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Lot 445
A REGENCY MAHOGANY MANTEL OR TABLE CLOCK the white Roman convex dial inscribed Handley & Moore, Clerkenwell, the twin train fusee movement with bell strike, the shouldered plates with engraved border and pendulum hold fast, the arched case with brass swing handle, inset panel front and fish scale side frets upon a moulded plinth base with brass ball feet, 39cm high handle down
Lot 415
A 19TH CENTURY MAHOGANY MANTEL OR TABLE CLOCK, the convex Roman dial inscribed B. Lautier, Bath, the twin train fusee movement with shouldered plates, bell strike with pull repeat and pendulum hold fast, the arch top case with acanthus scroll and rosette cresting over brass inset canted corners, twin brass ring handles, fish scale side frets and inset panel skirt base with turned feet, 42cm high
Lot 384
AN EARLY ORTHODOX ICON depicting St John The Evangelist holding the Bible open on John Chapter 1, Verse 1, with attendant eagle and angel on a bowed panel with remnants of an early label which implies it came from The Church of St John the Baptist built in Kerch in Crimea, which was built in the 10th Century, approximately 45cm x 35cm
Lot 171
After Tiziano Vecellio, called Titian (Italian, circa 1485/90-1576): 'The Music Lesson', oil on panel, H 15 x W 20.5 cm. Note: The present picture relates to a larger oil on canvas, circa 1535, in the National Gallery London. Originally thought to be by a later follower, the work was recently restored and attributed to Titian
Lot 202
Edward Robert Smythe (British, 1810-1899): A boy with a plumed hat seated in a landscape with horses, dogs & their catch, a distant church beyond, oil on panel, signed lower right, H 34 x W 39 cm. Provenance: with Oscar & Peter Johnson Ltd, where acquired by the present vendor in 1978. Exhibited: the Lowndes Lodge Gallery, London, 'The Smythes of Ipswich', March 1978, No. 8
Lot 259
A pair of northern Omani womans white metal wedding or Nizwa anklets, probably Muscat region, late 19thC, heavy hollow structure, of robe twist bands flanking a central rectangular panel with stamped motif of circles and lines, two securing pins and one with large floret lead, external diam 11.5cm internal diam 6.5cm max (2)
Lot 587
AN OAK LONGCASE CLOCK by William Billsborrow (sic), the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 11" square brass dial with Roman and Arabic numerals, silvered centre chased with Masonic emblems and with calendar aperture, the case with moulded cornice and plain frieze on quarter columns, plain trunk and door, panel base on plinth, 82 1/4" high
Lot 692
AN OAK PRESS CUPBOARD, mid to late 17th century, the canopy with moulded cornice and strapwork carved frieze having turned pendants and enclosing two panelled doors flanking a central panel, the whole carved with stylised leaves and flowerheads, the base with lunette carved frieze over two triple panel doors carved with scrolls and lozenges, panelled sides, on stiles, 64 3/4" x 22 3/4" x 73 1/4" (Illustrated)
Lot 583
AN OAK LONGCASE CLOCK by William Elliot of Whitby, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with foliate chased centre and with Roman and Arabic numerals, calendar dial, signature roundel to arch, the associated case with dentil inlaid and moulded cornice below a raised surmount with turned finials, deep frieze with applied fretwork on fluted columns, chamfered trunk with arched door, panel base and bracket feet, 86" high
Lot 647
A GEORGIAN MAHOGANY SECRETAIRE BOOKCASE, c.1800, the moulded cornice and plain frieze over two astragal glazed doors enclosing adjustable shelving, secretaire drawer with ebony stringing faced as three, the centre with inlaid oval panel, opening to fitted interior with drawers and pigeon holes, three long graduated drawers below, turned brass handles, reeded base and bracket feet, 49" x 22 1/4" x 95" (Illustrated)
Lot 714
A VICTORIAN MAHOGANY ARTS AND CRAFTS STYLE SIDEBOARD, the raised shelved back extending out on either side on spindles fronted by square tapering supports and centred by two small central cupboards having leaded green glass panels, mirror below flanked on either side by a pierced copper panel, the base with two frieze drawers over central alcove with spindle gallery flanked on either side by a panelled cupboard door, embossed drop handles and strap hinges, on square section supports and block feet, 72 1/4" x 24" x 71 1/4"
Lot 210
AN EDWARDIAN SILVER TWO HANDLED TEA TRAY, makers Barker Brothers, Chester 1909, of shaped oval form, the pie crust rim with gadrooning and escallop shell cast angles, and similar open scroll handles, centrally chased and engraved with a border of rococo scroll panels and stylised foliage enclosing a vacant panel, raised upon four scroll cast feet, 27" wide over handles, approximately 96 ozs (Illustrated)
Lot 689
A LATE VICTORIAN ROSEWOOD SUTHERLAND TABLE, the moulded edged canted oblong top with satinwood banding, raised on reeded square section end supports with down curved feet and fret panel, similar stretcher and ring turned leaf supports, 24" x 6 3/4" x 23 3/4", together with a mahogany and string inlaid tub chair with padded seat, 20 3/4" x 16 1/2" x 31 3/4"
Lot 581
A MAHOGANY LONGCASE CLOCK by William Nicholson, Edinburgh, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with Roman and Arabic numerals, seconds dial, calendar aperture and signature ark, strike/silent dial in the arch, the case with scrolled broken pediment, carved rosettes and turned brass finial on fluted columns, canted panel base and bracket feet, 88" high (Illustrated)
Lot 680
AN EDWARDIAN PAINTED SATINWOOD OCCASIONAL TABLE of circular form crossbanded with stringing, the top with central floral bouquet within a trailing floral border, panel inlaid frieze, raised on square tapering legs and splayed feet joined by a concave sided square undershelf, 18" x 27 1/4" (Illustrated)
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360406 item(s)/page