no. 13.Auction comparison:Compare a related ivory netsuke of Daikoku by Masanao with similar tassels to the bag, manner of carving and himatoshi at Bonhams, Fine Japanese Art, 6 November 2012, London, lot 114 (sold for GBP 34,850).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307502998-K).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A KYOTO SCHOOL IVORY NETSUKE OF HOTEIUnsignedJapan, Kyoto, late 18th century, Edo period (1615-1868)Of typical triangular section (sankaku), depicting the lucky god Hotei dressed in a loosely fitted, cloud-patterned robe revealing his potbelly. Hotei is seated at ease and has an amusing expression formed by a wide grin framed by large, pendulous earlobes. Good himotoshi to the back and underside. The ivory bearing a fine, yellowish patina. Unsigned, however in the manner of Yoshinaga of Kyoto and his followers.HEIGHT 4.5 cm, LENGTH 5.2 cmCondition: Very good condition with minor typical wear and few natural age cracks.Provenance: Collection of Robert and Isabelle de Strycker, and thence by descent in the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France's post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Asian art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938, they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976).Trade Certificate: The trade certificate for the sale of this lot within the EU has been grantedThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A GOOD IVORY NETSUKE OF SHOKIUnsignedJapan, late 18th to early 19th century, Edo period (1615-1868)The ivory netsuke of typical triangular sankaku-type depicting the demon queller Shoki standing in an animated pose with a grimace on his face, one hand to his side drawing the hilt of his sword, the other in a fist to his chest. Clad in voluminous robes with billowing sleeves, the face framed by a thick flowing beard and long, wild locks. Well-hollowed himotoshi back.HEIGHT 7.3 cmCondition: Good condition with age cracks and possible losses to the tip of the sword hilt.Provenance: German private collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0343).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A RARE TALL IVORY NETSUKE OF A KOKYU PLAYERUnsignedJapan, Osaka, 18th century, Edo period (1615-1868)The musician holding the kokyu in one hand and the accompanying horsehair strung bow in the other, clad in a kimono tied at the waist with an obi detailed with a geometric design, the smiling face with raised brows and full cheeks, the head covered with a headdress. The back with a generously excavated, angled himotoshi.HEIGHT 9.1 cmCondition: Very good condition with minor wear and traces of use. A few natural age cracks.Provenance: From a German private collection. To the pad of the foot, an old collector's number inscribed, '127.'The kokyu is a traditional Japanese string instrument, the only one played with a bow. Horse tail hair is bound to make the hair for the bow. This hair is detachable; a cord is attached to the tip of the hair on the side of the hand; and the cord is tied to a small metallic ring attached to the wood part of the bow. Most of the bows of Kokyu that are used in the genre of Sangyoku (played in combination with Kokyu and two other Japanese instruments) are long, and bows with a hair length of seventy centimeters and a total length exceeding one meter are common. In addition, a large amount of hair is used, and it is a feature of the bows of this type to have the hair string attached at a moderate tension. This charming depiction, full of character, is one which derives from a fairly prolific and thus far anonymous artist – or more likely workshop – in the late eighteenth century. The milky-white ivory and the concern with surface and line indicate they were based in or close to Osaka, and their figures are of medium rather than outsize scale and always smile.Auction comparison:Compare a related Osaka school ivory netsuke of a street vendor at Zacke, Fine Netsuke & Sagemono, 4th November 2022, Vienna, lot 8 (sold for EUR 8,596).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0347).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE IVORY NETSUKE DEPICTING TWO RABBITS WITH CORAL-INLAID EYESUnsignedJapan, 19th century, Edo period (1615-1868)Finely carved as two hares with laid back ears, seated with one resting its front paws on the haunch of the larger rabbit. Their small feet detailed with soft features while their eyes are inlaid with coral. Each delicately stained with a few beige spots. Two small himotoshi to the base.LENGTH 4.6 cmCondition: Very good condition with minor wear and expected age cracks.Provenance: Collection of Charles Rozenfeld, Antwerp, Belgium. Charles Simon Rozenfeld (1943-2020) was a Belgian diamond dealer and keen collector of Japanese art, particularly ivory.Museum comparison:Compare a closely related ivory netsuke, likely from the same hand, depicting a single rabbit with coral-inlaid eyes, in the Metropolitan Museum of Art (The MET), New York, accession no. 10.211.10.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00449/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY NETSUKE OF A BAYING KIRINUnsignedJapan, late 18th to early 19th century, Edo period (1615-1868)Boldly carved, the kirin's body and neck turned backwards dynamically, the head and snout upturned as it bays. The striking pose allowing the beast's beard and mane to fall elegantly down its body, connecting with its bushy upturned tail. Himotoshi to the side and base.HEIGHT 7.1 cmCondition: Good condition with minor wear, one foot restored, some expected natural age cracks.Provenance: Lempertz, Netsuke, Inro und Sagemono aus einer Rheinischen Sammlung 8 December 2018, Cologne, lot 437. German private collection, acquired from the above.The Kirin is derived from the Chinese mythical beast Qilin, one of the four divine creatures, the others being the dragon, phoenix, and turtle. The Japanese Kirin is something of a wild mythical fantasy – its most characteristic feature is of course the horn, as it is also called the Japanese unicorn. It has four legs with hooves and the hind legs are covered with extremely well-expressed fatty tissue, like that of a shishi. The rest of the body is covered in dense plumage, like that of a phoenix.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0362).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

