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Lot 463
A fine Wylie and Lochhead walnut bureau the design attributed to E A Taylor or George Logan, on slender legs with carved foliate capitals and cut-out heart motif, the bureau front inlaid with marquetry and mother of pearl foliate panel, below a small cupboard, the door set with enamelled butterfly panel over green glass,unsigned 132cm high85cm wide49.5cm deep ProvenancePurchased from Chenil Galleries, Londonprivate collection. LiteratureElizabeth Cumming and Wendy Kaplan The Arts and Crafts Movement, Thames & Hudson, page 91 plate 70 for a photograph of George Logan's library design for the Wylie & Lochhead Pavilion at the 1901 Glasgow Internation Exhibition, reproduced.
Lot 438
A Shapland and Petter oak wardrobe, the single, hinged door inset with large copper panel stamped in low relief with two birds flying past a central stylised tree in the manner of CFA Voysey, stamped S&P to lock, stamped R1176 and 83 to back, 198cm. high104cm. wide43.5cm deep ProvenancePrivate collection.LiteratureDaryl Bennett Shapland & Petter of Barnstaple, Arts and Crafts Furniture, Museum of Barnstaple, page 50 this design illustrated.
Lot 173
A Scottish Art Nouveau mahogany display cabinet possibly Wylie & Lochhead, central leaded glazed panel with Art Nouveau tulip flower above marquetry and mother of pearl female portrait, flanked by two glazed panels, fitted shelves, unmarked, 198cm high, 117cm wide, 40cm deep ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.
Lot 458
A patinated copper box in the manner Jesson Birkett and Co, tapering, rectangular form, the hinged cover with three 'Ruskin' pottery roundels, set in riveted panel borders, with latch to one end, one side pierced with three holes, and a pewter box set with enamel landscape panel, unsigned, 25.5cm. wide (2) ProvenancePrivate collection.
Lot 166
An Art Deco style blue and white sapphire bracelet, the graduated white metal square panel set with blue and white round cut sapphires, the white metal sides engraved with foliate detail, with box and tongue fastening, unmarked, 20cm long, 31gms Condition report: Please note, we have not tested the metal. One particular white sapphire doesn't appear to sit within the setting, may require attention. Setting edge is low in some areas. Clasp in good working condition. Movement good to the bracelet. May appear to have a repair/join to the box part of the clasp. Tongue is yellow metal. General scuffs, blemishes and marks seen to the metal, commensurate with being worn.
Lot 608
A Chinese silk embroidered panel, 19th century, the rectangular panel with a deep blue ground both long stitch embroidered and forbidden knot embroidered with chrysanthemum sprays, bats, and peonies, later edged, 151cm x 88cm Condition report; Areas of loose threads and stitching coming free can be seen to the panel. Splitting to the silk ground can also be seen and is more prominent to the centre and central fold. Backing possibly later. Some general signs of wear, light staining and some fading
Lot 744
A George III oak Welsh dresser, the moulded cornice and plain frieze applied with iron cup hooks over three open shelves, upon the base formed with a plank top, three lip moulded and pine lined drawers, a shaped and pierced apron, upon three ring turned front supports and two plain rear supports extending to block feet, united by a panelled pot board, 190cm H (70cm and 120cm) x 166cm W x 40cm D (at fault)Condition reportJoint split to the dresser top along with multiple ring marks and stains, gaps/splits to two of the drawer liners.Loose panel on the pot board, please see additional images.Back board appears to be later indicating a level of restoration.Some minor evidence of historic woodworm to the rack.Dresser appears to be stable with only minor play in the joints.
Lot 265
A 19th century Etruscan Revival yellow metal bracelet, the seven square shaped panels with central stylised flowerhead detail, with rope twist and cannetille detail, shaped to the reverse, box and tongue fitting, unmarked, 17.5cm long, 57gms, within a fitted ‘Harry Emanual’ case (at fault) Condition report: Please note, we have not tested the metal.Thumbpiece to tongue has snapped off, will require attention as bracelet will fasten, however very hard to release!All panels show no major areas of loss, or obvious repairs.Areas of 'holes' within the high relief areas of the metal. Minor surface scratches and blemishes seen to front of panels (seen with x10 loupe)Furthest panel (closest to tongue of clasp) shows discolouration to front, and area of compression to reverse (see images) Discolouration and blemishes seen particularly to this panel.Four of the rounded terminals show dents, discolouration or splits.Hinges show discolouration in some areas.Minor surface scratches, blemishes and scuffs commensurate with age and wear.Box shows wear, and discolouration, particularly to the interior of the lid.Box exterior shows marks, and scuffs, commensurate with age.
