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Click here to subscribeA Pair of Huanghuali Horseshoe-Back Armchairs and Side Table Each chair with a rectangular seat with a multi panel inset, the rectangular back splat carved with shaped flanges, the legs with an arch-shaped apron joined by stretchers; the side table of square form and decorated en suite. 39 x 26 x 21 inches (99 x 66 x 53 cm) each chair, 19 1/2 x 18 x 18 inches (50 x 46 x 46 cm) of the table [Minor repairs, cracks] Starting Bid: $20000
A Large Rosewood Side Table The floating panel top set into a mitered, mortise-and-tenon frame above a galleried waist and an opposing dragon apron, joined to beaded supports and scrolling feet. Early 20th Century 36 x 62 x 19 3/4 (91.5 x 157.5 x 50.2 cm) [Overall wear, minor staining] Starting Bid: $1500
A Huanghuali Altar Table The floating top panel fitted into a mitered, mortise and tenoned frame with everted flanges over a shaped, beaded apron joined to circular legs and joined to paired oval stretchers. 37 x 47 x 15 inches (94 x119.4 x 38.1 cm) approximately [Overall wear, repairs] Starting Bid: $10000
A Kesi-Woven Panel Depicting warriors on horseback charging into battle, the green border featuring stylized animals and mythical beasts, edged with black satin. Late Qing Dynasty 34 1/2 x 34 inches (87.7 x 86.3 cm) approximately [Discoloration, minor staining, a few loose threads] Starting Bid: $400
A Kesi-Woven `Dragon` Panel Finely woven with a golden front-facing dragon above two additional confronting golden dragons, each shown chasing flaming pearls amidst a dark blue sky filled with colorful cloud meanders, gold longevity medallions, bats and Buddhist emblems, all above rocks and crashing waves, brocade border. 18th/19th Century 43 1/4 x 32 3/4 inches (110 x 83.2 cm) [Small holes (patched verso), slight fading, losses to the brocade] Starting Bid: $1000
An Uncut Yellow-Ground `Dragon` Panel Of quatrefoil form, brocade in silk and metallic threads with a collar and opposing four-clawed dragons against a ground of cloud scrolls and flaming pearls. 17th Century Width: 47 1/2 inches (120.6 cm) Provenance: Reynold Tom Collection, mostly acquired during the 1970s and 1980s. [Trimmed with later borders, minor wear] Starting Bid: $1500
Three Chinese Silk Panels The first an embroidered runner depicting two opposing metallic-thread dragon roundels flanked by crashing waves, auspicious emblems and a lishui pattern at each end, enclosed by floral borders; the last a pair of vertical panels woven with lotus ponds, birds and fish in pale hues against a purplish-brown ground, tasseled ornaments to one side. Largest: 68 x 18 1/2 inches (172.7 x 47 cm) [Extensive losses, soiling, major staining and discoloration; candle wax visible to the surface of the dragon panel] Starting Bid: $400
Anonymous: Seven Album Leaves and a Calligraphy Work Each album leaf depicting scenes of Yuan Dynasty customs, ink and color on silk, one signed `Qian Xuan` with one seal; each remounted together as a single panel, framed and glazed. Qing Dynasty 10 3/4 x 12 3/4 inches (27 x 32 cm) each [Water damage, discoloration and wear. Not examined out of the frame. This condition report states major condition issues only] Starting Bid: $800
A Wall Panel with Two Famille Rose Plaques The first of circular form decorated with three female figures under a pine tree; the second of rectangular form depicting a mother figure and her two boys in a garden with various scholar items; both plaques inscribed, dated to 1898, signed Wang Peizhang and with seals, now mounted into a single vertical wood wall panel. Late 19th Century 54 x 16 1/2 inches (137.2 x 41.9 cm) [Wear to the enamel] Starting Bid: $800
A Set of Sixteen Famille Rose Porcelain Plaques Featuring with molded decoration of flowers, insects, birds, landscapes and figures, all on a creamy turquoise ground, each with an impressed Wang Bingrong four-character mark to the bottom, all inset into a four-panel wood folding screen. Wang Bingrong Marks, 19th/20th Century 83 x 79 inches (210.8 x 200.7 cm) overall; 10 1/2 x 10 1/2 inches (26.7 x 26.7 cm) approximately each plaque [Minor wear to the enamel, not examined out of the frame] Starting Bid: $8000