TOMOTADA: AN IVORY NETSUKE OF A RECUMBENT OXSigned Tomotada 友忠Japan, late 18th to early 19th century, Edo period (1615-1868)Boldly carved, the ox seated on its legs craning its neck to the side. Its textured horns, spine and ribs giving a naturalistic element to the harnessed ox, incised all over with delicate strokes. A rope attached to the ox's harness lies across the back of the bulky animal. Two well-hollowed himotoshi to the base and signed within an oval reserve TOMOTADA. The oval reserve together with some stylistic animals such as the position of the legs indicate Risuke Garaku and his followers as a likely artist, rather than Tomotada.LENGTH 5.1 cmCondition: Very good condition with minor wear and expected age cracks.Provenance: Kunsthandel Klefisch, Auction 91, 10 October 2009, Cologne, lot 77. German private collection, acquired from the above.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0360).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE, OLD IVORY NETSUKE OF A FARMER WITH A STRAW BASKETUnsignedJapan, 18th century, Edo period (1615-1868)Finely carved in the form of a seated farmer holding his straw basket filled with tools slung over his shoulder. The farmer looking exhausted, resting his heavy head on his raised left knee, closing his eyes in a pained expression. The basket is filled with rope, a scythe, and other farming implements. With an antler ojime carved as a mushroom. The top of the basket is separately carved and houses the cord attachment in the form of an eyelet.LENGTH 3.9 cmCondition: Good condition with minor wear, expected age cracks, a chip to the basket lid, and the farmer's right foot lost. The ivory bearing a beautiful, deep-yellow patina.Provenance: Estate of an Austrian collector, the collection was assembled in the 1980s – 1990s through purchases at Galerie Zacke and other specialized galleries in Vienna. The base with an old inventory number '142-54882-58.'Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0245). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A VERY LARGE IVORY NETSUKE OF TWO RATS GNAWING AN UMBRELLAUnsignedJapan, 18th century; Edo period (1615-1868) Finely carved as two rats gnawing on a tattered umbrella, one peering through the folds, the other recumbent on its hindlegs, the fur inked for texture with the beady eyes inlaid with dark lustrous horn. The base with a himotoshi and a second natural aperture through the folds of the parasol.LENGTH 9.6 cmCondition: Very good condition with typical wear. The left ear of the larger rat chipped.Netsuke motifs often come from interesting proverbs from old times. Tales and poems with metaphors were popular among ordinary people in the Edo period, which had an influence on motifs. According to Yukari Yoshida and Joseph Kurstin, this netsuke illustrates the Japanese proverb, “If an umbrella is eaten by a rat, the owner's family will make a fortune.” This netsuke represents the spirit of making the best out of any given situation.Auction comparison:Compare a closely related large ivory netsuke of two rats gnawing a tattered umbrella at Christie's, Japanese and Korean Art, 21st September 2006, New York, lot 399 (sold for USD 2,040).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307500497-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN AMUSING AND RARE IVORY NETSUKE OF A RECUMBENT SHISHIUnsignedJapan, 18th century, Edo period (1615-1868)The fierce shishi carved in a peculiar and whimsical pose, sprawled on its side with one leg resting lazily on its side while the others curl and extend in an indolent posture. With its abnormally large head, the face is powerfully carved with its mouth agape exposing its large teeth and tongue, its bulging eyes beneath furrowed brows, and its mane incised with large curls. Two well-hollowed himotoshi to the base. The polished ivory is pleasing to touch and has a rich, honey-yellow hue to the base.LENGTH 5.2 cmCondition: Good condition with minor, natural expected age cracks, and a nerve channel on the backMuseum comparison: Compare a closely related ivory netsuke depicting a reclining shishi, unsigned, dated mid-18th century, in the Metropolitan Museum of Art (the MET), New York, accession no. 10.211.1098.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0334).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A SUPERB IVORY NETSUKE OF A TIGER WITH CUB, ATTRIBUTED TO TOMOTADAAttributed to Tomotada, unsignedJapan, Kyoto, late 18th century, Edo period (1615-1868)Published: Netsuke Kenkyukai Study Journal, vol. 6, no. 2, p. 28.Published & Exhibited: Association Franco-Japonaise, Netsuke Sagemono, Paris, 2019, p. 70, no. 123.A remarkably sculptural, large, tactile, and boldly carved ivory netsuke depicting a male tiger protecting its young cub, placing one paw on its back while the young impishly scratches its chin, looking up at its father with an amusingly innocent expression. The adult tiger in contrast is shown as a mighty creature, towering over its cub, its eyes with inlaid horn pupils glaring down towards the ground, the muscular body with pronounced shoulders, the thick tail curling up over the tiger's back. The neatly incised hairwork and stripes are executed in the typical manner of the Tomotada studio and are remarkably well-preserved with only minor wear at the exposed areas and high points. The ivory bearing a yellowish patina with deep spots of honey. The underside shows the superbly carved, large paws and one large himotoshi, the other is below the belly.HEIGHT 5 cm, LENGTH 4.8 cmCondition: Excellent and remarkably well-preserved condition. Minor wear and few natural age cracks. Beautiful, deep patina.Provenance: Ex-collection Guy de Lasteyrie, acquired from the above. De Lasteyrie is a member of the Lasteyrie du Saillant family and is considered among the leading French collectors of netsuke.Museum comparison:Compare with a related ivory netsuke of a tiger and cub by Tomotada (note the similar position of the cub) in The Victoria & Albert Museum, London, accession no. A.49-1915.Auction comparison:Compare a related ivory netsuke of a tigress with cub by Tomoatada at Zacke, Fine Netsuke & Sagemono, 16 April 2021, Vienna, lot 53 (sold for EUR 36,600). Also compare with a related ivory netsuke of a tigress with two cubs at Christie's, Art of Japan, The Tony & Johanna Oey Collection of Netsuke, 8 December 2016, London, lot 3 (sold for GBP 42,500).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207508117-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE IVORY NETSUKE DEPICTING A GRAZING HORSEUnsignedJapan, first half of 19th century, Edo period (1615-1868)Finely carved as a horse standing with its head extended down to graze. The mane is parted down the middle and is intricately incised with strands of hair, its ears emerging from the folds of hair. The horse is naturalistically carved with gentle eyes, and a long tail curling around its leg. Two himotoshi to the back. The beautifully smooth ivory bearing a fine, yellowish patina.HEIGHT 5.6 cmCondition: Very good condition with minor wear and small natural age cracks.Provenance: From an old private collection in Hungary. The interior of one himotoshi has an old collector's number, '443.' Auction comparison:Compare a closely related ivory netsuke depicting a grazing horse, unsigned, at Lempertz, 7 June 2019, Cologne, lot 462 (sold for EUR 3,472).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0333).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A SUPERB OSAKA SCHOOL IVORY NETSUKE OF A RABBIT WITH TREE BRANCHUnsignedJapan, Osaka, late 18th to early 19th century, Edo period (1615-1868)Finely carved, the recumbent hare (usagi) places its delicately carved feet on the side of a hollow log, which is finely detailed with splits and a bark that only partly covers the rotten tree branch. The full cheeks and delightful nose naturalistically depicted with incised hair and inlaid eyes of lustrous buffalo horn. The himotoshi pierces the base of the log and ends in the natural hollow of the log. The ivory has a deep yellow patina to the underside.LENGTH 5.6 cmCondition: Good condition with minor wear, some light chipping to the right ear, and natural expected age cracks.Provenance: Nagel Auction, 16 December 2019, Stuttgart, lot 4068. German private collection, acquired from the above.Auction comparison:Compare a related netsuke from the early Osaka school depicting a lunar hare, sold at Zacke, Fine Netsuke & Sagemono, 29 October 2021, Vienna, lot 63 (sold for 4,803 EUR).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0355).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

