Ca. 200-300 AD.A high-relief panel crafted from a schist stone. This frieze portrays two scenes from the life of Buddha. The scenes are separated by a Corinthian column. The Buddha and other figures in the frieze are dressed in long robes known as sanghatis, intricately draped with folds. These figures exhibit elaborate hairstyles. The left-hand side of the frieze depicts an elephant, which is an animal that features prominently in Buddhist iconography. The elephant is often seen as a symbol of strength, wisdom, and compassion, all qualities that are associated with the Buddha himself. Size: L:135mm / W:475mm ; 10.79kg Provenance: Private London collection; acquired in Japan between 2000 - 2005; formerly in an old Japanese collection. This item has been checked against the Art Loss Register database.
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Ca. 618-907 AD.A set of twelve terracotta zodiac animals, each meticulously fashioned, and attired in resplendent court robes. The figurines are highly pigmented and feature a variety of colours. They have their hands gently folded upon their chests, forming a restrained gesture beneath the drapery of their regal garments. For similar see: The Victoria and Albert Museum, London, Museum no. C.103-1929. Item comes with a professional historical report from Ancient Report Specialists. Accompanied by TL tests from Oxford Authentication laboratory, UK, confirming age and authenticity. References: C122g69 and C122g70. Size: L:460-470mm / W:150-155mm ; 3.37-3.4kg, all: 40+kg Provenance: Property of a London gentleman; Ex. Cotswolds family collection, 1990s, formerly with Avon Gallery. This item has been checked against the Art Loss Register database.
Ca. 1100-1000 BC.A bronze ding vessel with a deep, rounded body, sat upon three flattened bird-shaped legs. The lipped rim is flanked by two imposing upright loop handles. The body itself is adorned with a circumferential band of whorl-roundels, interwoven with delicate floral motifs and punctuated by a central nodule. Restored. For similar see: The Metropolitan Museum of Art, 1974.268.20. Size: L:240mm / W:200mm ; 1.5kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 618-907 AD.A large, hollow-moulded terracotta horse depicted with an inclined head, attentive ears, and a docked tail. Red pigment adorns the body of the horse and the tassles of its intricate harness. Atop its back sits a large, bulky saddle rendered in a white-grey pigment, which also features on the harness, bridle, mane and lower legs of the horse. Accompanied by a TL test from Oxford Authentication laboratory, UK, confirming age and authenticity. Reference: C123j89. For similar see: The Metropolitan Museum of Art, Accession Number: 25.20.4. Item comes with a professional historical report from Ancient Report Specialists. Size: L:690mm / W:650mm ; 16.4kg Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 618-907 AD.An impressive terracotta horse depicted with a downturned head, docked tail and well-sculpted musculature. The black saddle and red blanket form a striking contrast to the grey-white pigment of the animal's body. Accompanied by a TL test from Oxford Authentication laboratory, UK, confirming age and authenticity. Reference: C123j86. For similar see: The Metropolitan Museum of Art, Accession Number: 25.20.4. Item comes with a professional historical report from Ancient Report Specialists. Size: L:650mm / W:660mm ; 16.4kg Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 618-907 AD.A terracotta figure, commonly known as the 'Fat Lady'. The woman stands in in a swayed posture with a long robe, raised hands, rosy cheeks, and downturned eyebrows. Traces of coloured pigment remain, indicating its original vibrant appearance. Accompanied by a TL test from Oxford Authentication laboratory, UK, confirming age and authenticity. Reference: C121k62. For similar see: Christie's, Live Auction 2830, Fine Chinese Ceramics and Works of Art, 21 March 2014, Lot 2070. Item comes with a professional historical report from Ancient Report Specialists. Size: L:510mm / W:180mm ; 4.35kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.An ancient Roman stone plaque with a raised frame showing a grand eagle. The bird stands atop a laurel wreath with its head turned to the left. Among the roman army, the eagle often symbolised jupiter representing his power. Such plaques were often found in Roman Legionary camps. Size: L:160mm / W:90mm ; 1.04kg Provenance: Property of a central London gallery, acquired on the US art market; ex. Horst Worm collection, Schafthausen, Switzerland, before 1980s. This item has been checked against the Art Loss Register database.
