We found 151062 price guide item(s) matching your search

A NEAR PAIR OF BLUE AND WHITE 'ROMANCE OF THE WESTERN CHAMBER' PORCELAIN DISHES CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD It rests on a short unglazed ring foot and has an ogee-shaped body. The central part is slightly recessed. It is finely painted in underglaze cobalt blue with a décor of lovers, a man and a woman, in a pavilion, scenes possibly taken from the 'Romance of the Western Chamber' (Xīxiāngjì - 西廂記). One has its wing covered all over with a swastika pattern against which are reserved medallions with peaches, whilst the other one has six of the Eight Treasures of Buddhism. One bears an apocryphal underglaze cobalt blue mark of Emperor Jiajing, a six-character one in kaishu script within a double circle, whilst the other one bears an apocryphal underglaze cobalt blue mark of Emperor Changhua, also a six-character one in kaishu script within a double circle. D (the biggest): 26,3 cm 近一对“西厢记”青花瓷盘 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FAMILLE VERTE PORCELAIN SHALLOW PLATE OR DISH WITH A SYMBOL MARK CHINA, QING DYNASTY, POSSIBLY KANGXI PERIOD Of circular shape, it rests on a short unglazed ring foot. It is adorned in famille verte enamels with a compartmentalized decor of flowers, rocks and butterflies. The base bears an underglaze cobalt blue symbol mark within a double circle. D: 21,8 cm 带款识的浅瓷盘 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A SMALL COPPER RED ‘THREE MYTHICAL BEASTS’ PORCELAIN BOTTLE VASE China, Qing Dynasty, Presumably Kangxi period The vase rests on an unglazed slightly recessed base, with a globular body, a tubular elongated neck and an everted rim. Adorned in underglaze copper red against a white ground with three naturally rendered and lively mythical beasts, i.e. a fu Buddhistic lion, a pixiu and a bixie, their eyes picked out in underglaze cobalt blue. H: 12,3 cm Notes: 1. Pixiu 貔貅 ressemble winged lions and are regarded as auspicious creatures capable of drawing cai qi 財氣, i.e. wealth. Bixie 辟邪 are the female of the species wards of evil and are believed to have the ability to assist anyone who is suffering from bad feng shui. Fu lions are also known as Buddhistic lions. 2. This type of ware, combining three mythical beasts with the iron red enamels, is widely recognized as having appeared during the Kangxi period. 3. A large pair of such vases is illustrated in David S. Howard and John Ayers, ‘China for the West, Chinese Porcelain & other Decorative Arts for Export from the Mottahedeh Collection’, Sotheby’s, 1978, p. 86, pl. 43. 4. Compare with a related, though of smaller size, sold at Christie’s New York, ‘Chinese Art from The Art Institute of Chicago, 2019/09/10-17, lot 2, for USD32,500. Also see a related vase, that one measuring 42,5 cm, sold at Daguerre, Drouot Paris, 2019/06/12, lot 89, for €80,168. 釉里红瑞兽小瓷瓶 中国，清代，可能为康熙年间 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report. INTERNET KEYWORDS: CHINESE, VIETNAM, VIETNAMESE, QING, NGUYEN, DYNASTY

A LARGE AND IMPORTANT COPPER RED ‘THREE MYTHICAL BEASTS’ PORCELAIN BOTTLE VASE China, Qing Dynasty, Presumably Kangxi period The vase resting on a flat not-glazed foot, with a globular body, a tubular elongated neck and an everted rim. Adorned in underglaze copper red against a white ground with three naturally rendered and lively mythical beasts, i.e. a fu Buddhistic lion, a pixiu and a bixie, their eyes picked out in underglaze cobalt blue. H: 40 cm Notes: Pixiu 貔貅 ressemble winged lions and are regarded as auspicious creatures capable of drawing cai qi 財氣, i.e. wealth. Bixie 辟邪 are the female of the species wards of evil and are believed to have the ability to assist anyone who is suffering from bad feng shui. Fu lions are also known as Buddhistic lions. This type of ware, combining three mythical beasts with the iron red enamels, is widely recognized as having appeared during the Kangxi period. A large pair of such vases is illustrated in David S. Howard and John Ayers, ‘China for the West, Chinese Porcelain & other Decorative Arts for Export from the Mottahedeh Collection’, Sotheby’s, 1978, p. 86, pl. 43. Compare with a related, though of smaller size, sold at Christie’s New York, ‘Chinese Art from The Art Institute of Chicago, 2019/09/10-17, lot 2, for USD32,500. Also see a related vase, that one measuring 42,5 cm, sold at Daguerre, Drouot Paris, 2019/06/12, lot 89, for €80,168. 釉里红瑞兽纹大油锤瓶 中国，清代，可能为康熙时期 INTERNET KEYWORDS: CHINESE, VIETNAM, VIETNAMESE, QING, NGUYEN, DYNASTY NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A GREEN AND YELLOW GLAZED INCISED PORCELAIN ‘BOYS’ BOWL CHINA, YONGZHENG MARK AND POSSIBLY OF THE PERIOD The deep rounded sides rising from a short ring foot to a slightly everted rim. The exterior is meticulously incised and glazed in emerald green against an Imperial yellow ground with eight boys dancing and playing musical instruments in a terraced landscape. All between an elegant lappet border above the foot and a stylized floral band beneath the rim. The base is inscribed in cobalt blue with a six-character mark of Emperor Yongzheng in kaishu within a double circle. H: 7 cm - D: 15,2 cm Notes: 1. Yongzheng bowls with this type of decoration are seen with two different bands around the rim. Some have floral borders with demi-florettes, while others have quatrefoil panels, as seen on the present lot. 2. Compare with a closely related bowl in the collection of the Victoria and Albert Museum, illustrated by R. Kerr, Chinese Ceramics, Porcelain of the Qing Dynasty 1644-1911, London, 1986, front cover. Compare also with a very similar bowl, Yongzheng six-character mark and of the period, in the Qing Court Collection, illustrated in The Complete Collection of Treasures of the Palace Museum: Miscellaneous Enameled Porcelains, Shanghai, 2009, pl.100. 3. Compare with a closely related bowl at Christie’s Hong Kong in Important Chinese Ceramics and Works of Art (Including The Su Zhu An Collection of Inkstones) on 27 November 2013, lot 3435, sold for HKD 937,500, and another at Sotheby’s Hong Kong in Important Chinese Art on 7 October 2015, lot 3718, sold for HKD 1,000,000. 