YOSHINAGA: AN IVORY NETSUKE OF A CROUCHING RABBITBy Yoshinaga, signed Yoshinaga 吉長Japan, Kyoto, late 18th to early 19th century, Edo period (1615-1868)Published: Sagemonoya (2022) A Selection of Netsuke & Sagemono from the Collection of Georgina & Gabor Wilhelm, p. 58, no. 93.A beautifully tactile and pleasingly worn ivory netsuke bearing a lustrous patina. Depicted is a long-eared hare crouching into a half-ball, its forepaws rubbing its belly underneath, the amusingly large eyes inlaid in highly polished dark horn. Large, generously excavated himotoshi underneath next to the signature within a rectangular reserve YOSHINAGA.HEIGHT 3.5 cmCondition: Very good condition with minor wear and few natural age cracks.Provenance: The Gabor Wilhelm Collection, Paris.Auction comparison:Compare a related ivory netsuke of a crouching hare by Yoshinaga, signed Bokushosai Yoshinaga, at Sotheby's, The Katchen Collection of Netsuke Part I, 8 November 2005, London, lot 46 (sold for hammer price GBP 10,000).Compare a related ivory netsuke of a crouching hare by Yoshinaga at Bonhams, The Julius & Arlette Katchen Collection of Fine Netsuke Part I, 8 November 2016, London, lot 72 (sold for GBP 8,125).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207511176-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

RANICHI: A FINE IVORY NETSUKE OF A PIEBALD RAT EATING A PEANUTBy Ranichi, signed Ranichi 蘭一Japan, Kyoto, early 19th century, Edo period (1615-1868)Naturalistically carved, the crouching rat holding a small peanut which it sinks its teeth into. The eyes are inlaid with dark buffalo horn and its body is incised with fine hairwork and stained brown for the spots. The tail which curves beneath its body forms the natural himotoshi. The base of the tail is signed RANICHI within the typical elliptic reserve.LENGTH 3.8 cmCondition: Very good condition with minor wear and expected age cracks.Provenance: Mastromauro Japanese Art, Milan, 30 August 2021. German private collection, acquired from the above.Auction comparison:Compare a related seated rat, signed Ranichi, sold at Bonhams, Fine Japanese Art, 17 May 2018, London, lot 102 (sold for GBP 2,500).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0364).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY SEAL-TYPE (INGYO) NETSUKE OF A SHISHI, ATTRIBUTED TO ANRAKUAttributed to Shukosai Anraku, unsignedJapan, Osaka, second half of the 19th centuryFinely carved, the shishi sitting on a base with a key-fret (rinzu) border, propped up on its large-clawed paws, and looking backwards. The head of the floppy-eared Buddhist lion flattened, its mane and tail finely incised, and its body decorated with spiral spots. The ivory is finely stained in the typical style of the artist and has a rich patina with dark yellow tone.LENGTH 3.2 cmCondition: Very good condition with minor wear.Provenance: Estate of an Austrian collector, the collection assembled in the 1980s – 1990s through purchases at Galerie Zacke and other specialized galleries in Vienna.Auction comparison:Compare a related ivory shishi with ball with the same spiral spots, signed Anraku, sold at Zacke, Fine Netsuke & Sagemono, 16 April 2021, Vienna, lot 73 (sold for EUR 2,196).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0244). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY SEAL-TYPE (INGYO) NETSUKE OF A SHISHI, ATTRIBUTED TO ANRAKUAttributed to Shukosai Anraku, unsignedJapan, Osaka, second half of the 19th centuryFinely carved, the seal-type netsuke with a male lion posed on the top of a waisted Chinese alter table with a key-fret (rinzu) border and tapering legs. The lion posed dynamically with its head turned back over his shoulder, placing one hand on a ball, with an elaborately incised mane and tail. Natural himotoshi between the table legs. The ivory finely stained in the manner characteristic of the artist Anraku.HEIGHT 4.6 cmCondition: Good condition with minor wear and a small loss to the apron of the alter table.Provenance: Duval Gallery, Brussels, 30 May 1945. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent within the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France's post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Asian art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938, they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976).Auction comparison:Compare a closely related netsuke of a shishi with a ball on a table, signed Anraku, sold at Sotheby's, A Collection of Netsuke, Inro and Lacquer Wares, 16 November 1983, London, lot 1 (sold for GBP 495).Trade Certificate: The trade certificate for the sale of this lot within the EU has been grantedThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

