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Lot 115
A Large Early 20th Century Bone Fan, mounted with eau de nil silk and backed with gauze of a similar colour. Of balloon form, the leaf is embroidered with silver sequins of different shapes and sizes, in the design of swags and bows. The monture is lightly carved, pierced and gilded. Height to top centre when closed is approx 13.5 inches or 34.5cm; and An Early 20th Century Fan of Fontange Shape, the monture of light wood painted gold, the fine gauze leaf painted with a design of autumnal leaves, mainly in gold, with four small birds with fluffy chest feathers and inquisitive expressions in the central panel below. Height to top centre when closed is approx. 14 inches or 36cm (2)Fan 1 - One central gorge stick is detached from the rib. At this point the silk has been damaged to the lower edge of the leaf. At some point the fan has been pinned to something, a pin hole is evident to the top right side and to the left side there is also rust where the shape of a drawing pin can be seen. Fan 2 - The gauze is split in several places, and the top edge has losses. No signature noted.
Lot 20
''The New Church Fan'': An Early 18th Century Printed Fan, the double paper leaf mounted on plain pale wooden sticks. Published ''with the APPROBATION of the LORD BISHOP of LONDON'', the centre of the fan shows ''Exodus Chapter XX'' and features The Lord's Prayer to the left and other catholic texts. The borders feature crowns. The leaf is marked ''Entered at Stationer's Hall by The Proprietor May 1st 1716. Guard length 9.75 inches or 24.5cm. Together with an 18th century sea green card fan tubeQuite dirty, and some brown staining all along the top border and on most folds. Loss of some paper to the left on the guard panel.
Lot 72
A Large Circa 1890's Brussels Bobbin Lace Fan, mounted à l'Anglaise on pink Mother of Pearl, a central panel of dark cream gauze painted with birds and butterflies amidst blossoms on slender branches, a further spray of flowers and foliage to the side. Signed near the top border Evelas? Guard length 14 inches or 35.5cm. Together with a maroon covered card fan box, the fan shaped label for ''Natalie 169 Sloane Street London'' adhered to the lid interiorVery good, clean and sound. The leaf needs to be partly re-secured to one guard. The box is somewhat battered, and the lid is almost detached.
Lot 69
A Large Late 19th Century Bone Fan, the monture lightly carved with delicate and mainly floral designs, the leaf of Brussels bobbin lace, unbacked but containing a painted gauze central panel depicting a young lady elegantly dressed in white, carrying a fan, smiling at Cupid who is shooting his bow. Most probably a marriage fan. Guard length approx. 35cm. Contained in a card fan bearing the label for the retailer, J Duvelleroy, LondonGood. Two ribs broken. Glue residue on the lower guard. The gauze is not splitting, one small glue stain on the edge of the gauze. No signature noted. Box strong.
Lot 60
An Ivory Fan Dated 1887, mounted with a double velum leaf, depicting a Mediterranean stone balcony beside an ornate stone arch, with colourful woven rugs hanging over the balustrade, a panel carved with initials (KS?), the verso painted with scrolling, two vignettes containing the dates 1877 and 1887, a further larger vignette containing the initials MC. Guard length 13.75 inches or 35cm. Together with a cream card fan box, the inner lid bearing the adhesive label for Maison Ernest Kees, ParisGood strong colour, generally clean, the verso being lightly marked at the top end of at least seven folds. The box lid is defective at both ends.
Lot 32
A Dainty Circa 1755 Ivory Cabriolet Fan, the monture finely painted with flowers, butterflies and Chinoiserie figures, the upper guards with carnations and lilies. The recto shows outdoor scenes of leisure and relaxation, and one couple riding in a horse-drawn carriage. The verso repeats the rural theme, one panel depicting a shepherdess. Guard length 10.5 inches or 26.5cm. Together with a modern black card fan boxThe upper guard has broken at the lower panel level, all parts present. Slight damage to the leaf to the side of this point. Some rubbing to the folds
Lot 99
A Pair of Early 19th Century French Shaped/Rectangular Face Screens or Fixed Fans, each seemingly cut and shaped from a single piece of wood, both rectos painted, one with a crab, oysters and other fish, the second with monkeys in human clothing, grouped around a fire in a bowl, two with long handled pipes, ''The Figaro'' newspaper in the foreground. Both handles are integral and at the shoulder are shaped to form a lyre, each having scrolling designs to border the central scenes, The versos are equally interesting, one with a rural scene of two young women talking to a young man with a donkey loaded with paniers, the second with a hunter on horseback with gun primed, his dogs ready to retrieve. Overall height 15.75 or 40cmBoth screens are slightly warped. The one with the crab has damage to the lyre shape, is generally somewhat rubbed, and the varnish is scuffed in places. It also has been damaged at the head and is now supported by a wood panel on the verso at this point. The fan with the monkeys is in much better order.
