This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. Firefox cockpit indicator lights from Clint Eastwood's techno-thriller film Firefox. Mitchell Gant (Clint Eastwood) infiltrated the Soviet Union and stole a highly advanced fighter aircraft codenamed Firefox. This lot consists of three dark gray metal Roto-Tellite indicator units with white translucent plastic display panels labeled in Russian and metal screws and wiring secured to their backs and bottoms. The set is in good overall condition with some wear from production and age, including panel discoloration and scuffing throughout. Dimensions (each): 3" x 2.5" x 0.5" (7.75 cm x 6.5 cm x 1.5 cm) Contains electronics; see electronics notice in the Buyer's Guide. Estimate: $1,000 - 1,500
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This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. A display featuring Commodus' (Joaquin Phoenix) Lion head cape pins from Ridley Scott's historical epic Gladiator. Commodus wore a cape with decorative pins when he battled Maximus Decimus Meridius (Russell Crowe) in the Colosseum. While similar to the style worn on the Praetorian uniform, these pins have been coated in white paint with only a small amount of the base gold color visible. On their reverses are thin metal bars designed to attach to Commodus' cape. The pins come backed with a laser-cut mount board in a custom-built display frame featuring an opening front panel and the film's title artwork and stills. The pins exhibit minor scuffs from production wear and age, but remain in good overall condition. Dimensions (display): 24" x 3" x 20.5" (61 cm x 7.5 cm x 52 cm) Estimate: $2,000 - 3,000
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. An oversized, framed French Grande poster from the promotion of Sergio Leone's spaghetti Western The Good, the Bad and the Ugly. This large, rare one-panel from the original 1968 French theatrical release features art by renowned posterist Jean Mascii. The full-color lithograph is printed in full color, linen-backed with its fold lines professionally touched up, and mounted behind plexiglass in a black wood frame with a hanging wire affixed. It remains in good overall condition with wear throughout the frame from handling and storage, though the poster is in excellent overall condition. Dimensions (poster): 47" x 63" (119 cm x 160 cm) Special shipping required; see notice in the Buyer's Guide. δ Estimate: $600 - 800
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. A light-up tranquilizer cannon from Randal Kleiser's sci-fi comedy film Honey, I Blew Up the Kid. Dr. Hendrickson (John Shea) shot Adam Szalinski (Daniel and Joshua Shalikar) with tranquilizer darts from a cannon mounted inside a helicopter. This gray and silver-color metal and resin tranquilizer cannon features two clear plastic cartridges, each containing two darts with dry yellow liquid; a light-up control panel consisting of a clear acrylic sheet over a translucent print view of the baby; and an adjustable metal tripod mount. The panel illuminates with a switch on its underside. The lot is in good overall condition with some wear from production and age. Dimensions: 30" x 29" x 42" (76.25 cm x 73.75 cm x 106.75 cm) Contains electronic components; see notice in the Buyer's Guide. Special shipping required; see notice in the Buyer's Guide. δ Estimate: $2,000 - 3,000
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. An Air Force One model miniature from Roland Emmerich's sci-fi action film Independence Day. U.S. President Thomas Whitmore (Bill Pullman) narrowly escaped the alien attack on Washington D.C. in his plane, Air Force One. This hand-painted resin model with plastic, foam, and metal details features a detailed cockpit canopy opening, four engines, and the words "UNITED STATES OF AMERICA" printed alongside the presidential seal and Air Force insignias. Wiring is concealed beneath a detachable panel on the bottom. The miniature is in fair overall condition with extensive scrapes, markings, and other signs of production use and age, including four detached wing and engine pieces that were reattached with glue. Dimensions: 28" x 25" x 7" (71 cm x 63.5 cm x 17.75 cm) Contains electronics; see electronics notice in the Buyer's Guide. Estimate: $3,000 - 5,000