RANSUI: AN IVORY NETSUKE OF A TEAPOT WITH FLYBy Ransui, signed Ransui 蘭水Japan, Kyoto, 19th century, Edo period (1615-1868)Finely carved as a teapot with a curved handle and spout, the lid carved with a floral knop, one side applied with a fly. The lightly stained ivory bearing a beautiful, deep patina. Signed underneath within the raised circular foot rim RANSUI within an oblong reserve. The artist was a pupil of Hogen Rantei of Kyoto and only very few netsuke are recorded by him.HEIGHT 2.3 cm, LENGTH 3.8 cmCondition: Good condition with minor material flaws and few tiny nicks here and there.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207511131-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY ASHTRAY NETSUKE DEPICTING A STYLIZED PLOVER AND MOONUnsignedJapan, Osaka, 19th century, Edo period (1615-1868)Finely carved as a stylized plover (chidori) depicted mid-flight with outstretched wings, with a curved beak and large inlaid eyes, the front hollowed so that the netsuke can be used as an ashtray. The cord attachment formed as a small peg shaped as the crescent moon. The beautifully stained ivory bearing a fine patina.LENGTH 4.6 cmCondition: Very good condition with minor wear, the interior with remnants of dried ash, two pegged nerve channels to the back.Literature comparison:Compare a closely related ivory netsuke by Ohara Mitsuhiro, signed Mitsuhiro, illustrated in the International Netsuke Society Journal (2002), vol. 22, no. 2, p. 34.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207515126-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

GYOKUYOSAI: A RARE AND FINE IVORY NETSUKE OF A YABUMI (LOVE LETTER)By Gyokuyosai, signed Gyokuyosai 玉陽齋Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)A beautifully stained ivory netsuke in the form of a folded yabumi (love letter), the front finely decorated with various elaborate mon designs enclosed in sunken panels, the fine engraving enhanced with sumi (ink). The back with two himotoshi and the signature GYOKUYOSAI.LENGTH 5.4 cmCondition: Excellent condition with minor typical wear.Literature comparison:Compare a closely related ivory netsuke of a love letter by Gyokuyosai bearing a different design, illustrated in Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, no. 394.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207511170-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

GYOKUSEN: AN IVORY NETSUKE OF FUKURA SUZUME (PUFFED-UP SPARROW)By Gyokusen, signed Gyokusen 玉川Japan, Kyoto, 18th century, Edo period (1615-1868)The squat chubby bird looking ahead, its eyes inlaid with dark horn, the tail erect, and the wings spread. The ivory bearing a fine honey patina. The underside with a generously excavated himotoshi between feet carved in low relief and signed GYOKUSEN.LENGTH 4.5 cmCondition: Very good condition with minor wear commensurate with age. Few age cracks and one old and smoothened chip.Provenance: From a European collection. Zacke, Fine Netsuke & Sagemono, 16 April 2021, Vienna, lot 7. German private collection, acquired from the above.Auction comparison:Compare a closely related ivory netsuke of a formalized sparrow by Tomoharu at Bonhams, Netsuke from a European Private Collection, 8 May 2016, London, lot 40 (sold for GBP 3,000).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0349).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

