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Click here to subscribeA CMC exclusive Modelle Mercedes-Benz W196R (1954/55) streamliner body. 1:18 scale with original box and packaging. Item No. M-044 together with another, Mercedes-Benz SSKL (1931) ``GroBer Preis von Deutschland``. 1.18 scale, limited edition 2612/4000, with original box and packaging. Item No. M-082
A CMC exclusive Modelle Mercedes-Benz W154 (1938) ``Trainingsfahrzeug GP Frankreich``. 1:18 scale, limited edition 1238/1540, with original box and packaging, item no. M-099. Together with another, Mercedes-Benz W154 (1938) ``Richard Seaman, GP - Sieger von Deutschland``, 1:18 scale, limited edition 1489/3000, with original box and packaging, item no. M-098
A CMC exclusive Modelle Auto Union Typ D (1938/39) ``GP Frankreich, H.P Muller 1939 Doppelsieg / I. Platz, Start - Nr. 12`` 1:18 scale, limited edition 561/1500, with original box and packaging, item no. M-089. Together with another, Auto Union Typ C (1936) ``Sieger GP Deutschland`` 1:18 scale, limited edition 1259/5000, with original box and packaging, item no. M-073
A CMC exclusive Modelle Mercedes-Benz SSKL, Mille Miglia (1931) ``Unlackiert`` ``15 Jahre CMC`` 1:18 scale, limited edition 688/2000, with original box and packaging, item no M-087. Together with another, Mercedes-Benz SSKL, Mille Miglia (1931) ``Siegerbeider`` 1:18 scale, with original box and packaging, item no. M-055
A CMC exclusive Modelle Ferrari 250 California SWB (1960) ``blau``, 1:18 scale, limited edition 466/2500, with original box and packaging, item no M-092. Together with another, Ferrari Testa Rossa (1958) ``Lucybelle II, Le Mans``, 1: 18 scale, limited edition 627/2000, with original box and packaging, item no. M-086
A CMC exclusive Modelle Bugatti Typ 57 SC Atlantic Coupe (1938) ``Chassis-Nr. 57.591 (R.B Pope)`` 1:18 scale, with original box and packaging, item no. M-083 together with another Bugatti Typ 57 SC Atlantic Coupe ``Chassis-Nr. 57.591 (schwarz), Restauration`` 1:18 scale, with original box and packaging, item no. M-085
A CMC exclusive Modelle Ferrari 250 GT SWB (1961) ``Berlinetta passo corto``, 1:18 scale, with original box and packaging, item no. M-046. Together with another, Ferrari Dino 156-F1 (1961) ``Sharknose`` ``G P Deutschland, Graf Berghe Von Trips``. 1:18 scale, limited edition 3835/6000, with original box and packaging, item no. M-069
A CMC exclusive Modelle Mercedes-Benz 300 SLR Uhlenhaut-Coupe (1955) ``Jubilaumsmodell 125 Jahre Mercedes``, 1:18 scale, limited edition 3536/4000, with original box and packaging, item no. M-088. Together with another Mercedes-Benz W165 Tripolis (1939), 1:18 scale, limited edition 3888/5000, with original box and packaging, item no M-074
An Autoart Motorsport, Bentley Speed 8 Le Mans (2003) ``J.Herbert/ D.Brabham/ M.Blundell # 8``, 1:18 scale, with original box and packaging, item no. 80354, together with an Autoart Performance, Aston Martin V12 Vantage (2010), 1:18 scale, with original box and packaging, item no. 70207, an Autoart Racing Division, Subaru Imprezza WRC (2006) ``Night Race Version`` ``Rally Monte Carlo`` ``P.Solberg #5``, 1:18 scale, with original box and packaging, item number 80693, and an Autoart Motosport Lexus SC430 Super GT Zent Cerumo SC # 1, (2006) 1:18 scale, with original box and packaging, item no. 80633
An Autoart Performance Porsche 911 (997) GT2, 1:18 scale, Body Colour Dark Grey, with original box and packaging, item no. 77899. Together with an Autoart Racing Division Porsche 911 (997) GT3 RSR FIA GT Le Mans 2009, ``Endurance Asia Team`` D.O`Young / P. Hesnault / P.Kralev # 75, 1:18 scale, with original box and packaging, item no. 80972, ``Limited Edition of 2,000 pieces worldwide``, and an Autoart Racing Division, Porsche 911 (997) GT3 RSR (2009) ``Plain white body version``, 1:18 scale, with original box and packaging, item no. 80973
