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Lot 133
A 20th Century fairground / funfair multi coloured light panel featuring multiple coloured bulb shades fixed upon a chrome back. Sold as untested by ourselves. Measures approx; 43cm x 115cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Lot 335
A vintage 20th Century 1930s Art Deco walnut double door wardrobe of serpentine form with carved top and base having a central panel flanked by two doors each with knob handles. Measures approx; 189cm x 190cm x 64cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Lot 586
A matching set of five retro 20th Century stacking dining / school chairs with each having bentwood panel back and seat rests with tubular metal frames. Each chair measures approx; 79cm x 33cm x 34cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Lot 45
A large 20th Century fairground / funfair multi coloured light panel featuring multiple coloured bulb shades fixed upon a chrome back. Sold as untested. Measures approx; 43cm x 240cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Lot 378
A contemporary Hollywood Regency mirrored lamp / side table having a circular mirrored top with mirrored panels to the frieze raised on trefoil supports with further mirror panels and second lower tier uniting the legs. Each mirror panel having faux foxing / pitting to add age. Measures approx; 76cm x 56cm diameter. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Lot 113
Valentino Couture: a Cream Silk and Lace BallgownSpring/Summer 2006Embroidered lace top with vertically stitched waist panel and full skirtCondition Grade A32'/81cm chest, 26'/66cm waist, 38'/96.5cm hips, 150cm long, includes copy of original fashion sketchFor further information on this lot please visit Bonhams.com
Lot 5
STATUETTE DE BOUDDHA EN ALLIAGE DE CUIVRE DORÉDYNASTIE YUAN, XIVE SIÈCLEHimalayan Art Resources item no. 4626 17 cm (6 3/4 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF BUDDHAYUAN DYNASTY, 14TH CENTURY元 十四世紀 銅鎏金佛陀像 Provenance:With Claude de Marteau, Brussels, by 1970s Many images of the Buddha exist memorializing the moment of his enlightenment. Iconic in form, the portrait is at once recognizable in the gesture, contemplative gaze, and perfected meditative posture. Yet, every iteration carries unique features and motifs tracing both tradition and change, telling a story of both time and place. This bronze tells of the Yuan dynasty's eager patronage of Tibetan Buddhism and its summoning of master Newari artisans from Nepal to establish the dynasty's own practice of image making. Yuan court annals and a reign-marked gilt copper alloy sculpture of Manjushri in the Palace Museum, Beijing, attest to this narrative (see Bigler, Before Yongle, 2013, p. 11, fig. 3). Like the present sculpture, the Manjushri, dated to the 9th year of the Dade reign (1305 CE), emphasizes its subject's sublime nature through a lightly clad idealized body characteristic of Newari aesthetics; less focus is placed conversely on heavily patterned garments and intricate jewelry. The sentiment is carried by the present bronze's restraint of ornamentation in the sheer monastic robe, which hugs a sensuous, monumental frame. Both figure's broad foreheads and square jaws share an affinity with buddha images from Nepal's Early Malla period (13th/14th century). So do the wide, beaded hemlines within their garments. However, the sculptures have almost identical beaded lotus pedestals completed in the round displaying tear-shaped inner petals with curled tips surrounded by a flatter second layer with ridged tips. Such bases and a particular technique of engraving, comprised of small punch marks yielding scrollwork, are idiomatic of bronzes produced for the Yuan dynasty. Additionally, the most prominent engraved detail embellishing the present Buddha is found over his left shoulder, showing a square panel with a visvavajra surmounted by a lotus flower. This motif and the other Yuan elements are all represented by a bronze buddha sold at Bonhams, Hong Kong, 2 December 2021, lot 1011 and two other published examples (ibid., pp. 92-5 & 112-3, nos. 21 & 26).For further information on this lot please visit Bonhams.com
Lot 432
A SET OF SIX LOUIS XV PRINTED AND PAINTED WALLPAPER PANELS MID 18TH CENTURY entitled 'La Dance', 'La Sculpture', 'L'Agriculture', 'La Geographie', 'La Peinture' and 'La Musique', each depicting figural groups at their various pursuits above exotic and fantastical animals, within floral arched trellis borders, published by Daumont Paris (later tinted and some damages) each panel approximately 146 x 56 cm Provenance: Bonham's, Fine English & Continental Furniture & Works of Art Sale, 23rd November 2004, Lot 184 Condition Report: All with fading, rips, tears, surface damages and creasing, signs of joins and with later strengthening paper to the rears to hold old tears and damage together. Old losses and holes The decoration appears to be later, the colours too vibrant and not as carefully applied as would have been the case if this was contemporary to the panels themselves The ebonised timber strips to top and base are later One has rips to the upper edges and is too fragile at present to hang, another with rips at the bottom and the timber strip is off Please see additional images for visual reference to condition Condition Report Disclaimer
Lot 384
ENGLISH PROVINCIAL SCHOOL (18TH CENTURY) AFTER THE STAG HUNT Oil on panel 73 x 187cm (28½ x 73½ in.) Provenance: Sotheby's, London, British and Continental Painting, 9th March 2005, Lot 13 Condition Report: Several scattered specks of surface dirt. Several cracks in the panel, including through the group of figures on the right and centrally in the sky. A horizontal inserted piece of in the sky along the upper edge of approx.. 18 cm. UV reveals retouching of the cracks as well as several other areas of scattered retouching. A few areas of paint loss, particularly below the deer. Condition Report Disclaimer
Lot 401