MASAKAZU: A RARE IVORY NETSUKE DEPICTING ARABABA AND THE SPARROWBy Masakazu, signed Masakazu 正一Japan, Osaka, mid-19th century, Edo period (1615-1868)Depicting a disconcerting scene from the Tongue-Cut Sparrow (Shitakiri Suzume), the cantankerous Arababa holds her shears while the sparrow, whose tongue will soon be cut, flees behind her. The hag is finely carved with a wrinkled face bearing an innocent smirk, she wears a fine kimono and holds her belt with her left hand and the shears in her right. Her long hair, carved with fine strokes, falls elegantly down her back and is tied into her belt. The sparrow fleeing behind her left shoulder has its visible eye inlaid in dark horn. The asymmetrical himotoshi are finely excavated and functional. The artist's signature, MASAKAZU, etched within an elliptical reserve on the back of her right leg.HEIGHT 4.8 cmCondition: Very good condition with minor wear.Auction comparison:The present variation of this subject is very rare. For a more common depiction of Arababa riding the back of the sparrow and holding her shears, see at Sotheby's, Fine Netsuke & Ojime from the H.G. Beasley Collection, London, 14 March 1984, lot 2.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207512927-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN OSAKA SCHOOL IVORY NETSUKE OF GAMA SENNINUnsignedJapan, Osaka, early 19th century, Edo period (1615-1868)Gama Sennin is depicted straining under the weight of a huge toad on his shoulder, the sage grinning as he supports the amphibian on his arched back while holding onto his curved staff. Dressed in a flowing robe detailed with the typical sennin leaf cloak, the tattered sleeves exposing his hairy arms inked for texture. The toad with an expressively carved warty skin and large inlaid eyes of reddish horn. The back with an attractive honey patina and thoroughly excavated himotoshi.HEIGHT 5.6 cmCondition: Good condition with minor wear and traces of use. Few age-related cracks, tiny scratches and rubbing.Provenance: From a German private collection.Auction comparison:Compare a closely related ivory netsuke of Gama Sennin attributed to Masakazu at Zacke, Fine Japanese Art, 16th June 2023, Vienna, lot 358 (sold for EUR 3,120).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0348).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN AMUSING OSAKA SCHOOL IVORY NETSUKE OF SHOKI CAPTURING AN ONI, ATTRIBUTED TO HIDEMASAAttributed to Hidemasa, unsignedJapan, Osaka, early 19th century, Edo period (1615-1868)Amusingly carved and depicting the demon queller Shoki holding down his large straw hat which covers a struggling oni whose head has humorously poked through the top of the hat. Wearing his iconic sword, Shoki pins the arm of the oni, the fierce struggle visible on his face, while the oni grits its teeth. The functional himotoshi are finely excavated to the base.LENGTH 4.7 cmCondition: Very good condition with minor wear and expected age cracks. The ivory bearing a fine, yellowish tone.Literature comparison:A similar netsuke, by Hidemasa and signed Hide(masa), depicting an oni on Shoki's hat, is illustrated in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part A, p. 139.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207514923-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KAIGYOKUSAI: A FINE IVORY NETSUKE OF A FISHER GIRL (AMA) WITH TENAGA MONKEYSSchool of Kaigyokusai Masatsugu (1813-1892), signed Kaigyokusai 懐玉齋Japan, Osaka, second half of the 19th centuryFinely carved, the standing fisher girl turning to look up at the monkey seated on her shoulders, stabilizing the monkey's two legs, as the long-armed monkey reaches down and holds the arms of its young seated at the ama's feet. The fisherwoman dressed in the grass skirt of a pearl diver, having a serene expression on her face, a pouch tied to her waist. The monkeys are naturalistically carved and have inlaid eyes of tortoiseshell. The 'chimney type' himotoshi formed by one aperture to the back with the second beneath the skirt. Signed within a polished reserve KAIGYOKUSAI.HEIGHT 6.8 cmCondition: Very good condition with minor wear.This rather unique netsuke is finely balanced by the lanky arms which link the two monkeys, and which are a reference to the legendary yokai-fisherman Tenaga. In this amusing netsuke, the ama employs a Tenaga-monkey to fish its young out of the water.Auction comparisonCompare a related ivory netsuke attributed to Kaigyokudo (Kaigyokusai) Masatsugu, signed Masatsugu, depicting Okame with a monkey, at Christie's, The I.A. and Cecile Mann Victor Collection of Netsuke, 20 April 1989, New York, lot 58.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307502999-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

CHOKUSAI: A RARE WALRUS TUSK SEAL (INGYO) NETSUKE DEPICTING THE TWELVE ZODIAC ANIMALS (JUNISHI)By Miyagi Chokusai, signed Chokusai 直齋Japan, Tokyo, Meiji period (1868-1912)Exquisitely carved, the zodiac animals clamoring together with the large dragon twisting and coiling at its center. Vivid with palpable movement, each animal captured in dynamic movement, running or baring its teeth with a lively expression. The 'natural' cord attachment running through underneath the leg of the dog. The artist's seal CHOKUSAI to the back of the horse. The base of the ingyo netsuke bearing the seal cut characters 若君 Wakagimi [Young Lord]. The walrus tusk with beautiful, dense marbling.HEIGHT 5.8 cmCondition: Very good condition with minor wear, natural flaws, expected age cracks, and a few tiny lossesProvenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands.Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world's leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts.Auction comparisonCompare a related work by the artist of similarly dense composition at Zacke, Fine Netsuke & Sagemono, 16 April 2021, Vienna, lot 233 (sold for EUR 4,880).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A VERY RARE MARINE IVORY JINGASA (WAR HAT) WITH THE TWELVE ANIMALS OF THE ZODIAC (JUNISHI)UnsignedJapan, 18th century, Edo period (1615-1868)Published: Sagemonoya (2022) A Selection of Netsuke & Sagemono from the Collection of Georgina & Gabor Wilhelm, p. 87, no. 156.The furled helmet with a lipped rim depicting the twelve animals of the zodiac: monkey, horse, dog, snake, rabbit, tiger, ox, boar, rooster, sheep, dragon, and rat. The himotoshi cleverly incorporated to the interior where the cords would traditionally be fastened.LENGTH 4.7 cmCondition: Very good condition with minor wear and traces of use.Fuld's Netsuke and Ojime Index records no other example of a jingasa as the subject.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