Lot 41
A Regency Printed and Hand-Coloured Fan, the double paper leaf mounted on basic and plain dark wooden sticks. The recto depicts a lady wearing early 19th century dress reading a letter which has either been just delivered by, or indeed written by, a young man in breeches, boots and buttoned waistcoat of the period. The scene is bordered with a classical leaf design. The verso is plain. Guard length approx. 8.5 inches or 21.5cm; and A Late 18th/Early 19th Century Printed and Hand-Coloured Fan, the double paper leaf mounted on basic wooden sticks, plain and light to the gorge, plain and dyed dark brown and polished for the guards, with bone thumb guards. The main body of the recto depicts a rocky countryside clearing with tall trees and unusual bushes, mountains in the distance and possibly rural Italian buildings to the bottom left. Centrally, country people take refreshment, one petting a dog. Above and surrounding the scene are 2 borders, one in pale yellow featuring birds attempting to prey upon large insects and snails. The upper border, in cream, has a simple leaf design. To the lower border a very thin pink panel is printed with ''gravé par J B D????on''. Guard length approx. 9.75 inches or 25cm (2)Fan 1 - Very good. One very minor loss to the lower edge of the leaf and some slight marks on the verso, plus at top border level and seen from the right side of the verso, some very very slight staining. Fan 2 - Very good.
Lot 8
An Early 19th Century Wooden Fan, mounted with a sea green double paper leaf, completely plain save for a silver top border. Guard length 9 inches or 23cm; A Late 18th Century Carved And Pierced Wood Brisé Fan, the top half of all sticks carved and pierced with classical designs, some colour highlights. A central applied vignette of a gravure on paper shows a pensive lady in classical flowing robes, a dog at her feet. To each side, a rectangular vignette painted onto the sticks, containing stylised swags and flowers. The verso is plain. Bone thumb guards. Twenty-eight inner stick plus two guards. Guard length 9.5inches or 24cm; A Late 18th Century Wood Brisé Fan, carved and pierced throughout with roundels and a central shield containing initials. Twenty-seven inner sticks and two guards. Guard length 10.25 inches or 26cm; and A Late 18th Century Wood Brisé Fan, with Chinoiserie style decoration, the twenty four inner sticks and two guards carved and pierced and featuring 6 ovals. Centrally, the applied paper panel depicts a rural scene with rocks, stylised trees, a bridge spanning a river on which basic boats are travelling. A multi storey pagoda style building sits atop the rocks. To the left, however, is a much more European style building with a stone tower, and castellated walls behind. The verso is plain. Guard length 11 inches or 27.5cm (4)Fan 1 - Generally good, some rubbing to the folds. Fan 2 - The ribbon needs replacing. One stick is broken at the tip and repaired on the verso. Several of the stick tips have loss. Fan 3 - The upper guard has part of the next stick in stuck to it, and the guard itself has damage. The lower guard has 2 metal plate repairs. At least 3 of the inner sticks have losses. The ribbon needs replacing. Fan 4 - At least 2 sticks are missing, the large ovals are missing one stick at each side.
Lot 112
A Fine Fan by Alexandre, circa 1880, believed to have belonged to the Infanta Maria de la Paz (1862-1948), daughter of Queen Isabella II of Spain and her husband Francisco. In 1880 The Infanta married her first cousin, Prince Ludwig Ferdinand of Bavaria, a member of the Bavarian Royal House of Wittelsbach and a General of Cavalry. Following the marriage, the couple lived outside Munich in the Nymphenburg Palace. The couple visited Paris on their way to Munich which presents the possibility of the fan being purchased then. The double velum leaf, painted with a charming and amusing scene of a wealthy couple in fine costume taking tea in the garden, the lady reading a letter, younger family members noting that the gentleman is snoozing and tickling him with a flower to rouse him from slumber. A further group of adults, possibly including clergy, are in discussion to the side. A stream and woodland