An Autoart Millenium, Porsche 356A Speedster, 1:18 scale, Body colour white, with original box and packaging, item no. 77862. Together with another Autoart Millenium, Porsche 911 Turbo 3.3 litre, 1:18 scale ``Black Uni``, with original box and packaging, item no. 77981, and Autoart Racing Division, Porsche (11 (997) GT3, !:18 scale ``Promo Cup Car 2008``, with original box and packaging, item no. 80881
An Autoart Millenium, Porsche 911 (964) Carrera RS (1992) 1:18 scale, Body colour green, with original box and packaging, item number 77892. Together with another Autoart Millenium, Porsche 911 3.0 litre turbo, 1:18 scale, ``White/ Turbo Stripes,`` with original box and packaging, item number 77972, an Autoart Motorsport BMW Z 4 Coupe Nurburgring (2006) 1:18 scale, Team Schubert ``H. Stuck/ M.Hennerici/ C.Hurten # 676, with original box and packaging, item no. 80649, and an Autoart Motorsport, Aston Martin DBR9 24 Hours Le Mans (2005) 1:18 scale, ``D.Brabham / S. Sarrazin / D. Turner # 59``, with original box and packaging, item number 80507
A Paul`s Model Art GMBH Mercedes-Benz SLS AMG, 1:18 scale, with original box and packaging, item number B6 696 00 42. Body colour Obsidian Black Metallic. Together with another, Mercedes-Benz SLS AMG, 1:18 scale, with original box and packaging, item number B6 696 0043, Body Colour Iridium silver Metallic
A Minichamps Mullin Automotive Museum, Dubonnet Hispano - Suiza H6C ``Xenia`` (1938), 1:18 scale, limited edition model number 104/1002, with original box and packaging, item number 107 091 020, together with a Paul`s Model Art/ Minichamps, Porsche Design Driver`s selection, Porsche 911 GT2 RS, 1:18 scale, with original box and packaging, model number WAP 021 00 30B. Body Colour Red
A Gemini 200 American Airlines Boeing 767-300, 1:200 scale die-cast aircraft model, with original box and packaging, item no. G2AAL142, together with a Gemini 200 Royal Air Force Lockheed L-1011-500 Tristar, 1:200 scale die cast aircraft model, with original box and packaging, item no. G2RAF121. Together with a Gemini Jets Emirates Airbus A380-800, 1:200 scale, with original box and packaging, item number G2UAE356
A Bravo Delta models bluebird CN7, hand carved from Kiln dried mahogany, presented on a display base, together with a Bravo Delta models Bluebird K7, hand carved from Kiln dried mahogany, presented on a display base, together with a Bizarre models Bluebird CN7 Donald Campbell (1964) 1:43 scale, with original box and packaging, item number BZ264, a Sparkmodel British Steam Car LSR (2009), with original box and packaging , and a Bizarre models Art Arfon`s Green monster (1965), 1:43 scale, with original box and packaging, item number BZ435
Dietz Brother & Co. Brass and Bronze Solar Lamp A Rare American Gilt Lacquered Brass and Bronze Solar Lamp, mid-19th c., Dietz Brother & Co., New York, labeled, identified as item No. 52 in the 1860 Dietz catalogue, finely cut and etched Gothic shade, chimney, overall height 34 1/2 in Note: Described as "the most ornate solar lamp produced by the Dietz Company", an identical standard is illustrated in Gowitt. Reference: Gowitt, Gerald T. 19th Century Elegant Lighting, 2002, pp. 119-120
AMENDMENT: Please note this item is not 19th century - A pair of Sarreguemines majolica and gilt metal mounted twin branch wall sconces, 19th century, of circular form having pierced gilt metal frames with surmount supporting twin `c` scroll arms, enclosing central majolica panel decorated with exotic birds and foliage, 30cm high x 22cm wide
A collection of glass items, late 20th century, to include art glass vases, a glass scent bottle, a green glass and gilt metal mounted vase and a pair of blue glass table lamps, tallest item 35cm high, (a lot). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use)
A Pair of Chinese blanc de chine (Dehua) porcelain, 'Adam and Eve' figures, early Qing dynasty, circa 1660, each figure standing partially draped on rocky plinths, 23cm high. Note: For a similar pair of figures see Sotheby's New York, (19,October,2000), lot 114 (2). And see Marchant&Sons Exhibition catalogue, London,1985. item 53.p.30. Provenance: Bought from Peter Wain,1993.