HOSAI MASAHIRO: A FINE ANABORI IVORY NETSUKE REFERENCING THE LEGEND OF CHORYO AND KOSEKIKOBy Hosai Masahiro, signed Masahiro 正廣 with seal Hosai 芳齋Japan, Tokyo, c. 1860A remarkable and intricately carved ivory netsuke, the manju-type netsuke fitted with a 'faux lid' carved in relief with a ferocious sinuous dragon forming a circle, one side pierce-carved in anabori with a design of Choryo handing back the shoe to Kosekiko after having defeated the water dragon. Two himotoshi and signed MASAHIRO with red seal HOSAI underneath. The artist was known for his meticulous anabori carvings and was a pupil of Adachi Masanobu.DIAMETER 3.7 cmCondition: Very good condition with few natural age cracks.Provenance: Sold at Sotheby's, 13 March 1987, London, lot 39. German private collection, acquired from the above.Zhang Liang (known as Choryo in Japanese) was a Chinese military strategist and politician who lived in the early Western Han dynasty. The present netsuke depicts the legend of when Choryo met the old man Kosekiko (Huang Shigong) on a bridge. The old man began to teach the art of war to Choryo and one day Kosekiko wanted to test Choryo and threw a shoe into the river where a powerful water dragon lived. The dragon seized the shoe and Choryo defeated it and gave the shoe back to Kosekiko. The present netsuke shows exactly this scene – the proud Choryo, with one foot on the dragon's head, is presenting the shoe to Kosekiko who is mounted on a horse atop a bridge. According to legend, Choryo used the teachings of Kosekiko as a military adviser to Liu Bang, the founder of the Han dynasty.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number DE-K-230523-303). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

TOMOMASA: A FINE IVORY NETSUKE DEPICTING AN ONI POLISHING A MOKUGYOBy Tomomasa, signed Tomomasa 友正 to 刀Japan, Edo/Tokyo, second half of 19th centuryIntricately carved in the form of an oni bent over a large mokugyo bell. The gleeful expression of the demon contrasting with the immense effort he exudes while polishing, visible through the strained muscles of his biceps and legs. The oni wearing a tobacco pouch inscribed 'Hi yoshin' ('Beware of fire'). The himotoshi placed in the natural hollow of the bell. The base of the bell signed TOMOMASA to [carved by Tomomasa].HEIGHT 3.8 cmCondition: Very good condition with minor wear.Provenance: From a German private collection.Auction comparison:Compare the closely related ivory netsuke of an oni polishing a large cauldron, signed Tomomasa, sold at Bonhams, Fine Japanese Works of Art, 20 March 2012, New York, lot 2096 (sold for USD 2,750).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0341).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

IPPOSAI: AN AMUSING INLAID IVORY AND WOOD KARAKURI (TRICK) NETSUKE OF A DARUMA DOLLBy Ipposai Jitsumin, signed Ipposai 一宝齋Japan, Edo (Tokyo), first half of 19th century, Edo period (1615-1868)A beautifully rounded and compact wood netsuke depicting a daruma doll, the dark-toned wood superbly polished and attractively tactile, the face inlaid in finely stained ivory with a stern expression and incised stubble, the eyes switching between three moods (looking left, looking right, and looking ahead) when lightly tapped. Large, asymmetrical himotoshi underneath and signed IPPOSAI within an inlaid ivory-tablet. The artist was a pupil of the famous Meikeisai Hojitsu. HEIGHT 3 cmCondition: Excellent condition with minor wear.Provenance: Ex-collection Haviland, 1925. Hotel Drouot, March 1998. Ex-collection Guy de Lasteyrie, acquired from the above. De Lasteyrie is a member of the Lasteyrie du Saillant family and is considered among the leading French collectors of netsuke.Auction comparison:Compare a related wood trick netsuke of a daruma doll, switching between two sets of eyes, by Minko at Zacke, Fine Netsuke and Sagemono, 28 April 2023, Vienna, lot 146 (sold for EUR 1,792).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207506411-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

MINKOKU: A RARE MARINE IVORY NETSUKE OF AN OLD MAN WITH A FOXBy Shuyusai Minkoku (Minkoku III), signed Minkoku 民谷Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Having released the fox from his trap, the seated old man wearing an endearing straw hat looking forward with an expression of exhaustion. The finely carved fox placing its paw gently on the man's hand as if in show of gratitude, lifting and curling its tail. Two himotoshi to the base. The underside signed MINKOKU.HEIGHT 3.2 cmCondition: Good condition with minor wear, a tiny chip to one ear of the fox.This charming motif is very rare, and much more commonly the fox is being trapped by the hunter rather than being released. Foxes, often seen as trickster animals in Japanese folklore, were believed to possess shapeshifting abilities. But in ancient Japan, close proximity to foxes developed the earlier belief that these mystical creatures acted as family guardians.Literature comparison:Compare a related netsuke depicting a man trapping a fox, signed Mitsutsugu, illustrated in Schwarz, Karl M. (1992) Netsuke Subjects, p. 99, no. 261.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AKISHIGE: A FINE TOKYO SCHOOL IVORY NETSUKE OF A STRETCHING MANBy Akishige, signed Akishige 明重Japan, Tokyo, Meiji period (1868-1912)Finely carved as a seated man, paused mid-reading, yawning and stretching his arms high above his head, channeling his inner Daruma. Robed in an expertly carved kimono with detailing to the hems, tied at the back, the Buddhist scripture open on his lap has impressive sumi-stained text detailed on both pages. Two small himotoshi to the back. The netsuke is carved from a choice piece of ivory with a beautifully lustrous polish, sealed to the base with a rectangular, red-lacquered tablet AKISHIGE.HEIGHT 3.7 cmCondition: Excellent condition with minor wear. Auction comparison:Compare a related netsuke of a stretching Hotei by the same artist, signed Akishige, sold at Zacke, Asian Art Discoveries, 20 January 2023, Vienna, lot 1527 (sold for EUR 3,640).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207512929-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

