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Lot 904
East German Olympic Committee Award Medal given only to Olympic Medal Winners, white meissen porcelain with Olympic rings to face in gold with torch and legend to rear, 'Nationales Olympisches Komitee Der Deutschen Demokratischen Republik'. They were awarded for the 1980 Moscow Games, recipient not know, very rare item. Plus Melbourne 1956 Olympics very rare combined East and West German Team Medal, white meissen porcelain colour, Olympic Rings to front surrounded by Olympic motto
Lot 166
LNWR notice titled LONDON AND NORTH WESTERN RAILWAY ARRANGEMENTS OF CARRIAGES COMPOSING HER MAJESTY'S TRAIN FROM GOSPORT TO BALLATER ON FRIDAY THE 31ST AUGUST AND SATURDAY THE 1ST SEPTEMBER 1900. Lists the carriages below a coloured picture and all the occupants. A truly historical item. Framed and glazed measures 13in x 16.5in.
Lot 240
Original Armorial Bearings of the British Transport Commission, hand painted on velum and signed College of Arts London 1st June 1956. Mounted in a substantial brass frame measuring 27.5in x 23.5in. A truly historic item that would have been displayed at the British Railways Board Headquarters.
Lot 280
Original Armorial Bearings of the Great Western Railway Garter Design, hand painted and mounted on velum, circa 1878. Framed and glazed with a silver plaque at the bottom PRESENTED TO GILBERT MATTHEWS CVO CBE 21ST MARCH 1967. Almost certainly from the GWR Headquarters at Paddington. Measures 26.5in x 19.5in. A truly historic GWR item.
Lot 296
Great Western Railway oil lubricating pot from one of the Severn Tunnel steam pumps that were located at Sudbrook Pumping Station and supplied by Harvey & Co of Hayle Cornwall in 1887. Stamped GWR twice and with maker’s name Dewrance's Sight feed London, both sight feed glasses also etched GWR. A rare survivor from one of the most famous structures of the GWR. Photocopy of item in situ accompanies the lot. Measures 7in diameter at the base and stands 15in tall.
Lot 2209
British Commonwealth etc Postal History / Stationary in blue album, QV to early QE2, Stationary inc US, Persia and Cape Verde, Cape of Good Hope inc QV registered envelope and GB Covers inc NZ, one underpaid item, 1870 India, 1890 Egypt, 1866 France, 28x 1937 FDC's, NZ First Flight NZ - US 1937, etc (approx 67)
Lot 282
PETER SWANSON (born 1950); a square stoneware bottle and a vase, incised and wax resist decoration, impressed PS marks, tallest height 21.5cm (2) (D). CONDITION REPORT: This item can be posted within the UK at a cost of £21.60, appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 308
JOANNA WASON (born 1952) for Leach Pottery; three stoneware vases, various glazes, impressed JW and St Ives marks, tallest height 13.5cm (3) (D). CONDITION REPORT: This item can be posted within the UK at a cost of £21.60, appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 39
JANET LEACH (1918-1997) for Leach Pottery; a stoneware pot with lug handles, impressed JL and St Ives marks, height 17.5cm (D). CONDITION REPORT: This item could be posted within in the UK at a cost of £21.60, appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 396
Led Zeppelin - Original UK advertising poster for the 1975 shows at Earl's Court, London, 63cm x 89.5cm, framed Condition: Being framed we are unable to access the item completely, it appears the poster has been pinned to a wall due to the holes and marks in the corners, some light creases and marks but we cannot see the edges, paper has yellowed slightly - ** General condition consistent with age
Lot 397
Janis Joplin - Original UK advertising poster for the 1975 compilation album Janis, 71cm x 46.5cm, framed Condition: Being framed we are unable to access the item completely, it appears the poster has been pinned to a wall due to the holes and marks in the corners, some light creases and marks but we cannot see the edges, paper has yellowed slightly - ** General condition consistent with age
Lot 398
Thin Lizzy - Original UK advertising poster for the 1973 album Vagabonds Of The Western World, 68cm x 39.5cm, framed Condition: Being framed we are unable to access the item completely, it appears the poster has been pinned to a wall due to the holes and marks in the corners, some light creases and marks but we cannot see the edges, paper has yellowed slightly - ** General condition consistent with age
Lot 314
Sydney S. Morrish (1836-1894, British) An elegant lady wearing a white silk dress and gloves, a bonnet with a pink parasol holding a Manchester terrier puppy, oil on canvas, framed, signed lower left and dated 1870, 55 x 40cmThis lively, spirited dog breed is a true terrier. Bred in Manchester, England, for the common man's sports of rat killing and rabbit coursing, he's got game and he loves to show it. The Gentleman's Terrier (as he is known in Victorian England) is not a sparring dog but loves a good chase, making him a flyball and agility expert.Though his looks suggest a miniature Doberman Pinscher or a large Miniature Pinscher, the Manchester Terrier is his own canine. A wee dog with a strong bark, he's got personality to burn: loyal, hearty, and a terrific watchdog who adores hanging out with his people. Among terriers, the Manchester is known to be one of the more well-mannered and responsive breeds and today spends his time as a terrific companion who can hold up his end of the conversation.The history of sunshades goes back thousands of years, but it was during the Italian Renaissance of the 16th century that umbrellas and parasols were introduced to Europe. At first the items were large, used interchangeably, and generally carried by a servant to protect the wealthy from the elements and sun. Some were heavy (made of leather) but silk, paper, and cotton grew in popularity. During the 1700s parasols had already evolved into a woman's fashion item, designed and decorated to match each promenade dress or walking suit, and was clearly defined as a sunshade; not for rain and snow. To make them collapsible developed around 1800, but ribs would break, paper tear, and the materials mildew if left damp. By the early Victorian era metallurgy had improved and alloy ribs were being used, nickel silver particularly popular. This type of thin strong metal was developed in Germany by craftsmen in an attempt to imitate the Chinese combination of copper, nickel and zinc, known as paktong.At the beginning of Queen Victoria's reign the parasols were quite plain, but by about 1850 tassels and frills grew in popularity. In each ensuing year the adornments became more ostentatious. If a dress had bows or flounces, the parasol could be adorned with the same decoration. This was a matter of taste, and ladies selected modest or extravagant versions for different circumstances, and based on what their income would allow. Of course it was only the wealthy who used parasols as a day-to-day accoutrement. A poor girl might have a simple parasol for church, or a Sunday afternoon stroll. It was during the 1850s the marquise parasol was developed, a style that tipped at the top, so a lady could hold the shaft straight and still shade her face well no matter the angle of the sun.During this time many houses featured racks (two horizontal parallel arms) for placing open parasols and umbrellas high overhead in front and back halls; ideal for implements that didn't close, could be damaged by constant opening and closing, or damp items. Parasol handles were usually straight, but some hooked examples exist. A plain parasol might have a wooden or metal pole with a bone handle, while the most expensive choices were of carved ivory shafts, decorated with inlaid jewels and gold banding. An in between version could be with carved horn and silver filigree accents. Throughout the Victorian era the handles grew longer, so "carriage" parasols were designed with a hinge in the middle to allow breakdown and ease of movement in tight spots.
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