We found 360412 price guide item(s) matching your search
There are 360412 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
360412 item(s)/page
Lot 62
A Victorian City of London Helmet Plate, of die stamped blackened copper, as a coat of arms, the lower panel applied with brass 263, the reverse with two fixing lugs, loosely mounted in a glazed display with a cabinet card of City of London Police Constable Robert Vile 263 and a small biographical note ... Joined 18th October 1897. Resigned from the force on 13th December 1900 to join the Matabeleland Constabulary. Prior to joining the City of London Police, Robert served four years in the 1st Volunteer Battalion East Kent Regiment, known as the Buffs', together with photocopied research material including application to join the Police Force, application to join the Matabeleland Constabulary, and a copy of his resignation letter.Plate with repairs to the back.
Lot 38
A SINO-TIBETAN GILT BRONZE TARA seated on a double-lotus base with beaded rims and finely chased detail, the figure with inset semi-precious blue and turquoise stones, the face, headdress and hair with cold painted highlights, the base engraved with a circular foliate panel enclosed by a double line, Ming or later, 29cm high x 22cm wide x 16cm deepProvenance: Acquired in Chicago in the 1990s. Acquired by the grandfather of the present owner from the above, and thence by descent
Lot 40
A CHINESE COLD PAINTED AND GILT BRONZE FIGURE OF AMITAYUS seated on a lotus pedestal holding a vase above the seven-character reign mark in a rectangular panel flanked by straps hanging down over the base, the back of the pedestal incised with four character Dexing genben (the foundation of virtuous conduct), and a seven-character Qianlong mark, the base engraved with a stylised cruciform flowerhead and with a collectors label. 16.5cm x 13cm x 8.5cm Provenance: An American Private Collection, acquired in China prior to 1940, and thence by descent.
Lot 79
A MASSIVE CHINESE FAMILLE VERTE BASIN enamelled in polychrome with shaped panels of birds surrounding a jardiniere of flowers, on an iron red ground overpainted with gilt foliage and diaper work, the exterior with conforming foliate panels and the undulating rim with a continuous flowering vine, the unglazed base with an iron red wash and a central circular glazed panel containing the six character Wanli mark enclosed by a double circle in underglaze blue, 64 cm diam.
Lot 110
A rare Caughley twin-handled chocolate cupcirca 1785-90a replacement for a Chinese service, the body with delicate panel moulding, painted in overglaze polychrome enamels with two opposing panels of flowers in pink and purple, flanked by further supplementary sprigs below a pink scale border, unmarked,7.2cm highProvenance: The Malcolm Sargeant Collection.
Lot 115
A rare Caughley polychrome coffee cupcirca 1790of plain form with a plain strap handle, decorated in over-glaze enamels and gilt with a Chinese-style figural landscape within a cartouche below an orange and mauve border, further decorated with painted floral sprigs to either side of the panel and within a broader gilded 'Gold Star' border to the interior rim, unmarked, 7cm highProvenance: 1999 Caughley Bicentenary Exhibition, no. 767. Ex. Godden Reference Collection.Provenance: The Malcolm Sargeant Collection.
Lot 139
A pair of Derby porcelain dessert plates with matching shell-shaped dessert dishcirca 1815-25painted by Richard Dodson with canted gilt-bordered panels of birds in landscapes, reserved within a pale turquoise ground within elaborate gilt borders, crossed batons and D in iron red, plates 22.2cm diameter and dish 23cm diameter(3)Both plates with crazing to the glaze all over. One plate with faint hairline to the underside of the rim, approximately 1.6cm long and a short scratch to the polychrome enamels (just below the upper-most bird on the branch) The second plate with crack visible to both sides, extending approximately 5cm inwards from the rim together with a small glaze fault to the rim at approximately 10 o'clock and a small sliver-like chip or further fault to the right-hand side of the trunk. Some patches of wear to the gilding on both plates.Shell dish - Heavier gilt rubbing, most noticeable to the rim. Some short surface scratches to both the panel and to the underside of the foot rim. Beyond two small areas of loss next to the upper left-hand side bird's tail, the other scratches to the front panel do not seem to have resulted in a loss of decoration - but nevertheless, these scratches/light signs of wear can be seen when held at an angle under direct light.
