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A Persian rug, the central panel set with repeating stylised bird and floral motifs on a cream ground, within a stepped blue and red floral decorated border, approx 108 cm x 117 cm, together with a further Persian rug, the central panel set with floral decorated medallion on a red and cream floral decorated ground, within a stepped cream, blue, red and green floral decorated border, 202 cm x 150 cm
A Bokhara runner, the central panel set with repeating medallions on a dark red ground, within a red and black stepped border, approx 79 cm x 298 cm, together with a Bokhara rug, the central panel set with two rows of repeating elephant foot style medallions on a red ground, within a stepped geometric red and black patterned border, approx 126 cm x 75 cm (2)
A pair of Kelim style rugs, the central panel set with floral decorated medallion on a pink ground within a green border, approx 93 cm x 156 cm, together with a further Kelim type rug, the central panel set with bird and floral sprays on a plum ground, with two cream ground end panels, approx 122 cm x 213 cm (3)
A collection of various sundry items to include two brass Rococo style photograph frames, one volume Daily Mail "Nipper Annual 1938", a leather sporran, cranberry glass baluster shaped vase with white metal mounts, a collection of various boxes, writing slope, a pack of Chad Valley "The Round Game of Snap", Indonesian carved giltwood panel depicting various figures and figure in a boat and four hanging wooden carvings of foliate design in the manner of Grinling Gibbons, together with a bag of various books on the subject of antiques including "Investing in Silver", "The Collector's Dictionary of the Silver and Gold of Great Britain and North America", "Silver: An Illustrated Guide to collecting Silver" and "The Collector's Encyclopedia of Antiques"
A Japanese satsuma bowl, the centre field decorated with two women and child in a garden setting bearing four character mark to base 8.3 cm diameter x 8 cm high together with an Imari octagonal vase and cover 27.5 cm high, an Imari tapered vase with flared rim 30.5 cm high, an Imari circular pot and cover 12.5 cm diameter and an Imari plate with fan shaped panel decoration 22 cm diameter
A 19th Century mahogany square fronted chest of two short over three long graduated drawers with turned knob handles, raised on splayed bracket feet, 103 cm wide x 53 cm deep x 108 cm high, together with a Victorian mahogany panel seated hall chair with carved back, 44.5 cm wide x 91 cm high, an oak framed back stool with upholstered top rail and seat and a beech framed needlework upholstered dressing stool
A pair of 19th Century carriage lamps 35 cm high CONDITION REPORTS First lamp: paintwork with some signs of chipping and possible repainting. The bracket appears to have been glued at some stage. The piece has obviously been wired for electricity as wires sticking out of the base. There is some cracking to the brasswork just beneath the lamp itself. The interior has some wear conducive with age and use down to the copper. The vent has denting and is misshapen around the rim - see images for further detailSecond lamp: base has signs of soldering and electrical wiring protruding, though cut from the pedestal. Paintwork with chipping and/or repainting throughout. One glass panel with chip to the interior. Plating with wear down to the copper. The vent is in better condition than the first lamp though with some areas of white paint dripping - see images for further detail
A 19th Century mahogany bow fronted chest of two short over two long drawers on bracket feet, 86 cm wide x 50 cm deep x 82 cm high CONDITION REPORTS Whilst basically sound, the top has some signs of some rippling where the boards have bowed in several areas and some discolouration. Drawers seem sound. Locks to top drawers are in brass. Locks to bottom drawers are in iron and do not seem to fit perfectly, therefore assumed replacements. Right side panel with much scratching and scuffing conducive with age and use. Left panel not so bad but still with some scuffing and scratching. Back boards with signs of old woodworm. The centre board probably a replacement. See images for further detail.
A collection of various furniture including an oak coffer in the 17th Century style, the plain four panel top over a four panel front carved with figural busts and foliage, raised on stile supports, incorporating some early parts, 95 cm wide x 48 cm deep x 59 cm high, a pair of modern mahogany pedestal occasional tables, 60 cm diameter x 75 cm high, a modern chest of three long drawers, 105 cm wide x 59 cm deep x 74 cm high, a mahogany chest of four long drawers, 93 cm wide x 53 cm deep x 78 cm high, a mahogany serpentine fronted two drawer side table, 100.5 cm wide x 46 cm deep x 76.5 cm high and an Edwardian shaped top occasional table (for restoration) and a white painted framed rectangular wall mirror
A Chinese brass jardiniere with relief panel decoration depicting dragon, turtle, phoenix and an other dragon flanked by stylised elephant trunk handles raised on a phoenix decorated circular foot bearing indistinct seal mark to base 28 cm diameter x 39 cm wide including handles x 25.5 cm high
Late 18th Century/Early 19th century Prosser pipe-backed Naval Officer’s Sword, blade with large spear point etched with a maker's panel ‘Prosser to The Royal Family 9 Charing Cross London’, Royal Arms and a crowned fouled anchor, regulation gilt gothic hilt incorporating a crowned fouled anchor and with bold lion's head pommel, wire bound fishskin grip, contained in its copper gilt mounted black leather scabbard with two suspension rings. Blade length 76cm, overall length 92cm.