A CHINESE HARDWOOD RECLINING OPIUM CHAIR China, Qing Dynasty, 19th century With scrollwork neck rest, solid panel back and seat, with carved armrests and splayed legs joined by cross bar stretchers. H: 87 cm - L: 97 cm Provenance : The Antoinette and Patrick J. Murphy Collection 中式硬木躺椅 中国，清朝，19世纪
DIAZ DE LA PENA, NARCISSE VIRGILEBordeaux 1807 - 1876 Menton Auf einer Waldlichtung sitzende Frau. Öl/Holz, signiert. 22x18,5cm, ohne Rahmen DIAZ DE LA PENA, NARCISSE VIRGILE Bordeaux 1807 - 1876 Menton Woman sitting in a forestclearing. Oil on panel, signed. 22 x 18.5 cm, without frame. Keywords: paintings, images, art, artworks, pictures, Gemalde, France, French, Francais
FRITSCH, HANSDresden 1870 - 1945 "Unterriexingen" (Originaltitel). Öl/Lwd., auf Holz aufgezogen. Signiert und datiert: 1920. 33x42cm, Ra. FRITSCH, HANS Dresden 1870 - 1945 Unterriexingen (original title). Oil on canvas mountedon panel. Signed and dated: 1920. 33 x 42 cm, framed. Keywords: paintings, images, art, artworks, pictures, Gemalde, German artist, Germany, Deutschland, German
NICKEL, HANSMährisch Lotschnau 1916 - 1986 Nürtingen Pferdegespann mit Futtertrog. Öl/Holz, signiert. 24,5x30,5cm, Ra. NICKEL, HANS Moravian Lotschnau 1916 - 1986 Nurtingen Horse-drawn carriage with feedingtrough. Oil on panel, signed. 24.5 x 30.5 cm, framed. Keywords: paintings, images, art, artworks, pictures, Gemalde, Czech/German artist, Czechia, Germany, Deutschland, German
SCHMITZ, HUGO1903 - 1965 Istanbul. Blick vom Bosporus mit Booten auf die Hagia Sofia. Öl/Holz, signiert und Verso mit Widmung. 79x57cm, Ra. SCHMITZ, HUGO 1903 - 1965 Sailing boats in the harbour. Oil on panel, signed and inscribedverso. 79 x 57 cm, framed. Keywords: paintings, images, art, artworks, pictures, Gemalde
SÉGUR, GUSTAVE LOUIS DE1820 - 1881 Bildnis eines Mädchens in der Blumenwiese. Öl/Holz, oval. Verso bezeichnet und datiert: 1868. 28x20,5cm, Ra. Craqueliert. SEGUR, GUSTAVE LOUIS DE 1820 - 1881 Portrait of a girl in a field of flowers. Oil onpanel, oval. Inscribed and dated verso: 1868. 28 x 20.5 cm, framed. Craquelure.
Brinsmead (c1855) An upright piano in a birch case with carved keyboard supports and an ornate fretwork front panel; together with two glass framed items one with photos of Vesta Tilley in various costumes and a sketch of her seated at the Brinsmead piano with her husband, Sir Walter de Frece.
French Hornby 0 Gauge 1S Freight Stock, all lithographed vans, including 2 NORD cattle wagons in blue/yellow, 1 ETAT cattle wagon in green/yellow, 5 EST 'Wagons a Lait' (3 of which have roof lookouts), with two post-war green ETAT Fourgons and 1 STEF refrigerated van, varying F-VG, one EST with over-painted roof, another with ownership panel blanked out and replacement wheels (11)
A rare Schönner Gauge IV (75mm) live steam SECR 'Wainwright' 4-4-0 Locomotive and Tender for restoration, the locomotive having lacquered brass boiler, most steel parts (cab, splashers etc) roughly painted in mid-green, with twin outside cylinders driving rearmost axle only, outside eccentric-worked valve-gear through rocking levers, drain cocks to cylinder fronts and regulator (seized) operated from right side of cab, the crossheads and other motion parts stamped '16.', (presumably a serial number as these cannot have been made in large numbers,) overall P-F, missing boiler handrails, chimney, one cylinder drain handle, burner, whistle top, water gauge fittings and possibly other smaller parts, left cylinder seized, the tender in semi-dismantled state, P, missing rear panel, couplings, several handrails (although most fittings intact) and generally rusty, though underframe and wheels appear essentially complete (2)
A needlework panel, mid-19th century, depicting a standing grey horse in a naturalistic setting,18 x 22cm, within a maple frame,together with a similar example,depicting a trotting black horse, with beadwork detail, 14 x 17cm, within a maple frame (2) Condition report: Larger example with very minor loss to upper edge. Bother with losses and surface marks to frames.