Lot 158
A large French twin-handled ornamental vase and cover20th centurywith twin rams-head handles, painted with an oval panel of two lovers seated with grapes, with forests and a building beyond, signed 'G. Domette', on a square pedestal faux marble base, marked 'France', 70cm highCrack to pedestal base
Lot 197
A late 19th/early 20th century Indian octagonal occasional table, probably teak, inlaid with bone and stringing, the centre inlaid with an 8-pointed star within an octagon, the ground profusely decorated with flower heads, within an outer border decorated with scrolling foliage, the chamfered edge inlaid with small stars, on a conforming folding base, each side with a panel above a cusped arch, raised on extended stiles, united by rail stetchers, 61.5cm wide x 63.5cmSome restoration on inlay. Overall ok, apart from some minor chips, dents scratches, consistent with age and use.
Lot 210
A pair of 19th century stained glass panelsOf rectangular outline and vertical aspect, each painted with two portraits of the great poets above and below scenes of water birds in the manner of George Edward Cook, within mixed panel borders, 110cm x 53cm. (2)Provenance: Rothmount House, Hunter Street, Kirn, Dunoon, Scotland.
Lot 230
A Louis XV style giltwood vitrine, 20th centuryThe arched cresting carved with flowers and foliage above a single glazed door with bevelled plate above a relief moulded panel of triumphal swag, the sides of conforming pattern, raised on fluted tapering supports, 78cm wide x 42cm deep x 193cm high.
Lot 231
A reproduction Louis XVI style mahogany bedsteadThe headboard with foliate cornice above a fielded panel with carved cresting, flanked by reeded columns, the footboard of conforming design, the slatted base between plain side rails, 198cm wide x 222cm long x 135cm high.Mattress recess: 183cm x 200cm. The bed comes with a slatted base for a base or matress to rest on. Condition generally good overall. Headboard has a split to the upper left and a fine split to the middle right of the main panel. Some minor cosmetic marks in places consistent with use.
Lot 237
A reproduction mahogany four-poster bedOf 17th century influence, the canopy with leaf-moulded cornice, above the twelve-panel headboard and barley-twist end-posts united by a four-panel footboard, the slatted base with plain side rails, 198cm wide x 224cm long x 217cm high.Matress recess 183cm x 202cm.
Lot 146
Edward III (1327-1377), Transitional Treaty period, Quarter-Noble, class A2, mm. cross potent, Gothic ns both sides, trefoils on cusps, trefoils in spandrels, reads angl ; d, rev. pellet within panel with annulets on angles in centre, 1.91g/7h (LAL e/2; SCBI Schneider 70; N 1224(iii); S 1501). Edge crack, some surface scrapes, otherwise very fine £200-£300
Lot 147
Edward III (1327-1377), Transitional Treaty period, Quarter-Noble, class A2, mm. cross potent, Gothic ns both sides, trefoils on cusps, pellets in spandrels, rev. annulet within panel with annulets on angles in centre, 1.86g/3h (LAL e/6; SCBI Schneider 71, same rev. die; N 1224(iii); S 1501). Chipped with piece missing from edge, otherwise good very fine £200-£300
Lot 288
Kitchener, Frances Madge, ‘Mint Coinage: The Coins and Coinage, Working Drawings’, a self-titled green cloth and board binding containing a group of sketch designs and original artist’s pen and ink drawings for proposed 1937 and 1953 British coinages, together with some photographic images of various coins and medals, many annotated by the artist, contemporary newspaper cuttings and correspondence between Kitchener (using her real name and ‘M. Francis’, a nom-de-plume), Lionel Thompson, Deputy Master of the Royal Mint, and Graham Hughes, Art Director at Goldsmiths’ Hall, between March and July 1952 [Lot]. Mostly clean, a unique and intriguing group £300-£400 --- Frances Madge Kitchener, RRC (1889-1974), niece of Herbert Kitchener; b Kasauli, India; served as a nurse in the French Red Cross, 1914-20; studied at the Slade School of Fine Art in the 1920s; designer of the British brass threepence. The reverse design of a thrift plant, or sea-pink, originated from a set of sketches submitted by Kitchener in June 1936 for the new silver threepence of Edward VIII (the sketches are not included in the lot). However, the decision had been taken to phase out the small silver coin and replace it with a new nickel-brass piece, the exact shape and size of which was being debated by the Royal Mint Advisory Committee during the summer of 1936. Following the decision to make the coin 12-sided, Miss