1982 TRIUMPH Spitfiree Mk IV Châssis n° TFadW2aT008169 Carte grise française Lancée en Octobre 1962 au Salon de Londres la Spitfi re était la réponse du groupe Standard-Triumph à lÂ’Austin Healey Sprite. Le châssis est basé sur celui de la Triumph Herald bien quÂ’il soit néanmoins largement modifié et spécifique à la Spitfire sur de nombreux points. La Triumph Spitfire 1500 qui succède à la MarkIV sera la dernière série produite par le groupe anglais (1974-1980). La nationalisation du groupe mère de Triumph (British-Leyland) en 1974 annonce le déclin des Spitfire il nÂ’y a plus beaucoup dÂ’investissement dans le modèle et les normes de sécurité et anti-pollution annoncent la fin de la production en 1980. Cependant les stocks de Spitfire sont encore importants et restent vendus quelques années après lÂ’arrêt de la production. Notre modèle est lÂ’un des derniers puisque sa mise en circulation est de 1982. Son moteur 4 cylindre en ligne 8 soupapes (Longue course) développe 70 chevaux pour une cylindrée de 1493 cm3 la boite est à 4 rapports synchronisés. Notre exemplaire est doté de sa capote et de son hard top. Elle se présente dans un état dÂ’origine correct et nécessitera quelques rares retouches esthétiques et mécaniques pour une bonne présentation générale. DÂ’un extérieur vert anglais avec un hard top noir son intérieur bois et toile est en accord avec la simplicité du véhicule. Launch on October 1962 The Spitfi re is a small convertible sport car by Triumph. Economical and cheaper than its competitors (like Austin Healey Sprite).This car knew a great success In Europe and USA. The 1500 replaces the mkIV and was produced from 1974 to 1980 ( last units produced).Our vehicle is one of the last cause it was registered for road use in 1982. ItÂ’s a four cylinder 8 valves of 1493cc with a 4 gear Synchronized transmission. Convertible with two choices: removable roof or hood. On the whole the car is in a fair condition and just need few works to be well looked. Body is paint with an English green and the roof is black. The dashboard is decorated with wood panel and seats are in canvas.
AN EDWARDIAN SILVER FOUR-BRANCH CENTRE PIECE EPERGNE, Sheffield 1906 and one bowl with marks of Dublin 1912, having large central shaped circular dish with six waved panel sides, pierced, crested to the centre and with three smaller dishes held aloft by plain scroll branches, raised on a shaped circular pierced central foot (c.34ozs). 20cm high, 37cm wide
A CONTINENTAL FLAME MAHOGANY LINEN CHEST, 19th Century, the upper section with outset dentil cornice and angled corners over twin fielded panel doors, enclosing a shelved interior, the base fitted with three long graduated drawers, each with brass ring handles between sloped angled corners on fluted supports. 178cm wide
AN 18TH CENTURY CHINOISERIE LACQUER LONGCASE CLOCK, the domed hood surmounted with spherical finials above an arched glazed panel door, enclosing a brass dial inscribed 'Eardley Norton London', with pierced spandrels around a silvered chapter ring with Roman numerals and seconds subsidiary dial, the trunk and plinth base covered with birds, prunus and pagodas, with weights, key and pendulum. 247cm high
A LARGE VICTORIAN MAHOGANY TWIN-PEDESTAL PARTNERS DESK, the rectangular top inset with embossed green leather writing panel, fitted with three opposing frieze drawers, the twin pedestals with three short drawers to one side and cupboard doors to the other side. 167cm wide, 113cm deep, 73.5cm high
EDWIN HAYES RHA RI ROI (1819-1904) Shipping by a Harbour Wall Oil on panel, 16.5 x 21.5cm Signed, inscribed 'by Edwin Hayes on the lid of his old sketch box 1879'. Inscribed verso 'sketched by Edwin Hayes RHA on the lid of his old sketch box. Given to Basil Wood Walker at Briscood House, Steele's Road, Hempstead 1879'
A 17th Century Italian Walnut Cofferet. The hinged lid with a raised panel to the centre and moulded edge above carved front and sides enriched with S-scroll of foliage with dolphin head terminals; the front centred by an armorial cartouche. The gadrooned base raised on lion paw feet, 13 ins (33 cms) high, 22½ ins x 10¾ ins (57 cms x 27.5 cms).