A walnut cassone, 17th century, Italian, with a richly-carved front panel depicting half-human figures and lions, an ironwork lock with key, on boldly carved lion paw feet,165cm wide57cm deep57cm high Condition report: Top looks to have been cleaned and has expected marks, but none detrimental. The front is dark with old wax and the front right hand door has losses probably due to old worm, which is evident in the baseboards.Baseboard appears quite sound from inside, there has been extensive woodworm (see images), most appears dead, although badly damaged areas along back of base.
A carved olivewood Mount Athos crucifix, 16th century and later, Greek, with engraved tin mounts on a tin foot, the central panel depicting the crucifixion and resurrection, flanked by saints, 18cm highCondition report: With tarnish to the mounts and foot. WIth repair to one of the arms of the cross. Mounts later.
An Italian gilt and reverse-painted glass frame,18th century, Venice, of star shape, decorated in polychrome colours with flowers, foliate scrolls and winged putti, currently surrounding an unfinished textile panel centred with a heart and various religious motifs,85cm wide85cm highCondition report: Dirt, discolouration and losses to gilding. Dirt, cracks, chips, losses and wear to glass. Tears, losses, discolouration and degradation to the textile. General wear commensurate with age, but in a very pleasant state of distress.
North Italian School, early 17th centurySt Barbara holding a palm frond, with her toweroil on canvas laid down on panel, octagonal, with painted border51 x 37cmProvenance: Folly Mill, Thaxted, Essex.Condition report: Oil on canvas which has been laid onto a wooden panel. The surface texture of the painting is uneven and there are areas of slightly raised paint. Scattered areas of overpaint are present across the surface which are yellowed and slightly darkened compared to the original. The surface gloss is semi-matte. The board has suffered from woodworm damage although this does not appear to be active.
Follower of Peeter GyselsA village scene with figures outside an inn, horses and wagons in the foreground and a windmill on a hill beyondoil on copper18.4 x 26.1cmProvenance: Folly Mill, Thaxted, Essex.Condition report: Oil on metal panel. The metal support is flat and paint layers are in a very good, stable condition overall. Small areas of overpaint appear slightly raised and matte but are generally well matched to the original. The varnish is very matte and there is a glossy tide line running across the centre of the work, the cause of this is unclear.
Follower of Cornelis BeeltA winter landscape with figures and horse-drawn sleighs on a frozen riveroil on copper18.3 x 26.1cmProvenance: Folly Mill, Thaxted, Essex.Condition report: Oil on metal panel. The metal support is flat and paint layers are in a very good, stable condition overall. Small areas of overpaint appear slightly raised and matte but are generally well matched to the original. The varnish is very matte and has a smeary appearance overall, possibly an attempt to wipe it clean.
Follower of Andries Vermeulen (Dutch, 1763-1814)Figures skating on a frozen riveroil on panel16.5 x 22cmProvenance: Farm House, Farm Street, Mayfair, London.Condition report: Oil on panel. The support and paint layers are in a good, stable condition overall. Areas of retouching are mainly around the edges and on the figure to the far right. The retuchings are slightly darkened but acceptable. The varnish is slightly yellowed but even and glossy.
An ornately pierced and carved headboard, 19th century, Italian, decorated all-over with scrolling acanthus leaves and set with an oval canvas panel painted with roses,110cm wide75cm highProvenance: Folly Mill, Thaxted, Essex.Condition report: Knocks, chips and losses throughout, top section lacking, canvas very dirty. Areas of old restoration to leaftips.