黄绿釉“童子”刻花瓷碗 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*A FRAGMENT OF A WIGSTAND CHINA, QING DYNASTY, QIANLONG MARK AND POSSIBLY OF THE PERIOD Of round shape, resting on four short feet linked together with a foliate apron. Its top part adorned in gilt with lotus scrolls against a coral ground. The base, also all covered with coral red but for the feet, is centered by a gilt painted six-character mark of Emperor Qianlong in seal script also known as zhuanshu. H: 3,2 cm - D: 18,8 cm Note: Compare with a complete porcelain wigstand, Qianlong mark and period, sold at CHRISTIE'S Hong Kong, China, 2019-05-29, lot 3110, for HKD 1,875,000. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 御用假发架残片 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A RARE 'OVERLAY GLASS' IMITATION SCROLL-SHAPED PORCELAIN BRUSH REST INSCRIBED WITH THE MARK OF EMPEROR QIANLONG CHINA, QING DYNASTY, POSSIBLY QIANLONG MARK AND PERIOD Made up of porcelain and resting on three tiny round feet, this exquisetely delicate porcelain brush rest has been shaped as a painting scroll with curvy ends. It has been adorned with thick saphire blue enamels, the top part centered by five bats surrounding a shou (longevity) character amidst a geometric pattern, the side parts with mythical beasts, all against a white ground. The base has been all covered with turquoise blue enamels but for its central part, a reserved square, on which an iron-red two-character mark of Emperor Qianlong is painted. H: 2,1 cm - L: 7,9 cm - width: 4,1 cm 罕见的玻璃雕刻瓷刷架，仿乾隆款 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A ROBIN'S EGG PORCELAIN POWDER OR SEAL PASTE BOX AND COVER CHINA, QING DYNASTY The box is resting on a short ring foot and is closed by a slightly dome-shaped cover. It is all covered with turquoise blue enamels animated by numerous little circles, at the exception of the base, which is covered by a light blue enamel. The former is meant at mimicking robin's egg. H: 3,9 cm - D: 4,8 cm 知更鸟青釉带盖盒 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A SHALLOW DISH WITH AN IVORY TONE GLAZE TONGZHI MARK CHINA, QING DYNASTY It rests on a short ring foot and has a round body with a slightly everted rim. It is all covered with a flawless glaze of white ivory tone, at the exception of the ring foot and the base. The base is inscribed in underglaze cobalt blue with a six-character mark of Emperor Tongzhi in kaishu within a double circle. H: 3,5 cm - D: 18,5 cm 象牙白浅盘，同治款识及可能时期 中国，晚清 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A GUAN OR GEYAO CRACKLED WARE TYPE EGG-SHAPED VASE CHINA, LATE QING DYNASTY TO REPUBLIC / MINGUO PERIOD Thickly potted, resting on a ring foot left, with a globular body, a waisted neck and an everted rim. The base is left unglazed whilst the body all covered with a thick light celadon crackle glaze of guan or geyao type. The base is inscribed with ‘1’. H: 34cm Note: Compare with a related single vase sold at PIASA Paris, France, 2018-06-08, lot 133, for €4,290. 官窑或哥窑开片风格蛋形花瓶 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PAIR OF GE OR GEYAO TYPE CRACKLED CELADON GLAZED PORCELAIN JARS CHINA, LATE QING DYNASTY TO REPUBLIC / MINGUO PERIOD Heavy potted, resting on a short ring foot, the foot and the base left unglazed, the round globular body surmounted by a waisted neck and an everted rim. All covered with a thick crackled glaze of celadon tone. H (each): 34,5 cm Note: Compare with a related single vase sold at PIASA Paris, France, 2018-06-08, lot 133, for €4,290. 一对哥窑开片青釉瓷罐 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A LARGE FAMILLE ROSE PORCELAIN ‘BIRD’ JAR CHINA, QING DYNASTY, 19TH CENTURY, YONGZHENG STYLE It rests on an unglazed ring foot and has an elongated globular body surmounted by a waisted neck with an everted rim. It is finely painted in famille rose enamels with reserved medallions, one with three roosters on rocks amidst chrysanthemum and peony flowers, another one with two sparrows perched on a branch of peonies. Apart from the reserved medallions, the jar is covered with a lozenge pattern. The round shoulder is also adorned with ruyi as well as flowers. There are several seals, possibly signatures of artists, one possibly reading ‘佪’ or ‘徊’. H: 35,5 cm 大号粉彩鸟纹罐 中国，清代，19世纪，雍正风格 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A CELADON PORCELAIN VASE OF ARCHAISTIC FANGHU SHAPE APOCRYPHAL IMPRESSED MARK OF EMPEROR QIANLONG CHINA, LATE QING DYNASTY Of faceted shape, it rests on a spread foot and has a square body surmounted by a trumpet neck applied with two handles. Each face is adorned with a medallion with a ‘Shòu’ (寿 - longevity) character. It is all covered with a celadon glaze. The base bears an apocryphal impressed mark of Emperor Qianlong, a six-character one in seal (zhuanshu) script. H: 29 cm 青瓷方壶瓶，乾隆皇帝仿款 中国，晚清 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A LARGE FAMILLE NOIRE ‘MAGPIES AND PRUNUS’ PORCELAIN VASE OF ROULEAU SHAPE, BANGCHUIPING APOCRYPHAL MARK OF EMPEROR KANGXI CHINA, LATE QING DYNASTY It is finely painted with green, yellow, aubergine and white enamels with magpies, rocks and prunus against a black ground. The base is inscribed in cobalt blue with an apocryphal six-character mark of Emperor Kangxi in kaishu script within a double circle. H: 43,3 cm Note: One can say ‘there is a happy bird (magpie) on the tip of the plum branch’ as ‘xi shang mei sha’ (喜上梅稍) which sounds exactly like saying ‘xi shang mei shao’ (喜上眉稍) which means ‘happiness up to one's eyebrows’. 大粉彩“喜鹊和李子“棒槌瓷瓶 - 喜上眉梢，仿康熙款 中国，晚清 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A MING STYLE BLUE AND WHITE PORCELAIN VASE OF ARCHAISTIC HU SHAPE APOCRYPHAL MARK OF EMPEROR QIANLONG CHINA, POSSIBLY REPUBLIC / MINGUO It rests on a tall spread foot and has an elongated egg-shaped body with a round shoulder applied with two handles shaped as mythical beast faces and combined with loose ring imitation. It is surmounted by a trumpet neck with an everted rim. It is painted in underglaze cobalt blue with a decor arranged in superspose registers with different patterns such as lotus scrolls, stylized cicadas, crashing waves and stylized banana leaves. The base is inscribed in underglaze cobalt blue with an apocryphal six-character mark of Emperor Qianlong in seal / zhuanshu script. H: 26,5 cm 明代风格青花仿古壶，乾隆仿款 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PORCELAIN ‘DEER’ VASE OF ARCHAISTIC HU SHAPE ARTEMISIA LEAF MARK CHINA, LATE QING DYNASTY, 19TH CENTURY, KANGXI STYLE It rests on a ring foot and has a compressed globular body surmounted by a waisted shoulder, a tubular neck and an everted rim. It is finely enameled in green and aubergine / mauve tones against a yellow ground with a stag with its two forelegs crossed, with a couple of magpies, a monkey, a pine tree and rocks. The base bears an artemisia leaf mark. H: 29,5 cm Note: The Chinese believe the deer lives to a very great age and, as a result, has become a symbol for long life. The deer is traditionally believed to be the only animal able to find the magical lingzhi fungus of immortality. 