Ca. 206 BC-220 AD.A polychrome ceramic figure of a soldier. He stands resolute, clad in a cross-over coat and puffy trousers. His small eyes beneath arched brows and lips are accentuated with a vibrant crimson hue. The hands are folded resolutely before the chest. Accompanied by a TL test from Oxford Authentication laboratory, UK, confirming age and authenticity. Reference: C123j92. Size: L:550mm / W:155mm ; 3.5kg Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 618-907 AD.A terracotta sculpture of a Sogdian rider on a galloping horse. The rider's face features a finely crafted beard, a well-defined nose, and an intricately carved mouth. The horse is dynamically rendered, with upright ears, wide eyes, flaring nostrils, and a lively, galloping pose. Accompanied by a TL test from Ralf Kotalla laboratory, Germany, confirming age and authenticity. Size: L:343mm / W:470mm ; 2.13kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 618-907 AD.A terracotta polo rider on a hollow-moulded horse. The rider's face is detailed with red cheeks, expressive eyes, and red lips. The horse is depicted mid-gallop, with erect ears, bulging eyes, and flaring nostrils. Accompanied by a TL test from Ralf Kotalla laboratory, Germany, confirming age and authenticity. Size: L:460mm / W:325mm ; 2.89kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 202 BC-220 AD.A pottery bird with bronze legs. It has a round body, a long slender neck, and a yellow head with a beak and open eyes. The body is well-formed with realistic details. Accompanied by a TL test from Ralf Kotalla laboratory, Germany, confirming age and authenticity. Size: L:260mm / W:240mm ; 1.32kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 202 BC - 220 AD.A polychrome terracotta figure of a duck, with lifelike legs. It has colourful feathers, a red head with wide-open eyes, and a cream-coloured beak. This bird figure is a type of Mingqi, objects buried with the deceased to accompany them in the afterlife. Accompanied by a TL test from Ralf Kotalla laboratory, Germany, confirming age and authenticity. Size: L:150mm / W:150mm ; 415g Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong. This item has been checked against the Art Loss Register database.
Ca. 400-600 AD.A stone panel that showcases Vishnu in an elegant, arch. He is depicted with four arms, two lying at his sides and two raised behind his body, symbolizing cosmic order. The piece was likely from a temple and part of a larger depiction. Size: L:450mm / W:300mm ; 12.75kg Provenance: Private UK collection; from an old London collection formed in the 1990s. This item has been checked against the Art Loss Register database.
Ca. 200-400 AD.A schist stone head of a Buddha with closed, slightly smiling lips and full cheeks. He has long pendulous earlobes, with almond-shaped eyes and thin, arching eyebrows. His hair is formed of Classical-style waves, arranged into a Buddhist-style top knot. He has an urna on his forehead. For similar see: Bonhams, Indian, Himalayan and Southeast Asian Art, New York, 22 March 2022, Lot 301. Size: L:120mm / W:70mm ; 1.88kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in Japan; previously in 1970s Japanese collection. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A rectangular red sandstone relief with an arched top. The relief depicts Buddha standing in samabhanga on a shaped base. His right hand in abhayamudra, the left stretched downward. He is wearing a heavily pleated robe draped over his left shoulder. His heavy-lidded, almond-shaped eyes are below thick, elegantly arched brows centered by a circular urna. His hair is close to the skull, and rendered in tight, styalised curls. Size: L:470mm / W:210mm ; 22.9kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been checked against the Art Loss Register database.
Ca. 200-300 AD.A schist frieze depicting a couple. The woman stands in front of the man, leaning over with a bent leg and left arm outstretched in a protective gesture. She wears a heavily pleated robe with large waist knot. The faces of the couple are of similar construction, with delicate lips and small eyes. However, the brow of the woman is slightly furrowed, while that of her counterpart is not. Size: L:310mm / W:180mm ; 2.41kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in Belgium; previously in 1970s European collection. This item has been checked against the Art Loss Register database.