After Sir Peter Paul Rubens (Flemish, 1577-1640)Christ giving the keys to St Peterinscribed 'MCCCXIV' l.r., oil on panel, with wax seal verso37 x 30cm The present painting is likely to have been copied from the engraving by Pieter de Jode (Flemish, 1570-1634). Rubens' original composition is in the Gemäldegalerie, Berlin.Condition report: Oil on a wooden oak panel. The panel is formed from three boards in horizontal alignment. Original tool marks and bevels are present on the reverse. The upper join has been reglued and animal glue is evident on the reverse. The lower join has movement at either end with associated paint loss. The panel has a slight vertical curvature, it is poorly held in the frame with bent nails at all four sides, probably restricting movement. The paint layer is a in a stable condition. In the figure of Christ there are two circular indentations in the paint layer. Retouching appears to be confined to the panel joins and small areas at the edges of the panel. The painting has a thick, uneven varnish layer which has discoloured. There are scuffs and abrasion to the varnish and a layer of surface dirt present.
Spanish School, 19th centuryThe Seven Sorrows of the Virginoil on copper40 x 32cm, in an ornate gilt gesso frame with a cresting of leaves, flowers and berriesCondition report: Oil on metal panel. The metal support has a slight concave curvature but is generally in plane with no deformations. There are localised areas of raised paint and small losses although this is not extensive. Areas of retouching cover some of the old losses as well as abrasion at the edges of the painting. The retouching is very matte and has darkened. The varnish layer is glossy and even but slightly yellowed. The ornate frame is in a very good condition, the top ornament makes the work very top heavy and it is recommended that the current hanging system of string is replaced with something sturdier. Overall size including frame 81 x 52cm. Maximum depth of carved top approx 17cm
Emma von Müller (Austrian, 1859-1925)Portrait of a young lady, bust length, in traditional costumesigned 'Emma V Müller' u.r., oil on panel27 x 17.5cmCondition report: Oil on a small wooden panel. The support and paint layers are in a very good condition overall. There is some abrasion along the upper right edge. The varnish is even and glossy. There is a layer of surface dust and a few accretions on the varnish.
Attributed to Jan Jacobsz. van de Stoffe (Dutch, 1610-1682)A cavalry skirmishoil on panel20.5 x 26cmCondition report: Oil on a small wooden panel formed from a single board in a good condition. The thin paint layers are slightly raised following the horizontal woodgrain. In some areas this has led to fine scale losses and abrasion. There is retouching across the surface but mainly found in the sky. There appears to be two campaigns of overpaint, one is brushy and applied in a wholesale manner while other areas are finely applied following the horizontal lines. The retouching has darkened over time. The varnish is semi-matte and even but slightly yellowed.
Anton Hansch (Austrian, 1813-1876) An Alpine village with figures around a fountainsigned 'Hansch' and dated 1861 l.l., oil on panel55 x 78cmCondition report: Oil on panel. The wooden panel is formed from two boards in horizontal alignment. Three vertical battens are present which appear to be part of the original construction. The panel join has slight movement at the right hand side which has disrupted the paint layer but overall the support is in plane. The paint layers are in a good condition overall. At the right hand side is a small dent and paint loss caused by impact. The varnish is slightly yellowed but even, with a few scuffs and scratches. A surface dirt layer is present with a few fly spots. The slip of the frame has cracked, possibly due to the weight of the panel itself.
German School, 19th century, manner of Dirck Stoop'The Forge'incised 'Die Shmiede' (sic) verso, oil on metal21 x 25cmCondition report: Oil on metal panel. There are a few minor deformations to the metal panel in the upper half. The largest dent at the upper left corner has affected the paint layer causing losses. Retouchings are mainly located in the sky, including the damage at the upper left corner, and are well matched to the original. The varnish layer has been thickly applied, it is generally clear and semi-matte.
Thomas Binks (1799-1852)A cutter, a steamboat and other shipping on the Humbersigned and dated 'Binks 1829' l.r., oil on panel41 x 59cmCondition report: Oil on wooden panel. The panel is formed from one board and appears to be a section of reused wood. The panel is in plane and the paint layers are in a good, stable condition. There are areas of overpaint across the surface, mainly covering wear and small damages. The overpaint is fairly well matched to the original. The varnish is semi-matte and slightly even but acceptable.