Kenya, Uganda and Tanganyika 1903-04 Issue Specimen Stamps 1a., 2½a., 3a., 4a., 5a., 3r., 4r., 10r., 20r. and 50r., each overprinted "specimen", neatly cancelled by "postes et telegraphes/collection/de/berne/madagascar" handstamp in red and affixed to piece signed by the Director of Posts & Telegraphs. A fine and unique item from the folio pages of the Madagascar Director of Posts archive. Photo VAT Status: Margin Scheme View Terms & Conditions
Kenya, Uganda and Tanganyika 1904-07 Issue Specimen Stamps ½a. to 50r. set of sixteen together with 1907-08 1c. to 75c. set of nine (five examples of each), all overprinted "specimen", neatly cancelled by "postes et telegraphes/collection/de/berne/madagascar" handstamp in red and affixed to two pieces signed by the Director of Posts & Telegraphs; a few lower value stamps defective though a fine and unique item from the folio pages of the Madagascar Director of Posts archive. Photo VAT Status: Margin Scheme View Terms & Conditions
Natal 1897 Colour Scheme 1897 (12 Jan.) "Natal Colour Scheme" appendix sheet (148x305mm.) submitted in response to a request for a series of stamps for the dual purpose of Postage and Revenue to replace the separate Postage and Revenue stamp issues, bearing "africa" helmeted female 2½d. imperforate trials in dull mauve (6) with values written alongside for values between "½d." and "4d.", and in blue-green (5) with values written alongside for values between "6d." and "10/-", the value tablets in a variety of colours, and Selangor $1 imperforate colour trials in dull mauve and blue for "£1", blue-green and carmine for "£5" and purple and black on red for "£10". A unique and colourful exhibition item. Photo VAT Status: Margin Scheme View Terms & Conditions
Northern Rhodesia Postage Due Queen Elizabeth Definitive Bisect Cover 1953 (17th. Nov.) envelope from Mkushi to Broken Hill, bearing ½d. green bisected vertically with manuscript "½d" and initialled "AM" (Alfred Marenga, clerk) alongside. A very rare and unusual item with few examples recorded. Photo Note: This unusual bisect provisional was first reported in "The Rhodesian Philatelist" No. 29, January 2010 VAT Status: Margin Scheme View Terms & Conditions
Somaliland 1904 King Edward VII Issue Specimen Stamps ½a. to 5r. set of thirteen together with Official 1904 set of five including the 2a. with very rare variety no stop after "m", all overprinted "specimen", neatly cancelled by "postes et telegraphes/collection/de/berne/madagascar" handstamp in red and affixed to sheet. A fine and unique item from the folio pages of the Madagascar Director of Posts archive. Photo VAT Status: Margin Scheme View Terms & Conditions
Somaliland Official Stamps 1903 Issue Overprinted "o.h.m.s." ½a. to 1r. set of five, the ½a. to 8a. each showing stop after "m" virtually missing, overprinted "specimen" and 1903 ½a. to 8a., neatly cancelled by "postes et telegraphes/collection/de/berne/madagascar" handstamp in red and affixed to piece signed by the Director of Posts & Telegraphs. A fine and unique item from the folio pages of the Madagascar Director of Posts archive. Photo VAT Status: Margin Scheme View Terms & Conditions
Uganda 1898-1902 Issue 2a. artist`s composite essay executed six times size on board (172x242mm.) in a design similar to that issued, the portrait photographic with portions highlighted in Chinese white, the remainder of the design hand-painted in black, white and shades of grey; a couple of small pieces of paintwork flaked off, otherwise fine. A unique and highly attractive item of artwork. Photo VAT Status: Margin Scheme View Terms & Conditions
Bechuanaland Bechuanaland Protectorate 1904-13 Edward VII Issue 1d. scarlet overprinted "specimen", neatly cancelled by "postes et telegraphes/collection/de/berne/madagascar" handstamp in red and affixed to ledger sheet (folded for presentation purposes) signed by the Director of Posts & Telegraphs. A fine and unique item from the folio pages of the Madagascar Director of Posts archive. Photo VAT Status: Margin Scheme View Terms & Conditions
Bechuanaland Bechuanaland Protectorate 1913-24 Issue ½d., 1½d., 2d. Die I (2), 2½d., 3d., 4d. and 6d. strips of three, and Waterlow 2/6d. pair and a single overprinted "specimen", all neatly cancelled by "postes et telegraphes/collection/de/berne/madagascar" handstamp in red and affixed to three pieces, one signed by the Director of Posts & Telegraphs; one 2/6d. defective, otherwise fine and unique item from the folio pages of the Madagascar Director of Posts archive. Photo VAT Status: Margin Scheme View Terms & Conditions