Kitchener submitted a further model in September 1936. Trial pieces of various thicknesses were struck and used to test the reaction of interested parties, like slot machine manufacturers (Dyer, p.23). Kitchener’s subsequent efforts to have her designs shortlisted for Elizabeth II’s new coins proved unsuccessful and the rejection letters from the Royal Mint, along with her proposed designs, are included with the lot. A request from Graham Hughes, chairman of the Coronation Medals Panel, for a plaster model of a coronation medal for the new monarch, was rejected: “...time is too short, I am a deliberate worker, and seventeen days...is not long enough for me to do the medal in...”
Lot 130
A pair of C H Brannam Pottery Dragon vases by Frederick Bowden, dated 1909, probably retailed by Liberty & Co, tapering form with applied dragon handles, the body incised with a scaly fish panel, in blue, green and brown on a blue ground, incised marks, FB monogram and date 1909, minor professional restoration, 27.5cm. high Provenance The Douglas Johnson collection.
Lot 140
A Pilkington's Lancastrian Fish and Leaf two tile panel designed by Charles Francis Annesley Voysey, dust pressed with a fish before flowering water lily, glazed green impressed P to back of tile, 15.5cm. square (each tile), (2) Provenance The Douglas Johnson collection. Karen Livingstone C.F.A Voysey Arts and Crafts Designer, V&A, page 287 cat. no.377 for a panel of three repeats in the red colour way illustrated.
Lot 141
A Pilkington's Lancastrian Fish and Leaf two tile panel designed by Charles Francis Annesley Voysey, dust pressed with a fish before flowering water lily, glazed green impressed P to back of tile, small glaze chip to corner, 15.5cm. square (each tile), (2) Provenance The Douglas Johnson collection.
Lot 142
A Pilkington's Lancastrian Fish and Leaf two tile panel designed by Charles Francis Annesley Voysey, dust pressed with a fish before flowering water lily, glazed green impressed P to back of tile, 15.5cm. square (each tile), (2) Provenance The Douglas Johnson collection. Literature Angela & Barry Corbett Pilkington Tiles 1891-2010, page 40 for a polychrome example illustrated.
Lot 181
A Pilkington's Lancastrian Pottery vase by Richard Joyce, shouldered cylindrical form, painted with a mounted Knight sword raised, flanking an armorial panel Nec Deficit Animus the reverse Nec Minus Fortiter, in ruby, pink and golden lustre impressed factory marks, incised ETR and painted artist cipher, small glaze flake to shoulder, 19cm. high
Lot 182
A Pilkington's Lancastrian Pottery vase by Richard Joyce, shouldered cylindrical form, painted with a mounted Knight sword raised, flanking an armorial panel Nec Deficit Animus the reverse Nec Minus Fortiter, in ruby, pink and golden lustre impressed factory marks, incised ETR and painted artist cipher, 19cm. high
Lot 304
A Scottish oak cabinet probably by Wylie & Lochhead, the rectangular cabinet with slatted vent back, hinged door inlaid with ebony and boxwood square geometric panel and bands, on rectangular section legs with similar chevron inlaid bands, and a small oak jardiniere stand with pierced trefoil panels, unsigned, 78cm, 43 x 35.5cm. (2)
Lot 418
A patinated copper box in the manner of A E Jones, rectangular with hinged cover, on ball feet, the cover applied with silver foliate panels to the corners, the centre applied with enamel panel, enamelled with a B in green on a mottled blue ground, and another enamelled copper box unsigned, 12cm. wide. (2)
Lot 421
A silver mounted glass tankard and cover, swollen low base on four tapering, scrolled feet, cast in low relief with geometric band and shield panel with central red enamel roundel, tapering glass body with central ropetwist band with engraved shield panel, silver top rim with hinged domed cover with radiating straps and red enamel roundels, central floral finial, stamped hallmarks, London 1901, 23cm. high
Lot 431
A rare silver mounted cloisonne enamel plaque by Harold Stabler, dated 1915, the rectangular panel depicting a faun training a hare or rabbit, holding a laurel sprig, in colours on a vivid blue ground, the silver frame with hanging loop, signed HS to the front, the reverse signed Harold Stabler London 1915, 9.5cm wide, 9cm high Literature Annette Carruthers and Mary Greensted Simplicity or Splendour The Cheltenham Museum Collection, figure 87 catalogue number 156 for a comparable framed enamel by Harold Stabler. Catalogue notes Harold and Phoebe Stabler were often assisted by S Kato who was a Japanese enamel worker.
