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An Arts & Crafts oak and inlaid free-standing 'Tea-room' table c.1900 Having a rectangular top with raised lip (without tray), over a single cupboard enclosing a shelf and a felt lined drawer, the door with copper hinges and a copper panel inlaid in pewter with a cup and saucer and with a pewter pull, the opposite side is also inlaid with a cup and saucer, on angled supports united by stretchers66.5 cm high, 64 cm long, 38 cm deepProperty from a Private London Collection.Some scars, old marks stains and general wear. Age separation to joins. Typical wear to supports and edges. Some aging and wear to metal elements - hinges - wear to surfaces. Interior with some aging in keeping with age and use, but generally alrightHave seen another example that had a tray that sat on the top.
Heal & Son (British), a limed oak cabinet c.1930, one drawer inset with ivorine disc - 'Heal & Son Ltd, London. W' With two panelled cupboard doors enclosing one shelf, above three graduated drawers, on square section feet 140cm high, 78.5cm wide, 47.5cm deep Property from a Private London Collection.Condition report:Top with some old marks, fading in patches and some stains. Left side, top panel there is a split/age separation. Splits to side upright left side at the top and middle. There are a few marks on the front of each of the drawers which can be seen in the images available online. Lime has faded. Overall light natural wear with occasional marks to both interior and exterior in keeping with natural use.
E.G. Punnett (British), and Art & Crafts inlaid oak and rush seated arm chair made by William Birch of High Wycombe c.1901 The oak top rail and back inlaid with ebony stylised floral motif and inset rush panels, having a drop-in rush seat, with broad arms and plank supports united by stretchers 85.5 cm high; 71 cm at its widest, approximately 50 cm deep Literature: John Andrews, Arts and Crafts Furniture, Antique Collectors’ Club, 2005, p.225 (similar model illustrated) The Victoria & Albert Museum have a similar chair in their collection. Property from a Private London Collection. Condition Report:Small split at the front of the arm (left hand side when you look at it) but not obvious from the top and another on the bottom of the back right foot that grows a little up the side. There are some losses to edges, most obviously on the front facing edges of vertical and horizontals elements, some scars and old marks and general wear in keeping with age and use. Some age separation to joins. There is a fine split across the pale wood inlay panel at the back but it isn't obvious. There is some white spotting on the underside.There is a single loss on one strand to rush on both back panels. There are some small chips to the wood of the seat on the corners. The seat rush looks to have been replaced at some point and there a few marks/stains on the rush but no splits or losses.
Tiffany Studios (American), a bronze and glass ‘Pine cone’ pattern box with hinged cover Early 20th Century, stamped Tiffany Studios, New York, 826The rectangular form with openwork metal pine-cone pattern top and sides and set with marbled glass panels, having a removeable wood liner, with splayed foot 8 cm high; 23.5 cm long, 16.5 cm deepThere is a star crack to the back panel which is concealed when the wood liner is in place. Glass with a few scratches. Metal surfaces rubbed in places, tarnished and dulled with age in places. Some age separation to the metal joins on the corners. Wood interior with a few marks and stains. Some polish residue.
Lalique (French), a Champs-Élysées smoky glass and chromium plated one tier six light chandelier after a design by Marc Lalique (French 1900-1977)Late 20th/Early 21st Century, Signed Lalique ® FrancePolished and frosted glass, the six broad leaves with a central hexagonal panel supported from a chromium plated column and arms, with light fitments, and having a matching glass ceiling roseApproximate drop 50 cm; 55.5 cm wideNo damages detected. Light natural wear and occasional splash of paint.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
17th Century miniature oval oil on board, portrait of a lady wearing lace collar, 3.5ins x 3ins, housed in a moulded fruitwood frameQuite thinly painted and does have some wear, possibly from previous cleaning over time. No major damage or losses, no splits to panel. Frame is damaged and has been repaired. Needs cleaning.
Pair of 17th Century brass wall sconces, one with a plain centre panel, the other with a profile portrait, 13ins (with damages), together with a large antique circular brass dish, the border engraved with mythical birds and surrounding a centre panel engraved with a biblical scene, 16ins diameter
Figured walnut longcase clock, the broken arch hood with flanking pilasters above a moulded panel door and conforming plinth base, the brass dial with matted centre, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed to the arch Obadiah Smith, Ratcliff Highway, London, the two train movement striking on a bell
19th Century oak and mahogany longcase clock with chequer line inlay, the broken arch hood above a moulded panel door flanked by turned quarter pilasters and conforming plinth, the circular silvered dial with Arabic and Roman numerals, subsidiary seconds dial, signed John Smith, Fleet Street, the two train four pillar movement striking on a bell87ins tall
19th Century French walnut bookcase, the moulded cornice above two glazed doors, the base with two drawers and panel doors below on a plinth baseNo key.78ins high x 51ins wide x 19ins deepOld woodworm to cornice and feet. Needs cleaning and polishing. Superstructure to the centre has been removed. All shelves are present.Age is last quarter of 19th Century
Fine quality late 19th Century rosewood and marquetry inlaid secretaire bookcase, the swan neck pediment with a central urn finial above a moulded cornice and a pair of bar glazed bevelled glass doors enclosing adjustable shelves, the base with a fitted secretaire drawer above two panel doors and a plinth base, 96ins x 50insOverall in good condition with minor marks and losses from use over time.Height to the fall when open = 30.5insDoors are not warped
Lamb of Manchester, late Victorian rosewood floral marquetry and line inlaid semi bow fronted chiffonier base, the glazed top above two centre drawers, two panel doors flanked by alcoves and bow glazed doors with shelf below, the drawer stamped Lamb 16881, 60ins wide x 15ins deep x 49ins high
Pair of early 20th Century Arts and Crafts oak bookcases each with a shaped cornice above two lead glazed arched doors, the base with a pull-out slide above two short drawers and two panel doors, raised on low feet, each 48ins wide x 18.5ins deep x 95ins highHeight of lower section is 35.5ins11ins shelf/interior depth to tops
Eight 6-inch Victorian decorative tiles by Minton & Hollins, all with bird designs, three in turquoise glaze with navy outline against a white ground, one of quartered panel design, one with swallow outlined in navy against a sky blue ground, and three of the same design of two birds in a roundel with Aesthetic borders, each 15.3cm square.
Pair of Vienna porcelain cabinet plated, hand painted with titled scenes, "Triumph der Nimphen" and "Amor und Nimphen", cobalt blue and gilt borders, 24cm, and a Meissen porcelain cabinet plate, central painted panel of a courting couple, the border with landscape vignettes, trellis panels and flowers, crossed swords mark, 24cm, chip to reverse.

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360412 item(s)/page