Ca. 100-300 AD.A round schist stone cosmetic tray with a flat base and a dividing ridge in the middle. The ridge separates the tray into two sections for organizing and mixing cosmetics. The top of the tray has an elaborate carving of a human riding a sea monster. This monster has a long, fish-like tail and an upturned head, with long snout and a long row of teeth . This item comes with a custom-made stand. For similar see: The Metropolitan Museum of Art, Accession Number: Accession Number: 1987.142.113. Size: L:125mm / W:125mm ; 310g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 1368-1644 AD. A polychrome painted wooden figure of Bodhisattva. He is depicted sat atop rocks in rajalilasana, a position of ease, with his right arm resting on a bended knee. The figure is dressed in a long robe with a scarf draped over his shoulders, hair gathered in a topknot, and adorned with a high crown. Cf. Christie's, Live Auction 12290, Chinese Ceramics, Works of Art and Textiles Part II, 13 May 2016, Lot 642. Size: L:420mm / W:225mm ; 1.2kg Provenance: Property of a London Ancient Art Gallery; formerly in a private UA collection. This item has been checked against the Art Loss Register database.
Egypt, New Kingdom, late 18th-early 19th Dynasty, Ca.1300 BC.A carved limestone graffito depicting two male heads, with style characterisic for the New Kingdom era. The figure on the left wears a short, cuffed wig which suggests regal authority; whilst the other one likely represents a Nubian. Two crudely hieroglyphics are carved beneath the hieroglyphics. The item is accompanied by a report from Simone Musso, consultant curator for the Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: L:220mm / W:150mm ; 2.54kg Provenance: Property of a London Ancient Art gallery; formerly in a French collection, acquired in the late 1980s. This item has been checked against the Art Loss Register database.
Imperial Period, Ca. 100-300 AD.A rare silver battle standard finial depicting an eagle on a short pedestal. The eagle is depicted with prominent features and well carved feet, eyes, and beak. Item comes with a professional historical report from Ancient Report Specialists. Size: L:105mm / W:37mm ; 339g Provenance: Private UK collection; from an old London collection formed in the 1990s. This item has been checked against the Art Loss Register database.
Ca. 300 AD.A remarkable bronze decorative tripod stand, adorned with an intricate design. The feet of the stand are styled in shape of animal paws. Above them, an elegant, columnar shaft, with multiple disc-like forms arranged along its length. The pinnacle of this stand features a circular bowl with a flat base and a straightforward openwork design, specifically crafted for the placement of an oil lamp. Size: L:140mm / W:95mm ; 320g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previously with a London gallery; acquired in the 1990s on the UK art market. This item has been checked against the Art Loss Register database.
Ca. 100 AD.A Roman oil lamp with a pear-shaped body, a raised foot, and a strap handle with a relief of a theatrical mask. It serves as both practical lighting and a symbol of culture and spirituality in ancient Rome, showcasing their artistic and meaningful approach to everyday objects. Item comes with a professional historical report from Ancient Report Specialists. Size: L:92.4mm / W:44.2mm ; 311g Provenance: Private UK collection; formerly acquired on the European art market from pre-2000 collections. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A bronze protome of a goddess captured with a slightly tilted head. Her attire is delicately carved, giving the impression of it being gently stirred by a breeze. At the rear of the protome, there is a hollow, rectangular-section shaft, possibly for attachment to a larger structure. Size: L:120mm / W:90mm ; 645g Provenance: Property of a private collector, acquired before 2002. This item has been checked against the Art Loss Register database.
Ca. 300-200 BC.A bronze figurine portraying a graceful goddess standing elegantly in a flowing robe, with her right hand holding a sacred vessel known as a phiale. Adorning her head is a crescent moon diadem, symbolising ethereal power and divinity. Size: L:80mm / W:50mm ; 120g Provenance: Property of a London Ancient Art gallery, formerly English private collection, acquired by the current owner in Germany before the 2000s. This item has been checked against the Art Loss Register database.
Ca. 100-300 AD.A bronze figurine of Mercury depicted nude and muscular. He holds a money bag, on one of his attributes, symbolising commerce and wealth. In both Roman and Greek mythology, Mercury/Hermes symbolises communication, trade and travel. For similar see: Amgueddfa Cymru – Museum Wales, Item Number: 81.35H/2. Size: L:80mm / W:40mm ; 100g Provenance: Private UK collection; from an old London collection formed in the 1990s. This item has been checked against the Art Loss Register database.
