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Lot 43

Omar El-Nagdi (Egypt, 1931-2019)Untitled (Man on Horse) oil on panel, framedsigned 'O El Nagdi' and dated '91', executed in 199185 x 57cm (33 7/16 x 22 7/16in).Footnotes:Provenance:Property from the private collection of H.E Ambassador Francine HenrichThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 44

Gazbia Sirry (Egypt, born 1925)Flowers oil on panel, framedsigned 'Gazbia' in Arabic and English (lower left), executed circa 1990's58 x 58cm (22 13/16 x 22 13/16in).Footnotes:Provenance:Property from a private collection, GizaAcquired directly from the Artist in the late 1990sGazbia Sirry is one of the many accomplished women artists who have made a mark in the Egyptian arts throughout the twentieth century. She stood out for her dedication to the individual freedom of the Arab woman through her fighting spirit.Sirry's ardent enthusiasm for innovation and her openness to international influences made her a vital contributor to the Contemporary Art Group in Cairo. A prolific painter, she has experimented with a range of styles. Her early works resembled illustrations inspired by children's colouring books. But she soon shifted to an Expressionist style in which her use of heavy impasto, quickly applied and violently scratched, explored a thematic revolving around the artist herself or groups of individuals and couples.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 46

Salah Abdel Kerim (Egypt, 1925-1988)The Fish mixed media on panel, framed signed 'S.A Karim' in English (lower left) and signed 'Salah Abdel Kerim' in Arabic (lower right), executed circa 1960s48.5 x 48.5cm (19 1/8 x 19 1/8in).Footnotes:Provenance:Property from a private collection, CairoThe Meridian Hotel in Cairo commissioned the Artist to produce this artwork, 1970sThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 47

Salah Abdel Kerim (Egypt, 1925-1988)Two Pigeons mixed media on panel, framedsigned 'Salah Abdel Kerim' and dated '1960' in Arabic (lower left), signed 'S.A Karim' in English (lower right), executed in 196068 x 49cm (26 3/4 x 19 5/16in).Footnotes:Provenance:Property from a private collection, CairoThe Meridian Hotel in Cairo commissioned the Artist to produce this artwork, 1970sThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 62

Fateh Moudarres (Syria, 1922-1999)Untitled oil on panel, framedsigned 'Moudarres' and dated '1961' (lower right), executed in 196169 x 50cm (27 3/16 x 19 11/16in).Footnotes:Provenance:Property from a private collection, ItalyAcquired directly from the ArtistThence by descent to the present ownerThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 76

Mohammad El Rawas (Lebanon, born 1951)When We Are Gone Number 9 mixed media and assemblage on plywood panel, framedsigned 'M. El Rawas' and dated '2021' (lower centre), executed in 202180 x 75cm (31 1/2 x 29 1/2in).Footnotes:Provenance:Property from a private collection, LebanonThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 3010

19th century oil on wood panel in the manner of John Constable, 15 x 12 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 3100

A large Mid 20th century overmantel mirror, comprised of peach and silverered sections of bevelled glass surrounding a large semi circular panel, 141 x 104 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 103

DDENMARK (Belgium, 1950)."Interview, 1991.Mixed media (magazine paper and wire) on panel.Provenance: Important Spanish Collection.Size: 79 x 69 cm.The artist himself exhibits "How many newspapers and magazines do people throw away every day? How many unread masterpieces appear on their bookshelves? How many exams and old papers gather dust in the attics of schools? For the past 50 years, the Belgian artist Denmark - pseudonym of Marc Robbroeckx - has been transforming tons of printed paper into art. He creates sculptures and installations with books, newspapers and magazines. His main ingredient is always paper, cut, pressed, stacked or folded. Denmark claims that each page of his work is folded into the smallest possible volume. This reduction of the surface is a metaphor for the artist's search for the essence. Currently his work has been presented in a wide range of exhibitions in national and international galleries and museums.