* British Isles. Ortelius (Abraham), Angliae, Scotiae et Hiberniae sive Britannicar: Insularum Descriptio [1570 or later], hand-coloured engraved map orientated to the east, large strapwork cartouche and panel of descriptive text, 340 x 490 mm, mounted, framed and glazedQTY: (1)NOTE:Shirley, Early Printed Maps of the British Isles, 86. Marcel van den Broecke, Ortelius Atlas Maps, 16.
Bible [English]. The Bible, that is, the Holy Scriptures conteined in the Olde and Newe Testament, translated according to the Ebrew and Greeke, and conferred with the best translations in divers languages..., Imprinted at London [i.e. Amsterdam]: by the Deputies of Christopher Barker, 1599(?), two initial blanks present (creased, first blank with large letterpress signature 'A' at foot and ownership signature at head of John Bourne of Alford? 29th July 1846), first general title present with woodcut frame border (having 24 small compartments, showing on the left the tents of the twelve tribes, and on the right figures of the twelve Apostles, the inner parts exhibits the four Evangelists), second general title present with woodcut illustration of the crossing of the Red Sea (ownership signature of John Bourne at head), New Testament title within decorative woodcut border (matching border of first general title), few woodcut illustrations and decorative initials, double-column roman type, bound without Apocrypha (as often), sewing at front broken and all leaves before gathering E detached (with some consequent fraying to margins), lacks 2Q8 (blank at end of Old Testament), bound with at rear an incomplete Book of Psalms, with several leaves detached and frayed at rear of volume, borders and columns red-ruled throughout volume, some light damp staining, occasional light dust-soiling and few marks, marbled pastedowns torn and frayed to edges (without free endpapers), armorial bookplate of John Bourne of Dalby to upper pastedown, all edges gilt, 17th century gilt decorated brown morocco, lacking lower panel of spine, board detached, worn, lacking ties, 4to (22.8 x 17 cm)QTY: (1)NOTE:Herbert 248; Darlow & Moule 188, and STC 2174.Geneva version; with Thomson's NT, but with Junius' Revelation. The section containing the Apocrypha, though included in the list of books, was apparently omitted from all except a few copies. These Bibles were printed probably for English use in the Low Countries. There are many editions bearing this date, which while agreeing closely are yet distinct (some possibly published as late as 1640). No doubt a certain number of copies were originally issued in a mixed state. The nominal date, 1599, for most editions is probably untrue in almost every case; they were apparently published at different times in Amsterdam and Dort and adopted by Barker.This edition with Esther i. 1 '... seuen and twen- | ty prouinces'. This, according to Pocock, is probably the earliest of these editions, as it abounds more than any others in gross errors: e.g. Song of Solomon v. 3, defile for put; Isaiah xxx. 32, beards for harps, xxxvi. 12, thing for dung; Matt. xxiv. 50, line repeated. Perhaps printed at Amsterdam about 1599. Some of the copies have variant leaves (Herbert, Darlow & Moule).
Josephus (Flavius). Des vortrefflichen Jüdischen Geschicht-Schreibers Flavii Josephi Sämtliche Wercke, Nemlich: Zwantzig Bücher von den Jüdischen Altersthümern, zwey von dem alten Herkommen der Juden wider Apion, Eins von dem Martyrthum der machabeer, samt seiner von ihm selbst verfassten Lebens-Beschreibung, Zurich: Gessner Gebru?der, Conrad Orell & Co., 1736, engraved frontispiece, letterpress title in red and black, 16 woodcut plates (one folding, & one with juvenile ink drawing to lower margin), three engraved plates, double-page table, contemporary sheep, gilt decorated spine torn to upper panel with loss, rubbed and some wear, folioQTY: (1)
Waugh (Evelyn). Black Mischief, 1932; Scoop, 1938; Scott-King's Modern Europe, 1947; Helena, 1950; Love Among the Ruins, 1953, 1st editions, Scoop 2nd issue with 'as' to last line of p. 88, a little minor spotting, previous owner signature to Black Mischief, original cloth, Scott-King's spine lettering rubbed, Black Mischief and Scoop joints and edges rubbed with small splits, dust jackets for Scott-King's Modern Europe, Helena, and Love Among the Ruins, Helena with tears and losses to front panel and spine, Love Among the Ruins chipped at spine ends, 8vo, together with others by Evelyn Waugh including The Loved One, [1948], Officers and Gentlemen, 1955, The Ordeal of Gilbert Pinfold, 1957, A Tourist in Africa, 1960, and Unconditional Surrender, 1961 (2 copies)QTY: (18)
Postwar Bubble Gum Cards TV Film and Music, various examples, A & BC, Man From Uncle 1965 (L75) may include a set, Beatles B&W 1964 (a set X60) plus (X70 odds), Batman 1966 (pink back no panel X8), Who-Z-At Star? 1958 (X60), TV Westerns 1959 (X25), Golden Boys (X2), 1958, Outer Limits (X3) 1966, Leaf Brands Cliff Richard 1960 (X5), Somptorex Thunderbirds B&W 1967 (L40), P-VG, (Qty)
A set of ten Victorian English fireplace tiles, transfer-printed and hand-coloured, printed with registered design number 190484, forming a panel of double-columned panel decorated with a lady serenading a woman with a flower within scrolling arches, with floral canopy decoration above and below, the panels 77cm long overall when formed (both bottom tiles a.f), together with one further Art Nouveau tile, decorated with flowers, 15cm square (11)
A Coalport jewelled vase, late 19th/early 20th century, of twin-handled form, the overall gilt ground painted with a panel of pastel flowers and applied with white and turquoise cabochon jewels, printed factory marks in green, painted number V2918 in gilt, 15cm highCondition:No cracks or chips. All jewels appear present. Base secured by a bolt.