English Naive School, 19th centuryA three-masted steamer in a harbouroil on panel41 x 89cmThis is believed to be HMS Warrior, the world's first iron warship, which, when launched in 1860, rendered every other warship afloat obsolete.Condition report: Oil on wooden panel. Vertical lines are evident in the paint layers following joins in the panel and supporting batten. The paint has moved along these joins and is slightly raised in texture. The paint layer is in a stable condition overall. There is extensive overpaint in the sky, possibly two campaigns, one which has slightly darkened and become purple in appearance. The varnish layer is semi-matte and slightly yellowed.
William Hughes (1842-1901)A still life of an oak barrel, terracotta pots and vegetables;A still life of a plate of fish, pots and a soup tureena pair, both signed 'W Hughes' and dated 1874, oil on panel23 x 20cm (2)Condition report: Both paintings are in oil on wooden panels commercially prepared by Winsor & Newton. The support and paint layers are in a very good condition overall. There are a few small scuffs to the paint surface. The varnish layers are clear, even and glossy.
English School, early 20th centuryA horse sale, probably Spelmans, Norwich Castlesigned with monogram CM... l.l., oil on board31 x 36cmCondition report: Oil on a wooden panel formed from a single board with the woodgrain running vertically. The panel is in plane, there are a few minor splits in the panel and paint layers at the lower right corner. The paint layers are in a good condition overall. There is some hazing and possible mould growth visible on the surface of the darker paint passages.
A pair of Charles II oak backstools,c.1670 and later, South Lancashire/North Cheshire, each of elegant slender form, the arched cresting carved with entwined flower heads and a fielded back panel with similar decoration, each back upright with elongated pyramid finials, the panelled seat raised on block and baluster-turned front legs joined by stretchers,45cm wide41cm deep116cm high (2)Provenance: Bonhams Oxford, 'The Oak Interior: The Collection of Dr and Mrs Chris Douglas, Morville Hall, Shropshire', 30 Apr 2014, lot 10;Barrington Hall, Essex.Condition report: Seats split, traces of worm, a small amount of wobble in the joints. back legs re-tipped, front legs with later feet, fading a discolouration throughout, the tips of the finials chipped.
...Huyter (Dutch, mid-19th century)Portrait of a young boy, bust length, in a black coat and buff waistcoatindistinctly inscribed 'Huyter(?) Wolvenstraat KKN 213' l.l., oil on panel, painted ovalimage 48.5 x 36.5cmProvenance: Farm House, Farm Street, Mayfair, London.Condition report: Oil on panel. The painting has been painted to fit the oval slip of the frame and the edges are not completely finished. At the right side dark lines following the oval are present. The paint layer is in a good, stable condition overall. There are some deep scuffs in the paint layer at the upper left edge caused by movement in the frame. Overpaint is mainly located around the edges of the painting and applied in a wholesale, brushy manner. The varnish is even and semi glossy.
A Charles I oak tester bed,17th century and later, the tester with six central panels, each carved with linear knot designs, encircled by ten narrow guilloché-carved panels, the headboard with a pair of deep recessed panels, each panel carved with an applied roundel-filled arch enclosing a similar roundel-filled lozenge within an egg-and-dart carved and punched-decorated frame, centred and flanked by Ionic capital guilloché-carved pilasters and headed by a row of fan-filled lunettes, with three plain panels below, the later endposts with turned and gadrooned carving, joined by later rails with bedstaff apertures, 150cm wide221cm deep206cm highProvenance: Bonhams Oxford, 'The Oak Interior: The Collection of Dr and Mrs Chris Douglas, Morville Hall, Shropshire', 30 Apr 2014, lot 165;Barrington Hall, Essex.Condition report: I can confirm it is 150cm wide
An Italian maiolica wine jug for the Greek market,early 19th century, Pesaro, of baluster form, set with a scrolling handle and shaped spout, raised on a circular base, the body painted in tones of blue and yellow with floral and foliate scrolls, centred with a panel bearing a jovial inscription, painted marks to base, 18cm highPieces such as this were made for export in the years following the 1821 Greek War of Independence, in which they were liberated from the Ottoman Empire. The Greek inscription translates as 'Beloved brother, drink moderately, do not get drunk so that we may pass our time in friendship and never inimically'. This year sees a year-long celebration, called 'Greece 2021', in honour of the bicentennial jubilee of the beginning of the Greek Revolution.Condition report: Restoration and overpainting to handle and rim - this is very visible when viewed under UV. Hairline cracks to rim. Cracks and chips to handle. Pitting and manufacturing imperfections. General surface wear.