Lot 432
Mabel Penelope Sefton (1881-1957) Come Fill the Cup and in the Fire of Spring, 1908 (The Rubaiyat of Omar Khayyam) enamel on copper, framed, signed titled and dated May 1908 in gilt to reverse 10 x 8cm (panel) Provenance The Blood Collection, Mellors & Kirk, 26th February 2009, lot 19. Mellors & Kirk, 20th September 2017 , lot 608. Private collection.
Lot 433
A Gothic Revival Hillard and Thomason silver gilt and enamel card case, dated 1851, shaped rectangular section engraved with stylised foliage panels and bands in the manner of AWN Pugin, set with central pale blue enamel heraldic panel to both sides, stamped mark H & T Birmingham 1951, 9.5cm. long. (2.2toz)
Lot 445
A Guild of Handicraft silver and enamel brooch, rectangular form with wirework frame of berried foliage, with central green and blue enamel panel, stamped GofH Ltd, London marks, 3cm. long Literature The Guild of Handicrafts Ltd, undated catalogue page 10 this design illustrated priced at 12s. 6d. Provenance A private collection of Guild of Handicraft silver and jewellery.
Lot 457
A good Liberty & Co Cymric silver and enamel carriage clock designed by David Veasey, model no.50039, rectangular, footed form with flaring, slightly domed mantle, cast with Art Nouveau tulip stem columns, and panel of a stylised tree in a landscape, enamelled in shades of blue and green , the circular dial enamelled green and blue, with Roman numerals, stamped marks, L & Co Cymric, Birmingham 1903, 12cm. high Provenance Applied Arts, Sotheby's Bond Street, 25th October 1991 lot 307. Property from the Estate of Roland Baker deceased.
Lot 464
A Liberty & Co copper wall mirror designed by Archibald Knox, tapering rectangular form with stamped Celtic entrelac panel, with rived and hammered finish decoration, applied ivorine label, 72cm. high, 42cm wide Literature Stephen A Martin Archibald Knox, ARTMEDIA, page 229 for a comparable mirror illustrated.
Lot 467
A Liberty & Co English Pewter and enamel Bollelin dish designed by Archibald Knox, model no. 044, circular, cast in relief with a border of scrolling foliage, the central shield shaped panel enamelled blue, inscribed to Mr & Mrs Arthur E Jalland, 1914, with applied hanging loop to reverse, stamped marks to back. 25.8cm. diam. Provenance Private collection.
Lot 68
A William De Morgan 'Persian' Galleon tile on Poole Pottery Architectural blank, painted with the stern of a manned warship sailing past a classical building, in yellow, aubergine, ochre turquoise and pale green, framed, impressed Poole marks, chips to back of tile, 15.5cm. square Provenance Private collection. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis, page 176 figure 470 for the full two tile panel of the manned galley in a classical harbour.
Loading...-
360412 item(s)/page