仿古鹿纹壶 中国，晚清，19世纪，康熙风格 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A RARE PALACE SIZED ‘PAVILION OF PRINCE TENG - TENGWANGGE - 滕王閣圖’ PORCELAIN FISHBOWL CHINA, JINGDEZHEN KILNS, MID TO LATE QING DYNASTY Heavy potted with a round body. It is adorned in underglaze cobalt blue enamels with a majestuous fortified city along the river, with sampan boats sailing the river as well as with numerous walking characters. Also to be noted are the friezes of geometrical patterns and flower patterns that enhanced this piece: ice cracking plum flowers on the top of the rim; reserved circles underlining the everted rim; lozenges below together with alternate flower crests, a rare pattern. On the main door or entrance of the city is hanging a panel inscribed with ‘章江门’, lit. ‘Zhāng jiāngmén’, i.e. the name of the entrance or of the pavilion. In front of that entrance, two floating flags or banners are inscribed with ‘洪都新府’, lit. ‘Hóng dū xīn fǔ’, i.e. the so-called Tengwang Pavilion, one of the three (3) Great Towers if Southern China. H: 45 cm - D: 51 cm Notes: Aquariums or fish bowls of this size are quite rare and may have been produced to fit a palace or a large residency. Our example is very finely painted with beautiful shades of underglaze cobalt blue and, further to that, is adorned with a rare subject. The painter has deployed a continuous scene all over the fishbowl. The subject of the painting is that of the Tengwang Pavilion (滕王閣, or Pavilion of Prince Teng), located in the old Nanchang City (南昌), Jiangxi Province, on the bank of the Ganjiang River (赣江). This building is considered to be one of the three (3) Great Towers of Southern China. This famous pavilion, re-built many time since its creation, is mentioned by a Tang Dynasty poet, Wang Po (王勃), 650-676), in his ‘Preface to a Farewell Feast Atop the Prince Teng’s Pavilion in Autumn’ (秋日登洪府滕王閣餞別序). In this title are the ideograms ‘洪都新’ that we find on the two banners in front of the city on the fish bowl. It is also to be noted that it has been a main subject for paintings: see, inter alia, the painting attributed to Wang Zhenpeng (王振鵬, circa 1280-1329) preserved in the collection of the Princeton University Art Museum, USA, under accession number 2010-65. Click HERE to see the related painting. Compare with a brushpot (bitong) adorned with the same subject and preserved in the collection of the Museum of Nanchang, Nan Chang Shi Bo Wu Guan. Also compare with a series of porcelain pieces preserved in the Tengwangge (滕王閣圖) or Pavilion of Prince Teng, in the same city. Click HERE to see the related bitong. 罕见的滕王阁鱼盘 中国，景德镇，清中至晚期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PAIR OF BLUE AND WHITE PORCELAIN ‘STAG AND DEER’ PHOENIX-TAIL VASES, FENGWEIZUN CHINA, LATE QING DYNASTY TO REPUBLIC / MINGUO PERIOD The lower part of the body, of baluster shape, is surmounted by a trumpet neck. The body is painted in underglaze cobalt blue enamels with a continuous rivershore landscape with a couple of passing deer and stag as well as a flying crane amidst clouds. The neck is also painted with a continuous rivershore landscape with one single passing stag as well as a flying crane. The base bears a double circle in underglaze cobalt blue. H: 38 cm Note: The Chinese believe the deer lives to a very great age and, as a result, has become a symbol for long life. The deer is traditionally believed to be the only animal able to find the magical lingzhi fungus of immortality. 一对“鹿纹”青花凤尾尊 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A BLUE AND WHITE PORCELAIN ‘EIGHT TREASURES OF BUDDHISM’ TULIPIER CHINA, POSSIBLY LATE QING DYNASTY It consists of vive elongated egg-shaped vases conjoined and linked together with a central long tubular neck with an everted rim. It is painted in underglaze cobalt blue with lotus scrolls as well as with the Eight Treasures of Buddhism symbols. H: 26,2 cm Note: The ‘Eight Treasures’ (babao - 八宝), also known as the ‘Eight Precious Things’ and the ‘Eight Auspicious Treasures’, may consist of eight ordinary symbols, the eight precious organs of the Buddha's body, the eight auspicious signs, or the various emblems of the eight Taoist Immortals. 佛教八宝纹青花瓷瓶 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A TURQUOISE-GLAZED PORCELAIN ‘DAOIST TRIGRAMS - BAGUA - 八卦’ PORCELAIN CONG VASE CHINA, POSSIBLY LATE QING DYNASTY It rests on a ring foot and has an elongated square body surmounted by a short neck with an everted rim. It is molded with a Daoist trigrams or Bagua (八卦) as well as different ideograms including ‘Shou’ (寿), lit. 'Longevity'. H: 17,8 cm “八卦”青瓷琮式瓶 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PAIR OF ‘EGG AND SPINACH’ PORCELAIN QUAIL-FORM BOXES AND LIDS CHINA, LATE QING DYNASTY TO REPUBLIC / MINGUO PERIOD Naturalistically molded as two recumbent quails. All enhanced in vivid ‘egg and spinach’, ‘arlequin’ or ‘famille verte’ enamels combining green, yellow and brown enamels. With a rare attention to details as visible when looking at the bases where the legs are depicted. H: 10,3 cm - L: 17 cm Note: Fighting quails (anchun 鵪鶉) seem to have amused elites in Song times, when raising them appears to have been widespread. Information on how to raise and fight quails is preserved in a rare manual entitled ‘Anchun lun’ 論 (Discussions on Quails) published in 1715. The quail signifies courage because of its fighting spirit. It is often used as a visual pun (or rebus) because it is pronounced the same as the word ‘peace’ (an 安). 一对带盖鹌鹑造型瓷盒 中国，19-20世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FLAMBE / TRANSMUTATION GLAZED PORCELAIN BOTTLE VASE CHINA, QING DYNASTY It has a compressed globular body surmounted by a tubular neck. It is covered overall with a thick milky lavender glaze with purple splashes or accents. H: 34 cm 窑变釉瓷花瓶 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PURPLE ACCENTS FLAMBE / TRANSMUTATION GLAZED PORCELAIN BOTTLE VASE CHINA, POSSIBLY LATE QING DYNASTY The outer part is all covered with an oxblood glaze with purple accents. H: 19 cm 紫色窑变釉花瓶 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PURPLE ACCENTS FLAMBE / TRANSMUTATION GLAZED PORCELAIN BOTTLE VASE CHINA, POSSIBLY LATE QING DYNASTY The outer part is all covered with an oxblood glaze with purple accents. H: 34 cm 紫色窑变釉瓷瓶 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