A Chinese-style red-lacquered coffee table in the manner of Mallett & Sons, of recent manufacture, the rectangular top with gilt decoration depicting figures on a lake with a mountainous landscape beyond, within a geometric border, raised on stylised square supports,138cm wide70cm deep41cm highProvenance: Farm House, Farm Street, Mayfair, London.Condition report: Glass lacking. Central panel moulding is loose. Some knocks, wear and losses to lacquer, particularly to sides and supports. General surface wear and scratches to top and throughout.
A needlework panel, mid-18th century, worked in gros and petit point with coloured wools, depicting a shepherd and shepherdess surrounded by sheep and flora before a landscape with central building,35 x 38cm, with a gilt frame Condition report: Colours appear quite strong overall. Some threadbare and worn sections, predominantly the to the periphery. Some losses to the frame and rubbing to gilt finish.
A George II chestnut estate cabinet, with glazed doors and candle slides above a fitted writing drawer and further drawers, enclosed by two panel doors, brass plate handles, on bracket feet,104cm wide34cm deep187cm highCondition report: Some evidence of old worm to the pith-wood on one door panel. Typical estate cabinet making with simple joints and imperfect flush fittings.
A pair of Indian painted teak and wrought iron doors, c.1900, each with a scrolling arched panel above two sets of six bars, set to the base with a gadrooned oval patera, 53.5cm wide 180cm high, together with a smaller pair (4)Condition report: The former with wear, weathering and losses to paint. Rust to metalwork. Splits, knocks and general wear. The smaller pair appear to have been waxed recently. Splits, knocks and general wear. The smaller doors each 62cm wide (including hinges), 4cm deep, 115cm high.
A Persian silk prayer rug,the central beige panel with a vase and scrolling foliage, within a triple burgundy guard strip and border,131 x 205cmCondition report: With suspension rings, worn to the centre. One split to the edge. Slightly stiff and 'crackles' a little when manipulated. Areas of wear and low pile, colours largely good. Fringe trimmed. Fraying.
A Russian icon,18th-19th century, of a saint giving a blessing, oil on oak panel,29 x 21cm, in a reeded oak frameCondition report: There is an area of raised damage and flaking to the left-hand side of the panel. The old panel has old woodworm and two inserted panels which can be seen from the back.There is damage also in the area of the Saint's halo.
Jacques Francois Carabain (Dutch, 1834-1933)A river landscape with men preparing a boat and a family outside a cottagesigned 'J Carabain' l.l., oil on panel19 x 25cmProvenance: Farm House, Farm Street, Mayfair, London.Condition report: Oil on a small wooden panel. The support and paint layers are in a good condition overall. The paint layer has some raised wrinkles following the horizontal woodgrain of the panel. There appears to be one area of retouching along the top of the panel which is slightly mismatched to the original. The varnish is slightly yellowed but even and semi-glossy.
A French provincial painted shop counter,19th century, the scrubbed top above a panelled front, set with a central foliate cartouche, on a plinth base, with an open section and till drawer behind,147cm wide45cm deep96cm highCondition report: Splits, knocks, marks and stains to top. Caked candle wax. Traces of worm. Right-hand side split. Chips, scratches, knocks and losses throughout. Cracking, rubbing and losses to paint. Large loss to left corner of base. Wear and damage throughout, although much of it adding to its pleasantly distressed aesthetic. One panel missing to base of interior. Drawer stuck.
A Ghanaian Fante Asafo flag, depicting a Napoleonic figure, smaller figures, and a bird in a tree, embroidered on a central white square panel against a brown ground, inscribed 'No. 1 Co' in the lower left corner, with a Union Jack in the upper right-hand corner,85 x 115cmProvenance: Sotheby's, 'Textiles from the Collection of Alistair McAlpine, Part Two', 30 May 2007, lot 116. Previously in the collection of Alistair McAlpine.
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