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Lot 802
Regal Calvary scene, oil on panel, signed lower left: Julius Schulz. The artist was active in Germany and known for figure, historical, military, and genre painting.Overall size: 24 x 21 in. Sight size: 15 x 18 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 806
Russian figures in a winter scene with waning light, transporting ice block via horse and sled. Oil on panel, framed under glass. Signed and dated lower left,1871.Sverchkov is a Russian painter known for animal scene and folk genre painting. Born in St. Petersburg, Nikolai Egorovich Sverchkov exhibited his works for the first time in 1839. In 1841, he left the government service to devote himself entirely to painting. Through frequent stays on a horse breeding station, he specialized in the depiction of horses, especially parades or tsar portraits on horseback. In 1852, Sverchkov became a member of the Academy of Arts in St. Petersburg and, in 1855, professor of the Academy. From 1862 to 1864, he lived in Paris, where Napoleon III was one of his collectors.Overall size: 13 x 15 1/2 in. Sight size: 8 x 10 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 814a
Four piece Massive oil on canvas by Gail Symon Hicks. Lovely floral painting with a house off into the distance. It is signed in the lower right and dated 1987. Each panel size is 92 in. H x 46 in. WTotal size is 92 in. H x about 184 in. W(7 ft 8 in. x 15 ft 4 in.)Model is 6 ft 4 in.Gail Symon was active/lived in Connecticut, Massachusetts, California. Gail Symon is known for painting, art education.
Lot 817
"Troop Ships on Hudson River, April 14. 1919", depicts the scene during the Victory celebrations, the Atlantic Fleet sailing up the Hudson with returning soldiers to a tumultuous welcome. Provenance: Acquired from Charles Brown, NYC. Bernard Black Gallery label verso. Oil on wood panel, signed lower right. Hayley Lever was known for his town-shore landscapes and still-life painting in a style that combined impressionism with vivid colors and strong lines of realism---post impressionism. In his use of color, he was deeply influenced by Vincent Van Gogh. He freely explored numerous styles based on impressionism but was never locked into any particular style.Overall size: 17 1/4 x 20 1/2 in.Sight size: 12 1/2 x 15 1/2 in.Please note that all sales are final. No refunds will be given under any circumstances.
Lot 823
"Art and Agriculture" study for the mural in the Department of Agriculture building in Washington, DC. Oil on canvas, Provenance: acquired from the artist's estate, signed by his 3rd wife. Thomas Gilbert White was an American painter, now best remembered for his murals. He was born in Michigan, died in Paris, studied with James McNeil Whistler. White's murals decorate many state and federal buildings in the U.S. Early in 1934 he was the center of controversy of the 40 foot panel he did for the Dept. of Agriculture. The assistant secretary of agriculture at the time criticized the mural as too classical, but the painting was finally accepted. It showed a group of four allegorical figures around a large oak tree. Critics expressed a belief it should have included artistic references to AAA crop control and modern agricultural machinery. The mural previously had been displayed in Paris and won praise from French and American experts. Overall size: 48 1/2 x 84 1/2 in. Sight size: 401/2 x 76 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 854
Portrait painting on wood panel by Frank Von Der Lancken. It appears to be unsigned, however it is from the personal estate of Von Der Lancken. Precious portrait of a young child in a oval form and nice gilt frame.Provenance: The grandchildren of Frank Von der Lancken (1872-1950). By descent of the family, through his widow Giulia, then passed on to their son, Julian, who then gifted this collection to his children upon Frank's death. This piece was also displayed at Hirschl & Adler Galleries in New York City in 2017 and 2018.Frank Von Der Lancken was born in Brooklyn in 1872. Von der Lancken had exceptional talent and a great passion for teaching. He was very influential, however not always recognized as his commitment lied with teaching instead of any possible fame he could have received. His training and experience equaled that of any leading artists at that time. He taught at some of the most progressive art schools in America including the Pratt Institute in Brooklyn NY, where he began his education. By the time of Frank von der Lancken’s death in 1950, the Philbrook Art Museum had begun to establish Tulsa’s reputation as a national center for the arts. Admiringly referred to as, “the first family of art in Tulsa”, the von der Lanckens lived to see their city’s cultural potential fulfilled after twenty-four years of painting and teaching there. As for Frank’s own potential, he seemed satisfied with a career path that led him away from the limelight under which he was trained, toward the artistic obscurity of his final years. Through his visions on canvas and his teachings in the classrooms of New York, Connecticut, and the Midwest, this quiet, unassuming artist became one of the louder exponents of the Arts and Crafts movement.Sight: 9 x 7 in. Overall: 15 x 13 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 86
Exquisite panel lamp comprised of eight curved opaque stained glass panels that have been lightly painted/stenciled on the outside of glass. Panels are fitted within a patinated metal frame; cast metal base and stem with three pull chain light sockets.Approx. size: 24 x 21 in.Please note that all sales are final. No refunds will be given under any circumstances.