AN OXBLOOD / FLAMBE GLAZED BALUSTER PORCELAIN VASE CHINA, POSSIBLY LATE QING DYNASTY It rests on a short unglazed ring foot and has a globular upper part of its body surmounted by a narrow shoulder and a rim. The outer part is all covered with an oxblood or flambé glaze. H: 17,3 cm 牛血红窑变釉瓷瓶 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FLAMBE / OXBLOOD GLAZED PORCELAIN PHOENIX-TAIL VASE, FENGWEIZUN CHINA, POSSIBLY LATE QING DYNASTY AND CIRCA 1900 It is all covered with an oxblood / flambé glaze. H: 37,7 cm 窑变釉/牛血红凤尾尊 中国，可能为清末期，约1900年 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A SIGNED QIANJIANG CAI PORCELAIN WOODEN MOUNTED AS A TABLE SCREEN OR ALTAR SCREEN CHINA, LATE QING TO REPUBLIC / MINGUO PERIOD The mount is made of heavy wood and is carved with floral designs as well as with two confronted kui dragons flanking a ‘壽’ (Shòu - Longevity) character. The porcelain panel is painted in Qianjiang cai enamels with a standing lady holding a fan accompanied by an attendant holding a dish with two peaches. There is a table with auspicious objects such as crolls, bound books and a porcelain vase. The upper right corner is inscribed with calligraphy combined with a red seal. Dimensions: - the screen: H: 57 cm - the porcelain plaque (approximately): 40,5 x 24,2 cm 带有款识的浅绛彩瓷木框桌屏 中国，晚清至民国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A WHITE JADE CARVING OF TWO MONKEYS WITH A PEACH CHINA, POSSIBLY QING DYNASTY OR LATER Carved out of a single piece of stone of flawless white tone. It depicts two seated and coiled monkeys with a peach. Its base is finely carved to depict the monkeys’ tails and feet. With a desirable and sweet polish. H: 4,2 cm Weight: 96,2 grams Notes: 1. The motif of monkey and peach has been popular in Chinese art since the tale of ‘Xiyou ji’ (西遊記 - Journey to the West), published in the Ming dynasty, narrating the story of a monkey (the Monkey King Sun Wukong - 孙悟空) stealing a celestial peach of longevity from the orchard of the Queen Mother of the West. Naturally, the symbolism is one of longevity as the peach (tao - 桃) symbolizes marriage, spring, justice and especially Daoist immortality. 2. A similar carving of a single monkey holding a peach was sold at SOTHEBY'S London, UK, 2013-11-06, lot 28, for GBP 110,500. A carving of similar large size and subject matter is illustrated in Robert Kleiner: Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, pl. 188 and sold at Christie's Hong Kong on 27th November 2007, lot 1557 白玉雕刻-灵猴献仙桃 中国，可能为清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PAIR OF FAMILLE ROSE ‘DEER AND FUNGUS’ PORCELAIN BOTTLE VASES, TIANQIUPING APOCRYPHAL MARK OF EMPEROR QIANLONG CHINA, POSSIBLY REPUBLIC / MINGUO PERIOD It rests on a spread foot and has a compressed globular body surmounted by a tubular neck. It is finely painted in famille rose enamels with various flowers, including lotus flowers, as well as with medallions. The medallions, five in total, including three on the body and two on the neck, depicts various scenes: the two on the neck depict auspicious censer and vessels; the three on the body depict deers and lingzhi fungus, squirrels and grapes and pheasants amidst flowers. The bases are inscribed with an identical iron red six-character mark in seal / zhuanshu script, maybe an apocryphal one of Emperor Qianlong. The bases bear identical collector labels: ‘At 171’ and ‘29/42 198 2101100’. H: 29 cm Note: The Chinese believe the deer lives to a very great age and, as a result, has become a symbol for long life. The deer is traditionally believed to be the only animal able to find the magical lingzhi fungus of immortality. 一对粉彩“鹿与灵芝”天球瓶，书写乾隆皇帝款识 中国，可能为民国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A SMALL GE OR GEYAO CRACKLED CELADON GLAZE PORCELAIN ARROW VASE, FANGHU APOCRYPHAL MARK OF EMPEROR QIANLONG CHINA, POSSIBLY REPUBLIC / MINGUO PERIOD It rests on a faceted spread foot, its rim left unglazed, and has a pear-shaped faceted body, the shoulder is applied with two tube-shaped handles. It is all covered in a crackle celadon glaze. The base bears an apocryphal mark of Emperor Qianlong, a six-character one in underglaze cobalt blue and in seal / zhuanshu script. The base also bears a collector label. H: 14,3 cm *****HEIGHT SHOULD READ 14,3 CM***** 小号哥窑青瓷开片方壶，书写乾隆皇帝款识 中国，可能为民国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PAIR OF CHINESE EXPORT PORCELAIN ‘LOTUS POND’ SWEETMEAT DISHES OR RAVIERS CHINA BY COMMAND, QING DYNASTY, 18TH CENTURY Each piece is faceted, rests on a spread foot, has a compressed oval body, an everted rim, is flanked by two molded handles shaped as human faces and has a compartmentalized inner part. Each piece is adorned in an enamel palette (evoking Imari wares) combining green and red enamels together with gilt. The theme depicted is that of a lotus pond. Both pieces bear the remains of an old antique dealer or collector label. H: 5 cm - L: 13 cm Notes: The shape of those raviers may have been made after contemporary European silver pieces. Lotus seeds (lianzi - 莲 籽) have the hidden meaning of ‘continuous birth of children’ because the ‘lian’ sounds like ‘continuous’ (连) and the ‘zi’ has the same pronunciation as the word for son or child (zi - 子). 