Lot 322
An early 20th century jade and paste seed pearl brooch, the oval carved jade panel depicting birds amongst foliage, within openwork border, hinge pin to reverse, 3.5cm wide, with a filigree jade panel ring, the rectangular panel depicting birds, within silver coloured filigree work mount, with adjustable shank, (at fault) gross weight 8gms (2)
Lot 593
A Chinese porcelain famille rose centre bowl, Qianlong (1736-1795), the large circular bowl externally decorated with two reserves depicting officials and figures, some travelling on horseback, and some in an interior, interspersed with vignettes of further figures, against a gilt highlighted ground with floral sprays, the interior with a spear head border and central panel with two figures, 28.5cm diameter (at fault) Condition Report; Very small chip to the rim of the bowl. No signs of restoration and repair. Staining to the interior. Pitting and fritting visible. Decoration worn in areas. Section of misfiring can be seen to the side of the bowl externally. Smudging to the spear head border. Old written inscription to the underside of the bowl.
Lot 607
A Victorian patchwork panel, late 19th century, the random shaped pieces with cross-stitch borders and embroidered embellishments, set within a lace border, the panel 33cm x 171cm, the lace border 8.5cm deep; with a Victorian lace trimmed embroidered shawl, 180cm x 77cm (max) (2) CONDITION REPORT:Patchwork panel: shows the odd small stain and the odd faded area, but no obvious tears or losses.Shawl: Shows the odd small pull and the odd loose thread, but no obvious tears or losses.
Lot 268
A 19th century enamel and untested garnet set bracelet, the three quatrefoil shaped panels with green, blue and white enamelled detail and split pearl highlights, central raised untested garnet to each panel, with further openwork rope twist panels, hidden box and tongue fastening, 55gms, unmarked Note: This example is very similar to a piece that was valued by Geoffery Munn during an Antiques Roadshow episode. Please find below a link to Geoffery Munn’s website where the bracelet is featured https://geoffreymunn.art/ Condition report: Safety chain is present but at faultApprox 17cm long. Very minor loss and pitting to the enamel to each panel, seen with x10 loupe Thinning seen to jump rings and links, commensurate with age and wear. Box and tongue fastening in good working condition. Claws are present to the untested garnet cabochons. Minor chips to the surface of the untested garnets. There is a split to a line of the rope twist panels (see images) General surface scratches, blemishes and scuffs seen to the metal, commensurate with age and wear.
Lot 373
Nicholson Wornum (Ralph), THE TURNER GALLERY, A SERIES OF SIXTY ENGRAVINGS FROM THE PRINCIPAL WORKS OF JOSEPH MALLORD WILLIAM TURNER, first edition, large folio (69cm x 51cm), 3/4 red leather, gilt embossed applied title panel to front board, engraved portrait frontispiece, some plates detached, Chatto & Windus, London 1875 (at fault)
Lot 780
A late 19th century ebonised Aesthetic Movement room screen, each of the three panels with a wavy pediment over three moulded roundels, later upholstered in zoomorphic pattern fabric, above a spindled gallery and turned feet, each panel measures 144cm H x 71cm WCondition reportNo visible faults or damage, panels appear clean with no marks or stains.The spindle gallery could possibly the be top of the screen, however this would mean the fabric panels would be upside down.
Lot 612
A wool embroidered needlework picture or sampler, 19th century, depicting a village scene with birds and animals on a common, framed and glazed, 38.5cm x 40cm overall; with an early George IV needlework sampler, worked by Sarah Taylor and dated 1822, depicting alphabets and a number line, framed and glazed, 42.5cm x 41cm (2) (at fault) CONDITION REPORT:Alphabet panel size: approximately 13.5cm x 12cmThe village scene shows several small areas of insect damage affecting some of the animals and the ground, but not the support material. The colours are reasonably bright and strong, but are likely to have faded somewhat over time. The frame appears to be structurally sound.The Sarah Taylor sampler shows several areas of insect damage, affecting the edge of the piece including the support fabric. The support fabric shows age-related darkening. The frame appears to be structurally sound.
Lot 823
An impressive and large red leather wardrobe, mid 20th century, of triple arched form, the pair of central doors, flanked by a single door to each side, all applied with peripheral stud detail, opening to an arrangement of hanging rails and shelves, 274cm H x 296cm W x 44cm D condition report: Multiple scuffs, marks and stains to the leather, with cat claw marks to the lower panels of the doors.Some minor losses to the leather, including on the domed top.Buyers should be aware the wardrobe has no back panel and needs to be fixed against a wall to make the structure secure and will require someone who is competent in re-assembling the wardrobe as it dismantles in to panels, doors, rails and three domed cornices.Trevanion auctioneers will not be responsible for the dismantling of the wardrobe on site.