Lot 87
Beautiful reverse painted panel lamp, possibly Empire Lamps, Chicago, circa 1920. Six textured painted landscape panels, one panel damaged. Three landscape panels in base are back lit. Two pull chain sockets. As is condition.Base 23 in tallShade diameter 19 in.Please note that all sales are final. No refunds will be given under any circumstances.
Lot 875
"Home Safe" (at Execution Rock), depicts a small sailing boat on rough waters under a moonlit night, with three fishermen being guided home by a distant lighthouse. Nice gold leaf fluted frame. Provenance: acquired from a NY dealer in '87. James Buttersworth was born in Middlesex County, England, little is known about him before he emigrated to the United States. He settled in West Hoboken, New Jersey about 1850 and enjoyed a flourishing career as a marine painter. New York Harbor provided the background for a great number of his works. He went to work for Nathaniel Currier in 1847, and when the firm later became Currier and Ives, many of his paintings were made into prints. Buttersworth's career spanned sixty years, and about 600 of his paintings have been recorded. He painted America's Cup races as well as warships and historic naval actions, and all types of vessels from racing clipper ships and yachts to steamers. He was particularly adept at capturing the grace, majesty and movement of sailing vessels.Using primarily oil paint, he applied in thinly to the ground, which was usually canvas but also occasionally millboard, wood panel, or metal. He had an eye for meticulous detail and he portrayed ships with great accuracy, but he also achieved a Romantic sense of drama with the use of low horizon lines, stormy skies, and tempestuous water.Signed lower right: J.E. Buttersworth.Overall size: 12 x 14 in.Sight size: 5 1/2 x 7 3/4 in.Please note that all sales are final. No refunds will be given under any circumstances.
Lot 900
"Woodland Brook", oil on thin panel. Signed lower right: F.H. Shapleigh. Frank Henry Shapleigh was born in Boston and studied at the Lowell Institute of Drawing there. When the Civil War broke out, he enlisted in the Union Army and served from 1862-63. He then studied art in Paris with Emile Lambinet, returning to the U.S. to establish his studio in Boston. In 1866, he first visited the White Mountains, where he spent most of his summers and built a home studio in Jackson. Shapleigh is best known for his well-executed White Mountain, New Hampshire landscapes that include all of the major tourist attractions as well as places that had special, personal, meaning for him. He painted Mount Washington and the other well-known mountains from dozens of different locations, and because he wrote the location of his paintings on the back of the canvases, his paintings provide an invaluable record of his works.Overall size: 17 x 14 in. Sight size: 8 1/2 x 6 1/2 in.
Lot 903
'Unexpected Joy', Russian Icon of several identified saints and arch angel, the Virgin, and the Christ Child. Painted of egg tempera with gold leaf, on gesso wood panel that is reinforced with a cross brace to help prevent warping. It was believed that icons acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and color depicted in an icon has a precise meaningSize: 14 x 12 in.Please note that all sales are final. No refunds will be given under any circumstances.
Lot 2038
A French Gold Snuff-Box, Maker's Mark ?H With Star Above, Paris, Circa 1810, shaped oblong and with rounded corners, the hinged cover, base and sides each with a foliage scroll cast border on matted ground, enclosing an engine-turned panel, 7.5cm wide, 2oz 13dwt (82.2gr) Provenance: Tennants, 17 July 2008, lot 709.
Lot 2078
Two Victorian Vesta-Cases, Last Quarter 19th Century, each oblong, one inlaid with mother-of-pearl and abalone shell and applied with a yellow metal plaque, engraved with the date '11 July 1883, the other inlaid with tortoiseshell with reverse painted glass panel depicting a windmill and sailboat, 6cm high and slightly smaller (2)
Lot 2295
A Three Row Pearl Necklace, the graduated 99:89:96 pearls strung to a square clasp with a hairwork panel centrally within a border of seed pearls to a further blue and white enamel border, length (of shortest strand) 39.1cm see illustration Accompanied by a Pearl Report from Gemmological Certification Service, GCS Lab, report number 5776-4845, dated 14 march, 2016 stating that all the pearls are natural saltwater except two and the seed pearls are not tested in the clasp. The necklace is in fair condition with enamel loss to the clasp. We cannot guarantee the integrity of the string. It fastens with a tongue and box catch. It bears no hallmark nor stamp but in our opinion would test as gold. Gross weight 20.4 grams. CR made 24.09.20
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