Ca. 500-300 BC.A bronze figurine of the god Atlas. He is depicted kneeling with arms raised. In Greek mythology, Atlas is known for bearing the heavens as a punishment, symbolising endurance and responsibility. Size: L:80mm / W:40mm ; 165g Provenance: Private London collection, B.A.; formerly in pre-2000 European collection. This item has been checked against the Art Loss Register database.
Geometric Period, Ca. 800 BC.A stylised bronze figurine of a horse on a marble stand depicted with a gracefully arched neck, forelock, and a long, folded tail. Size: L:80mm / W:76mm ; 410g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. This item has been checked against the Art Loss Register database.
New Kingdom, Ca. 1550-1069 BC.A gilded sarcophagus mask carved from finely-grained cedar wood. It is presented with inlaid marble and obsidian, almond-shaped eyes, a broad nose with flared nostrils, full lips with slightly indented corners, a rounded chin, and smooth cheeks, all beneath a wide headdress that sits low on the forehead. Remains of the original dowel holes can be seen on the reverse. These masks were stylised and idealised portraits of the deceased individual and served an important role in Egyptian funerary rituals. The item comes with a custom-made stand. The piece is accompanied by the historical report by Simone Musso, consultant curator for the Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: L:250mm / W:210mm excl. stand ; 1.11kg Provenance: Property of a central London gallery; formerly with M.C., acquired on the US art market pre-2000. This item has been checked against the Art Loss Register database.
Ca. 400 BC.An ancient bronze mirror with a circular shape, raised borders and flat handle. Such mirrors were used for grooming and personal care in Etruscan, Greek, and Roman cultures. Size: L:270mm / W:180mm ; 510g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 100 BC-100 AD.A snake-shaped finger ring, meticulously crafted from a single piece of gold wire, tapering from tail to head with detailed eyes. Snake rings held significance in Romano-Egyptian culture, symbolising renewal, power, wisdom, and protection. They were also believed to have protective and magical properties, guarding against evil spirits and misfortune as talismans. Size: D:16.71mm / US:6 1/4 / UK:M ; 10.22g Provenance: A private collection formed in the United Kingdom since 1990s. This item has been checked against the Art Loss Register database.
Ca. 332-30 BC.A necklace composed of a tightly coiled gold strip, centred by an agate cylinder with a drop shaped finial. Below it, a snake formed from a solid rod, lenticular in section, curves into an open hoop with its head curved back and projecting outward. Size: L:360mm / W:4mm ; 20.9g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 500-400 BC.A gold swivel finger ring featuring a rock crystal scaraboid engraved with a griffin. Very well preserved and wearable. For similar see: The Metropolitan Museum of Art, Accession Number: 74.51.4209. Size: D:18.75mm / US:8 3/4 / UK:R ; 8.85g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100 AD.A gold pendant moulded in a circular shape with a raised dotted border. It features an eye symbol in the centre, surrounded by animals: a scorpion, snake, dog, crocodile, and an ibis, next to a stylised gladius sword. The combination of symbols on this pendant is highly unusual and represents a combination of Egyptian and Eoman features, suggesting the talisman nature of the pendant. For similar see: The Johns Hopkins Archaeological Museum (JHAM), Accession Number: FIC.07.225. Size: L:34mm / W:29mm ; 4.68g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been checked against the Art Loss Register database.
New Kingdom, Ca. 1550-1069 BC. A wooden mummy mask depicting a gilded face, arching black eyebrows, almond-shaped eyes with circular pupils, snub nose and closed mouth, all under a large headgear. This item comes with a custom-made stand. The piece is accompanied by a historical report by Simone Musso, consultant curator for the Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: L:295mm / W:260mm excl. stand ; 1.38kg Provenance: Property of a central London gallery; formerly with M.C., acquired on the US art market pre-2000. This item has been checked against the Art Loss Register database.
Ca. 500-400 BC.A gold bracelet, circular in shape, made from two joined tubes with a central groove. It represents the artistic influences of the Hellenistic era, known for its craftsmanship and use of gold. Very well preserved and wearable artefact. Size: L:85mm / W:82mm ; 65.82g Provenance: Property of a central London gallery; Ex. Dutch collection, 2000s. This item has been checked against the Art Loss Register database.