Bechuanaland Bechuanaland Protectorate 1925-27 Issue ½d. to 1/- set of eight in strips of three, neatly cancelled by "postes et telegraphes/collection/de/berne/madagascar" handstamp in red and affixed to three pieces, one signed by the Director of Posts & Telegraphs. A fine and unique item from the folio pages of the Madagascar Director of Posts archive. Photo VAT Status: Margin Scheme View Terms & Conditions
Victorian Photograph Album. Landscape qto. album featuring a collection of original mounted photographs taken during the last decade of the 19th.C. A range of subjects are present including Cirencester dated 1890, Hastings 1891; others, undated but clearly of a similar date are Portsmouth Harbour, the '12th.Lancers', Longleat, various yachts off Hastings, Rye, Bettws-y-Coed and Llandudno. Clearly a holiday album compiled by competent amateur photographers ( J.L.Burgess & A.R. Canning amongst others ). Some photographs are untitled but feature a horse-drawn stage coach outside an hotel, fully laden with passengers and other scenes depicting people in contemporary dress, push chairs etc. An original item. Together with three etchings of London scenes, mounted,framed and glazed and a small landscape oil painting. CONDITION REPORT: Generallt vg. PLEASE SEE ADDITIONAL IMAGES
Robert Edge Pine (1742-1788) British. Portrait of George Washington (1732-1799) Oil on Canvas, In an Earlier Fine Carved Giltwood Chippendale Style Frame. 33.25” x 25.5”. Sold on behalf of a Private British Collector Provenance: Previously whereabouts unknown, but possibly referred to in 1931 as; ‘November 1927, Messrs. Kennedy & Company, of New York City’, found in France, sold to an American Collector’ (1p.88 item 4) It has been inscribed in ink along the top stretcher ‘Rembrandt Peale (1778-1860)’ and Inscribed ‘Philadelphia’ In the Collection of Alexander Kardo Sessoeff, purchased in New York in February 1952 (relined and restored prior to leaving this collection in the late 1990’s) Private British Collector (who changed the frame to an earlier Chippendale style frame). This, the missing fourth portrait of George Washington (1732-1799) by Robert Edge Pine, was painted during the artist’s stay at Mount Vernon between April 28th and 16th May 1785. Dressed in the Uniform of The Continental Army in which Washington had recently served as Commander-in-Chief, with his right hand across his body and resting on the head of a cane, Washington is not surrounded by symbols of war, or in the context of battle but still as a powerful figure of authority. Four portraits of Washington by Pine are known to exist owing to a listing of some of the artists work in an advertisement published in the Pennsylvanian Packet and Daily Advertiser (December 28, 1789) ‘Scheme of a Lottery’ following Pine’s death in 1788 and posted by Mrs Pine before her return to England. The other three portraits (listed below) bear many similarities. The figure of Washington appears in each as three quarter length, facing left, his hand resting on a cane, said to have been presented to him by Louis XVI. The edge of a tent and head of a spear showing in the top right corner. It is in the detail of the epaulettes which differ with only one portraying the three stars signifying the rank of Commander in Chief (Exhibition No.79). Washington, having only recently returned to Virginia in 1783 following an absence of eight years during the American Revolution, appeared to be a reluctant sitter as observed in correspondence to Francis Hopkinson: ’In for a penny, in for a pound is an old adage. I am so hackneyed to the touches of the Painter’s pencil, that I am now altogether at their beck, and sit like patience on a Monument, whilst they are delineating the lines of my face’. His sittings for Pine are widely referred to in his prolific diary entries. On April 28th 1785 he wrote: ‘To Dinner Mr.Pine, a pretty eminent Portrait & Historian Painter arrived in order to take my picture from the life & to place it in the Historical pieces he was about to draw. This Gentleman stands in good estimation as a Painter in England, comes recommended to me from Colo.Fairfax-Mr Morris Govr.Dickenson-Mr.Hopkinson & others.’ However it was not only due to the significant introductions made by Pine’s friends in Bath, George William Fairfax and Samuel Vaughan, both friends, neighbours and patrons, that Washington obliged to sit but also to hear of the artists sympathies to the American State. In a letter dated August 23rd 1784 Fairfax wrote: “Poor Mr Pine is as true a Son of Liberty as ay Man can be…and made so many enemies in this selfish Nation, that he is compelled to go to America to seek bread. Give me leave to reassure you, Sir, that there is not a person in England, that merits a better reception in America than the unfortunately Gentleman who only fault was his good wishes to our Country’” Another driving force for Pine’s move to America in 1784, shortly before these portraits were painted, was due to the lack of recognition for his work in England. It is believed a disagreement with Sir Joshua Reynolds and near expulsion (before himself resigning) from The Chartered Society of Artists lead to his unhappiness in London and following an inheritance from his brother Simon in 1772 he moved to Bath where he remained for eight years. There his disenchantment of Britain intensified and he began to display on canvas his strong political opinions with works such as ‘America’ ;described by his friend Fairfax as “expressive of the great Oppressions and Calamities of America, also the glorious Revolution with which it pleased Heaven to terminate the infernal War.” The lack of engravings as well as Washington’s reference in 1785 as being painted to be later placed in the ‘historical pieces’, enforces the belief that these four portraits were not intended to be a stand alone works, but studies to be incorporated into larger narrative historical scenes; a genre intensely popular in England and of which Pine intended to introduce to America. However, sadly Pine only lived for another four years and many of the great works he did complete were destroyed by fire at Daniel Bowen’s Museum in 1803. Biography of Artist: Much of Pine’s early life is not known, not even his birth date or education but it is clear he was brought up surrounded by art and artists due his father, John Pine (1690-1756) a prominent engraver who specialised in historical events. The earliest recognition of young Pine’s work is documented in 1760 when he won a prize given by the Society for the Encouragement of the Arts for his painting ‘The Surrender of Calais to Richard III. He was married in 1749. Pine’s contemporary Joseph Hopkinson (who also introduced him to Washington) described Pine as: ‘A very small man- morbidly irritable. His wife and daughters were also very diminutive; they indeed were a family of pigmies’. The Other Three Recorded Portraits by Robert Edge Pine of George Washington Oil on Canvas 35 ¾” x 28 ¼” 1817 Purchased in Canada by Henry Brevoort. By descent to J Carson Brevoort, By descent to Grenville Kane, Esq, Tuxedo Park, New York, exhibited Brooklyn 1917 Property of Mrs Rolla D Campbell, Jnr Now the Property of National Portrait Gallery, Smithsonian, Washington DC. Acquired 1980 Exhibited, National Portrait Gallery, November 1 1979-January 6, 1980, No.77 Oil on Canvas 35 ¾” x 29 ¾” Possibly Property of George Washington Philips Property of Benjamin Moran who donated it to City of Philadelphia in his will dated January 27 1887 Now situated in Second Bank National Portrait Gallery, Philedelphia, Pennsylvania Exhibited, National Portrait Gallery, November 1 1979-January 6, 1980, No.78 Oil on Canvas 36” x 30” Property of Godefroy Meyer of Paris (print dealer) as illustrated as ‘Number 56’ in his catalogue of 1913. 1925 Property of Percy A Rockefeller Property of Hayden Bartlett Harris, purchased from Rockefeller 1957 bequeathed to Harris Trust and Savings Bank, Chicago by Hayden Bartlett Harris Property of Jack Warner and Westervelt Company, now on display at the Tuscaloosa Museum, Alabama Exhibited, National Portrait Gallery, November 1 1979-January 6, 1980, No.79 Bilibiography Robert G Stewart, Curator of Painting and Sculpture, Robert Edge Pine, A British Portrait Painter in America, 1784-1788, Published for the National Portrait Gallery by the Smithsonian Institution Press, City of Washington, 1979, for the Exhibition at the National Portrait Gallery, November 1, 1979-January 6, 1980. 1 Morgan, John Hill, and Mantle Fielding, The Life Portraits of Washington and Their Replicas, Philadelphia, 1931.