一对中国出口瓷“莲池”甜食盘 中国，清代，18世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A CHINESE EXPORT PORCELAIN ‘MANDARIN EXPORT’ HOT CHOCOLATE POT AND COVER CHINA, QING DYNASTY, 18TH CENTURY, CIRCA 1780 Possibly made after a continental Europe silver chocolate pot, this porcelain chocolate pot is finely adorned in famille rose enamels with ladies and boys in a garden, one of the ladies holding a ruyi scepter, one boy playing the flute, one other boy picking grapes on a table. The shape is of interest, with an horizontal handle and a spout with a rocaille design and with the finial topping the lid being shaped as a peach. H: 17,5 cm Note: Compare with an almost identical chocolate pot and cover sold at CHRISTIE’S New York, USA, 2017-01-17, lot 180, for USD 2,750. 中国出口瓷- 玛德琳热巧克力锅 18世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A ‘BIRD OF PARADISE’ FAMILLE VERTE PORCELAIN LIDDED TEAPOT AND LID CHINA, QING DYNASTY, KANGXI PERIOD, CIRCA 1700 Of globular shape, with a metal-mounted esse-shaped handle and a tubular neck. Adorned in vivid ‘famille verte’ enamels with a bird of paradise perched on a branch surrounded by chrysanthemums and peonies. H: 10,3 cm Note: Birds and flowers is a long-lasting traditional subject in Chinese paintings, one of the three main subjects depicted, later applied on porcelains. It came into its own as a separate branch of painting in the Five Dynasties (907-960). “天堂鸟”粉彩带盖茶壶 中国，清代，康熙时期，约1700年 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A JADEITE JADE EMBELLISHED STERLING SILVER ‘LOTUS POND’ POWDER BOX OR VANITY CASE THE JADEITE JADE {PLAQUE INSCRIBED WITH A POETRY BY QIÁN QǏ 錢起 (710-782) CHINA, LATE QING DYNASTY, CIRCA 1900 Of rectangular shape, opening by a lid retained by hinges. The top of the lid is chiseled with a landscape with characters and ladles and embellished with a jadeite jade plaque inscribed with a poetry by Qián Qǐ (錢起 - 710-782). It is further inscribed with a mark ‘大清’ (Dà qīng) combined with an unidentified mark. The base is naturalistically engraved with a lotus pond. Bears a mark: ‘China Sterling no 23’. L: 8,1 cm Gross weight: 89,4 grams Notes: The poetry on this powder case is ‘From my Study at the Mouth of the Valley’ (谷口书斋寄杨补阙) by Qián Qǐ (錢起 - 710-782, Tang Dynasty). 翡翠玉装饰纯银莲塘纹粉盒或化妆盒 中国，晚清，约1900年 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PAIR OF CHINESE EXPORT SILVER ‘PLUM FLOWERS’ TRAYS OR DISHES BY C.J. & CO CHINA, SHANGHAI, LATE QING DYNASTY, EARLY 20TH CENTURY Of round shape, with a rim shaped as a bamboo and a wing reticulated with plum flowers. The base bears the mark: ‘C.J.&CO’. D (each): 23,7 cm Total weight: 663 grams Note: C.J. & CO is a yet unidentified Chinese export silver company that seems to have been active in SHanghai circa 1875-1960. 一对中国出口银“梅花”托盘，由C.J. & Co公司生产 中国，上海，晚清时期，20世纪早期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A LARGE AND HEAVY CHINESE EXPORT SILVER ‘HUNDRED FLOWERS’ TUREEN AND COVER BY C.J. & CO CHINA, SHANGHAI, LATE QING DYNASTY, EARLY 20TH CENTURY Of round shape, it has a matching domed cover or lid topped by one handle or grasp. Interestingly, both the box and the lid are all adorned with a covering design of ‘Hundred Flowers’. The base bears three (3) marks: ‘C.J.&CO’, 'SILVER' and a Chinese mark. H: 12 cm - D: 31,3 cm Weight: 1492 grams Note: C.J. & CO is a yet unidentified Chinese export silver company that seems to have been active in SHanghai circa 1875-1960. 中国出口银“百花”盖碗，由C.J. & Co公司生产 中国，上海，晚清时期，20世纪早期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A MAYBE COUMPOUND FIVE-PIECE (5) CHINESE EXPORT SILVER ‘BAMBOO’ TEA AND COFFEE SET BY C.J. & CO AND LTH CHINA, SHANGHAI, LATE QING DYNASTY, EARLY 20TH CENTURY It is composed of: - one lidded coffee pot; - one lidded teapot; - one lidded sugar bowl; - one lidded cream pot; - one two-handled tray. All pieces have bamboo-shaped handles. All pieces are adorned with bamboo. Each piece bears marks amidst which: 'C.J.' for the tray, 'LTH' for the creampot, 'LTH' for the sugar bowl, 'L.T.H.' for the teapot and 'C.J.Co.' for the coffee pot. H (the coffee pot): 23,7 cm - L (the tray): 55 cm Total weight: 3606,4 grams Note: C.J. & CO is a yet unidentified Chinese export silver company that seems to have been active in SHanghai circa 1875-1960. 五件套（5）中国出口银“竹叶纹”茶具，由C.J. & CO 公司生产 中国，上海，晚清，20世纪早期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A NOTED COLLECTOR OF CHINESE EXPORT SILVER *A CHINESE EXPORT SILVER ‘DRAGON’ TEA CADDY AND COVER BY WANH HING & CO CHINA, CANTON / GUANGZHOU, LATE QING DYNASTY, EARLY 20TH CENTURY Of round shape, nicely worked in repousse to depict a flying four-claw dragon whose body is coiled around the box and a further flying four-claw dragon on the top of the lid. The base bears several marks: one is a Chinese ideogram; the second one is ‘WH’ for Wang Hing, the company name. H: 5,8 cm - D: 9,1 cm Weight: 186g Provenance: a noted collector of Chinese Export Silver wares. Note: The firm Wang Hing & Co. was established in Canton in 1854, by the wealthy Lo merchant family. It seems to also have been active in Hong Kong. The company was successful at exporting silver to Western countries and eventuality created some pieces for Tiffany & Co. Wang Hing is arguably one of the most sought after and collectable Chinese export brand. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 中国出口银带盖“龙纹”茶罐 中国，广州，晚清，20世纪早期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A NOTED COLLECTOR OF CHINESE EXPORT SILVER *A GROUP OF THREE (3) CHINESE EXPORT SILVER PIECES UNIDENTIFIED MAKERS CHINA, LATE QING DYNASTY, EARLY 20TH CENTURY - The first piece is a Chinese export silver face mirror, originally part of a vanity set, nicely chiselled with a flying three-claw dragon. H: 23,8 cm Gross weight: 295,5 grams - The second piece is a Chinese export silver box and cover of rectangular shape adorned on four (4) sides as well as on the top of the lid with a fine repousse décor of medallions circumscribing birds and flowers against guilloche grounds. It may have been originally partially gilded. The base bears a mark reading ‘金品’ (jīn pǐn), lit. ‘gold’. H: 7,4 cm - L: 14 cm - width: 9,3 cm Weight: 356 grams - The third piece is a finely made filigree and enamelled card holder adorned with flowers and dragons. H: 9,5 cm Gross weight: 64 grams Provenance: a noted collector of Chinese Export Silver wares. Note: The second piece, the box of rectangular shape, is adorned with the theme of ‘The Four Gentlemen’ (sijunzi, 四君子), or ‘Four Seasons’: plums, orchids, bamboos and chrysanthemums. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 一组三（3）件中国出口银器 中国，晚清，20世纪早期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A NOTED COLLECTOR OF CHINESE EXPORT SILVER *A LARGE CHINESE EXPORT SILVER ‘DRAGON’ TWO-HANDLED COMMEMORATIVE CUP OR TROPHY BY CHEONG SHING CHINA, SHANGHAI OR CANTON / GUANGZHOU, LATE QING DYNASTY, EARLY 20TH CENTURY This commemorative cup rests on a spread foot, has a round body and his flanked by two C-form handles. It is finely chiselled and deeply worked in repousse ton depict a flying flour-claw dragon whose body is coiled around the cup and two further leaping dragons, whose arched bodies shape the handles. The base bears two (2) marks: the first one made up of two (2) Chinese ideograms; the second one reading ‘Cheong Shing’. This piece is sold together with a partially open-worked wooden stand engraved with a Chinese inscription to the base. Dimensions (stand excluded): H: 11,5 cm - width: 28 cm Weight: 779,4 grams Provenance: a noted collector of Chinese Export Silver wares. Note: Cheong Shing was a company active in the creation and the trade of Chinese export silver circa 1880-1915. It is believed to have had his main shop in Shanghai, located at 21 Nanking Road. It is also said that it has been active in Canton / Guangzhou. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 大型中国出口银“龙纹”双柄纪念/奖杯- 昌盛造 中国，上海或广州，晚清，20世纪早期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

PROPERTIES FROM A NOTED COLLECTOR OF CHINESE EXPORT SILVER *A CHINESE EXPORT LACQUER BRISE FAN CHINA, CANTON / GUANGZHOU, LATE QING DYNASTY, 19TH CENTURY Very finely lacquered in gilt against a black ground with numerous Daoist sages and ladies as well as pavilions and auspicious symbols. L: 26 cm Provenance: a noted collector of Chinese Export Silver wares. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 中国出口漆扇 中国，广州，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A LARGE CINNABAR LACQUER ‘FÚ LÙ SHÒU - 福祿壽’ ROUND BOX AND COVER CHINA, LATE QING DYNASTY, CIRCA 1900 The box of round shape and the lower part of the cover are both carved with flower medallions whilst the top of the cover is carved with a landscape with the triad of Star gods, i.e. Fú Lù Shòu - 福祿壽 (Happiness, Prosperity, Longevity). H: 16,7 cm - D: 31,1 cm 大号朱漆福禄寿带盖圆盒 中国，晚清，约1900年 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PAIR OF LACQUERED INCENSE BURNER STANDS, XIANGJI CHINA, LATE QING DYNASTY, LATE 19TH CENTURY Each of elegant fluid foliate forms, resting on cabriole legs. Finely lacquered in colors and gilt with flower scrolls against a red ground. Each bears an identical old antique dealer label to the base of the top part: ‘Pierre Saque 6, Rue Saint Georges’. H: 47 cm - L: 41,8 cm - width: 32cm Provenance: - a French Riviera collection, France;- purchased from Pierre Saqué, 6 rue St. Georges, Paris (according to label). Note: Pierre Saqué was a noted and established dealer based in Paris circa 1900-1930. Quality Asian items first sold by him are often popping up at auction. See, inter alia, a pair of matching Dehua teapots sold at SOTHEBY’S New York, USA, 2007-03-19, lot 769, for USD 8,400. 一对漆制香几 中国，晚清，19世纪晚期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A JADE EMBELLISHED INGOT-SHAPED ‘LOTUS POND’ PEWTER ENCASED YIXING TEAPOT BY FAN LUZENG DATED TO A SÌ HÀI 巳亥 YEAR CORRESPONDING TO 1839 CHINA, QING DYNASTY Of hexagonal shape, that of a gold or silver ingot, made of Yixing terracotta clay all covered with a pewter, the handle, the finial and the point of the beak made of jade. One side is engraved with a lotus pond whilst the other side is engraved with a calligraphy. Wiith a seal mark impressed in the central flattened area reading ‘‘范述曾製’, lit. ‘Fàn shù céng zhì’, for the artist Fan Luzeng. H: 8 cm Notes: 1. Pewter-encased Yixing teapots appear to have been invented by scholar-connoiseur Zhu Jian in the early 19th century, and Yang Pengnian (楊彭年) was one of the finest makers of these pots at the time, and so was Fan Luzeng (范述曾). Fan's works were commonly incised by scholars with poems or other scholar's taste subjects such as the 'three friends of winter'. 2. Compare with a pewter encased yixing teapot by the same artist sold at BONHAM’S Hong Kong, China, 2011-11-28, lot 205, for HKD43,750. 宜兴“荷塘”茶壶-范述曾作 己亥年，1839 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*A TIBETAN STYLE YIXING ZISHA TERRACOTTA TEAPOT AND COVER POSSIBLY BY XU HANTANG 徐汉棠 (1932-) CHINA, 20TH CENTURY Potted after a Tibetan silver teapot model, with a short ring foot, a quatrefoil body, a waisted cylindrical neck and a dome-shaped lid. The handle, shaped as a bow, emanates from the mouth of a mythical beast. So is the spout. The lid is topped by a qilin or Chinese unicorn knob. The base with an impressed seal Xu Hantang, two further impressed seal marks to the inner part of the cover. H: 10 cm Note: A teapot by Xu Hantang is preserved in the collection of the Victoria & Albert Museum (VAM), London, UK, under accession number FE.60&A-1984 and is illustrated in ROSE KERR, 'Contemporary Chinese crafts' V&A Album 4, (1985), p. 322, fig. 6. 藏式宜兴紫砂带盖茶壶，可能为徐汉棠作（1932-） 中国，20世纪 IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*A YIXING ZISHA TERRACOTTA ‘GONG CHUN - 龔春’ TEAPOT AND COVER POSSIBLY BY HUANG YULIN (CIRCA 1843-1914) CHINA, 20TH CENTURY Naturalistically potted in the form of a tree-knurl, the cover surmounted by a stem knob, the handle in the form of a curved stem, the base with an impressed seal Huang Wanglin, artist name of Huang Yulin, two further impressed seal marks to the interior of the cover. H: 9,5 cm Notes: 1. Huang Yulin, a native of Yixing, received training from the renowned Qing dynasty Yixing artist Shao Xiangpu. Huang's superb skills of clay kneading and teapot making are often demonstrated on teapots in various forms. Gu Jingzhou had also highly admired Huang's craftsmanship and commended him as a “versatile potter” especially for making teapots of compressed globular and square forms. 2. The design of this teapot is based on one said to have been made by Gong Chun, a Yixing potter from the Zhengde period of the Ming dynasty. Gong Chun's teapot was so admired that this style, with the roughly textured surface resembling tree bark, came to be named after him. This style continued to be copied into the 19th century. 