A Small 17th Century Italian Walnut Coffer. The front panel carved with scrolling foliage incorporating grotesque heads issuing spurs of trefoils from their mouths and flanking a central cartouche. The chip carved base on protruding lions paw feet, 22½ ins (57 cms) high, 44½ ins (113 cms) wide, 19 ins (48 cms) deep.
A 16th Century Flemish Carved Oak Buffet. The rectangular moulded top above two arcaded cupboard doors relief carved with St Peter & St Paul flanking a further saint standing in a small centre panel. The frieze drawer below enriched with zoomorphic scrolls of foliage and centred by a face mask bearing an iron swing handle in its mouth. The uprights and turned front posts adorned with bold split spindle appliqués, with a panelled back leading down to a base shelf with nulled rail, 54½ ins (139 cms) high, 44 ins (112 cms) wide, 19 ins (48 cms) deep.
A Rare Late Gothic Boarded Oak Coffer. The lid on replacement iron strap hinges with decoratively pierced finials. The front board carved with The Legends of Saint George & the Dragon with a crowned princess and King & Queen onlooking from castle window in the background. 24 ins (61 cms) high, 42½ ins (108 cms) wide, 16 ins (40 cms) deep.* (A similarly carved 14th century panel illustrated in Early English Furniture & Woodwork by Cescinsky & Gribble, Volume II, page 14, fig. 13 from The Victorian & Albert Museum)*.
A Gothic Carved Oak Box Settle. The triple panelled back carved with rippling linen-fold to the front and rear in a moulded framework with turreted spires adorning the uprights surmounted by seated hound finials (one missing). The seat on iron hinges above a box compartment enclosed by two horizontal panels of linen-fold carving flanking an iron lock and arched tracery centre panel. The sides with further linen-fold carving. 57 ins (145 cms) high, 46 ins (117 cms) side, 20 ins (51 cms) deep.
A Long Relief Carved Walnut Frieze Panel centred by a pair of profiled winged cherubs bearing pendant garlands; their torsos rising from long lavishly scrolling trails of undulating foliage issuing fruiting seed pods and flowers entwined with tendrils. The carving partially unfinished. 9½ ins x 60 ins (23.5 cms x 152 cms).
An 18th Century French Figured Walnut Val de Loire Cupboard. The cornice overhanging a pair of upper cupboard doors over two frieze drawers and further base cupboard doors. The fielded panel facades edged in moulding and carved with foliate sprays to the corners, with geometric moulding applied to the surrounds. Standing on bracket feet 86 ins (218 cms) high, 55 ins (140 cms) wide 21 ins (53 cms) deep.
An Elizabethan/James I Inlaid Oak Coffer. The top having a moulded edge above an intricate parquetry banded frieze, with a small raised panel of carved strap-work to the centre surrounding the keyhole. The parquetry banding continued down the narrow vertical centre panel edged in chip carved moulding and flanked by panels of marquetried flowers cascading from urns. The stiles adorned with a carved atlante and caryatid, 31½ins (78 cms high, 51 ins (130 cms) wide, 21 ins (55 cms) deep.*
A 17th Century & Later Carved & Inlaid Oak Full Tester Bed. The arcaded headboard inlaid with 'flowerpotte' marquetry panels, flanked by caryatids above diamond shaped plaques bearing the initials A & R, and incorporating a secret sliding panel compartment. The intricately carved foot posts above square base sections inlaid with chevron bands.. 83 ins (210 cms) high, 56 ins (142 cms) wide, 86 ins (218 cms) long.
A Charles II Carved Oak Vestry Over-door Panel centred by a slightly convex cartouche of elongated oval form bearing the inscription 'IOHN:WILLIAM GEORGE:HEGINBOTHAM CHURCH:WARDENES' defined against a recessed ground beneath a scroll-crested pediment, and flanked by the date 1667 and voluted scrolls. Retaining thick brown paint-work. 12 ins x 32 ins (31 cms x 82 cms)*.
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