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Click here to subscribeA pair of Bohemian milk glass overlay cranberry glass vases, circa 1900, each panel decorated with a dancing girl and vase of flowers spaced by vignettes of young girls within elaborate gilt foliate borders and raised on compressed knop and flat cut stems and round bases, gilding rubbed, one vase re-stuck, 21 in (53.34 cm) high
An oak and mahogany crossbanded longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by inlaid reeded pilasters enclosing a 13" white painted arched enamel dial marked Ed Jones, Holywell with roman numerals, subsidiary seconds dial and dated dial, rolling moon phase in the arch, the corners painted with rustic cottages, eight day movement striking on a bell, now lacking, above an ogive moulding and bevelled lozenge centred short trunk door with three pointed ogee arches to the top flanked by reeded quarter pilasters over a raised panel ogive moulding and raised base board, distressed, 89 in (226.06 cm) high
A Regency mahogany linen press, early 19th century, the ogive cornice above two ribbed panel cupboard doors with brass lipped edge, enclosing a later hanging pole, over two short and two long graduated cockbeaded drawers with brass stamped lion mask handles over a shaped apron and on splay bracket feet, 54 in (137.16 cm) wide, 24 in (60.96 cm) deep, 85 in (215.9 cm) high
A Victorian figured mahogany secretaire cabinet, mid 19th century, the rectangular top above a fall-front enclosing pigeon holes and eight birds eye maple lined drawers over two arched inset panel cupboard doors raised on a plinth base, 48 in (121.92 cm) wide, 21 in (53.34 cm) deep, 41.5 in (105.41 cm) high
A Meissen dark-blue-ground cylindrical vase painted with a quatrefoil panel of flower sprays within a gilt foliate border, height 14.5cm., blue crossed swords mark and Pressnummern, early 20th century (hairline crack); and a Meissen inkstand with two inkwells and cover, painted in puce and gilt with the 'Fighting Cocks' pattern, width of the tray 28cm., blue crossed swords marks, late 19th century (on cover with a finial lacking, neither well has a liner)
A late 19th century French porcelain and gilt-metal-mounted Sevres-style clock garniture; the eight day movement striking on a bell, the round convex dial painted with a panel of birds within Roman numerals, above a basal panel of Watteauesque scenes, the elaborate case mounted en rocaille and surmounted with an urn-shaped finial, 43cm. (17in.) high; and a pair of ovoid two-handled vases and attached covers ensuite, 30cm. (11 3/4in.) high, giltwood stand (some small 'jewels' lacking from porcelain sections)
A Derby landscape painted coffee cup and saucer, the cup painted in sepia shades with an oval panel of a view in Dovedale Derbyshire, within gilt-line border, gilt-line rims, the saucer with central gilt star within gilt-line borders, the cup titled in blue and with blue script mark and 172, the saucer with puce script mark and 172, late 18th century (minor wear)
A Coalport heart-shaped mottled pink and gilt ground box and cover, the cover painted with a panel of a ruined castle, within a gilt C-scroll border issuing foliage, length 10cm., printed marks, retailer's mark for Bailey, Banks & Biddle, Philadelphia and titled in iron-red Kilchurn Castle, circa 1900 (slight rubbing to gilding)
A Bohemian ruby-flashed octagonal goblet, the flared bowl cut with a shaped rectangular panel engraved with deer in a forest landscape, on a scrolling foliate ground, the reverse with a circular boss, on a knopped and fluted stem and scalloped foot, height 22.5cm., third quarter 19th century (polished areas to scalloped footrim)
A collection of 12 modern Royal Worcester collectors miniature cups and saucers, in various patterns to include Marchioness of Huntley, Strings of Flowers, Cut Fruit White, James Giles Cut Fruit, Bold Imari, Wheatsheaf, Jabberwocky, The Fan, Pink Scale, George III, Royal Lily, Blue Panel Floral, also a Spode Copelands china miniature waisted cup and a Staffordshire cobalt and gilt miniature cup and saucer (14)
