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Lot 186
Six Chinese silk embroidered framed panels, comprising a firescreen inset with a stumpwork dragon, a box-framed sleeve panel embroidered with crane and flowers, a sash embroidered with children at play and three other framed panels variously worked with birds, insects, flowers and rockwork, together with a Japanese shibayama panel of a bird on a chrysanthemum flower (7)
Lot 17
17TH CENTURY ITALIAN SCHOOL Ecclesia, oil on panel 70 x 52 cm (27 1/2 x 20 1/2 in.) LOT NOTESIn exegesis, the allegorical figure of Ecclesia symbolises the Church as the Bride of Christ. Though later juxtaposed with Synagoga, the Jewish Synagogue, early Christian depictions of Ecclesia are individual, as here. Calling for humility and penitence, the inscriptions in the doorway read, in Latin, astra peto (from the saying "natus humi post opus astra peto" meaning "after much work I rise to the stars") and e celis lapsa (roughly translated as "backsliding from heaven," as seen in various 17th century English texts.)
Lot 157
A RUSSIAN ICON OF THE HOSPITALITY OF ABRAHAM WITH SELECTED SAINTS, 19TH CENTURY depicting the Hospitality of Abraham and Sarah under the Oak of Mamre at the center of the composition, surrounded by scenes of the visitation of the Holy Trinity to Abraham with the walls of Sodom seen in the distance; the washing the feet of the Trinity by Abraham; the servant killing a calf; the angel visiting Abraham and Sarah a year later with Sarah holding the newborn son, Isaac, that was promised to them; Abraham with the Holy Trinity; and two scenes of the Binding of Isaac: Abraham and Isaac traveling to Moriah and the angel intervening in Abraham`s offering. Above these scenes, a depiction of the Holy Trinity splits the words: "The Holy Image of the Holy Trinity". Bordering the composition are saints Holy Hegumen Daniil [Daniel], the Holy Metropolitan Pyotr [Peter], Holy Hegumen Sergius of Radonezh, and Holy Knyaz' Gleb [David], egg tempera, gold leaf and gesso on wood panel, with two insert splints (both missing). 43 x 36 cm (16 15/16 x 14 3/16 in.) PROVENANCEProperty of a Private Collector
Lot 114
LOLO SOLDEVILLA (CUBAN 1901-1971) Untitled (diptych) , polychrome wood and jute mounted on board each panel measuring 63.5 x 53.5 cm (25 x 21 in.); overall size 130 x 57 cm (51 1/8 x 22 1/2 in.) signed on verso EXPERTISEAccompanied by a certificate of authenticity signed by Pedro de Oraa. (Copy available upon request)
Lot 172
BORIS ANISFELD (RUSSIAN 1878-1973) Groups of Birch Trees, 1905 oil on panel 12 x 18.3 cm (4 3/4 x 7 1/4 in.) PROVENANCECollection of the familyShepherd & Derom Galleries, New York (acquired from the above)Private collection, New YorkEXHIBITEDNew York, Shepherd & Derom Galleries, Nineteenth Century European Paintings, Drawings and Sculpture. Summer Exhibition, April 29 - June 29, 2003, no. 24
Lot 30
LEON RICHET (FRENCH 1847-1907) Boisiere dans la Clairiere de Barbizon, oil on panel 40.9 x 56.5 cm (16 1/8 x 22 1/4 in.) signed lower right LOT NOTESThe work of Leon Richet was greatly influenced by that of his teacher Narcisse Virgile Diaz de la Pena, a leading artists of the Barbizon School. As his teacher, Richet found himself painting at Fontainebleau and Barbizon areas, treasured for their pristine beauty by the landscape painters of their prior generation. It is in this area that Richet would create his best known works, for which he is remembered as one of Diaz's most successful students.
Lot 243
VAGRICH BAKHCHANYAN (ARMENIAN 1938-2009) La Gioconda , 1982 comprising 30 panels of silkscreen on board measuring altogether approximately 61 x 53 cm (24 x 20 7/8 in.) signed and dated on each panel EXHIBITEDForbidden Art: The Postwar Russian Avant-Garde, February 1998-April 2002The exhibition traveled to:Pasadena, ArtCenter College of Design, Alyce de Roulet Williamson Gallery, February 22 - May 3, 1998Moscow, The State Tretyakov Gallery, May 15 - June 15, 1999St. Petersburg, The State Russian Museum, February 12 - April 4, 1999Oxford, Ohio, Miami University Art Museum, November 2 - December 12, 1999Brighton, Massachusetts, Boston College, McMullen Museum of Art, October 15 - December 10, 2000Gainesville, University of Florida, Samuel P. Harm Museum of Art, April 12 - July 3, 2005Laramie, University of Wyoming Art Museum, September 8 - November 18, 2007St. Peter, Gustavus Adolphus College, Hillstrom Museum of Art, September 3 - November 10, 2008LITERATUREForbidden Art: The Postwar Russian Avant-Garde (Los Angeles, New York: Curatorial Assistance, Distributed Art Publishers, 1998), ex. cat., p. 204 (illustrated)
Lot 171
BORIS ANISFELD (RUSSIAN 1878-1973) Lake with Birch Tree in the Foreground, 1905 oil on panel 19.3 x 15.5 cm (7 5/8 x 6 1/8 in.) signed and dated lower left PROVENANCECollection of the familyShepherd & Derom Galleries, New York (acquired from the above)Private collection, New YorkEXHIBITEDNew York, Shepherd & Derom Galleries, Nineteenth Century European Paintings, Drawings and Sculpture. Summer Exhibition, April 29 - June 29, 2003, no. 23
Lot 355
A FABERGE SILVER AND ENAMEL ICON OF CHRIST PANTOKTATOR, WORKMASTER KARL FABERGE, ST. PETERSBURG, 1908-1926 the figure of Christ shown with an open Gospel in his left hand, his right hand raised in blessing, egg tempera, gold leaf, and gesso on wood panel, the filigree silver and shaded enamel oklad with floral ornamentation, with loop, marked K.F. in Cyrillic for Karl Faberge, K. Faberge mark in Cyrillic with Imperial warrant and Soviet reassay marks; overall dimensions including loop: 13 x 9 cm (5 1/8 x 3 1/2 in.)
Lot 170
BORIS ANISFELD (RUSSIAN 1878-1973) Boat at Water's Edge, 1905 oil on panel 19.5 x 20 cm (7 5/8 x 7 7/8 in.) PROVENANCECollection of the familyShepherd & Derom Galleries, New York (acquired from the above)Private collection, New YorkEXHIBITEDNew York, Shepherd & Derom Galleries, Nineteenth Century European Paintings, Drawings and Sculpture. Summer Exhibition, April 29 - June 29, 2003, no. 25
Lot 230
A collection of 5x Franklin Mint 1:24 scale precision diecast model cars. Comprising: 1930 Duesenberg, 1935 Mercedes Benz, 1936 Rolls Royce Silver Ghost, 1938 Alvis and 1938 Jaguar (one engine panel missing). Largely appearing mint, but some may have minor details missing. Unboxed. Highly detailed models.
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