next to a fine country house complete the scene. Signed M de Garay in red on the recto, bottom left, the leaf is mounted on carved and pierced blond tortoiseshell sticks. The upper guard has a panel left plain for a monogram. The verso is painted with PAZ underneath a coronet and is inscribed ''Alexandre'' to the left border. Guard length 11.75 inches or 30cm. Together with a lilac silk covered hinged fan box, lined with lilac, the interior of the lid stamped with a scrolling design in gold that could contain the word ''éventail'' and perhaps more, but is hard to distinguish Provenance: Lot 774 in Sotheby's sale in Amsterdam entitled ''Of Noble and Royal Descent ...'', held on 18th-20th February, achieving a hammer price of 3317,00 eurosSuperb detail to the costumes including the quilting to the petticoat worn by the lady to the left. Light wear to the folds. Some brown staining to the verso. The exterior silk of the box has faded in comparison to the strong interior colour
Lot 77
A Late 19th Century Point De Gaze Needle Lace Fan Mounted on Ivory, the sticks gilded, the guards elaborately carved with cupids, flower baskets, a bird and the initials ''LB''. The Belgian lace surrounds a central cream gauze panel painted with a portrait of Emile Blavet, signed beneath ''th Ballervy''? The verso is unadorned. The needle lace is of fine quality with varied and intricate fillings. A large elaborate cream silk tassel incorporating metal threads is attached. guard length 14 inches or 34.5cm. Together with a fine and substantial cream silk fan box bearing the initials ''LB on the lid exterior, and Geslin fan label within. The interior of the box is padded and quilted Provenance: Collection of Mrs Blavet, featuring a portrait of her husband. Emile Blavet was a French writer and journalist, with several novels to his credit. He contributed to many French newspapers, the Figaro perhaps being the most well-known, and was Editor in Chief at others. He married his second wife, Lucie Dupuis, a soprano, on July 4th 1888, in Paris. This may well have been her betrothal fanThe monture is sound, the gauze is strong. Some brown spotting on the lace and the gauze but not extensive. No retailer label in the box.
Lot 68
A Circa 1880s Bone Fan, the monture carved and pierced, perhaps in the fashion produced by the tabletiers of Meru, France, with flowers and leaves carved to the guards and a central more elaborate panel to the gorge. The double silk leaf, in cream, is mounted with a leaf in handmade Mixed Brussels lace, the major part in bobbin applique with a top border featuring needlelace; A Smaller Early 20th Century Lace Fan, of Bruges Bobbin lace, not backed, mounted on bone sticks which have been painted where flowers feature; and A Third Fan, the bone monture carved and pierced with roundels, the black gauze leaf, mounted à l'Anglaise, applied with a floral spray of Brussels bobbin lace. Guard lengths 28.5cm, 22cm and 23cm respectively (3)Mixed Brussels fan, the gorge is missing a stick. The Bruges fan appears in good general order, and the applique fan has some slight loss to the delicate piercing, with four of the gorge sticks being reinforced from the verso
Lot 96
CHINESE PORCELAIN BLUE & WHITE PEDESTAL SHALLOW BOWL with central panel depicting figures on a bridge within landscape, within bird & foliate border extending to outer rim, unmarked, 35cms diam. Condition Report: piece has crack going right from one rim through base to the other, some firing flaws but no other serious damage, minor chips to base rim.
Lot 172
CHINESE PORCELAIN FAMILLE VERTE TURQUOISE GROUND ONION-SHAPED VASE decorated with fantastic bird panel within floral & geometric borders, unmarked, 38.5cms high Condition Report: has been restored to the flared rim, body sounds a little dull to the touch, maybe further restoration, also crack from top rim down through fair section of the neck.
Lot 130
LARGE CHINESE PORCELAIN BLUE & WHITE WALL CHARGER with central panel depicting junk boat, island, pine trees & the moon with floral & scroll border, unmarked, 43cms diam x 9.5cms high Condition Report: crack from rim down through to bottom of piece, minor chippings to edges & a little stain, otherwise okay.
