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A set of four late Victorian/Edwardian Arts & Crafts dining chairs, of stylised form, each with panel to back inlaid with ebony and metal stylised tulip decoration, the seats upholstered in black leather or leather cloth, with moulded front rail and raised on turned legs terminating in pad feet.
A Regency/William IV mahogany worktable, the top with centre circular panel hinging to an interior fitted with a series of inlaid rosewood lidded compartments and with beaded edge to the serpentine front, raised on a turned column with three downswept legs terminating in short feet. Width 19.5 ins.
A George III mahogany square piano, bearing Bilston Enamel plaque "By Royal Patent Longman & Broderip Musical Instrument Makers, 36 Cheap Side and No. 13 Haymarket, London" to satinwood panel inlaid with bellflower and above the keyboard, with moulding below and raised on tapered legs of square section united by a later raised mahogany shelf, the legs terminating in roller castors. The mechanism bears a serial number 2327 and there is a green silk covered dust board to the interior. The plaque dates the piano to somewhere between 1788 to 1793. Width 62 ins.
A Victorian mahogany four poster bed, with moulded cornice to upholstered canopy complete with drapes to octagonal and turned mahogany bedposts, the bed foot with applied shaped moulding above a well figured mahogany panel and all raised on turned bulbous legs, complete with interior mattress and valance.
An Edwardian mahogany display case, with bellflower carved moulding to the rear arched upstand, with bowed glazed centre panel flanked on either side by a three-quarter glazed door with wooden astragals and panel beneath enclosing a series of cloth lined shelves, with shaped apron and raised on legs of square tapering section terminating in spade feet. Width 51 ins.
Thomas Sidney Cooper R.A. (1803-1902) Sheep and cattle in a landscape, a windmill beyond Signed, also dated verso 1856 Oil on panel with a seal verso 17 x 25cm; 6¾ x 9¾ Provenance: The Estate of Niel Rimington of Fonthill Old Abbey Thomas Agnew & Sons (label verso) ++One or two minor scuffs to margins, would be enhanced by a light clean
Attributed to John Joseph Barker of Bath (1824-1904) A nightmare figure fleeing ghouls Signed and dated 1866 Oil on panel 15¼ x 18cm; 6 x 7in With an oil of a stormy coastal scene and a small oil on metal of figures in a Spanish landscape (3) Provenance: The Ernest Ohly collection. ++1. Panel slightly bowed; 2. Some scratches, cleaned; 3. A few blemishes
Russian School 19th Century An icon of the Virgin and child Inscribed Oil on panel 37.5 x 26.75cm; 14¾ x 10½in With a small icon of the Virgin and child in oil on panel (2) Provenance: The Ernest Ohly collection. ++1. Split, upper centre, break lower left corner - repaired, severe paint loss right hand side and lower quarter, faces intact, gilt rubbed; 2. Paint lifting in one area, dents and blemishes
A Continental 18ct gold open faced keyless fob watch, the white dial with blue Arabic numerals, subsidiary seconds, signed to the dial E & E Emanuel, Portsea, the movement unsigned, the back inset with an agate panel of grey/blue iridescent nature, suspended from a similar torpedo shaped brooch, 38mm diameter
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328190 item(s)/page