Lot 24

Thota Vaikuntam (Indian, B. 1942)Untitled (Women) circa late 2000's/early 2010stempura on paperTriptych; Size: Side panels, 55 x 23cm middle panel, 55 x 38cm (21 5/8 x 14 15/16in) and entire work 55 x 104cm (21 5/8 x 40 15/16in).Footnotes:ProvenancePrivate UK Collection;Acquired from a charity auction.CompareFor a similar work, sold at SaffronArt see, Evening Sale, New Delhi, 20th September 2018, lot 67.Vaikuntam was born in Telangana (formerly Andhra Pradesh), and obtained a Diploma in Painting from the College of Fine Arts and Architecture in Hyderabad, and then pursued further studies in Painting and Printmaking under the tutelage of K.G. Subramanyan at the Maharaja Sayajirao University of Baroda. His works are inspired by the rural women of Telangana, with whom he has had a lifelong fascination. This intrigue can be traced to the travelling theatre groups of his childhood, when the male artists would impersonate female characters. The muses in his works are voluptuous and sensuous and are adorned with ornaments, vermilion bindis and draped in colourful sarees of reds, saffrons, greens and blues as can be seen in the present lot.Vaikuntam had his first solo exhibition in 1973, at the Kala Bhavan in Hyderabad and has gone on to exhibit worldwide since. Some notable shows include, 'The Telangana Icons' presentd by Art Alive Gallery, New Delhi at Grosvenor Gallery, London in 2015, 'Post Independence Masters' at Aicon Gallery, New York in 2008, '6 Artists Show' at 1x1 Gallery, Dubai in 2006 and 'Tradition and Change' at Arts India, New York in 2002. He has also been the receipt of various awards, the 1993 National Award for Painting, being the most recent.For further information on this lot please visit Bonhams.com

Lot 51

Maqbool Fida Husain (Indian, 1913-2011)Theorama all signed lower rightscreenprint35.8 x 45.8cm (14 1/8 x 18 1/16in).the folio: 39.8 x 52.3 x 2.4 cmFootnotes:Husain published this limited edition of ten serigraphs called Theorama in 2003. He has expertly deployed colour, and used the symbols of each faith to depict Buddhism, Sikhism, Zoroastrianism, Islam, Christianity, Jainism, Taoism, Judaism, Vedic and Humanism. Each serigraph carries a quote which relates to the religion illustrated. The edition celebrates the plurality and spiritual unity of each faith. PublishedK. Bikram Singh, Maqbool Fida Husain, 2008, pp. 161-166, figures 140-144.Note: In addition to the 10 serigraphs, there is a 'panel' with a quote describing the 10 serigraphs.For further information on this lot please visit Bonhams.com

Lot 418

MANCHESTER UNITED FC STAINED GLASS PANEL

Lot 1138

RUGBY, early card game, Kick Off (or Fireside Football), complete, oval, pub. By Jacques & Son, with front panel trimmed from box (FR), VG, 48+

Lot 1183

OGDENS, Football & Cricket Girls, wicket-keeper, large anon. panel (96 x 164mm), slight staining to edges, VG

Lot 1255

TOPICAL TIMES, football, complete (2), Stars of To-Day, Miniature Panel Portraits, in softback albums, G to VG, 48+

Lot 1274

A. & B.C., Batman (pink), complete, no panel, VG to EX, 55

Lot 1393

ROYALTY, silk panel, Souvenir Portrait of Her Most Gracious Majesty Queen Victoria Empress of India, from a photograph by Waverly, laid down to card, 9.5 x 16 overall, staining to edges, FR

Lot 1410

TOPICAL TIMES, Footballers, Panel Portraits, inc. triples (complete + 3); colour (21) & b/w (43); miniature (80), in softback album and loose, G to EX, 160*

Lot 171a

George V import hallmarked circular lidded box with all-over engine turned decoration, the removable top with inset watercolour panel of flowers in a basket (some discolouration), full gilt interior, 7.5cm diam, London import hallmark for 1912 (no maker's mark), g/w 111gms (a/f)

Lot 59

Eastern white metal bowl, late 19th/early 20th century, of circular form with embossed panel featuring various folk tales, the base chased and engraved centrally with a flowerhead design, 13.5cm diam, 295gms

Lot 135

A Chinese ivory card case,late 19th century, profusely carved with figures amongst houses, with losses, 8.5cm x 4.5cm; a puzzle, cased, the sliding top pierced and carved with figures, with two square puzzles, 6cm square, 1.2cm high, and a dismantled ivory box, largest pieces 3.5 x 4cm, and three further items, comprising an engraved case,19th century, with a sliding top, engraved 'Love Me' to the side, 8.8cm; a carved umbrella form needle case, lacking stanhope to the handle, 12.3cm, a carved and pierced snuff spoon, 7cm, and an ivory notepad, stamped with the days of the week, 7.5cm (6)Card case - loss to the edge of the cover.Box dismantled and loss and hole to one panel. One panel with loss to the side. Umbrella - missing stanhope. Notepad with split to the cover - lacking pencil.