Lot 313
Dutch continental silver panel chain link bracelet, cast Biblical decoration possibly depicting Moses and the Ten Commandments, remnants of gold plate, tongue and box snap clasp, engraved to reverse, Dutch dolphin hallmark, width approximately 27mm at widest point, length approximately 18.5cm
Lot 318
Art Deco marcasite and paste silver brooch of stepped form, the central square cut blue paste stone with applied marcasite decoration, black paste set to sides, full set marcasite surround; an Art Deco blue and white paste silver panel bracelet, each panel set with rectangular blue paste and round mixed cut diamante, millegrain detailing, width approximately 20mm; together with a blue paste filigree white metal hinged bangle, width approximately 23mm (3)
Lot 357
Victorian mother of pearl and silver circular pin tray with rose metal Spade emblem to centre of mother-of-pearl panel, pierced silver border surround, makers mark indistinct, hallmarked Birmingham 1892, diameter approximately 8cm; a small white metal hand mirror, rose and foliate scroll decoration to reverse, length approximately 17cm, together with a silver handled magnifying glass, stylised scroll decoration to handle, hallmarks indistinct (3)
Lot 493
Japanese silver cruet set of cauldron form comprising two open salt cellars, two open pepper pots and one mustard pot, raised on three conical feet, the body with decorative stylised leaf design to small circular panel, engraved Greek Key design to rim, colourless glass liners, various salt spoons, Character marks to base, height approximately 5cm (5)
Lot 72
9ct yellow gold textured wedding band with engraved x decoration, width approximately 7.5mm, ring size N½ together with a pearl set 9ct yellow gold pendant, the spherical white cultured pearl set to the centre of openwork scroll design panel, length including integrated bale approximately 18mm
Lot 201
Pair of early twentieth century enamelled silver cufflinks, each oval panel with purple enamelled centre depicting rose design, cream enamelled border surround, dimensions of panel approximately 19.5mm x 12.5mm, brass links, together with a cased set of mother-of-pearl Krementz cufflinks and dress studs (2)
Lot 217
Victorian silver oval sweetheart brooch, the central raised panel with forget-me-not flowers and basket in low relief, scroll and stylised Greek Key border surround, silver beads to edges, hinged pin and simple loop brooch fittings, dimensions approximately 3cm by 4cm; a moss agate silver brooch, the oval cabochon cut moss agate measuring approximately 24.5mm x 17.5mm, rub over setting, laurel leaf border surround together with a pair of George V silver chain link cufflinks, textured sunburst style engraved oval panels, makers Henry Griffin & Sons Ltd, Chester 1930, each panel measuring approximately 19mm x 12mm (3)
Lot 237
Edwardian diamond and sapphire 9ct rose gold brooch, the marquise shaped centre raised panel set with small rose cut diamond to centre and two small round mixed cut blue sapphire, gypsy settings, bead, rope twist and zigzag decoration to surround, hallmarked Chester 1907, hinged steel pin and simple loop brooch fittings, compartment to reverse (missing glazed panel) length approximately 4.5cm
Lot 239
Victorian rose metal pendant of circular form, central glazed compartment with cast foliate scroll surround, engine turned decoration to reverse, plain polished panel to centre, bale with cast foliate decoration, on later 9ct gold chain, diameter of pendant approximately 25mm, assessed as gold
Lot 241
Pair of George V 9ct yellow gold chain link cufflinks, each oval panel with engraved zigzag decoration, plain centres, dimensions of panel approximately 18.5mm x 10mm together with a pair of 9ct yellow gold chain link cufflinks, oval and hexagonal panels with engraved zigzag and lozenge decoration, initials to centre, the reverse with personalised inscription (2)
Lot 282
Five Victorian stick pins to include Victorian Etruscan Revival seed pearl enamelled yellow metal stick pin, small seed pearl set to centre of raised star, black enamel surround, rope twist and bead detailing, lozenge registration mark to reverse; yellow metal oval panel stick pin depicting a bird and nest; small round mixed cut ruby 9ct yellow gold stick pin, 9ct rose gold horseshoe stick pin and a white baroque pearl stick pin, the baroque pearl measuring approximately 5mm x 6.5mm (5)
Lot 284
Collection of Victorian pendants to include yellow metal pendant, the central glazed panel containing a photograph of a Victorian women, cast foliate border surround and bale, the reverse with plaque engraved Marion Bushell 1863, dimensions approximately 3cm x 2.5cm (excluding bale) assessed as yellow gold; a silver locket pendant of shield form depicting a sportsman, blank cartouche to reverse; an agate intaglio pendant depicting a beard Gents profile and a Victorian gold plated locket (4)
Lot 288
Einar Modahl: Norwegian enamelled silver panel necklace, each curved flared panel with blue basse-taille enamelling and black enamelled stripe to each end, width approximately 22mm, tongue and box clasp, stamped 925 S Sterling Norway with Eina Modahl makers mark, length approximately 38cm (enamel chipped on the clasp panel)
Lot 293
Carnelian, moss agate and banded agate gold plated bracelet, the oval moss agate panel with rub over setting, rectangular carnelian and banded agate panels, elasticated, width at widest point approximately 38mm; an amber silver Celtic knot brooch, rub over set central oval cabochon clarified amber, Celtic knot design surround, diameter approximately 5.5cm together with a clarified amber silver pendant and two similar (5)
Lot 304
Collection of gold items comprising Victorian 9ct rose gold bar brooch, two gate style bars running through two open hoops, bead decoration, steel hinged pin and simple loop brooch fittings, length approximately 39mm; a pair of Edwardian 9ct rose gold chain link cufflinks, the oval panels with engraved foliate decoration, each panel measuring approximately 15mm x 9mm, hallmarked Chester 1903; a 14ct yellow gold textured cross pendant and an early George V 9ct gold cased part glazed fob, hallmarked Birmingham 1915 (af) (4)
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360412 item(s)/page