3. Compare with a related teapot dated to the late 19th century from the Palace Museum, Beijing, illustrated in ‘Zisha Wares in the Palace Museum’, Beijing, p. 147, pl. 82. Also compare with a Gongchun style teapot by Huang Yulin sold as part of a lot at BONHAM’S Hong Kong, China, 2013-05-26, lot 427, for HK$680,000. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 宜兴紫砂供春壶，可能为黄玉林作（约1843-1914） 中国，20世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A YIXING ZISHA ‘SACRED PEAKS’ BRUSH-REST CHINA, LATE QING DYNASTY, LATE 19TH CENTURY Made of a terracotta of brown tones. It has a flat base and is finely modeled as sacred peaks or mountains. The back bears an impressed mark. H: 5,5 cm - L: 21,4 cm Weight: 178,7 grams Note: Mountains (shan - 山) are the places closest to the gods and because of their expanse and heights convey the meaning of limitless. 宜兴紫砂笔架 中国，晚清，19世纪晚期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A CLOISONNE ENAMEL ‘AUSPICIOUS SYMBOLS’ LIDDED TEAPOT CHINA, LATE QING DYNASTY, 19TH CENTURY Of faceted shape, with a foo dog finial, adorned in polychrome enamels with auspicious flowered vases against a black ground to each side of the body, also adorned with ‘The Eight Treasures of Buddhism’ (babao) and flowers against a light blue ground on the other parts. H: 16 cm Weight: 831 grams 景泰蓝带盖茶壶 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A THREE-LEGGED ‘LOTUS’ LIDDED CLOISONNE INCENSE BURNER CHINA, LATE QING DYNASTY, 19TH CENTURY Of compressed globular body, resting on three legs with mythical beasts, the body flanked by two mythical beasts handles with loose rings, with a waisted neck, an everted rim and a dome-shaped lid topped by a lotus finial / grasp. The polychrome enamels depict lotus scrolls against a light blue green on a copper base. Fine chiseling of the finials, the handles and the mythical beasts of the legs. H: 20 cm Weight: 664,5 grams 三足带盖莲纹香炉 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A PALACE SIZE THREE-PIECE (3) CLOISONNÉ ‘LOTUS’ ALTAR GARNITURE, ELEMENTS OF A WUGONG CHINA, LATE QING DYNASTY, 19TH CENTURY It consists of: - one three-legged incense burner with a compressed globular body and a trumpet neck flanked by two handles and topped by a parcel reticulated and chiseled lid with a dragon-shaped finial, it is finely decorated in cloisonne enamels with lotus scrolls and flowers as well as confronted dragons against a light turquoise blue ground, the legs have nice gilded beast faces, the lid is parcel open-worked and chiseled with bats, the finial is intricately reticulated with a five-clawed dragon amidst clouds; - two cloisonne beaker or yenyen vases adorned with taotie masks, stylized banana leaves and lotus flowers and. H (the biggest, the incense burner): 48 cm Note: Known as wugong (the five offerings - here missing a pair of candleholders), wares of this type were made in the finest materials to serve as ceremonial furnishings in the many shrines, temples and ritual spaces within the compounds of the Imperial palaces. Altar garnitures typically comprise an incense burner, placed in the center, flanked by two candleholders and gu-shaped vases, all placed on tall stools, as seen in a 20th century picture of the Daxiongbaodian of the Tanzhe Temple near Beijing, illustrated in Helmut Brinker and Albert Lutz, Chinese Cloisonné. These ceremonial wares were conventionally modeled after archaic bronzes from the Shang and Zhou dynasties. By the Song dynasty this practice had already been established, but abandoned at the beginning of the Ming, when the Hongwu emperor decreed that daily utensils were to be used during state rituals. It was however reinstated in the first part of the Qianlong emperor’s reign, reflecting the emperor’s interest in the correct performance of ceremonies and rituals. 景泰蓝莲花摆件三件套 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A RETICULATED JADE ‘HAPPINESS - XǏ - 喜’ PENDANT / PLAQUE CHINA, QING DYNASTY Of circular shape, open-worked with three bats around a ‘喜’ (Xǐ - Happiness) character. Offered at auction together with a matching wooden stand (glued). H (stand included): 9,8 cm Gross weight: 50,4 grams NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report. 网纹玉牌 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A LARGE AND HEAVY CASTED ‘DRAGON AND SEA CREATURES’ INCENSE BURNER AND COVER, XIANGLU 香爐 WITH AN APOCRYPHAL MARK OF EMPEROR XUANDE CHINA, LATE QING DYNASTY TO REPUBLIC / MINGUO PERIOD Heavy cast. It rests on a tall spread foot divided into two registers, the lower one adorned with lotus petals. The slender body, of oval shape, is completed by an oval lid of dome shape topped by a finial resembling a lotus bud. The upper lateral parts of the incense burner are flanked with mythical beast handles whilst the lid is open-worked with a flying and coiled dragon amidst clouds. The base bears an apocryphal mark of Emperor Xuande of the Ming Dynasty (大明宣德年製). H: 25 cm Weight Notes: 1. The battle scenes with horse riders may have been drawn after the ‘Romance of the Three Kingdom’ (Sānguó yǎn - 三國演), a 14th-century historical novel attributed to Luo Guanzhong. It is set in the turbulent years towards the end of the Han dynasty and the Three Kingdoms period in Chinese history, starting in 169 AD and ending with the reunification of the land in 280 by Western Jin. 2. It is acknowledged that this type of vessel (the combination of this shape and see creatures) emerged during the 17th century, somewhere around the Transitional period. Indeed, a specimen has been found in a tomb dated 1675, near Beijing. 3. Compare with an incense burner of related shape, though dated to the 17th century, preserved in the collection of Paris Asian Art Museum (also known as Cernuschi museum), France, under accession number M.C. 669. Also compare with a related incense burner, though dated to the 17th century, sold at CHRISTIE’S Hong Kong, China, 2019-05-29, lot 2990, for €83,092. 重铸龙与海兽带盖大香炉，带宣德仿款 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A RETICULATED JADE ‘KUI DRAGONS’ PLAQUE / PENDANT CHINA, LATE QING DYNASTY Finely carved and reticulated with two confronted kui dragons with coiled bodies. H: 6,7 cm Weight: 47,2 grams “夔龙”网纹玉吊坠 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A FINE CANTON ENAMEL SORBET AND SAUCER CHINA, LATE QING DYNASTY, 19TH CENTURY The circular saucer with a central recessed part rests on a short ring foot. The sorbet, of round body, also rests on a short ring foot/ The outer parts of both pieces are all covered in light night blue enamels. Against that ground, various flowers, including lotus and chrysanthemums, enameled in light blue as well as double shou characters gilt enameled. H (the sorbet): 3,6 cm D (the saucer): 11,6 cm 精美广东珐琅餐具 中国，晚清，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