GYOKUSUI: AN AMUSING IVORY NETSUKE OF A CRYING INFANT AND CRABBy Gyokusui, signed Gyokusui 玉翠Japan, Tokyo, late 19th century, Meiji period (1868-1912)The infant crying out in pain as a crab in a shallow bowl pinches him with its claw, his face in agony as tears well up in his eyes, the mouth agape revealing his teeth and tongue. The robe finely incised with brocade patterns interspersed with foliate designs in coral and mother of pearl inlay, the buffalo horn belt suspending a kinchaku pouch in tsuishu lacquer detailed with mother-of-pearl and stained antler inlays. The base with asymmetrical and florally rimmed himotoshi and the neatly engraved signature within a red-lacquered reserve GYOKUSUI.HEIGHT 3.8 cmCondition: Excellent condition with minor wear and traces of use.Provenance: Ex. William F. du Pont Collection. Christie's, The William F. du Pont Collection of Netsuke and Inro, 1 November 1996, lot 7. French private collection, acquired from the above.Auction comparison:Compare a closely related ivory and wood netsuke of a priest resting on mokugyo, by the same artist and signed Gyokusui, at Zacke, Fine Japanese Art, 2nd December 2022, Vienna, lot 220 (sold for EUR 7,150).Trade Certificate: The trade certificate for the sale of this lot within the EU has been grantedThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE IVORY NETSUKE OF A BOY WITH AN ELEPHANTUnsignedJapan, Tokyo, late 19th centuryFinely carved in the round with a seated boy being gently nuzzled by the trunk of the caparisoned elephant sitting beside him. The boy with an amused look on his face, holding a drumstick and trumpet, kneeling atop a rock base. The elephant's mouth wide with glee, squinting as if in mid laughter with a leaf gracefully resting on its ear. A single himotoshi to the base with an orange agate filling.LENGTH 3.1 cmCondition: Very good condition with minor wear and small losses to the agate filling.The netsuke-shi who created this piece chose a section of surface ivory. Working in the round, the artist integrated the rough exterior of the ivory into the rock base on which the boy and elephant sit. The superb execution and usage resulted in a finely textured base, pleasing to the touch.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307504975-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN ANTLER NETSUKE OF SHOKI AND ONIUnsignedJapan, Kyoto, 18th century, Edo period (1615-1868)The demon queller depicted in typical manner with a grim expression, standing with his sword drawn and reaching after the oni which is hiding on top of his hat, the details boldly carved, the antler bearing a fine, unctuous patina. Large, asymmetrical, and generously excavated himotoshi through the back.HEIGHT 8.5 cmCondition: The plugged legs are replacements. Some old chips to the oni and hat.Auction comparison:For a related Kyoto school ivory netsuke of Shoki and oni see Zacke, Fine Netsuke & Sagemono, 16 April 2021, Vienna, lot 42 (sold for 2,928 EUR).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A FINE GOLD-INLAID RYUSA WALRUS TUSK MANJU NETSUKE REFERENCING THE TEN OX HERDING PICTURESUnsignedJapan, Tokyo, Asakusa district, second half of the 19th centuryFinely carved in openwork with a central gold-inlaid ox seated in a meadow next to a scythe and farmers basket beneath a pine tree. The pine is intricately detailed with needles and gnarled branches, while the back is detailed with swirling clouds. The walrus tusk has a lustrous finish and typical cloudy inclusions.DIAMETER 4 cmCondition: Very good condition with only very minor wear. Provenance: Ex-collection June Schuerch (1930-2009).The auspicious scene depicted here relates to the Ten Ox Herding Pictures and the Zen Buddhist parable of enlightenment regarding the ox and ox herder. This parable is most famously portrayed in the series of paintings (originally only eight) accompanied by a series of short poems by Kakuan Shien. In the story, the oxherd is separated from his ox. In his search for the ox, the herdsman reconciles his fundamental identity with the ultimate reality which transcends all distinctions. The oxherd symbolizes the self, who initially identifies with the individuated ego, separate from the ox, but who is progressively enlightened during his search. The ox symbolizes the ultimate, undivided reality, the Buddha-nature, which is the ground of all existence.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