Lot 280

A Chinese carved polychrome and gilt stand,20th century, with scrolled ends and pierced front panel,35.5cm wide24cm deep29cm hightogether with a carved column finial,early 20th century, Java or Bali, on a later white plinth,23cm wide (2)Stand with splits and losses to the paint. Losses to the paint and wear to the column finial. Stand - second half 20th century. Please see additional images.

Lot 365

A set of five Middle Eastern lanterns,of octagonal form with pierced dome gilt metal tops,24cm wide70cm high Crack to one glass panel, other panels with scratches, blemished metalwork misshapen.

Lot 394

An oak settle,late 17th century with high panelled back, open arms to a panel seat on S-scroll outline fret legs and stretchers,104cm wide53cm deep126cm highGood patination and colour overall. The back panelled to the floor. An old repair to right-hand arms. The seat with lots of wear and evidence of old worm to front right corner.

Lot 418

An oak mule chest,late 17th to early 18th century, with later adapted opening panel doors above three lower drawers, later brasses, on stile legs145cm wide55cm deep114.5cm highGood colour, wear to drawer runners and replaced handlesBack boards have been replaced, but a very usable piece. Splits and wear throughout.Please see additional images. 122cm width between the doors. 63cm high. Internal depth 46cm.

Lot 54

An Edwardian crocodile skin suitcase with a silver vanity set,by William Devenport, Birmingham 1909-1910, comprising a handheld mirror 25cm long, two handheld brushes, two brushes, a comb, six cut glass and silver lidded jars, tallest 18.5cm high, a nail set, a notebook with ivory-handled pen, and two silver-plated vesta cases, 4.5cm high, all in a fitted crocodile skin case, with impressed initials E. C. G, and outer dust case with a leather panel bearing the same initials, 52cm wide36cm deep20cm highDents to the handheld brush and four of the lidded jars. Teeth missing from the comb. Damage to the interior lining. Some wear to the crocodile skin. Losses to the handle. The outer dust case is heavily worn, with loose threads, holes and wear to the leather.

Lot 3

19th CENTURY OAK BENCH with a five fielded panel back, carved arms with bobbin supports, on turned and pad feet, 105cms H, 186cms W, 54cms D

Lot 30

20th CENTURY LIGHT OAK BOOKCASE CUPBOARD, the upper section with twin bevelled glass doors over a two drawer and two fielded panel cupboard door base, 170cms H, 107cms W, 46cms D

Lot 513

A Mid 20th Century Three Panel Blanket Box with Hinged Lid, 90cm wide

Lot 103

Early 3rd century A.D. A rectangular marble sarcophagus excavated near the Tomb of Cecilia Metella in Rome. The front panel decorated with two opposing series of double strigilatures (spiral fluting) with matching sharp concave edges, converging in the centre where the tabula inscriptionis is located; the latter, of quadrangular shape, enclosed within a moulded frame not occupying the entire height of the box, but showing a pulvinus (cushion) in the lower part, bound above and below by a smooth strip and on the sides by two slightly protruding semi-circular elements; the internal compartment of the box with rounded comers, the sides and back smooth; the table bearing a later inscription on five lines: 'D(is) M(anibus)/ C.Tutilio.Rufino. / Venatori. / T.Claudius. Secundus. / Amico. B(ene).M(erenti). P(osuit)'. Cf. Koch, G., Sichtermann, H., Romische Sarkophage, Munchen, 1982, pp.73-76 and 241-245; Ramieri, A.M., in Museo Nazionale Romano, Le Sculture, I, 3, Roma 1982, n. II, 31, pp.62-64; Sapelli, M. in Museo Nazionale Romano, Le Sculture, l, 7, Parte II, Roma 1984, n. Xtr, 8, pp.374-375, no. XII 10, pp.376-377, XV,20, p.459; for the strigillated sarcophagi and on the various compositional schemes used in them, and on the origin of the strigillated decoration see in detail Koch-Sichtermann 1982, with bibl. prev. 50 x 208 x 55.5 cm (19 3/4 x 81 3/4 x 21 3/4 in). Excavated near the tomb of Cecilia Metella in Rome by the Duke of Buckingham in 1828, and removed to Stowe House, Buckinghamshire. Acquired Christie's at the Stowe sale in 1848, lot 115, by the Earl of Lonsdale and removed to Lowther Castle, Penrith, Cumbria. Purchased at the sale of the contents of Lowther Castle in June 1957. Later with Heathcote Ball & Co, The Ashby Folville Manor Sale, Leicestershire, 15th March 1984, lot 116. Property of a North American collector. Accompanied by an academic report by Dr Laura Maria Vigna. Accompanied by scholarly note TL05424 by Dr Ronald Bonewitz. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11172-187994. The strigilature are decorative elements with wavy grooves that recall the shape of the strigil, the curved implement that Roman athletes and bathers used to scrape oil from their bodies. They are very frequent in the Roman Imperial age starting from the 2nd century A.D., with a particular diffusion in the 3rd century A.D. and in the production of the Early Christian art of the following century. They are carved in parallel series, especially in the ornamentation of sarcophagi, urns and vases. The strigilature are frequently framed by architectural elements or interspersed with figurative decorations, inscriptions and protomes. The sarcophagus can be placed for typological comparisons to the 3rd century A.D., probably made in the first half of the century, considering the accuracy of the workmanship and the chiaroscuro performance of the strigilature (for sarcophagi of this type see Ramieri, A.M. and Sapelli, M. in bibl). It is possible that the inscription was redone in its present form at a later time in the 19th century. [A video of this lot is available to view on Timeline Auctions Website]. For this specific lot, 5% import VAT is applicable on the hammer price Fine condition. This lot is only available for viewing at our Harwich premises.

