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Click here to subscribeJOHN BERNEY LADBROOKE (1803-1879) A FIGURE AND DOG ON A TRACK BY AN OLD OAK Oil on panel 15cm x 21cm (6in x 8.25in) and a companion, a pair 'The Gateway' (2) See Dr. Peter Kennedy-Scott, A Romantic Look at Norwich School Landscapes p.110 for a similar gateway, and 'A country lane' p.29 for the companion.
JOSEPH STANNARD (1797-1830) 'OFF CORTON' Signed on barrel, oil on panel 76.5 x 102cm (30 x 40in), and a companion, 'Off Yarmouth', a pair, the latter signed with monogram on stern of boat (2) Provenance: Sir Henry Holmes Lt. Col I.B.H. Benn Exhibited: the companion exhibited at W. Boswell & Son, Norwich, July 1949, no. 14 Literature: Harold A.E.Day, 'The Life and Work of Joseph Stannard', 1965, no's 35 and 36, ill.pl. 1 and 9 (the latter incorrectly identified as 35A). Day suggests that these paintings come from Stannard's 'Great Yarmouth' period, c.1828-1830, when much of the artist's finest quality work was done. Note: A critical report of 1829 might well have been written about these paintings - 'This artist has established, and most deservedly so, an excellent reputation as a marine painter, his subjects are generally finely chosen, and painted with all the truth and transparency of beautiful nature; the grouping of his vessels display an admirable taste, and they are embellished with the most correctly drawn figures, highly characteristic of the station they occupy.' The Norfolk Journal - Chambers p.1119 (1829)
Clarke, James Stanier & McArthur, John The life of Admiral Lord Nelson, K.B. from his lordship’s manuscripts. London: by T. Bensley for T. Caddel & W. Davies, 1809. First edition, 2 volumes, large 4to., with an engraved frontispiece to volume 1 and 16 other engraved plates, 4 vignettes, with a double page pedigree of the Nelson family, facsims. in the text, contemporary diced Russia, gilt borders of Greek key pattern and palmettes, repeated in smaller tools to form an inner panel, a.e.g., rebacked, edges rubbed, some very slight internal spotting. [2].
A pressed horn and miniature set musical snuff box, by Alibert, Swiss, 2nd quarter 19th century playing two airs, the lid inset with an indistinctly signed panel of a neo-classical church, the movement stamped ‘F. Alibert’, the rectangular casing stamped to the front with retailers’ mark ‘Keith Prowse & Co./48 Cheapside/London’ 9.5cm long
A 19th century garnet and diamond panel ring, the square panel set with four oval garnets spaced by diamond chips, together with a 19th century rectangular hardstone brooch, a modern diamond set dress ring, an Aesthetic circular locket pendant, a plain wide 22ct gold wedding band, an opal and garnet five stone ring, a 9ct gold signet ring, belcher-link chain, pendants, further rings etc
An 18ct gold gent's signet ring, the central shield-shape table between reeded shoulders, together with an oval brooch, the central cabochon panel collet set within wide pierced geometric border, a 9ct gold ropetwist neck chain, belcher-link neck chain, shirt studs, St.Christopher, further chains etc
An Art Deco style silver gilt panel necklace, to collet set single stone central panel, together with a large oval polished moss agate oval brooch, two modern abstract tiger's-eye brooches, a Christian Dior ropetwist style neck chain, a stylish Grosse German brooch and necklace with tassel drop, filigree brooches etc
A 19th century Chinese porcelain saucer dish, decorated in relief with enamel flowers on a black ground, surrounding central reserve containing calligraphy, within similar side panel, and three further panels containing fruits, bearing four character mark to reverse and six character signature, diameter 24cm
Max Kauffman, German b.1846- Portrait of an elderly man seated smoking a pipe in an interior; oil on panel, signed, bears framer's label for G Bennett (Wimbledon) Ltd'., attached to the reverse, 11x15cm: European School circa 1900- Portrait of a monk reading; oil on canvas, bear label Viktor Larssons Konsthandel AB, Goteborg, attached to the stretcher, 26x20.3cm: Lewis, 19th/20th century- View of Richmond on Thames; oil on canvas, signed, 25.7x41cm: Thomas Mortimer 19th/20th century- European harbour scene with shipping; watercolour, signed, 17x37cm., (4)
Gerald Norden- "Bread and a Small Green Bottle"; oil on board, signed, 19x24.2cm: together with one other oil study by the same hand titled "Cherries in a Paper Bag", oil on board, signed, 13.5x16.2cm: Provenance: with The Catto Gallery, London, according to labels attached to the reverse of each: European School early 20th century- Flowers in a vase; oil on panel, in a parcel gilt and ebonised reverse profile frame, 13.3x9.5cm: Wright, early 20th century- Floral Still life; oil on board, signed indistinctly, 29.3cm: together with four other decorative pictures and prints, (8) (may be subject to Droit de Suite)
A Victorian Tunbridge ware mahogany adjustable book slide, the panel ends with tesserae panel of floral sprays, 18 cm long, together with a Victorian Tunbridge ware thermometer in the form of an obelisk, the tesserae panels with geometric and floral designs on a stepped square base, 19.5 cm high, and an early 20th century faux tortoiseshell obelisk thermometer, 16 cm high, (3).
* A Persian enamel squat bulbous vase with flared rim, 20th century, on a black and white foliate ground, with two shaped panels painted with birds amongst foliage, 9.5 cm high together with a similar dish, on black ground with floral decoration, the central circular panel with river and building, 23 cm diameter, (a/f), (2).
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