HAKUHAKUSAI: AN AMUSING WALRUS TUSK RYUSA MANJU NETSUKE DEPICTING A STRETCHING DARUMABy Hakuhakusai, signed Hakuhakusai 白々斎Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Of circular form, partly carved in openwork, poking fun at a yawning and stretching Daruma in front of iron bars – an allusion to a brothel window. The face is finely detailed with incised facial hair, hooped earrings, and sumi-stained chest hair. The reverse with an inscribed poem, 'Momo kuri sannen kaki hachinen, Daruma wa kyunen narikaneru' 桃栗三年柿八歳、達磨ハ九年成兼る ('Planted peach and chestnut trees take three years to bear fruit, persimmons take eight, and it took Daruma nine years [of facing the wall and meditating] to achieve enlightenment'). This humorous depiction of Daruma satirizes the enlightenment he achieved. The reverse with a single himotoshi, the cord attachment within. Signed on the back, HAKUHAKUSAI. The stained ivory has a rich yellow with a deep, honey-yellow hue.DIAMETER 3.8 cmCondition: Good condition with minor wear, some nibbling to the interior rim.Provenance: Tamenne Gallery, Brussels, 24 May 1968. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent in within the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France's post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Asian art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938, they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN IVORY AND MIXED METAL KAGAMIBUTA WITH NIO GUARDIAN AND NESTING SPARROWSUnsignedJapan, c. 1860The shibuichi disc worked in gold and copper takazogan with the head of a Nio guardian statue, a small sparrow nesting within its mouth and calling up at its mother which is descending towards it. The disc is fitted into a superbly polished, shallow ivory bowl. Central himotoshi to the back, the cord attachment beneath the disc.DIAMETER 4.5 cmCondition: Excellent condition, only very few faint age cracks.Provenance: Kunsthandel Klefisch, 18 November 1989, Cologne, lot 704. Ex-collection Guy de Lasteyrie, acquired from the above. De Lasteyrie is a member of the Lasteyrie du Saillant family and is considered among the leading French collectors of netsuke.Literature comparison:Fuld's Netsuke and Ojime Index lists only one netsuke depicting this subject which was formerly in the Behrens collection and is signed Masayuki (Mitsuo). It is published (unillustrated) in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part A, p. 388.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207506615-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

MASATAMI: A CHARMING LACQUERED IVORY NETSUKE OF A BOY CLIMBING ATOP A DRUMBy Masatami, signed Masatami 正民Japan, Tokyo, Meiji period (1868-1912)The mischievous boy hiding behind a fox mask as he attempts to crawl on top of the drum, one hand holding a mallet, the other positioning the mask to obscure his face. The boy's robe decorated in gold hiramaki-e with karakusa and medallions inlaid with kirigane and mother of pearl. The mallet decorated with red lacquer and gilt, and the mask and drum similarly with gilt highlights and horn inlays. Himotoshi to the base and signed MASATAMI.LENGTH 2.7 cmCondition: Very good condition with minor wear, particularly to lacquer.Provenance: German private collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0365).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A SUPERB INLAID THREE-CASE LACQUER INRO DEPICTING DIVING FISHERMENUnsignedJapan, 19th centuryOf rectangular form and oval section, decorated with nashiji waves on a roiro ground and further embellished with various inlays including tortoiseshell and marine ivory. The front depicting a fisherman cradling a large fish with double-inlaid eyes, as he treads water in rounding waves above a paneled fish trap inlaid with mother-of-pearl and gold takamaki-e. The reverse depicts a fisherman partly submerged underwater with his inlaid feet sticking out as he is diving towards the trap, which is laced together by a string of gold hiramaki-e. The net continuous along the base of the inro. The interior cases of nashiji.HEIGHT 6.5 cm, LENGTH 5.6 cmCondition: Good condition with minor wear, typical wear to the edges, and minor losses to the mother-of-pearl inlay.Provenance: From an old English private collection. The interior with two old collector's numbers, '558' and '583.'The inro is designed as a continuous frame with both fishermen diving for fish in the same trap net. The inro exhibits a variety of different techniques, the most impressive being the togidashi-e used for the parts of the man submerged in water, which is in deep contrast to his inlaid feet. The inlaid marine ivory of the surfaced sections of the swimmers is finely stained to highlight their muscular arms and legs.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Early 18th c. silver tankard with later embossing, the hallmarks are very worn but they stand for the Britannia Standard, the item is possibly dated for London 1701. Maker's mark unreadable. Weighs 12.5oz approx.

Large silver sauce boat on three splay feet, very attractive and good gauge of silver, hallmarked AC&SS Ltd. London 1973. Weight of item - 12oz approx.

An 18th/19th century Pewter Vessel; together with a 20th century Japanese censer (2)Japanese censer - top broken into several pieces and re glued. Crazed all over. Base free from breaks and repairs.Other item not reported.

THAI BRONZE TAZZA OR BETEL TRAY TENASSERIM REGION, THAILAND OR BURMA, 14TH-15TH CENTURY 十四至十五世紀 泰國或緬甸 丹那沙林山山脈 銅高足碟 the flattened dish with pierced everted mouth resting on trumpet-form tiered foot Dimensions:10cm high; 380g Provenance:Provenance: Michael Backman Ltd., September 2021, with a document issued by Michael Backman Limited. Previously in Maurice Collis' (1889-1973) collection, acquired in Burma. Note: Note: According to the catalogue by Michael Backman, there was a label dated 1933 attached to another item from the same group, it was found, presumably excavated in Tenasserim, an area which runs along the southern border between Burma and Thailand. The label states that the pieces are ‘Siamese’ and are from the Ayutthaya dynasty.Please note this lot will be offered with no reserve. 本拍品不設底價

Figure of a little girl in an oversized grown up dress and wide brimmed hat. Item's full title: The Make-believe World of Children. Item is hand painted. Over glazed finished. Bing and Grondahl backstamp. Issued: c. 1983 - 2004Dimensions: 3.5"L x 3"W x 8"HManufacturer: Bing & GrondahlCountry of Origin: DenmarkCondition: Age related wear.

Department 56 Figurine of "Wrought Iron Park Bench". A classic wooden bench with a dark green metal frame. This item has its original box. The original box's dimensions: 3.5"L x 2"W x 2.75"H. Issued: 1993Dimensions: 2.5"L x 1.25"W x 1.5"HManufacturer: Department 56Condition: Age related wear.