A French gilded and champleve enamelled jewellery casket, circa 1900, manufactured by Maison Alph Girout, Paris of rounded square form, the hinged cover with coloured enamel, floral leaf spray within a puch ground outline, opening to reveal a lined interior upon four claw and ball wing term feet, manufacturers label to base, slight losses to enamel side panel, some wear, 4.3 in (10.92 cm) high, 8 in (20.32 cm) wide
A Victorian figured walnut cabinet, circa 1880, surmounted by two half round panel flaps enclosing four short drawers over two mirror panel cupboard doors, the pointed arch mirror panels foliate engraved and enclosing a single shelf and raised on an ogive moulded plinth, incomplete, 25 in (63.5 cm) wide, 10 in (25.4 cm) deep, 24.5 in (62.23 cm) high
A George III mahogany longcase clock, and associated later movement, the hood with gilt brass pierced foliate cresting and stop fluted brass capped pilasters, lacking door, the 12" Victorian brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and strike, silent dial in the arch, pierced foliate brass spandrels and marked William & James Miller, Lombard Street, London on a plaque over the date aperture, with a two tune quarter chiming three train eight day movement, also Victorian, over a bevelled arched figured mahogany trunk door flanked by stop fluted brass capped quarter pilasters over an ogive moulding and raised panel base board and on plinth and later block feet, lacking hood door, 93 in (236.22 cm) high
A mahogany kidney shaped pedestal desk, 19th century, the bevelled top inset with a Greek key tooled leather writing surface above a fluted, shaped central drawer with oval brass patera stamped ring handles flanked by carved flower heads and bowed, fluted drawers above ribbed panel cupboard doors enclosing adjustable shelves, opposed by ribbed cupboard doors enclosing shelves, and raised on a plinth base, 85 in (215.9 cm) wide, 44 in (111.76 cm) deep, 32 in (81.28 cm) high
An early Victorian estate made oak and yew wood crossbanded library bookcase, second quarter 19th century, the canted cornice above four glazed cupboard doors enclosing reeded adjustable shelves over four panel cupboard doors enclosing further shelves and three later short drawers with flush brass handles and raised on a plinth base, 101 in (256.54 cm) wide, 24 in (60.96 cm) deep, 106 in (269.24 cm) high
George IV mahogany chest of drawers and cabinet top, circa 1825, the ogive cornice above two inset panel cupboard doors enclosing adjustable shelves over a rectangular top and two short and three long graduated cockbeaded drawers with simulated zebra wood handles and bone kite shaped escutcheons, ebony and boxwood strung, raised on shaped bracket feet, sides cracked, back leg lacking, moulding losses, 48 in (121.92 cm) wide, 21 in (53.34 cm) deep, 84 in (213.36 cm) high
A George IV figured mahogany pedestal sideboard, circa 1825, in Grecian revival style, the anthemion carved canted inset panel back above a bevelled rectangular top and three concave drawers over two canted pedestals with inset arched panel doors enclosing two slides and a deep drawer respectively, and raised on a bevelled plinth base, 71 in (180.34 cm) wide, 245 in (622.3 cm) deep, 51.5 in (130.81 cm) high
An oak and mahogany crossbanded straight front corner cupboard, 19th century, the moulded cornice above an acorn moulded frieze and two ribbed panel cupboard doors enclosing three shaped shelves between canted angles, moulding losses, 33 in (83.82 cm) wide, 20 in (50.8 cm) deep, 40 in (101.6 cm) high
A Victorian figured mahogany clothes press, third quarter 19th century, the concave canted cornice above two inset ribbed panel doors enclosing a hanging space over two short and two long drawers with canted corners and turned knobs on a canted plinth base, 52 in (132.08 cm) wide, 24 in (60.96 cm) deep, 83.5 in (212.09 cm) high