Lot 322

8th-7th century B.C. A broad hammered bronze cuirass or belt decorated in chased low relief; ornamented with clusters of raised bosses in four horizontal bands; the terminals formed from large rectangular plaques cut from another armour, decorated with foliage ornaments and three lions standing in profile, each panel fitted with a fastening ring; the edges of the belt with regularly disposed holes for fastening to the leather lining; mounted on a custom-made frame. See Esayan, S.A., ‘?????????? VI-V ??. ?? ?. ?. ? ????? ????????? (Burials of the 6th-5th centuries B.C. in the mountains of Shamshadin’ in ?? (Sovietskaya Archeologjia - Archaeology of the Soviet Union), 1965; Esayan, S.A., 'Gürtelbleche der Älteren Eisenzeit in Armenien' in Beiträge zur allgemeinen und vergleichenden Archäologie, vol.6, pp.97-198, pls.8 & 25, nos.25 and 26 (belts from Golovino); Born H., Seidl, U., Schutzwaffen aus Assyrien und Urartu, Sammlung Axel Guttmann IV, Mainz, 1995, AG 230, 231; Gorelik, M.,Weapons of Ancient East, IV millennium BC-IV century BC, Saint Petersburg (2003) in Russian, pl.LXI, nn.88-89-90. 554 grams, 78mm wide (3 1/8 in). Acquired on the London art market, 1994. Property of a North London gentleman. Accompanied by an archaeological report by Dr Raffaele D'Amato. The belt-cuirass preserves a decoration substantially identical to various complete and fragmentary belts from the collection of Caucasian and Urartian items preserved in the Rezan Has Muzesi of Istanbul. According to Gorelik, by comparison with some armour-belts, especially the ones with the same pattern from Tigranakert (2003, pl.LIX, no.8) the employment of such belts lasted at least until the 7th century BC. Protective belts in the Caucasus were very popular, especially among Urartians. The early examples of such armoured belts appeared in Middle East, at the beginning of the first millennium BC, introducing an original fixing system on the waist, instead of the simple ties: a hook was first sewn separately to one end of the belt, and later became part of a massive bronze buckle furnished with a rectangular ring. [A video of this lot is available to view on Timeline Auctions Website] Fair condition, repaired.

Lot 355

19th century A.D. or earlier. A suite of steel armour pieces from a horse's barding, comprising: a chamfron with plume-holder to the brow, curved and scooped panels to the muzzle and ears, chased guilloche motifs and bands of reserved Kufic script on a field of tendrils, buckles to the long edges and a square loop to the rear of the frontal panel; articulated criniere with raised bosses surrounded by guilloches, bands of reserved Kufic script on a field of tendrils, buckles to the long and upper edges. 2.7 kg total, 60.5-68 cm (23 7/8 - 26 3/4 in). London collection since the 1980s. Property of a Canadian family. [2] Fine condition.

Lot 38

Ptolemaic Period, 332-30 B.C. A restrung netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with false beard, a scarab with extended wings below, two pairs of facing ‘sons of Horus’ figures beneath the scarab, joined together with areas of open netting of tubular beads. 84 grams, 23.5 cm high (9 1/4 in). Ex private collection, 1980s. Acquired on the UK art market in the 1990s. Fine condition.