[PAMPHLETS] TREVOR (Richard) Sketch of the Life and Character of…, 4to, portrait frontis., 2ff., pp.14, engr. vignettes, Darlington, 1776; bound with HEGG (R.) Legend of Saint Cuthbert, vignettes, Darlington, 1777; & other pieces, boards, printed book label of John Carter; together with another copy of the first named item, without the portrait. (2).
Solid silver Regimental Salver. The salver features a scalloped and beaded edge on ball and claw feet, engraved with numerous signatures relating to the Duke of Wellington Regiment. Also inscribed ‘Presented to RSM T W Milner and Mrs Milner by the Officers 1st Battalion Duke of Wellington Regiment April 1928’ with the names of members of the Battalion. This item was presented to the Regimental HQ by his son in March 1976. London hallmark, dated 1927; makers mark Thomas Bradbury & Sons, 41 cms, 1900 grams
Regimental Sporting Trophy. A solid silver Cricket Shield with impressive central Regimental Insignia to the Duke of Wellington Regiment dated 1899, with heraldic plaques of Company Winners dated from 1899-1936. This item is featured in Mr Ray Westlake book ‘English and Welsh Infantry Regiments, page 106. Published by Spellmount Staplehurst
A German WWII Kriegsmarine desert camouflaged helmet, having decal to one side and all over beige paint, heavy paint loss to top *Buyer Beware! Please note Special Auction Services will not take responsibility for this is item being genuine, or its provenance, age, and quality. Please view the item in person and bid once you have made up your own mind as to what it is, as we cannot refund after the auction.
A German WWII SS M40 helmet, with decal for Croatian Waffen SS Runes *Buyer Beware! Please note Special Auction Services will not take responsibility for this is item being genuine, or its provenance, age, and quality. Please view the item in person and bid once you have made up your own mind as to what it is, as we cannot refund after the auction.
A German WWII M62 Waffen SS helmet, with decal to one side and traces of camouflaged paint *Buyer Beware! Please note Special Auction Services will not take responsibility for this is item being genuine, or its provenance, age, and quality. Please view the item in person and bid once you have made up your own mind as to what it is, as we cannot refund after the auction.
(Lots 249-263) The next nine lots are from Part Two of a Private Collection of German WWII helmets A rare German WWII M42 Deutsche Rotes Kreuz helmet, with hand painted red cross to front and having a red cross decal to one side and a Kriegsmarine decal to the other Overall condition is fair. *Buyer Beware! Please note Special Auction Services will not take responsibility for this is item being genuine, or its provenance, age, and quality. Please view the item in person and bid once you have made up your own mind as to what it is, as we cannot refund after the auction.
A German WWII M42 Army helmet, in light green with Kriegsmarine decal to one side *Buyer Beware! Please note Special Auction Services will not take responsibility for this is item being genuine, or its provenance, age, and quality. Please view the item in person and bid once you have made up your own mind as to what it is, as we cannot refund after the auction.
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