A CANTON ENAMEL ON COPPER ‘LOTUS’ DISH CHINA, QING DYNASTY, 19TH CENTURY It rests on a short ring foot and has a short round body and a foliate rim. The inner part is painted in light blue and pink enamels with lotus flowers and scrolls. The base is painted in dark blue enamels with three flying kui dragons against a turquoise ground. D: 24,2 cm 广东铜胎珐琅莲纹盘 中国，清代，19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

$ A MOTHER OF PEARL EMBELLISHED POSSIBLY ZITAN WRIST REST OF GU QIN 古琴 FORM CHINA, QING DYNASTY The domed-part is finely inlaid with parcel polychromed mother of pearl to depict six flying butterflies. L: 29,5 cm Weight: 130 grams Note: The butterfly is a symbol of long life because the second character in butterfly (hudie - 蝴蝶) has exactly the same pronunciation as the character 耋 (die) which means ‘70 or 80 years of age’. The butterfly also signifies joy and warmth. $ 珍珠母贝装饰可能为紫檀古琴托架 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*A PEKIN / BEIJING OVERLAY GLASS ‘MAGPIES AND PLUMS’ TAPERING VASE APOCRYPHAL MARK OF EMPEROR TONGZHI CHINA, REPUBLIC / MINGUO PERIOD It has an elongated egg-shaped body surmounted by a trumpet neck. It is adorned in yellow overlay with magpies and prunus against an opaque blue glass ground. The base bears the apocryphal mark of Emperor Tongzhi, a four-character one in kaishu script: ‘同治年製’. H: 19 cm Notes: 1. The Chinese phoenix is a mythical bird known as the fenghuang (凤凰) in Chinese. It is believed that the phoenix only makes an appearance during periods of prosperity, peace and good government. The phoenix symbolizes joy and peace and is also stands for the Empress. 2. Traditionally in China, glass was a relatively non-essential material, used for decorative and ritual purposes, and was not commonly accessible to Chinese people until the early twentieth century. The change of status for glass - from a minor material to a functional material for making vessels, lenses, and windows - occurred in the late 17th century, when glassware and scientific instruments from Europe inspired Emperor Kangxi to establish his own glass workshop under the supervision of European missionaries, whom brought the Venetian technology to China. “喜鹊与李子”玻璃花瓶，仿同治款及可能时期 中国，晚清至民国 IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

AN IMPERIAL EDICT OR DECREE CONFERRING A PROMOTION UPON AN OFFICIAL DATED TO THE 20TH DAY OF THE 11TH MONTH OF THE 26TH YEAR OF THE REIGN OF EMPEROR QIANLONG CORRESPONDING TO 1761 CHINA, QING DYNASTY, QIANLONG PERIOD The edict is written on a woven silk brocade and mounted. It has been lately cut down and laid on on a soft cardboard as an accordion book with two covers. The text is arranged in standard form reading from right to left in Chinese characters and repeated from left to right in Manchu. The Chinese text is opening with a four-character title in a vertical line 'Fengtian Gaoming' (lit. ‘By Command of Heaven’), flanked by a pair of dragons, On the central part of the edict, there is a large stamped imperial seal impression reading ‘Zhì Gào Zhī Bǎo’ (‘制誥之寶’, lit. ‘Seal of Edict’) followed by the inscription ‘乾隆二十六年十一月二十日’ dating the decree to 1761. The content of the edict or decree first briefly describes the relevant will of the emperor, then the deeds or achievements of the conferred officials as officials, and finally the conferred rank and order. Dimensions (each leaf): 28,3 x 30 cm Note: Several decrees or edicts with similar contents and dated to the same day, month and year are known. One is preserved in the collection of the Imperial Decree Museum, Xuzhou, China. Another one has been sold at SOTHEBY’S Hong Kong, China, 2012-10-09, lot 3012, for HKD325,000. 皇帝圣旨- 乾隆二十六年十一月二十日 中国，清代，乾隆时期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*CHINESE SCHOOL IN THE MANNER OF BADA SHANREN 八大山人 (circa 1626-1705) BORN AS ZHU DA 朱耷 Bird on rock Ink wash on paper Signed on the upper right corner with the artist huāyā (花押) signature Bearing two red artist seals on the upper right 33,6 x 29,3 cm Provenance: a Private Collection. Notes: 1. Bada Shanren began painting and writing poetry in his early childhood. He later developed a career as a professional painter adopting a series of descriptive pseudonyms, most notably Bada Shanren by which he is most often known today. The stylized vertical writing of his pseudonym Bada Shanren (八大山人) looks like the characters for laugh (笑) and cry (哭), thus by signing his paintings he implied his confusion and feelings of grief for the fate of his country and home. His paintings feature sharp brush strokes which are attributed to the sideways manner by which he held his brush. In the 1930s, Chinese painter Zhang Daqian (​​張大千, 1899-1983) produced several forgeries of Bada Shanren's works. 2. A huaya or ‘Flower print’ is a stylized signature or mark used in East Asia cultures in place of a true signature. Originating from China, the huaya was historically used by prominent figures such as government officials and artists. 3. This painting of a bird on rock is similar to that of the anban or anwan album preserved in the collection of the Sen-Oku Hakukokan Museum, Sumimoto Collection, Lyoto, Japan. Click HERE to see the related painting said to be by the hand of Bada Shanren. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 中国画作 八大山人- 朱耷，约1626-1705 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

*CHINESE SCHOOL, AFTER FU QING 傅清 (D. 1750) CHINA Two flycatchers eating a butterfly in a landscape with rocks and peonies Ink and colours on paper Mounted as a scroll / kakemono Signed on the upper right part An inscription completed by two (2) seals, one being ‘仲秦’ (zhòng qín), the other one being ‘傅清之印’ (fù qīng zhī yìn)Dimensions (the sole painting): 124 x 51,5 cm 中国画作，傅清之后（D.1750） 中国 IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.