Lot 382

6th-7th century A.D. A bronze bowl mount comprising a discoid body, scrolled tail and arched neck; the 'head' split at the forward end to accept the rim of the vessel, of which a fragment is held in place by the stub of an integral pin; the head and neck with a panel of reserved guilloche ornament on a red enamel field; the body a gently curved discoid panel with reserved Ultimate La Tène comma-leaf decoration, symmetrically disposed on a field of red enamel, with pins to the shoulders; the integral tail a D-shaped panel with reserved scrolls on a red enamel field. Cf. Bruce-Mitford, R., The Corpus of Late Celtic Hanging Bowls, Oxford, 2005, corpus no.96 (Seagry, Wiltshire), for similar profile and decoration. 6.19 grams, 44 mm (1 3/4 in). Found while searching with a metal detector near Feltwell, Norfolk, UK, 1998. Property of a Norfolk gentleman. Accompanied by a detailed report by Anglo-Saxon specialist Stephen Pollington. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11190-187995. Bowl mounts of this type with reserved La Tène ornament are found on hanging bowls mainly in 6th-7th century Anglo-Saxon princely or royal burials. They probably formed part of the so-called 'economy of prestige' in which decorative high-status tableware and feasting equipment circulated among the leading families of the various British and Anglo-Saxon kingdoms. A number of these items have been found in 7th century burial mounds such as Sutton Hoo (Suffolk), Prittlewell (Essex) and Benty Grange (Derbyshire). The decoration and manufacturing techniques suggest an origin among the late Romano-British groups of western and northern Britain. [A video of this lot is available to view on Timeline Auctions Website] Very fine 'as found' condition. Extremely rare type of museum quality.

Lot 390

6th century A.D. A substantial gold mount or fitting for a shield, belt or bridle comprising a median domed panel with central green glass cabochon, four pelta-shaped radiating-arm cells with inset garnets, three now absent; to each end a fish-tail with inset garnet cloisons; six fixing pins to the mounting plate with beaded border. See Arrhenius, B., Merovingian Garnet Jewellery, Stockholm, 1985, for discussion; and for a similar corpus, see Wieczorek, A. and Perin, P., Das Gold der Barbarenfursten, Damstadt, 2001. 12.47 grams, 47 mm wide (1 7/8 in). Acquired by Mr L. Grenacs of Belgium in 1975. Acquired London, UK, 1999. Property of a central London gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11136-188112. Fine condition.

Lot 393

6th century A.D. A large cruciform brooch of the later 'florid' form with highly decorative openwork border to the headplate formed as a rectangular median plate with lateral wings, enhanced with punched-pellet detail to the sides and top edge of each; raised central square panel; to the middle of each edge a Style I human mask in plan, formed as a T-shaped brow-and-nasal with two pellet eyes, with pairs of Style I profile bird-heads with curved beaks; the bow deep with facetting at each end; the footplate rectangular with Style I lappets and punched-pellet border; the transverse collar with two rows of punched-pellet detail; the finial a Style I human mask with two columns of punched-pellet detail extending to the peltoid terminal; the overall decorative effect forming a triangular band of Style I openwork ornament broken only at the bow and terminal; pin-lugs and base of catchplate to reverse. Cf. The British Museum, museum number 1883,0401.160, for similar; cf. Hammond, B., British Artefacts vol.1 - Early Anglo-Saxon, Witham, 2009, fig.1.1.4.1-l, for similar. 75 grams, 12.1 cm (4 3/4 in). Found whilst searching with a metal detector in February 2022 near Bridlington, East Yorkshire, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11167-188071. The staring male face on the footplate, with fierce eyes and prominent moustache, probably represents a divinity such as the thunder-god, Thunor (later Thor). [A video of this lot is available to view on Timeline Auctions Website] Fine condition.

Lot 403

9th-10th century A.D. A silver Borre style ring-pin comprising: a penannular headplate with openwork interlace panel and confronted beast heads to the base, collars to the body decorated with ribs and pellets and reserved channels between; a free-running pin with rectangular-section body and an elliptical-section centre, tapering above and below and engraved with interlace motif and zigzags, the latter repeated on the reverse; the pin loop with a beast-head plaque, elaborate openwork interlace finial above and two additional beast heads; two loops and a small projecting plate to reverse. Cf. Wilson, D.M. edn., From Viking to Crusader, The Scandinavians and Europe 800-1200, Sweden, 1992, item 201, for similar; cf. Magnus, B. et al., Bird, Beast and Man in Nordic Iron Age Art, Vol.2, Koln, 2005, item 119. 45.1 grams, 14.5 cm (5 3/4 in). Private collection formed in Europe in the 1980s. Westminster collection, central London, UK. Accompanied by a positive metal analysis report by Ivor Goro, dated 31 March 2022. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11196-186763. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website] Very fine condition.