A Meissen spill vase, late 19th century, the pale blue ground decorated with a panel of Antoine Watteausque lovers, once cancelled crossed swords, 14cm high; together with a small English porcelain poodle on a green base, 6cm high; two small KPM Berlin porcelain 'Months of the Year' or Zodiac figures, dated 1922 and 1917 (March and January), underglaze blue sceptre mark, 9.5cm high; a Meissen figure of a lady with outstretched hand, originally intended to form a candlestick, model B76, 19cm high; a pair of Derby putto figures, 13cm high; and a further Derby bocage putto candlestick figure, missing candleholder, 17cm high (a.f)Condition:Poodle - Base chipped.KPM Berlin figures - March figure missing axehead.Meissen figure - Head and neck broken and restored. Restoration to base.Pair of Derby figures - small breakages to flowers.Derby putto candlestick holder - Arm broken and re-attached. Candleholder missing. Nibbles to outstretched foot. Breakages and losses to bocage. Chip to petal on reverse.
Follower of Henry William Bunbury, a poverty-stricken group of people, including three amputees, label verso indistinctly inscribed ‘…Bunbury, son of….Bunbury….’, inscribed and dated ‘1811’ verso, oil on panel, 30 x 37cm, frame 41 x 49cmProvenance:Private West Midland's estate. Part of a collection formed from the late 19th century. Thence by descent.Condition:Ok. Frame with some old repairs, including corners and some old chips.
A 17th/18th century oak panel back chair, probably Lancashire, the shaped cresting over a plain panel back, stamped I.B verso, the seat with moulded edge raised on turned front supports with turned front and plain side and back stretchers, seat height 43cm, together with an oak high back chair, the shaped cresting later carved, over baton splat between turned side rails, the seat with moulded edge raised on turned front supports, seat height 46.5cm. (2)Condition:Lancashire: Structurally sturdy. Split to back panel. Old chips to side rails. Splits to seat. Chip/loss to left edge of seat. Typical wear and minor cosmetic marks to supports and stretchers.High back: Structurally sturdy. Some small old chips to back cresting and rails. Shrinkage to seat boards. Small split and losses to front corners of seat. General typical wear to supports and stretchers.
A 19th century giltwood overmantel mirror, the near square plate within a moulded bead, the frame with raised panels containing scrolling flowers and foliage, 173cm wide x 168cm high.Condition:Glass appears original and has some minor spotting in places. Frame missing flower boss to left corner panel and there are further small losses to the moulded foliage. Some chips to gesso in places. Gilt rubbed and faded throughout. Generally showing age overall.
Advertising Interest - an original early 1950s Desbeau Corset advertising box. Featuring a 1930s inspired artwork panel to the top featuring an Art Deco lady with underwear. Originally contained 'Hook Side - Tea Rose'. Scarce survivor. No contents. Box measures approx; 38cm long. Both sections present (lid and box)
A 19th century Victorian circa. 1860's Avery style brass needle case entitled 'The Unique'. The needle case having central vignette to centre featuring roses and snowdrops within a Anglo-Indian border, set within an arched panel with palmette motifs with beaded edge. The case opening with booklet type function with central hinged page of four needle booklets, each being intricately engraved with vignette and having numbered cartouche corresponding to different needle types. Stamped 'Registered April 6. 1869'. Measures 98mm length.
W. Avery & Sons of Redditch - 'The Beatrice' - A 19th century Victorian era circa. 1860's brass concertina folding needle case. The case having repousse face opening in concertina fold to reveal panel needle pockets intricately engraved with bouquets of roses with numbered cartouches beneath. Marked Patent / Beatrice to each fixture. Retailed by James William Lewis of Birmingham and George Archbold. The original patent design most likely sold by W. Avery & Sons. Named after Queen Victoria fifth daughter, Princess Beatrice, whom the queen nicknamed 'Baby' and who stayed at home as companion to her mother until her death. Measures 47mm length.

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360406 item(s)/page