Y A SOUTH ITALIAN VERRE EGLOMISE, TORTOISHELL, ROSEWOOD, EBONISED AND EBONY CABINET NAPLES, LATE 17TH CENTURY, CIRCLE OF LUCA GIORDAN, POSSIBLY BY DOMENICO COSCIA Of breakfront outline, the panels painted with mythological scenes, the central architectural door opening to a mirrored recess ON A LATER GEORGE III EBONISED AND PARCEL GILT STAND LATE 18TH CENTURY the cabinet and stand overall 176cm high, 146cm wide, 50cm deep Provenance: Christie's, London, Fine European Furniture, Sculpture, Tapestries and Carpets, 10th November 2005, Lot 164 Catalogue Note: During the 17th and 18th Century many visitors on the Grand tour would have marvelled at the Italian interiors adorned with exquisite furniture. The cabinet on stand was a piece particularly admired and often commissioned to be brought back to England. One such grand tourist was Thomas Isham 3rd Bt (d.1681) who spent three years in Rome amassing a collection of wonderful objects which included a similar pair of cabinets. Other comparable examples can be found in the Victoria and Albert museum, The Palazzo Barberini and the Pitti Palace (see E. Colle, Il Mobile Barocco in Italia, Milan, no. 14). The painted panels depicting mythological subject matter resembles the work of Luca Giordano (1632-1705) although none of the designs have been attributed to him. Bernardo de Dominici an Italian historian and painter (1683-1759) wrote extensively in his Vite de' Pittori Scultori ed Archietti Napoletani on Giordano's painting on glass which resembles the imagery of this cabinet. However, he also mentions the pupils of Giordano who painted on glass, most notably Domenico Coscia. Not much has been written about Coscia and he remains largely unknown. Nevertheless, the artist is mentioned in Linda Martino's introduction of the 'Vetri Dipinti' section in A.Gonzalez-Palacios, Civilta del Seicento a Napoli, 1984, p 4.22. This suggests he was the most prolific glass painter of cabinets at the time and probably was the painter of this piece. Alvar Gonzalez- Palacios also argues panels of this kind were initially painted in Florence and then assembled in Naples. This suggests the painter would have been a living in Florence at the time (A. Gonzalez-Palacios, Il Tempio del Gusto, vol). This theory is supported by Mina Gregori and Frederico Zeri who have attributed similar panels in a Naples private collection to the Florentine artist Pietro Dandini (1646-1712) [ibid.,p.283]. Condition Report: Overall there are knocks, scratches, cracks and abrasions consistent with age and use. There are losses, restorations and observations including: some black staining; cracks to some veneers including the rosewood sides; the base with no carving to the back of the back legs; the base with gilding probably later, suggested by the absence of gilding to the back of the front legs even though they are carved with flutes; scuffing along the top edge of the front of the base revealing the underlying wood; the lock to the central door is a replacement; scuffing where the drawers and door run against the outset base of the top; the painted panels with some paint flaking and scratched; some cracks to some panels; some verre eglomise panels loose; lacking one moulding to the side of one panel; chips and losses to the tortoiseshell including to the edges alongside the drawers; there is evidence of worm. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 390
A DUTCH FLORAL MARQUETRY VITRINE, 19TH CENTURY with a pair of glazed doors above a pair of cupboard doors, raised on bun feet. 228cm high, 161cm wide, 39cm deepVarious areas of loss to the marquetry but not extensive, glass good with one panel containing a bubble fault, some splits noted, mainly to each centre section of the bottom doors and some to the top left panel (see images), lock to bottom doors deficient.
Lot 116
Leo Gausson (French, 1860-1944)A tree-lined roadsigned 'Leo Gausson' l.l., oil on panel26.5 x 34cm Provenance: Anon. sale, Bonhams, 10 March 2009, lot 32.Condition ReportFramed size: 42 x 49.5cm.Examined under uv light, a knock at centre has been retouched, a couple of other specks of retouching to the right, bloom of varnish on left, these are fairly minor and not obvious under naked eye, otherwise work appears to be in good order.
Lot 148
▴ Mary Potter (1900-1981)View across a harbour signed 'Mary Potter' and inscribed torn label verso, oil on panel27 x 36cmProvenance: Christie's, London, 'Modern British Art', 21 March 1996, lot 132.The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportFramed size: 43 x 35cm.A little cracking to paint along grain of panel or places where imperfections in panel, please refer to condition report images that depict this, under uv light, one longer crack to paint fluoresces and appears to have spots of retouching. However, these are only visible under close observation and in our opinion are not distracting when looking at the picture on a wall. Impasto is intact and paint is stable. Please refer to images.
Lot 74
Vittorio Borriello (Italian-American, 1896-1974)A young woman in a black hat, in profilesigned and dated 'Boriello 1919' l.c., also signed and dated on label verso, oil on panel35 x 21.5cmProvenance: The Estate of Sir Jack and Lady Baer.Borriello was born in Naples but moved to New York, living there until his death in 1974. The artist's ability to capture a profile with such intensity is highly skilled. Our eyes are focused on the smooth arc of the hat, executed in darkest black, its flair is in the elegant and sharp line it weaves around the sitter's head, which accentuates her fine jawline and elongated neck. The hat throws shade over the sitter's eyes creating a certain intrigue and mystery in relation to her identity. Keeping to a simple palette, Borriello creates depth and texture through a confident understanding of the paint. He finely works the flesh tones on the sitter's face and neck, while contrasting this against a much freer use of brushwork on the dress and background.Condition ReportFramed size: 53 x 39.5cm.Probably covered with a discoloured varnish which may therefore brighten on cleaning, a thin crack to paint across cheek that is visible to reverse of panel, please see images, under uv light no obvious signs of retouching.
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