Lot 405

8th-9th century A.D. A gilt bronze radiate-head brooch comprising: D-shaped headplate with seven radiating ribbed lobes, panel of coiled tendrils, ribbed bow flanked by ribbed bosses, two similar flanking the footplate, lobed finial with facing mask; pin-lug to the reverse and transverse catch; accompanied by a custom-made display stand. 35.1 grams excluding stand, 76 mm (3 in). UK collection, acquired 1980s. Property of a West London collector. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website] Fine condition.

Lot 427

15th-16th century A.D. A gold ring comprising a D-section hoop with heart-shaped panel to the underside, round bezel with hexafoil panel and triangular void enclosing a historic, very early cut diamond. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 675, for type; see also Boardman, J. & Scarisbrick, D. The Ralph Harari Collection of Finger Rings, London, 1977, item 171, for type. 9.22 grams, 26 mm overall, 18.14 mm internal diameter (approximate size British M 1/2, USA 6 1/2, Europe 13.16 Japan 12) (1 in). European collection, formed in the 1960s and 1970s. Acquired from a London gallery in the late 1980s. Property of a North American collector. Previously in a UK collection. Accompanied by a geological report No.TL005180 by geology consultant Dr R. L. Bonewitz. Accompanied by an independent specialist report and valuation by a graduate gemmologist and jewellery expert ref. no.0586/02/06/2020. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.10615-173081. Dr. Ronald Bonewitz notes: 'This stone can be considered ‘historic’ in that it illustrates the earliest efforts at actually re-shaping the stone rather than just polishing the natural faces, as was done previously. Not only that, at this time facets were placed more or less at random, but this stone was very deliberately cut into a proper geometric shape. It is an early and rather splendid example of the evolving diamond-cutter's art.' [A video of this lot is available to view on Timeline Auctions Website] Very fine condition.

Lot 449

1460-1531 A.D. A substantial carved wooden panel with figures in high-relief against a field of vegetation; recumbent Christ with his head supported in the lap of Mary assisted by a standing John the Evangelist while long-haired Saint Mary Magdalen advances with a vessel of balm for anointing the Corpus Christi; from the workshop of Tilman Riemenschneider (1460-1531 A.D.); the panel has been provided with a moulded wood plinth of modern date at the base. PUBLISHED:Dr. Bier, J., Tilmann Riemenschneider Die Reifen Werke, G.M.B.H., Augsburg, 1930, p.155.LITERATURE:See Maidbronn, in Von Freeden, M.H., Tilman Riemenschneider: Die Beweinung in Maidbronn. Eine Einführung, Berlin, 1947 (Stuttgart 1956); Tönnies, E., Leben und Werke des Würzburger Bildschnitzers Tilman Riemenschneider, 1468-1531, Strassburg, 1900; Bier, J., Tilman Riemenschneider: His life and Work, Lexington, 1982, fig.46A. Dr. Bier, J., Tilmann Riemenschneider Die Reifen Werke, G.M.B.H., Augsburg, 1930, p.155.  6 kg, 62.3 cm high (24 1/2 in."). Private collection of Von Hertlein, Munich, Germany, before 1930. Private collection of Von Hertlein, Munich, Germany, before 1930. Swiss private collection, Zurich. Inherited from her grandmother who owned it for at least 40 years. Accompanied by a copy of the relevant Tilmann Riemenschneider Die Reifen Werke, book pages where it was published in 1930. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11239-189576. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website] Fine condition.

Lot 452

c.10th-13th century A.D. A Coptic rectangular wooden panel with gessoed surface and painted design of a standing angel with halo, loose blue robe and outer red cloak with rosette designs; right hand raised parallel with the face, left hand enclosed in the folds of the cloak, book held in the crook of the left arm. Cf. Atalla, N.S., Coptic Art, Wall Paintings, Peintures Murales, L'Art Copte, Cairo, 1989, figs.47ff. (paintings from the Dair Al-Suryan Monastery); Zibawi, M., L'arte Copta, l'Egitto Cristiano dalle origini al XVIII secolo, fig.165. 1.3 kg, 77.7 cm (30 5/8 in). New Orleans, USA private collection. Ex central London gallery. [No Reserve] Fine condition.