Lot 609
A Chinese silk embroidered panel, early 20th century, the rectangular panel stitched with golden threads against a green ground to depict six Daoist emblems and two Dogs of Fo, with purple edge, 195cm x 50cm, with two Chinese polychrome and metallic thread embroidered chair covers, against a red ground depicting cranes, flora, and vases (3) CONDITION REPORT:The panel shows loose threads to one of the motifs at the top edge, the odd further loose thread, the odd small stain or mark, fading to the green silk ground, and wear, fading and small stains to the backing cloth including a missing section approximately 2.5cm x 3cm to the top edge.Both chair covers show the odd pulled thread, the odd loose thread and the odd small surface mark, but no obvious tears or significant stains.
Lot 656
A brass hanging hall lantern, late 19th/early 20th century, of hexagonal form, the circular boss with a cast stiff leaf gallery extending to six conforming down swept supports and the six panel shade, the single door opened with a cast 'hand' catch, 65cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportMissing one cast leaf to the gallery, please see additional image, otherwise general light tarnishing with no visible damage or faults to the glass panels
Lot 801
A French Louis XV style inlaid mahogany display cabinet, late 19th century, the pagoda shaped top with a three quarter brass gallery, over a single door, the glazed quadrant panels enclosing a central circular marquetry panel depicting musical instruments and foliate detail, opening to a pair of shelves, above a shaped apron similarly inlaid, all upon French cabriole legs applied with gilt metal mounts, 120cm H x 57cm W x 38cm D
Lot 1229
Sport, selection of items inc. boxing programme & ticket 3 May 1983, Wembley featuring Frank Bruno, Rayleigh v Southampton Southern Shield Speedway poster, 1950's (folded, two small holes o/w gd), Alan Knott Benefit brochure 1976 with signatures (Alan Knott, x2), Colin Cowdrey, Mike Denness & Derek Underwood & others, 'Know Your Cricket County' Series booklet for Glamorgan 1949, German Guide to the Berling Olympics 1936, 172 pages packed with information, stadium lay-outs, maps etc, also a quantity (75+) of large format Topical Times Panel Portraits inc. Stanley Matthews (colour & b/w) etc (gen. gd)
Lot 77
SIR EDWARD COLEY BURNE-JONES (1833-1898) FOR MORRIS & CO. ‘MEDEA’ THREE-TILE PANEL, CIRCA 1870 painted and glazed earthenware, framed each tile 15.5cm square (frame size 53.5cm x 23cm) Provenance: Paul Reeves, London Literature: Myers, Richard and Hilary William Morris Tiles, Richard Dennis 1996, p. 78-79 and p. 90, fig. 34b where a tile panel of the same design is illustrated.Note: This Burne-Jones design first produced as a stained glass design in 1864 as one of The Legend of Goode Wimmen series, subsequently transposed towards the end of the 1860's.
Lot 258
MARY ELEANOR (NELLIE) WHICHELO (1862-1959) FOR THE ROYAL SCHOOL OF ART NEEDLEWORK ARTS & CRAFTS CREWELWORK HANGING, CIRCA 1900 wool threads on a linen ground, within later border panel 134.5cm x 108.5cm, with border 160cm x 133cm Note: Originally from a set of three, an early image of this hanging is held in the archive of the Royal School of Needlework. The image is stamped ‘Royal School of Art Needlework, Exhibition Road, South Kensington/ designed N Wicelo (sic)’. Nellie Whichelo was the longest serving member of staff at the School, working there from 1879-1939. She joined the Royal School of Art Needlework with her sister Georgiana in 1879 when Louisa Anne Wade was the leading figure. She exhibited at the Arts & Crafts Exhibition Society’s 2nd exhibition at the New Gallery in Regent Street in 1889 and in their third exhibition the following year.The current lot and its companion pieces were exhibited by the School at the Exposition Universelle, Paris in 1900 where they won a gold medal.