Ca. 400 BC.A gold ring with a slim rounded hoop holding a large bezel with elaborate engravings of a lion attacking a bull. Size: D:18.75mm / US:8 3/4 / UK:R ; 11.11g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 100 BC.A sapphire intaglio in a gold ring displaying a detailed portrait of Athena, the Greek goddess of wisdom and war, seen wearing one of her attributes, the crested Corinthian helmet. Size: D:19.56mm / US:9 3/4 / UK:T ; 19.33g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 300-100 BC.A gold ring with a flat hoop and a sizeable bezel holding a carnelian intaglio with a detailed image of a stag. Size: D:18.34mm / US:8 1/4 / UK:Q ; 8.66g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market. This item has been checked against the Art Loss Register database.
Ca. 200-100 BC.A gold ring with a round hoop and an intaglio of winged Eros. Eros stands in a graceful pose, facing to the right, with his foot on the ground and his left leg elegantly raised, creating a sense of movement. In Greek mythology, Eros is the god of love and desire, believed to influence affections with his golden arrows. It comes with a full authentication report. Size: D:14.48mm / US:3 1/4 / UK:G ; 11.2g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 300 BC-100 AD.A striking Greco-Roman gold pendant possibly depicting the Greek god Eros. The pendant features a suspension loop at the top and five dangling elements. The piece is enriched by three garnet cabochons and may originate from Hellenistic Greece or the eastern Roman regions. It is extremely well-preserved and can be worn with care. It comes with a full authentication report. Size: L:74mm / W:34mm ; 10g Provenance: Property of a London Ancient Art gallery, formerly the property of a London gentleman; thence by descent; previously in an important private Mayfair, London collection, acquired after 1970. This item has been checked against the Art Loss Register database.
Ca. 400-300 BC.A gold brooch with a circular plate and a beautiful agate cabochon at the centre, skilfully secured by gold threads. On the reverse side, four suspension loops provide a secure means of attaching. Size: L:50mm / W:48mm ; 15.23g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 300-100 BC.A finely rendered gold disc-shaped pendant, hammered from thin gold, embellished with three bands of alternating beaded and ropework decoration alongside the edge of the central amethyst cabochon. A suspension loop makes this piece wearable and it comes with a modern necklace cord. Excellent condition, with stone restored. Size: L:30mm / W:27mm ; 15.66g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 400 BC. A gold chain necklace comprising a dense loop-in-loop design. The finials, culminating in distinctive mushroom-shaped terminals, with suspension loops integrated for secure closure. Attached to this necklace is an acorn-shaped pendant, adorned with fine scrollwork along its rounded side. Including a pair of Etruscan spiral earrings with coiled catch-a-plates It comes with a full authentication report. Size: Necklace - L:230mm / W:4mm ; 28.16g Earrings - Size: L:20mm / W:18mm ; 1.71g Provenance: Property of a London Ancient Art gallery, formerly Tom McCaffery (1950-2020), Chicago; thence by descent. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A gold pendant consisting of a crowned top with curvilinear arms. The centrepiece holds a rectangular cell with a green emerald, while two round cells on either side house delicate pink garnets. Below, two suspended pearls and a dangling drop shaped garnet completes the pendant. Size: L:37mm / W:33mm ; 9.44g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A gold pendant displaying a winged phallus, intricately crafted with filigree and granule details. Above this intricate loop for suspension. In Roman culture, such pendants symbolised strength and fertility. Size: L:23mm / W:28mm ; 5.27g Provenance: Property of a London Ancient Art gallery, formerly property of a Surrey collector; acquired in the early 1970s. This item has been checked against the Art Loss Register database.