Lot 457

France, Picardy, c.1420-1430 A.D. A rectangular glass panel with lead-alloy frame; image of Christ crucified below a plaque bearing the legend 'INRI', flanked by Virgin Mary and St John; spires and architectural detailing in the background above. 2.4 kg, 58.5 x 32.5 cm (23 x 12 3/4 in). Acquired from Monastery Stained Glass, Northamptonshire, UK, in 2007. Ex central London gallery. Accompanied by a detailed previously researched cataloguing sheet. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.10909-180990. The piece is the product of Picardy / Pas de Calais and shows the influence of contemporary Flemish art. Fair condition, repaired.

Lot 459

c.1490 A.D. A stained glass panel, re-leaded with suspension loops for hanging at sides, depicting St Jerome kneeling on right with lion at feet before the crucifixion scene at left with three nuns kneeling at left at foot of cross; Dutch work. 1.28 kg, 41 x 33 cm (16 1/8 x 13 in). Dutch private collection. UK Trade, 2018. [No Reserve] Fair condition, repaired.

Lot 460

c.1520 A.D. A stained glass panel re-leaded with suspension loops for hanging at the top and depicting an angel flying at top left, Mary at top right; central section showing Mary and Child to left with fish and heraldic helm at right, set between two pillars surmounted by St John; the lower panel showing foliage and fruit. 1.24 kg, 43 x 32 cm (17 x 12 1/2 in). Rieunier & Associes, 30 January 2006, lot 65. Ex central London gallery. [No Reserve] Fine condition, repaired.

Lot 461

15th-19th century A.D. A rectangular stained glass window panel with lead cames; trees and columns of vegetation; mounted in a wooden frame. 3.4 kg, 49 x 52 cm (19 1/4 x 20 1/2 in). UK Trade, 2020. Ex central London gallery. [No Reserve] Fair condition, repaired.

Lot 462

c.1550 A.D. A stained glass panel in lead-alloy frame, painted image of an older man looking upwards with luxuriant beard and full head of hair, heavy eyelids and half-open mouth; possibly depicting the elder brother of the prodigal son (Luke 15:11-32); possibly of German workmanship. 77 grams, 12.7 cm high (5 in). Rieunier & Associes, 25/10/2004, lot 52. Ex central London gallery. Accompanied by an old typed cataloguing slip. [No Reserve] Fine condition.

Lot 463

c.1530-1540 A.D. A rectangular stained glass panel with lead cames and painted sections depicting a crowned figure approaching a young man wearing an animal-skin cape; possibly a scene from the story of Saul and David. 3.8 kg, 59.5 cm high (23 1/2 in). Philip Kohler, 2009. Ex central London gallery. [No Reserve] Fair condition, repaired.

Lot 469

17th century A.D. A matched pair of carved oak brackets, each with the capital from an Ionic column supported by a bearded figure with lobed collar and armbands, developing to a rounded panel with putto mask and vegetation scrolls; modern suspension loop to the reverse. 1.87 kg total, 42 cm high each (16 1/2 in). Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister. [2] Fine condition.

Lot 470

19th century A.D. A magnificent and superb quality Victorian Gothic revival painted altar or reredos panel, as exemplified by the works and designs of Augustus Pugin, on Welsh slate depicting a large golden cross with latticed arms and squared quatrefoil terminals showing the emblems and names of the four Evangelists, Matthew, Mark, Luke and John; the cross set over a circle enclosing a quatrefoil background with the main discus showing a white cross trefoil on a red expanding cross against a green background with the Christogram letters 'IHS' entwined for Jesus Christ; the design set against a dark blue field ornamented with forty-eight golden radiant six-pointed stars; complete with the original carved oak frame together with the carved oak projecting base plinth shelf with quatrefoil perforations and another Christogram 'IHS' within a blue oval to the central projection. Cf. Stokes, M. (ed.), Didron, A.N., Christian Iconography, The history of the Christian Art in the Middle Ages, London, 1896, figs.36, 69, and p.452. 73 kg total, 134.5cm base and 159 cm high (60 7/8 and 62 1/2 in). Collection formed in the 2000s. Property of an East Anglia gentleman. From the 4th century A.D., the vision of Ezekiel and John's Apocalypse, assigned the lion, the angel, the eagle and the ox a stable place in the iconography of the tetramorph to represent the evangelist Mark (lion) next to the calf (Luke), the angel (Matthew) and the eagle (John). They are, in Christian iconography and theology, the four winged cherubs singing the triumphal hymn, exclaiming, proclaiming, and saying: 'Holy, holy, holy, Lord Sabaoth'. The oldest representations date back to the 5th century A.D., and are found in the mosaics of the baptistry of Naples and in the apse of S. Prudenziana in Rome. The tetramorph was a favourite subject in 12th century ecclesiastic art and its use has continued to the present day. [No Reserve] Fine condition.