A George III oak clothes press, late 18th/early 19th century, the fluted ogive cornice above two ogee arch inset panel doors enclosing a hanging space above three false cockbeaded drawers and two long cockbeaded drawers between panelled sides and raised on shaped bracket feet, restorations, 55 in (139.7 cm) wide, 21.5 in (54.61 cm) deep, 77 in (195.58 cm) high
A French light oak armoire, early 20th century, with panel cupboard door and fluted classical and scallop shell mouldings above a moulded drawer, on plinth base 49" wide, 24" deep, 83" high, a matching pot cupboard and two towel rails (4), 49 in (124.46 cm) wide, 24 in (60.96 cm) deep, 83 in (210.82 cm) high
A French ebonised and gilt metal mounted side cabinet, circa 1860, the inset frieze with Sevres style oval plaque of lovers in pastoral setting, the panel door inset with a Sevres style oval plaque with a similar subject, gilt metal mounted enclosing a velvet lined interior and raised on toupie feet, losses, 35 in (88.9 cm) wide, 16.5 in (41.91 cm) deep, 46.5 in (118.11 cm) high
A French scarlet boulle and gilt metal mounted side cabinet, circa 1860, the later black marble top above gilt metal mounted frieze and two glazed panel doors enclosing a lined interior between glazed side panels and raised on a shaped aproned and bracket feet, 45 in (114.3 cm) wide, 13 in (33.02 cm) deep, 43.5 in (110.49 cm) high
A mahogany cabinet bookcase, first half 19th century, the canted cornice above a pair of glazed doors enclosing adjustable shelves over a bevelled rectangular top and two panel cupboard doors enclosing two short drawers and three oak slides, and raised on shaped bracket feet, distressed, 45 in (114.3 cm) wide, 25 in (63.5 cm) deep, 84 in (213.36 cm) high
Flemish carved oak dresser, late 19th Century, with a raised caddy top with acanthus carved surmount over three carved panel doors within turned and fluted columns, over a turned rail gallery with turned bulbous supports, the base fitted two moulded drawers above two roundel carved cupboard doors opening to a single shelf, flanked by further columns, over a moulded flange base, 55 in (139.7 cm) wide, 103 in (261.62 cm) high
Late Victorian mahogany and inlaid dressing table, circa 1895-1900, the shaped bevelled glass plate surmounted with rococo scrolls supported on carved foliate brackets inlaid with trompe l'oeil panel representing the arts in satinwood and harewood, the table fitted two jewellery drawers over seven further drawers, each with gilt cast brass handles and further inlaid with acanthus and floral decoration, centred with a kneehole and flanked with acanthus carved and reeded canted corners, raised on carved cabriole legs with pad feet terminating in pot castors, 54 in (137.16 cm) wide, 66 in (167.64 cm) high
George III oak enclosed dresser, circa 1780-1800, the plank top over three mahogany beaded frieze drawers each with later turned wooden knobs over two further deep centre drawers similarly furnished, flanked on either side with a fielded panel cupboard door within reeded quarter pilasters and raised on bracket feet, with a later associated cupboard top fitted with two doors each with four recessed moulded edge panels and centred with a further two panels, circa 1800-1820, 87 in (220.98 cm) wide, 90 in (228.6 cm) high
George III provincial oak longcase clock, eight day movement with brass 10.5in (26.67cm) square dial, signed 'John Owen Llanrwst', engraved acid etched centre with subsidiary seconds, cast floral scrolled spandrels, the hood with architectural pediment and turned parcel gilt columns, the trunk with a shaped door within reeded quarter pilasters over a box base with shaped panel raised on ogee bracket feet (reduced in height and with restorations), 80 in (203.2 cm) high
Victorian mahogany chiffonier, circa 1870, raised back centred with a vacant cartouche within a moulded roundel over a single shelf supported on fluted turned pillars, the base fitted three recessed panel feathered mahogany doors with turned wooden knobs, raised on a plinth base, 57 in (144.78 cm) wide, 61 in (154.94 cm) high
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