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An interesting collection of brass plaques taken from lifts including Medways Safety Lift Company, Marryat and Scott Ltd. London, Waygood-Otis; an enamel example A & P Steven Ltd. Glasgow; others; a brass lift call button; a Smith.Major & Stevens Ltd. London & Northampton brass control panel; a copy of Lifts by L.W. Honey published by Marryat & Scott Ltd. etc.
An 18th century French three-colour gold oval snuff box, very worn pre revolution marks, the cover and base with basket of fruit in an oval panel, on an engine turned ground with a flower and foliate border, the sides similar, 6.5cm long, 89g Property from the estate of the late Betty, Lady Grantchester.
A late 19th century turquoise and diamond cross pendant, the cross drop set with oblong cabochon turquoise with surrounds of rose cut and old cut diamonds, suspended below a diamond set ribbon bow panel, to a turquoise and diamond brooch, the cushion shaped turquoise within a surround of old cut diamonds, approximately 2.60 carats total, on a belcher link chain, with a turquoise and diamond clasp, pendant 9cm long, chain 50cm long, 26.7g gross
A late 19th century diamond bangle, circa 1890, the heart shaped panel centrally set with an old cushion cut diamond, estimated to weigh 0.80 carats, within a surround of old cut diamonds, on an undulating bangle set with old cut diamonds, approximately 1.80 carats total, 6cm wide, 10g gross
An Edwardian diamond and pearl pendant, the openwork scrolled and foliate panel set with old brilliant cut and old cut diamonds, approximately 2.40 carats total, suspending three pearls, on a belcher link chain set with pearls, pendant 5.2cm long including bale, chain 41cm long, 12.7g gross Please Note: The pearls are untested and unwarranted as natural pearls
A pair of Tahitian cultured pearl and diamond earrings, the 15mm Tahitian cultured pearls beneath a brilliant cut diamond set cap suspended below a flower head panel set with a 10mm Tahitian cultured pearl within a surround of pavé set brilliant cut diamond petals, approximately 3.10 carats total, with post and clip fittings, 4.2cm long, 32.7g gross
A silver large rounded rectangular twin handled tray by James Dixon & Sons (James Willis Dixon), London 1903, with foliate scroll loop handles, a raised gadrooned rim with foliage and shells at intervals, engraved with a panel of shells and scrolls on a scrolling ground, 75cm (29 1/2in) long, 4582g (147.35 oz) Property from the estate of the late Betty, Lady Grantchester.
A FINE 19TH CENTURY CHINESE CANTON FAMILLE ROSE PORCELAIN VASE, the body of the vase with panel decoration depicting birds amongst native flora with butterflies, further decorated with fan shaped panels with calligraphy, fruit trees amongst scrolling vine and butterflies, complete with its hardwood stand, 45cm high x 21cm wide.
A FINE QUALITY JAPANESE MEIJI PERIOD SATSUMA VASE BY KINKOZAN, the body of the globular shaped vase with panel decoration depicting scenes of figures working in a landscape setting, the other with scenes of floral display, further decorated upon a blue ground ith gilded borders and scrolling foliage design, the base with the artist signature for kinkozan and remaining's of a collectors label, 11cm high x 7.7cm wide.
A GOOD PAIR OF JAPANESE MEIJI PERIOD KUTANI PORCELAIN VASES, with panel decoration depicting women and children in garden settings and birds amongst native flora, further decorated with an orange ground with gilt decoration, with further panels of phoenix, the bases with artist signature, 35cm high x 18cm wide.
A GOOD JAPANESE MEIJI PERIOD CARVED IVORY AND LACQUER FOUR FOLD SCREEN, The red lacquer with native floral decoration, each section with a main panel with a native display of birds amongst flora, each panel with an inset artist seal tablet, each panel with a lower ivory floral spray panel, each panel measuring: 136cm high x 51cm wide.
A VERY FINE QUALITY 16TH / 17TH CENTURY SAFAVID CALLIGRAPHIC IRON & GILT DECORATED PIN / PEN BOX, the box decorated with gilt to depict scenes of scrolling flora amongst a panel of calligraphy, with details of animals and figures upon horseback, all sides including the base decorated with gilt, 21.5cm long x 3.5cm wide.
Bookselling History A collection of documents relating to Edwin W. Shepherd and Hatchards, London, comprising; A Tribute to Edwin W. Shepherd, 'We your Friends and Colleagues of the Board of Hatchards Ltd. here record our deep appreciation of the great services you have rendered to the firm since first you joined it sixty years ago ...., 31st March 1951, illuminated and signed, in full morocco gilt binding by Zaehnsdorf; Royal Christmas Card 1934, signed by Queen Mary, with aerial view of Buckingham Palace, preserved in cloth folder by Sangorski & Sutcliffe, address panel on pastedown; Royal Warrants for Hatchards, comprising; To the King, Feb 1911; To the Prince of Wales, Jan 1927; To Queen Mary, March 1938; To the King and to the Queen, both June 1938; Letters from Marlborough House on behalf of Queen Mary, five, from 1950 to 52, some about her visits to the shop; Various other letters and photographs including a portrait of Shepherd in Police Uniform (qty)
JOHN TOBIAS YOUNG (1786-1828)A View of Southampton from Lord's Hilloil on panel8 1/4 x 10 3/4 inProvenance: with The Hampshire Gallery, Bournemouth, May 1973 (illustrated in the exhibition catalogue 'Painters of the New Forest', p.7) Private Collection, DorsetJohn Tobias Young exhibited at the Royal Academy between 1812 and 1822. He resided for a number of years in the Southampton area where he painted a number of local views of topographical interest. Examples of his work are in the Victoria and Albert Museum, London and Southampton Art Gallery
A 19th Century oak Settle, the finely carved four panel back depicting 'Flesh', 'Fowl', 'Wine' and 'Fruit' beneath leafage carved and coronet shaped surmount, each panel divided by barleytwist columns, the heavy arms terminated with lion masks above a box base with hinged lid decorated with four carved panels, 5ft 2in W x 4ft 10in H
‡PETER COLLIS RHA (1929-2012)Slayford IIIsigned 'P. Collis' (lower right)oil on canvas laid down on panel7 1/4 x 7 inProvenance: with Fosse Gallery (John Lindsey Ltd), Stow on the Wold, Glos.The artist studied at Epsom College of Art before moving to Ireland, where he concentrated on depicting landscapes in the County Wicklow region. A member of the RHA, the artist had a solo exhibition at the Emmet Gallery, Dublin and later also exhibited at Austin Desmond Fine Art, London, The Royal Academy and the Ulster Academy.

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360406 item(s)/page