Lot 471

16th century A.D. A rectangular wooden panel with recess to one face, painted scene of Virgin and Child with various saints in the field. 400 grams, 31.5 cm high (12 3/8 in). Acquired 2000. Mondoloni collection, London, UK. [No Reserve] Fine condition; old split and repair.

Lot 472

Late 17th century A.D. A Greek Orthodox icon formed as a rectangular wooden panel with slightly curved profile, one face with polychrome religious scene showing Christ identified by the Greek Letters '?CXC' (Jesus Christ), on the left corner of the icon, dressed in a blue chiton and a red cloak, blessing the central figure of the painting, representing Saint Onuphrius (identified by the inscription on his left, ? ????C ????????C); the saint, usually represented as a desert hermit, is shown here in three quarter-length, dressed in priests' vestments, wearing a simple pinkish-red phelonion (chasuble) from which is hanging a blue omophorion wrapped around the neck, decorated with gold crosses and stars, while the body is clad in an off-white tunica talaris; holding a prophecy roll in his left hand with right hand raised in a gesture of blessing. See a similar style of painted icon in Christie's, Icons and Artefacts from the Orthodox World, Monday 24 November 2008, London, 2008. p.83; cf. also the style of the icon of the Transfiguration from the iconostasis of c. Flora and Lavra c. Megrega, Olonetsky district; Russia, Karelia, at the Museum of Fine Arts of the Republic of Karelia (MIIRK). 683 grams, 28 x 25 cm (11 x 9 7/8 in). Charterhouse auctioneers, Sherborne, Dorset, UK. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. The icon seems be painted in egg tempera with gold leaf on wood (cypress?), prepared with gesso and linen. Red and black paint was also used for the frame of the icon in the shape of two simple narrow bands. The style of the icon, although inscribed with Greek letters, and especially the faces of the divine figures recalls the Russian school. Fine condition.

Lot 474

Late 17th century A.D. A wooden diptych with carved front and reverse faces, the hinged panel opening to reveal two polychrome painted scenes: Saint George on horseback, holding spear; the Virgin with Child on knee, flanked by archangels Michael and Gabriel, Ge'ez script to both panels; large carinated suspension loop above. 107 grams, 11.6 cm high (4 1/2 in). Acquired 2000. Mondoloni collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11278-189565. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website] Fine condition.

Lot 97

4th-5th century A.D. A suite of bronze military belt mounts comprising: twelve 'propeller' mounts with incised concentric rings; two rectangular mounts with one thick ribbed edge, incised triangles and ring-and-dot motifs; a strap end with volute scrolled openwork panel, D-shaped finial with concentric rings, rectangular plate with fixing holes; buckle comprising a square plate with incised concentric rings, loop with confronted horse-head ornament. Cf. Bishop, M.C. & Coulston, J.C.N., Roman Military Equipment From the Punic Wars to the Fall of Rome, London, 1993, figs.141, 142. 255 grams total, 55-74 mm (2 1/8 - 2 7/8 in). Acquired from Munich, Germany, late 1990s. Property of an East London gentleman. [16] Fine condition.

Lot 148

A finely carved Indian hardwood panel depicting Durga

Lot 200

A box containing miscellany to include carved eastern figures, pottery foo dog, stained leaded glass panel, traditional Chinese hat

Lot 358

John Falconar Slater (1857 - 1937) : Hens in a Farmyard, oil on panel, signed, 20 cm x 27 cm, framed.

Lot 572

An early 20th century triple door sideboard with carved central panel door on bun feet

Lot 644

A framed Japanese silkwork panel together with a further hard stone picture depicting birds on a branch

Lot 658

A contemporary oak rectangular coffee table with glass inset panel

Lot 135

Edwardian kidney shape oak tray with silver plated gallery & central plaque 60cm wide & carved wooden panel initialled V U

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