Ca. 200-100 BC.A substantial gold ring featuring broad shoulders, enclosing a convex intaglio of a standing Maenad. In Greco-Roman mythology, Maenads were female devotees of Dionysus. Size: D:15.9mm / US:5 1/4 / UK:K ; 22.9g Provenance: Property of a central London gallery, ex. I. G., US; formerly in the property of an East Coast Collector, acquired prior to 1979. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A gold ring with an oval nicolo intaglio depicting Fortuna, a Roman deity symbolising destiny and luck. The ring boasts a flat-sectioned hoop with expanding shoulders that provide an elegant setting for the intaglio. Fortuna faces leftward, standing gracefully beside a column. Romans sought her favour for prosperity and success. The gold setting may be from a later period. Size: D:16.71mm / US:6 1/4 / UK:M ; 9.08g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100 AD.An oval-shaped green jasper intaglio of Faustulus leaning on his staff underneath a tree. The ring has a round hoop and graceful shoulders with "Y" shaped finials adorned with granules. The gold setting may be from a later period. For similar see: The Metropolitan Museum of Art, accession number: 17.194.36. Size: D:18.34mm / US:8 1/4 / UK:Q ; 6.28g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A gold ring with a round and curved design, holding a nicolo intaglio of Serapis. The Greco-Egyptian god is linked to fertility and the afterlife and is recognised by the modius above his head. The gold setting may be from a later period. For similar see: The British Museum, Museum number 1842,0728.27. Size: D:19.56mm / US:9 3/4 / UK:T ; 18.69g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A gold ring with a rounded hoop and subtly flattened interior, holding a convex jasper intaglio. The stone is finely carved with a gryllos, composed of one youthful portrait dionysus facing left and its counterpart silenus depicting the wisdom of old age, facing right. Size: D:19.15mm / US:9 1/4 / UK:S ; 12.86g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A gold ring featuring a round-sectioned hoop and circular bezel holding a banded agate convex intaglio. The intaglio depicts Hercules, facing left while holing a club and a lion's skin. It comes with a full authentication report. Size: D:18.34mm / US:8 1/4 / UK:Q ; 16.27g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A banded agate intaglio in a gold ring showing a detailed portrait of Jupiter holding a staff and an eagle. Size: D:19.56mm / US:9 3/4 / UK:T ; 15.4g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.An oval carnelian intaglio depicting Mars, the Roman god of war, holding a spear and shield. For similar see: Richter, Gisela M. A., Catalogue of Engraved Gems of the Classical Style: Greek Etruscan, and Roman, pl. XLI.Size: D:19.15mm / US:9 1/4 / UK:S ; 18.16g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100-300 AD.A gold chain made with flawless round links. It has finely crafted finials with conical-shaped tubes on the ends, designed for a secure closure. The necklace is acompanied by a historical report. Size: L:264mm / W:5mm ; 61g Provenance: A private collection formed in the UK, prior to 1990s. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A gold ring with a rounded hoop that comes together to hold a bezel. The stone is finely carved with a right facing portrait of Minerva, depicted wearing a crested helmet and holding a shield and spear. Size: D:14.88mm / US:3 3/4 / UK:H ; 4.45g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100-300 AD.A gold ring featuring an oval bloodstone with an intaglio of Victory, a figurative symbol portraying Roman military success. The stone's green and crimson hues create an attractive backdrop for the carving. The gold setting may be from a later period. Size: D:17.12mm / US:6 3/4 / UK:N ; 11.68g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100 AD.A gold ring with a red garnet cabochon in its bezel. Good condition, wearable. Size: D:15.9mm / US:5 1/4 / UK:K ; 3.64g Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 100 AD.A gold finger ring with a rounded hoop and intricate decorations on the shoulders. It holds a jasper intaglio showing Priapus, a deity symbolising fertility and a bountiful harvest in a distinctive ithyphallic portrayal. Size: D:17.93mm / US:7 3/4 / UK:P ; 6.22g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 100-200 AD.A gold ring characterised by its distinctive gold setting. The substantial bezel features a banded agate intaglio, carved with the image of a dolphin. Agate, a gemstone renowned for its distinctive banded patterns, was frequently employed in Roman jewellery. The gold setting may be from a later period. Size: D:18.34mm / US:8 1/4 / UK:Q ; 9.5g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market. This item has been checked against the Art Loss Register database.
Ca. 100 AD.A delicate gold ring has a slender round hoop. It features a garnet cabochon with an engraved cricket. Size: D:15.49mm / US:4 3/4 / UK:J ; 2.47g Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s. This item has been checked against the Art Loss Register database. This item has been checked against the Art Loss Register database.
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