Lot 151
A. W. N. PUGIN (1812-1852) OR E. W. PUGIN (1834-1875) NEEDLEWORK WOOL RUG, CIRCA 1850 wool, with later linen backing, with later cotton binding to each end, the panel a section of a larger carpet 215cm x149cm Provenance: St. Leonards - Mayfield Chapel, Mayfield, Sussex, England. Note: The remains of a medieval palace, formerly belonging to the Archbishops of Canterbury, were converted into Mayfield School of the Holy Child by Edward Welby Pugin between 1863 and 1866. One notable feature from this period is a needlework rug that originally spanned the entire length of the Chapel. Owing to the scale of the project, the rug was crafted in small, panelled sections, which were later stitched together to form the complete carpet. This hand-stitched work was produced by the sisters of Mayfield Chapel for Mother Cornelia Connelly, the founder of the Society of the Holy Child Jesus. As with other projects, E.W. Pugin is believed to have utilised decorative designs originally created by his father, which may have been employed in this instance.
Lot 48
ATTRIBUTED TO CHARLES HARDGRAVE (1848-1920) FOR JAMES POWELL & SONS, WHITEFRIARS ‘OPUS SECTILE’ MOSAIC PANEL, CIRCA 1870 painted coloured glass and mother of pearl, framed 71cm x 29.5 (frame size 73cm x 31.5cm) Provenance: Collection of John Scott, LondonThe Fine Art Society Exhibited: London, The Fine Art Society The John Scott Collection: James Powell & Sons, Whitefriars Glass 1860-1960, no. 83Literature: Powell’s Opus Sectile Locations, The Tiles & Architectural Ceramics Society (tilesoc.org.uk)Note: Opus sectile, a decorative technique originally developed in ancient Rome, involves the meticulous inlay of materials such as marble, stone, or mother-of-pearl into walls and floors to create intricate images. This method experienced a revival through the work of Powell & Sons, who introduced their innovative use of coloured and textured glass, expanding upon their established tradition of providing stained glass for ecclesiastical settings. The materials supplied by the firm were often offered as individual elements, such as quarries, or as prefabricated or custom-designed panels.According to analysis by Dr. Dennis Hardley, evidence from Powell’s Cash Window Books demonstrates that Powell & Sons had been producing reredoses, altar panels, and wall panels using the opus sectile technique as early as 1873. By the 1890s, the firm had expanded their operations internationally, exporting these works to countries such as India, the United States, France, Ireland, and Denmark for both religious and commercial commissions.The lily panel examined in this context is reminiscent of one installed in the Church of the Holy Cross in Owlpen, Gloucestershire, in 1887. This work is attributed to Charles Hardgrave, a key artist in the firm’s production during this period.
Lot 576
MARGARET E. THOMPSON (1889-1926) FOR DOULTON, LAMBETH 'THE FOUR SEASONS' TILE PANEL, CIRCA 1920 glazed earthenware, one tile signed verso M.E.T., framed, each tile 15cm square (frame size 17.5cm x 64.5cm); together with a FRENCH RELIEF TILE PANEL, glazed earthenware, framed, each tile 15cm square (frame size 18cm x 49cm) (2)
Lot 322
SIR GEORGE FRAMPTON (1860-1928) ‘CHRISTABEL’, 1898 enamels and gilt on copper panel, signed, inscribed and dated G.F./ CHRISTABEL/ APRIL 1898 14.3cm x 11.4cm (frame size 30cm x 36.5cm) Provenance: Estate of the late Dr. Susan Beattie Literature: The Studio, volume XVI, pp.249-252, this lot illustrated p. 253Note: This panel probably depicts the artist's wife, the artist Christabel Cockerell, Lady Frampton (1864-1951). Frampton married Christabel in 1893 and the couple set up home together at St John's Wood in London. Together they designed a decorative frieze for the interior of the house and Frampton began to design household fittings and jewellery in enamel and precious metals. Frampton mastered a number of techniques in his career, which helped him in his interest in using several media to create work.
Lot 95
ATTRIBUTED TO HEATON, BUTLER & BAYNE STAINED GLASS PANEL, CIRCA 1890 painted, leaded and stained glass, the roundel within associated quarry field in the manner of Morris & Co. 82cm x 48cm (chipped) Provenance: John Scott Collection, LondonThe Fine Art Society, London Exhibited: London, The Fine Art Society A Christmas Spectacular: The John Scott Collection, December 2014, no. 15
Lot 544
A diamond-set panel ringthe rectangular plaque set with eleven old brilliant-cut diamonds to the plain tapering shank stamped '18CT'ring size O, plaque 15mm x 12.4mm, 4.1gCondition:Overall condition good.Interesting collection of old round and cushion-shaped diamonds with large culets. Generally SI (a couple more PK), J/K colour
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360406 item(s)/page